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Annie Ross Uk £3.25
ISSUE 162 SUMMER 2020 ANNIE ROSS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by Merlin Daleman ANNIE ROSS (1930-2020) The great British-born jazz singer remembered by VAL WISEMAN and DIGBY FAIRWEATHER (pages 12-13) THE 36TH BIRMINGHAM, SANDWELL 4 NEWS & WESTSIDE JAZZ FESTIVAL Birmingham Festival/TJCUK OCTOBER 16TH TO 25TH 2020 7 WHAT I DID IN LOCKDOWN [POSTPONED FROM ORIGINAL JULY DATES] Musicians, promoters, writers 14 ED AND ELVIN JAZZ · BLUES · BEBOP · SWING Bicknell remembers Jones AND MORE 16 SETTING THE STANDARD CALLUM AU on his recent album LIVE AND ROCKING 18 60-PLUS YEARS OF JAZZ MORE THAN 90% FREE ADMISSION BRIAN DEE looks back 20 THE V-DISC STORY Told by SCOTT YANOW 22 THE LAST WHOOPEE! Celebrating the last of the comedy jazz bands 24 IT’S TRAD, GRANDAD! ANDREW LIDDLE on the Bible of Trad FIND US ON FACEBOOK 26 I GET A KICK... The Jazz Rag now has its own Facebook page. with PAOLO FORNARA of the Jim Dandies For news of upcoming festivals, gigs and releases, features from the archives, competitions and who 26 REVIEWS knows what else, be sure to ‘like’ us. To find the Live/digital/ CDs page, simply enter ‘The Jazz Rag’ in the search bar at the top when logged into Facebook. For more information and to join our mailing list, visit: THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 BRITISH JAZZ AWARDS CANCELLED WWW.BIRMINGHAMJAZZFESTIVAL.COM Fax: 0121 454 9996 Email: [email protected] This is the time of year when Jazz Rag readers expect to have the opportunity to vote for the Jazz Oscars, the British Jazz Awards. -
A Darkness at the End: the Shadows Know Your Name Free
FREE A DARKNESS AT THE END: THE SHADOWS KNOW YOUR NAME PDF Ruth Frances Long | 448 pages | 12 Sep 2016 | O'Brien Press Ltd | 9781847178633 | English | Dublin, Ireland LARRY GATLIN - LIGHT AT THE END OF DARKNESS LYRICS O'Brien Press uses cookies on this website. They are stored locally on your computer or mobile device. To accept cookies continue browsing as normal. Or go to the cookie policy for more information and preferences. Holly, the fae matriarch, tries to sieze the power of heaven for herself, while Izzy has lost her memory and Jinx is dead The final book in the contemporary fantasy trilogy set in Dublin: and Dubh Linn, the fae world that exists in the cracks and corners of reality. Angels, A Darkness at the End: The Shadows Know Your Name demons and humans are drawn into lethal conflict as the fate of the world hangs in the balance in the final installment in this urban fantasy. Confronted with ancient powers, sacrifice and treachery. War is looming within the ranks of the Sidhe. The angels and the demons begin to draw lines, daring each other to transgress and start another war She studied English Literature, History of Religions, and Celtic Civilisation in college and now works in a specialised library of rare and unusual books. She skilfully melds real Dublin and magical Dubh Linn, making excellent use of the history surrounding the locations. She writes about Dublin as a place of magic and story, making the Irish reader see their place in a new way … a brilliant read, both heart-pounding and heartbreaking. -
Warren Dosanjh the Music Scene Of
i-spysydincambridge.comi-spysydincambridge.com The Music Scene of 1960s CAMBRIDGE Walking Tour, Venues, Bands, Meeting Places and the People Award Winner 2014 researched and compiled by Warren Dosanjh 6th Edition April 2015 Walking Tours 2009-12 Photos © Mick Brown For information on how to book a fascinating guided walking tour of the 1960s Cambridge music scene, please contact: [email protected] Introduction ambridge developed its own unique music scene during the 1960s. Some local musicians later left and became internationally Cfamous while others, equally talented, chose to remain in the city. This booklet describes the venues, meeting places, the way of life of young people during the 1960s and some of the bands that entertained them. The story is told by Cambridge residents and musicians who were there in those times and are still here today! Contents III Map of City Centre showing positions of venues 1-22 Venues, meeting places and gallery of local people 24-26 Roots of Cambridge Rock photos and links 27 Devi Agarwala remembered and Maxpeed Printers 28-31 Pete Rhodes, Alan Styles, Tony Colleno and Clive Welham remembered 32-67 Bands and Vocalists 68 About this booklet 1 Photo by Ralph Goodfellow Publisher and main contributor: Warren Dosanjh, email: [email protected] Editing/Layout/Selected Youtube clips: Mick Brown, email: [email protected] with editorial help, advice and research by David Chapman Further contributions and research: Lee Wood, Alan Willis, Jenny Spires, Brian Foskett, Viv ‘Twig’ -
'Talk of the Town', And, Later in the Year, in Cabaret Wi
1966 The group appeared with Cliff for a six-week spell at London’s ‘Talk Of The Town’, and, later in the year, in cabaret without Cliff at Bournemouth and South Shields. But they were with him for three further major projects, the films ‘Finders Keepers’ and (as puppets) ‘Thunderbirds Are Go’; and also (in the flesh) the pantomime ‘Cinderella’ which opened at the London Palladium on 10 December 1966. For all three, the first two especially, they penned a number of finely crafted vocal and instrumental pieces, which resulted in eponymous releases, an LP (which made No.6), an EP (No.6 again), and another LP put out in January 1967 (a mere No.30 for Cinderella , a very uneven set, the first Cliff Album not to make the Top 20). The high points for Cliff and The Shadows in the Singles department were the outstanding ‘Time Drags By’ (No.10) and ‘In The Country’ (yet another No.6), both group compositions. The Shadows fared less well with their own Singles, the first and third of which were vocals: [138] I MET A GIRL (No.22), [154] A PLACE IN THE SUN (No.24), [156] THE DREAMS I DREAM (No.42). [138] I MET A GIRL was eminently hummable, if not in the league of “a Rubber Soul outtake”, to which one reviewer likened it; nobody appears to have stopped to reflect that the elegant [154] A PLACE IN THE SUN, released in July, might have been wholly out of line with current market trends, as a glance at the Top 20 for the beginning of August, say, will reveal; as it happened though, Hank Marvin’s [156] THE DREAMS I DREAM, the most commercial-sounding by far and a composition that compares favourably with his later favourite [203] THE DAY I MET MARIE, was the one that gave them their lowest chart placing to date; it would be recorded by Cliff Richard without The Shadows on the 1968 Album Established 1958 . -
Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo .. -
Beat Instrumental " the COMPLETE Magazine Valentine of the Animals
NOVEMBER N 19 1964 0. EDITORIAL & ADVERTISEMENT OFFICES: 244 Edgware Road, London, W.2 Telephone: Paddington 6875 PUBLISHER: Sean O'Mahony EDITOR: Johnny Dean ART EDITOR: Bob Gibson ASS. FEATURES EDITOR: Kevin Swift ADVERTISEMENT MANAGER: R. M. Noble INSTRUMENTAl World Copyright Reserved Editorial----- - - CONTENTS 7 REl\!IEMBER THE BAD OLD DAYS WHEN OUR TOP Page I TWENTY WAS PACKED OUT WITH AMERICAN DISCS? 4. Profile on Curt Cresswell of The I How tin1es have changed! Now, the best records, whether they're Naturals. American or British, top the charts on both sides of the Atlantic. 5· Are Manager's Really Necessary? I WHAT HAS ALTERED? OUR SINGERS? No, not really. 6· Looking for Excitement. 7 The big difference is surely that previously, the backings on British · ::~urh;f;~ ~e~~~t;s:;;liff Bennett I discs were provided by session musicians who didn't really care a. sound City and Drum City. about the music they were playing: not all of them, of course, but 9. Chet Atkins. 1 a big enough percentage to take the "feel" out of many records. 10. Price 1s No Object and Win I Now, the instrurnentalists are people who buy records themselves George Harrison's Guitar Comp, and understand the sort of music they are playing. Give them the 11. Besson Advertisement. I nln of a recording studio and they don't want to leave until they 12. Welsh Beat. have produced something good. And what great records our groups 13. Premier Drums. I are turning out these days. 14. Where is Everybody and Hohner YOUR LETTERS HAVE BEEN A BIG HELP IN PLANNING Advertisement. -
(New Releases) Exceeded Those Made with Cliff, 23 Tracks As Against 11
1962 This year, for the first time, The Shadows’ own recordings (new releases) exceeded those made with Cliff, 23 tracks as against 11. Still, their more limited involvement with him brought dividends: two Singles at No.1, taking in two classics, ‘The Young Ones’ and ‘Bachelor Boy’, and two at No.2; an Album at No.3; of the various EPs one made No.1, another No.4. Once again, the stream of group compositions did not even begin to run dry: all four contributed to numbers for themselves and/ or for Cliff, the high point here being the superb material for The Boys EP. Now, in fact, The Shadows truly came into their own, by notching up a remarkable four Number Ones in the face of stiff opposition throughout: [47] WONDERFUL LAND, with [69] DANCE ON! following on closely, hitting the top early in 1963 ([49] GUITAR TANGO stalled at No.4); two EPs of five going the rounds: Spotlight On The Shadows (compilation) and The Boys (fresh material); and a second Album, Out Of The Shadows . The Shadows were arguably unlucky with [49] GUITAR TANGO, released in July: it was challenged, and beaten, by a number of big-name vocalists, Frank Ifield, Pat Boone, Ray Charles and Bobby Darin. The other two releases fared better. Their most successful Single ever, and an essential ingredient of live performances, [47] WONDERFUL LAND thrust aside Elvis Presley’s ‘Can’t Help Falling In Love’/ ‘Rock-A-Hula Baby’, and enjoyed an eight-week stay at No.1, before being dethroned by B Bumble & The Stingers’ ‘Nut Rocker’. -
INDEX of FEATURES up to and Including Pipeline 118
INDEX OF FEATURES up to and including Pipeline 118 100 Guitars stage show: 37 '1961' live at Pipeline Convention: 27, 64 3 Balls Of Fire feature interview: 70, 93 2i's Coffee Band, The live at ShadowDania: 112, 115 3 Balls Of Fire live at Pipeline Convention: 71 4 Jets, Los feature & discog: 54 45s: The 30 Best Double-Siders Dave's list and text: 111 5 O'Clock Shadows, The live at Shadoz: 60 A.J. Band live at Keith Newton benefit: 6 Aces, The overview & discog: 33 AdVenture live at Instrumental Rock Guitar Festival: 58 Ainsby, Neil interview: 64 Ahab & The Wailers feature: 112 Akkerman, Jan feature interview: 67 Allan, Davie, & The Arrows Davie Allan interview: 79 Allan, Davie, & The Arrows feature: 38, 47 Allan, Davie, & The Arrows live in London 1996: 35 Allen, Richie feature, interview & discog: 88 Alphonso, Roland tribute: 46 Angel, Eddie feature interview: 100 Apemen, The interview: 32 Apollo 11 live at Pipeline Convention: 84 Arousers, The feature: 32 Atkins, Chet Chet on CD: 54 Atkins, Chet feature & discog: 15 Atkins, Chet tribute: 54 Atlantics, The feature interview: 69 Atlantis (group) live at Shadows Fan Meeting, Tilburg: 98 Auger, Brian feature:50 Avantis, The Judd Hamilton feature interview & discog: 77 Bachman, Randy feature, interview & discog: 25 Ballard, Russ interview: 114 Banned Instrumentals feature: 117 Barons, The feature & interview: 118 Barry, John interview: 29 Barry, John tribute: 86 Barry, John, Seven feature & discog: 18 Baxter, Bruce Sons Of The Piltdown Men feature & interview: 104 Beat Poets, The feature -
Shadowsnyt Nr 25
SShhaaddoowwssNNyytt 2255 December 2007 Gendannes Cliff & The Shadows i 2008 ? 1 Vi har også fået ny redaktør af vores blad, Velkommen til ShadowsNyt 25 dette er det første nummer under hans hånd. Kære venner…Dette er mit første blad som Vi har også fået afholdt et lokaltræf i Bag- redaktør. Håber at I tager godt i mod det. Har sværd med 2 bands på programmet og god du indlæg til bladet kan du sende dem på: deltagelse, så mon ikke det vil gentages til E-mail: næste år? [email protected] eller til: Sidst men ikke mindst har vi fået mange nye Palle Schou Hansen medlemmer i 2007, velkommen til jer alle- Kløvervej 29 sammen. 4700 Næstved Med alle de ting jeg lige har nævnt vil jeg m.v.h. mene der er rigtig god grobund for en god Redaktør fremtid for klubben, med mange træf med Palle masser af gode musikoplevelser. Det første træf vil være den 30. marts, hvor vi ShadowsNyt er medlemsblad for afholder vores årlige landstræf med general- Den Danske Shadows Klub forsamling, det foregår som sædvanlig i Bor- gerforeningens hus i Nyborg, det vil blive i den store teatersal, hvor der udover musikken INDHOLDSFORTEGNELSE også vil være udstilling af musikinstrumenter mv., husk at tilmelde jer til træffet, jo før jo Side 2: Velkommen til Shadowsnyt bedre. Side 2: Indholdsfortegnelse Side 2: Formanden har ordet Den 6. september afholder vi sammen med Side 3: Generalforsamling & træf Cliff Richard fan klubben ’Stronger’ et arran- Side 7: Bestyrelsen gement i anledning af Cliff & Shadows 50 års Side 8: Hvorfor lyder jeg ikke som Hank jubilæum, som vi kalder ’Cliff & Shadows- Side 10: Gendannes Cliff & Shadows i 2008 Dania 1958-2008’. -
WHY Bonham Still Rules!
ROCK ROYALTY ISSUE WHY BONHAM STILL RULES! FANATICS DRUMMING FOR TOMMY LEE RETURN OF THE DRUMMER KING BECOME A GRIP MASTER! THOMAS LANG SHOWS YOU HOW ISSUE 172 10 PLUGGED IN: HOW TO 20 GET THAT ’70s ROCK DRUM SOUND October JAY WEINBERG JOINS MADBALL MIKE WENGREN’S LATEST DISTURBED DRUM PARTS CAN $5.99 US $5.99 Bonham performing with Led Zeppelin in Los Angeles, June 1973. STILL ThE ONJohn Bonham definedE rock drumming like no one Before or Since. on the 30th anniverSary of hiS paSSing, Bonzo’S friendS and fanS pay triBute. onzo’s gone. Zeppelin is finished.” It’s been 30 years since the tragic news broke from Jimmy Page’s Mill House, in Pangbourne, Berkshire. The memory “B of John Bonham, fuelled by fact and fantasy, has since grown to become legend. But the reality is, Bonham was every bit as good as they say. He was the man with the golden groove, the sensational chops, and that great, big sound. Friends and fans remember the loud but loveable bloke from Birmingham with gratitude and respect. By wayne Blanchard Photo: JEFFREY MAYER/WIREImaGE/GETTY ImaGES 44 DRUM! October 2010 drummagazine.com drummagazine.com October 2010 DRUM! 45 John Bonham To them, he defined and dignified rock drumming. And This wasn’t about redefining something old. Bonham was Rich, Joe Morello, Davey Tough — the American jazz rudiments and healthy in the music of the day.” But Ward all these years later he remains The One. Yes, there have about defining something new. Rock drumming had never greats — were their heroes, so the “ting-ting-a-ting” swing has an admission. -
The Shadows at Polydor
THE SHADOWS AT POLYDOR MALCOLM CAMPBELL IDMON PUBLICATIONS PEGSWOOD, MORPETH 2003 & 2012 Published by Malcolm Campbell (Idmon Publications) PO Box 160 MORPETH Northumberland NE61 6WY England UK E-mail: [email protected] Website: http://www.malcolmcampbell.me.uk First published as a hard copy in paper 2003 First published as a free pdf file for non-commercial use only 2012 © Malcolm Campbell 2003 & 2012 Typeset by Malcolm Campbell Printed and bound by: SHAW Printing Pegswood, Morpeth The trademarks A & M, Arista, Atlantic, BBC, Bianco Music & Entertainment, Capitol, Casablanca, CBS, Crimson, Debut, Dino Music, Disky, Dreyfus, EG, EMI, Epic, Geffen, Grunt, HMV, Island, J & B Records, Jive, Karussel, London, MCA, Mercury, Motown, Music Club, Parlophone, Pickwick, Polydor/Polygram TV/Polytel, PWL, RCA, Reader’s Digest, Really Useful, Rocket, Rotation Polymedia, Scotti Brothers, See For Miles, Spartan, Spectrum, Telstar, Tembo, Universal/Connoisseur, Vertigo, Virgin, Warner Bros are used courtesy of the owners. Photographs throughout the text © and reproduced by kind permission of John Hank Humphrey and David H Hawley; that on p. 76 used courtesy of www.delshannon.com. Title Page The three core members of the band at Leeds Grand Theatre in 1986, photographed by John Humphrey A CIP catalogue record for this book is available from the British Library ISBN 0 9535567 2 7 CONTENTS page Preface & Acknowledgements 4 INTRODUCTION I Review of Vinyl and CD Releases A: Singles 10 B: Albums 13 II The Shadows Uncovered 20 III Shadows Personnel 29 IV Arrangement and Production 32 V UK Labels and Picture Sleeves 35 ANNUAL SURVEYS, 1980-PRESENT Ingredients & Layout 38 The Surveys: Vinyl / CD 40 DVD 246 • Appendix: EMI Cover Versions 248 • Index of Song-Titles 254 The End Of An Era 260 THE SHADOWS AT POLYDOR PREFACE AND ACKNOWLEDGEMENTS This book looks in detail at The Shadows’ recorded output, and the various releases stemming from it, since their move to Polydor in 1980, so picking up where The Shadows At EMI left off. -
Knights Bachelor Knighthoods
Knights Bachelor Knighthoods David Charles Maurice BELL Chair, Financial Times Group. For services to Business, the Arts and Charity in London. (London, N1) Trevor David BROOKING, CBE Director of Football Development, English Football Association. For services to Sport. (Shenfield, Essex) Hugh Robert COLLUM Chair, British Nuclear Fuels. For services to the Nuclear Industry. (Nr Uckfield, East Sussex) Professor Alan William CRAFT President, Royal College of Paediatrics and Professor of Child Health, University of Newcastle-upon-Tyne. For services to Medicine. (Newcastle-upon-Tyne, Tyne and Wear) Professor Peter Robert CRANE, FRS Director, Royal Botanic Gardens, Kew. For services to Horticulture and Conservation. (Richmond, Surrey) Crispin Henry Lamert DAVIS Chief Executive, Reed Elsevier. For services to the Information Industry. (Sunningdale, Berkshire) Thomas Joseph DUGGIN HM Ambassador, Bogota. (London, SW1A) Leslie ELTON Lately Chief Executive, Gateshead Metropolitan Borough Council. For services to Local Government. (Ovingham, Northumberland) Frederick Anderson GOODWIN Group Chief Executive, Royal Bank of Scotland. For services to Banking. (Edinburgh) 1 Professor Peter Stanley HARPER, CBE Lately Professor of Medical Genetics, University of Wales College of Medicine, Cardiff; Consultant Clinical Geneticist and Physician. For services to Medicine. (Cardiff, South Glamorgan) David George HENSHAW Chief Executive, Liverpool City Council. For services to Local Government. (Liverpool, Merseyside) The Right Honourable Gerald Bernard KAUFMAN, MP Member of Parliament for Manchester Gorton. For services to Parliament. (London, SW1A) John Anthony LEWIS, OBE Principal, Dixons City Technology College, Bradford. For services to Education. (Ilkley, West Yorkshire) Professor John Brian PENDRY, FRS Professor of Theoretical Solid State Physics, Imperial College, London. For services to Science. (Cobham, Surrey) Robert Weston PHILLIS Chief Executive, Guardian Media Group.