Deixis Analysis of the Good Dinosaur the Movie Nur Kholis
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Vivilcinema 4-15 Ok Layout 1
30 ANNI numero42015 Bimestrale d’informazione cinematografica edito dalla FICE - Federazione Italiana Cinema d’Essai Sangue del 2015 - Euro 3,00 - SPED. ABBONAMENTO POSTALE 70% - FILIALE DI ROMA 2015 - Euro 3,00 SPED. ABBONAMENTO POSTALE mio sangue di Marco Bellocchio Speciale Venezia Tutti i film Giuseppe M. Gaudino, Luca Guadagnino, Vincenzo Marra, Valerio Mastandrea, Gianfranco Pannone, Adriano Valerio NUOVA SERIE, ANNO XV - N. 4 LUGLIO/AGOSTO NUOVA interviste pag. 5 L’esordio IvanoDeMatteo di Piero Giorgia Cecere Messina Maria Sole Tognazzi L’attesa Wim Wenders Scegli il film d’essai ed il film d’essai italiano che hai amato di più NNI 30 A numero42015 Bimestrale d’informazione cinematografica edito dalla FICE - Federazione Italiana Cinema d’Essai n.4/2015 A M Cover story O R I D E L A I L I F - % 0 7 E AL T S O P O T N E M A N O 24 B B A . D E Sangue del P S - 0 0 , 3 o r u E Sangue del - 5 1 0 2 O T S mio sangue O G mio sangue A Speciale Venezia / O I L G di U Marco Bellocchio Tutti i film L - 4 . N Giuseppe M. Gaudino, Luca Guadagnino, - V X O Vincenzo Marra, Valerio Mastandrea, N N A , E I Piero Messina, Gianfranco Pannone, R E S di Marco Bellocchio A V Adriano Valerio O editoriale U N interviste pag. 5 L’esordio Ivano De Matteo di Piero (Franco Montini) Giorgia Cecere Messina Maria Sole Tognazzi L’attesa Wim Wenders Scegli il film d’essai ed il film d’essai italiano Spettatore cercasi che hai amato di più In copertina: Alba Rohrwacher La formazione del pubblico, la varietà dell’offerta d’essai e Speciale Venezia 2015 la capacità di costruire listini che includano il periodo estivo: 8 Vincenzo Marra 10 La 72ª Mostra - Tutti(Marco i film Spagnoli) obiettivi ambiziosi, tutti necessari per il rilancio del settore, 12 Valerio Mastandrea 13 Gianfranco Pannone (Mario Mazzetti) oggetto di riflessione agli “Incontri Fice” di Mantova (Barbara Corsi) 14 Adriano Valerio (Marco Spagnoli) 16 “Everest” (Federico Pontiggia) 18 film d’apertura ••• Questa rivista Piero Messina suoi primi 30 anni. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
Harry Gregson-Williams
HARRY GREGSON-WILLIAMS AWARDS / NOMINATIONS IVOR NOVELLO AWARD NOMINATION (2011) UNSTOPPABLE Best Original Film Score ANNIE AWARD NOMINATION (2010) SHREK FOREVER AFTER Music in a Feature Production ACADEMY OF INTERACTIVE ARTS & METAL GEAR SOLID 4 SCIENCES AWARD (2009) Outstanding Achievement in Original Music INTERNATIONAL FILM MUSIC CRITICS CALL OF DUTY 4: MODERN WARFARE ASSOCIATION NOMINATION (2007) Original Score for a Video Game or Interactive Media* WORLD SOUNDTRACK AWA RD SHREK THE THIRD NOMINATION Best Original Score of the Year (2007) WORLD SOUNDTRACK AWA RD DÉJÀ VU, SHREK THE THIRD, THE NUMBER 23, NOMINATION FLUSHED AWAY Film Composer of the Year (2007) GRAMMY AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Score Soundtrack Album (2006) THE LION, THE WITCH AND THE WARDROBE GOLDEN GLOBE AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Original Score (2005) THE LION, THE WITCH AND THE WARDROBE BAFTA AWARD NOMINATION* Anthony Asquith Award for Achievement in Film SHREK Music (2002) ANNIE AWARD* SHREK Outstanding Achievement for Music Score in an Animated Feature (2001) * shared nomination The Gorfaine/Schwartz Agency (818) 260-8500 1 HARRY GREGSON-WILLIAMS MOTION PICTURES EXODUS: GODS AND KINGS Peter Chernin / Mark Huffam / Michael Schaefer, prods. 20 th Century Fox Ridley Scott, dir. BLACKHAT Jon Jashni / Michael Mann / Thomas Tull, prods. Universal Pictures Michael Mann, dir. THE EQUALIZER Todd Black / Jason Blumenthal / Tony Eldridge / Sony Pictures Mace Neufeld / Alex Siskin / Michael Sloan / Steve Tisch / Denzel Washington / Richard Wenk, prods. Antoine Fuqua, dir. THE EAST Ben Howe / Brit Marling / Jocelyn Hayes-Simpson / Fox Michael Costigan, prods. *theme Zal Matmanglij, dir. TOTAL RECALL Toby Jaffe / Neal H. -
The Good Dinosaur
Advances in Social Science, Education and Humanities Research, volume 565 Proceedings of the International Conference on Education Universitas PGRI Palembang (INCoEPP 2021) Values of Character Education in Disney’s Animated Featured “The Good Dinosaur” by Peter Shon Maria Indriati1*), Tahrun2, Hanni Yukamana2 1SMP Negeri 8 OKU, South of Sumatera, Indonesia 2Universitas PGRI Palembang, Indonesia *Corresponding author. Email: [email protected] ABSTRACT The purpose of this study was to identify the values of character education in Disney's animated film "The Good Dinosaur." The study was a descriptive qualitative study in which data from the film's story, plot, and setting were gathered through close reading. The research procedure was watching, identifying, analyzing, and concluding, which can be repeated many times to ensure the data. The film served as the research's data source, and the study's object was character education values. In this study, eighteen-character education values were used, as stated in the Minister of National Education's decision (2010) and to be reinforced by Perpres number 87 in 2017. This study discovered thirteen-character education values: discipline, honesty, Tolerance, discipline, hard work, creativity, independence, curiosity, love homeland, appreciating achievement, friendly/communicative, love peace, sociality, and responsibility. It can be concluded that media such as movies can be used to teach children character values. Keywords: The Good of Dinosaurus, Film, Character Education 1. INTRODUCTION through effort that can inspire viewers. Films also contain jokes to entertain as cited in Suwistini [1]. The importance of education is not only oriented to Those aspects are aimed to build high moral standard master the subject matters but also character and entertainment for children. -
Business Consultation of Select Best Practices to an Animated Film Studio
University of South Carolina Scholar Commons Senior Theses Honors College Spring 5-5-2016 Business Consultation of Select Best Practices to an Animated Film Studio: How to Produce the Most Successful Film You Can Joshua Christian Blackwood University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/senior_theses Part of the Management Sciences and Quantitative Methods Commons Recommended Citation Blackwood, Joshua Christian, "Business Consultation of Select Best Practices to an Animated Film Studio: How to Produce the Most Successful Film You Can" (2016). Senior Theses. 110. https://scholarcommons.sc.edu/senior_theses/110 This Thesis is brought to you by the Honors College at Scholar Commons. It has been accepted for inclusion in Senior Theses by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Business Consultation of Select Best Practices to an Animated Film Studio How to Produce the Most Successful Film You Can Senior Thesis Spring 2016 Student Josh Blackwood Director Dr. Lauren Steimer Second Reader Dr. Jack Jensen Table of Contents Introduction………………………………………………………………………………………..1 Establishing Scope………………………………………………………………………………...4 Methodology………………………………………………………………………………………5 Operational Planning Data Animation Studio………………………………………………………………………….8 Release Date…………………………………………………………………………….…9 Runtime…………………………………………………………………………………..11 Pre-sold Property………………………………………………………………………...12 Negative Cost…………………………………………………………………………….13 -
Neuerwerbungen Noten
NEUERWERBUNGSLISTE OKTOBER 2019 FILM Cinemathek in der Amerika-Gedenkbibliothek © Eva Kietzmann, ZLB Zentral- und Landesbibliothek Berlin Stiftung des öffentlichen Rechts Inhaltsverzeichnis Film 5 Stummfilme 3 Film 7 Fernsehserien 3 Film 10 Tonspielfilme 6 Film 20 Animationsfilme 24 Film 27 Animation/Anime Serien 24 Film 30 Experimentalfilme 24 Film 40 Dokumentarfilme 25 Musi Musikdarbietungen/ Musikvideos 25 K 400 Kinderfilme 26 Ju 400 Jugendfilme 38 Sachfilme nach Fachgebiet 42 Seite 2 von 48 Stand vom: 01.11.2019 Neuerwerbungen im Fachbereich Film Film 5 Stummfilme Film 5 Chap 1 ¬The¬ circus / Charles Chaplin [Regie Drehbuch Darst. Prod. a:BD Komp.]. Merna Kennedy [Darst.] ; Allan Garcia [Darst.] ; Harry Cro- cker [Darst.] ; Eric James [Musikberatung] ; Lambert Williamson [Musikarrangement] ; Charles D. Hall [Ausstattung]. - 2019 Film 5 Chap 1 ¬The¬ circus / Charles Chaplin [Regie Drehbuch Darst. Prod. c:DVD Komp.]. Merna Kennedy [Darst.] ; Allan Garcia [Darst.] ; Harry Cro- cker [Darst.] ; Eric James [Musikberatung] ; Lambert Williamson [Musikarrangement] ; Charles D. Hall [Ausstattung]. - 2019 Film 7 Fernsehserien Film 7 AgentsS Agents of S.H.I.E.L.D. : [BD]. - 4. Staffel. ¬Die¬ komplette vierte 1:4.BD Staffel / Filmregisseur: Vincent Misiano ; Drehbuchautor: Stan Lee ; Komponist: Bear McCreary ; Kameramann: Feliks Parnell ; Schau- spieler: Clark Gregg, Ming-Na Wen ; Chloe Bennet, Iain de Caeste- cker [und weitere]. - 2019 Film 7 AgentsS 1 Agents of S.H.I.E.L.D. : [DVD-Video]. - 4. Staffel, Episoden 1-22. a:4.DVD ¬Die¬ komplette vierte Staffel. - 2019 Film 7 AmerHor American Horror Story : [BD]. - 8. Staffel. Apocalypse : die kom- 1:8.BD plette achte Season / Filmregisseur: Bradley Buecker ; Drehbuch- autor: Brad Falchuk, Ryan Murphy ; Komponist: James S. -
Studio Movie Grill Further Expands Its Movies + Meals Program with Dreamworks Animation’S How to Train Your Dragon: the Hidden World
FOR IMMEDIATE RELEASE Studio Movie Grill Further Expands its Movies + Meals Program with DreamWorks Animation’s How To Train Your Dragon: The Hidden World SMG AccessTM the first and only loyalty program of its kind in movie exhibition launched in June 2018 committed to impacting one million lives through the power of film and sharing a meal. Dallas, TX – February 14, 2019: Studio Movie Grill announced that Universal Pictures has generously offered multiple screenings of DreamWorks Animation’s highly anticipated How To Train Your Dragon: The Hidden World (in theatres 2/22/19) to SMG’s non-profit partners serving children with special needs, including: • Bakersfied, CA - Exceptional Family Center/Centro de Familias Excepcionales • Duluth, GA - Spectrum • Seminole, FL - PARCs Discovery Learning Center • NW Hwy, TX - Bryan's House • Spring Valley, TX - H.E.R.O.E.S. DFW • Tyler, TX - Tyler Run for Autism • Marietta, GA – Variety, the Children’s Charity of Georgia • Chatham, IL – Variety, the Children’s Charity of Illinois • College Park, IN - Riley Children's Foundation • Pearland, TX - BACH Rehabilitation Center These screenings are offered in support of SMG AccessTM and the Movies + Meals outreach program. In keeping with its mission to open hearts and minds, one story at a time, SMG AccessTM launched nationwide in July 2018 and is the only theater-loyalty program focused on positively impacting underserved local community members. Through their purchases, alongside rewards, loyal SMG guests are able to assist SMG outreach in offering movies and meals to local non-profits and underresourced community members with the hope of harnessing the power of movies to inspire and change lives. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Asians & Pacific Islanders Across 1300 Popular Films (2021)
The Prevalence and Portrayal of Asian and Pacific Islanders across 1,300 Popular Films Dr. Nancy Wang Yuen, Dr. Stacy L. Smith, Dr. Katherine Pieper, Marc Choueiti, Kevin Yao & Dana Dinh with assistance from Connie Deng Wendy Liu Erin Ewalt Annaliese Schauer Stacy Gunarian Seeret Singh Eddie Jang Annie Nguyen Chanel Kaleo Brandon Tam Gloria Lee Grace Zhu May 2021 ASIANS & PACIFIC ISLANDERS ACROSS , POPULAR FILMS DR. NANCY WANG YUEN, DR. STACY L. SMITH & ANNENBERG INCLUSION INITIATIVE @NancyWangYuen @Inclusionists API CHARACTERS ARE ABSENT IN POPULAR FILMS API speaking characters across 1,300 top movies, 2007-2019, in percentages 9.6 Percentage of 8.4 API characters overall 5.9% 7.5 7.2 5.6 5.8 5.1 5.2 5.1 4.9 4.9 4.7 Ratio of API males to API females 3.5 1.7 : 1 Total number of speaking characters 51,159 ‘ ‘ ‘ ‘‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ A total of 3,034 API speaking characters appeared across 1,300 films API LEADS/CO LEADS ARE RARE IN FILM Of the 1,300 top films from 2007-2019... And of those 44 films*... Films had an Asian lead/co lead Films Depicted an API Lead 29 or Co Lead 44 Films had a Native Hawaiian/Pacific 21 Islander lead/co lead *Excludes films w/ensemble leads OF THE 44 FILMS OF THE 44 FILMS OF THE 44 FILMS OF THE 44 FILMS WITH API WITH API WITH API WITH API LEADS/CO LEADS LEADS/CO LEADS LEADS/CO LEADS LEADS/CO LEADS 6 0 0 14 WERE WERE WOMEN WERE WERE GIRLS/WOMEN 40+YEARS OF AGE LGBTQ DWAYNE JOHNSON © ANNENBERG INCLUSION INITIATIVE TOP FILMS CONSISTENTLY LACK API LEADS/CO LEADS Of the individual lead/co leads across 1,300 top-grossing films.. -
Ee British Academy Film Awards in 2016
EE BRITISH ACADEMY FILM AWARDS IN 2016 NOMINATIONS BY FILM/DISTRIBUTOR BY FILM (38 films) 45 Years 1 The Lobster 1 Amy 2 Mad Max: Fury Road 7 Ant-Man 1 The Martian 6 The Assassin 1 Minions 1 Beasts of No Nation 1 The Revenant 8 The Big Short 5 Room 2 Bridge of Spies 9 Second Coming 1 Brooklyn 6 Shaun the Sheep Movie 1 Carol 9 Sherpa 1 Cartel Land 1 Sicario 3 Cinderella 1 Spotlight 3 The Danish Girl 5 Star Wars: The Force Awakens 4 Ex Machina 5 Steve Jobs 3 Force Majeure 1 The Survivalist 1 The Hateful Eight 3 A Syrian Love Story 1 He Named Me Malala 1 Theeb 2 Inside Out 2 Timbuktu 1 The Lady in the Van 1 Trumbo 1 Listen to Me Marlon 1 Wild Tales 1 BY DISTRIBUTOR 10ft Films (1) Noor Pictures (2) A Syrian Love Story 1 Theeb 2 Altitude (2) Picturehouse (1) Amy 2 The Lobster 1 Arrow Media (1) Paramount (5) Sherpa 1 The Big Short 5 Bulldog (1) Sony (1) The Survivalist 1 The Lady in the Van 1 Curzon Artificial Eye (5) Studio Canal (13) 45 Years 1 The Assassin 1 Beasts of No Nation 1 Carol 9 Force Majeure 1 Room 2 Timbuktu 1 Shaun the Sheep Movie 1 Wild Tales 1 Twentieth Century Fox (24) Disney (8) Bridge of Spies 9 Ant-Man 1 He Named Me Malala 1 Cinderella 1 The Martian 6 Inside Out 2 The Revenant 8 Star Wars: The Force Awakens 4 Universal (15) Dogwoof (1) The Danish Girl 5 Cartel Land 1 Ex Machina 5 Entertainment One (7) Listen to Me Marlon 1 Spotlight 3 Minions 1 The Hateful Eight 3 Steve Jobs 3 Trumbo 1 Warner Bros (7) Kaleidoscope (1) Mad Max: Fury Road 7 Second Coming 1 Lionsgate (9) Brooklyn 6 Sicario 3 FULL NOMINATIONS BY FILM 45 Years -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Educational and Therapeutic Impact of Contemporary Animated Film Characters on the Viewer
Konteksty Pedagogiczne 2(11)/2018, s. 151–163 DOI: 10.19265/KP.2018.211151 www.kontekstypedagogiczne.pl Joanna Mytnik [email protected] University of Bialystok ORCID iD: 0000-0003-3924-8188 Educational and therapeutic impact of contemporary animated film characters on the viewer Introduction From the beginning of its existence, films have been evoking interest and giving inspiration. A motion picture has been a tool for many practition- ers. Educators, psychologists, therapists, and animators have long appreci- ated and used film art in their work. Considering the increasing pervasion of the mass media into human life, its presence in many aspects of human functioning, it is necessary to pay close attention to the power of its influ- ence. It is worth noting that the products of popular culture do not only carry risks. Films created for commercial purposes also serve higher purposes, not just entertainment. Being easier in perception for the viewer at any age (through the frequency of contact with this cultural product), it can influence their emotions more strongly, encourage deeper mental work and stimulate reflection. In this article I would like to focus primarily on the possibilities of supporting upbringing and human development, referring to the assump- tions of film therapy (Kozubek, 2016). According to Depta, “the starting point of educational work with a film should be the use of such films that are most popular among young viewers while increasing their cognitive horizons” (Depta, 1983, p. 165). The potential of contemporary animated films seems to be indisputable in this respect, as will be demonstrated by the analysis of the main factor of their influence on the viewer, namely film heroes.