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NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
1 Certified Master Sexpert Program Continuing Education Credits
Certified Master Sexpert Program Continuing Education Credits & Learning Objectives Students will be able to apply the knowledge and skills learned in the Certified Master Sexpert Program for their own practice as relationship coaches, love coaches, wellness coaches, intimacy coaches, and other professional specialties such as educators, sexologists, counselors or therapists. The courses in this program meet the requirements of the American Association of Sexuality Educators, Counselors and Therapists (AASECT) and together are approved for 52.5 CE credits. These CE credits may be applied toward AASECT certification and renewal of certification. Please note that AASECT applies these credits on an individual basis, and LU cannot guarantee AASECT membership based on the completion of any LU course or program. Visit AASECT for more details: https://www.aasect.org/ This program is also eligible for credit at the American College of Sexologists towards the 300 hours required for membership. Please note professional life experiences are also eligible for academic credit as determined by the discretion of the ACS International board, including researchers, documentary filmmakers, authors, adult toy retailers or other entrepreneurs in the field of sexual health and pleasure. Visit ACS for more details: http://www.americancollegeofsexologists.org/ The courses in this program follow SMART learning objectives (Specific, Measurable, Achievable, Realistic, Time-Phased). Consult the learning objectives for each course individually to review its learning objectives. Certified Master Sexpert Program At-a-glance CE credits by course 1. KISSING COURSE = 2 CE credits 2. SELF PLEASURE COURSE = 3 CE credits 3. FOREPLAY 4 CE credits 4. PLEASING A WOMAN 4 CE credits 5. -
1 Preliminary Proceedings
Notes 1 Preliminary proceedings 1. Jane McDermid, ‘Women and Education’, Women’s History: Britain, 1850–1945, ed. June Purvis (London: UCL, 1995), pp. 107–30 (p. 107). 2. Arthur Marwick, The Deluge: British Society and the First World War, 2nd edn (London: Macmillan, 1991), p. 134. 3. Ibid. 4. Jane Humphries, ‘Women and Paid Work’, Women’s History, ed. Purvis, pp. 15–105 (p. 89). 5. Penny Tinkler, ‘Women and Popular Literature’, Women’s History, ed. Purvis, pp. 131–56. 6. Ibid., p. 145. 7. Ibid., p. 146. 8. Alison Light, Forever England: Femininity, Literature and Conservatism Between the Wars (London: Routledge, 1991), pp. 9–10. 9. Ibid. 10. Earl F. Bargainnier, The Gentle Art of Murder: The Detective Fiction of Agatha Christie (Bowling Green, Ohio: Bowling Green Press, 1980), p. 37. 11. Ann Heilmann, New Woman Fiction (London: Macmillan, 2000), p. 34. 12. Ibid., p. 35. 13. Patricia Marks, Bicycles, Bangs and Bloomers: The New Woman and the Popular Press (Lexington: University of Kentucky, 1990), p. 184. 14. Agatha Christie: An Autobiography (London: Fontana, 1977), p. 335. 15. Jared Cade, Agatha Christie and the Eleven Missing Days (London: Peter Own, 1998). 16. Lyn Pyket, Engendering Fictions (London: Arnold, 1995), p. 15. 17. Jane Elderidge Miller, Rebel Women: Feminism, Modernism and the Edwardian Novel (London: Virago, 1994), p. 4. 18. Agatha Christie’s Miss Marple: The Life and Times of Miss Jane Marple, first published in the US by Dodd Mead, 1985 (London: HarperCollins, 1997). 19. Ibid., p. 71. 20. Ibid., p. 45. 21. Anne Hart, Agatha Christie’s Poirot: The Life and Times of Hercule Poirot (London: Pavilion Books, 1990). -
2019-05-06 Catalog P
Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such. -
Politics and Metaphysics in Three Novels of Philip K. Dick
EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T. -
Book Reviews from the Sf Press
BOOK REVIEWS FROM THE SF PRESS Solar Lottery Anthony Boucher: Fantasy & Science Fiction August 1955, p. 94 Philip K. Dick’s SOLAR LOTTERY (Ace, 35 cents) is kept from a Grade A rating only by a tendency, in both its nicely contrasted plots, to dwindle away at the end. This first novel by one of the most interesting new magazine writers (one of F&SF’s discoveries, I may add proudly) creates a strange and highly convincing and self-consistent future society, peculiarly governed by Games Theory and the principle of randomness; against this background, built up with the detail of a Heinlein and the satire of a Kornbluth, it relates a taunt melodrama of political conflict and a stirring space-quest to rediscover a lost tenth planet. P. Schuyler Miller: Astounding Science Fiction November 1955, p. 151 Here’s another demonstration that you get a whale of a lot for your money from Ace. “Solar Lottery” is in the van Vogt tradition, taking a man with a mission, involving him hopelessly in a society built on a novel concept of science or philosophy, and allowing all sorts of unseen forces to prowl and putter behind the scenes. This time the gimmick is not non-Aristotelian semantics but von Neumann’s Theory of Games, which the author has built up as the mainspring of a Twenty-third Century planetary lottery whose one winner, the Quizmaster, is dictator of mankind until an assassin cuts him down or the “bottle” – never quite explained – twitches someone else in his place. Outside the Game, those who have special skills useful to the manufacturing combines may sell themselves into absolute serfdom, while those who have only manual skills are “unclassified” and hopeless. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Ellery Queen Master Detective
Ellery Queen Master Detective Ellery Queen was one of two brainchildren of the team of cousins, Fred Dannay and Manfred B. Lee. Dannay and Lee entered a writing contest, envisioning a stuffed‐shirt author called Ellery Queen who solved mysteries and then wrote about them. Queen relied on his keen powers of observation and deduction, being a Sherlock Holmes and Dr. Watson rolled into one. But just as Holmes needed his Watson ‐‐ a character with whom the average reader could identify ‐‐ the character Ellery Queen had his father, Inspector Richard Queen, who not only served in that function but also gave Ellery the access he needed to poke his nose into police business. Dannay and Lee chose the pseudonym of Ellery Queen as their (first) writing moniker, for it was only natural ‐‐ since the character Ellery was writing mysteries ‐‐ that their mysteries should be the ones that Ellery Queen wrote. They placed first in the contest, and their first novel was accepted and published by Frederick Stokes. Stokes would go on to release over a dozen "Ellery Queen" publications. At the beginning, "Ellery Queen" the author was marketed as a secret identity. Ellery Queen (actually one of the cousins, usually Dannay) would appear in public masked, as though he were protecting his identity. The buying public ate it up, and so the cousins did it again. By 1932 they had created "Barnaby Ross," whose existence had been foreshadowed by two comments in Queen novels. Barnaby Ross composed four novels about aging actor Drury Lane. After it was revealed that "Barnaby Ross is really Ellery Queen," the novels were reissued bearing the Queen name. -
University of Adelaide Library News
-,~---=--~- -~......--_--~-------------....-- .. J: U a:« ~ N W ~ :::> o-' > ...._~~-- .~-~~~_.__._._~~~-------~~~--_...---- .-: .. .. ' :- . ,:,.~.i:~g::;~~"~~::;;:·'::"j·~l:2;{'~~!:f·:"t'~:,~l;j:'.::":c,;,';;{~~·tr::,(c'r'.::'·:;··"·" ~ ~... :. :. \ 'L· . ~ ..,.. " ..1 ..~ UNIVERSITY OF ADELAIDE LIBRARY NEWS Volume 2 Number 1 Term I March 1980 :- ..... ": ....:. teach; (Volume 1 was complete in two issues) the ir ........ :. -.... ~. .. .. i"to si .... ~ .. , ... pas ' ~·\:t:{:·:~.f ~~.!: :.~' housef funct: ;y~>.: ~ .<.::. , CON TEN T S effic: ~/"!:--:t:·:Y. ;.~ .. :~ :~,;~ ed by Reader Education in the Barr Smith Library 1 ?liil1;~~'; Retirement of Miss Lillemor Andersen 4 Murder in the Stacks •...•................................. 8 acknm New England Microfilming Project Completed 11 improi l:.~.·,~a,,~ I:· made 1 the 1: ed by Lockh canno ii1il ~ )1.; ·~~~;ft;i; ,.7;':~~ .." .~~~. E D ITO R I A L COM MIT TEE linin explo ~~'1};~il I.D. Raymond (University Librarian and Chairman) ~" r"t~{.ihilll·'~'~.' Margy Burn (Editor) Maggie Low (Secretary) ~Y'.\.Y~j~~{~(-,J. ~ .. .z. I .. has e -m ..".:(:. ~~r., Judith Bampton Dick Finlay :·;~::~t.9~T~ Margaret Hosking Alan Keig Subje. ~~ of th Cover design by Zig Kapelis other that Hith :;:" degr(~ an a). Hhich a lif Hith be bt i Material appearing in UNIVERSITY OF ADELAIDE LIBRARY NEWS may be r .• produced without prior permission. ORim. many shor~ UNIVERSITY OF ADELAIDE LIBRARY NEWS is issued each term, three tj~, . th6u~ a year, and is obtainable from year. University of Adelaide Library Nc-\.,·· provo Barr Smith Library, onCE University of Adelaide, Adelaide, ISSN 0157-3314 SOUTH AUSTRALIA 5001. groUl - ~ •••~:. ,. '" .'~• ~;;'I';"~I.i~~,'J.1l,~~,)I:':-:,.:.r'fo~~~i"!~·~":f>~.L.... r.·'""'!iJo.·,--.::~'.~ ....y..;.~, "'-:..::. ..,....,;., ',' t· .' ~ .... ' '';'1,:.' ,.,~-,~y-~.;J.UT-"~''''''.'!t'_~f.o.:.''~~.f:V.~":..~'.'~:~ ....-.~"'".~~~iJ;'.~",-o.~·)11.i~,~~.J- ~~:'~':':'/-'~-~~··W.,c-..-.--~_~~~ ..~."':'~:j _ ':oj :-'. -
William L. Gresham Library Books Stored in the Marion E. Wade
William L. Gresham Library Books stored in Wade Center Book Collection # Andreas, Osborn. Joseph Conrad: A Study in Non-Conformity. New York: Philosophical Library, 1959. The Apocrypha. London: Society for Promoting Christian Knowledge, [1900]. Aurand, Jr. A. Monroe. Popular Home Remedies and Superstitions of the Pennsylvania Germans. Harrisburg, PA: The Aurand Press, 1941. Aurand, Jr. A. Monroe. Pennsylvania-German Dialect Stories and Poems. Harrisburg, PA: The Aurand Press, 1938. The Authentic Librettos of the Italian Operas. New York: Crown Publishers, 1939. Ausubel, Nathan, ed. A Treasury of Jewish Folklore: The Stories, Traditions, Legends, Humor, Wisdom and Folk Songs of the Jewish People. New York: Crown Publishers, 1960. # Benoit, Hubert. The Supreme Doctrine: Psychological Studies in Zen Thought. New York: Pantheon Books, 1955. Blakney, Raymond, ed/trans. Meister Eckhart: A Modern Translation. New York: Harper & Brothers Publishers, 1941. Blyth, R. H. Zen in English Literature and Oriental Classics. Tokyo: The Hokuseido Press, 1948. Borrow, George. Lavengro: The Scholar, The Gipsy, The Priest. New York: E. P. Dutton & Co., 1921. Mystery Writers of America. The Mystery Writer's Handbook. New York: Harper & Brothers, 1956. Brookfield, Charles M. & Oliver Griswold. They All Called It Tropical: True Tales of the Romantic Evergaldes National Park, Cape Sable and the Florida Keys Miami, Florida: The Data Press, 1949. Brunton, Paul. The Secret Path: A Technique of Spiritual Self-Discovery for the Modern World. New York: E. P. Dutton & Co., Inc., 1958. # Brunton, Paul. The Hidden Teaching Beyond Yoga. London: Rider & Company, 1941. # Buber, Martin. Hasidism. New York: Philosophical Library, 1948. # indicates inscription and/or annotations Marion E. -
July – December 2019 British Library
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"Resurrected from Its Own Sewers": Waste, Landscape and the Environment in JG Ballard's Climate Novels Set in Junky
"Resurrected from its own sewers": Waste, landscape and the environment in JG Ballard's climate novels Set in junkyards, abandoned waysides and disaster zones, J.G. Ballard’s fiction assumes waste to be integral to the (material and symbolic) post-war landscape, and to reveal discomfiting truths about the ecological and social effects of mass production and consumption. Nowhere perhaps is this more evident than in his so- called climate novels, The Drowned World (1962), The Drought (1965), originally published as The Burning World, and The Crystal World (1966)—texts which Ballard himself described as “form[ing] a trilogy.” 1 In their forensic examination of the ecological effects of the Anthropocene era, these texts at least superficially fulfil the task environmental humanist Kate Rigby sees as paramount for eco-critics and writers of speculative fiction alike: that is, they tell the story of our volatile environment in ways that will productively inform our responses to it, and ultimately enable “new ways of being and dwelling” (147; 3). This article explores Ballard’s treatment of waste and material devastation in The Drowned World, The Drought, and The Crystal World, focussing specifically on their desistance from critiquing industrial modernity, and their exploitation, instead, of the narrative potential of its deleterious effects. I am especially interested in examining the relationship between the three novels, whose strikingly similar storylines approach ecological catastrophe from multiple angles. To this end, I refrain from discussing Ballard’s two other climate novels, The Wind from Nowhere (1962), which he himself dismissed outright as a “piece of hackwork” he wrote in the space of a day, and Hello America (1981), which departs from the 1960s texts in its thematic structure (Sellars and O’Hara, 88).