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Quaker ·Thought FRIENDS and Life OURNAL Today
March 1993 Quaker ·Thought FRIENDS and Life OURNAL Today A Summer to Savour Elderhostel: New Beginnings and Challenges Liberating Friends for Volunteer Setvice Among Friends Edltor-M•n•ger Vinton Deming Aasocl•te Editor Melissa Kay Elliott On the Line Art Director Barbara Benton Advertising M•n•ger Catherine Frost H ello. Yes, he's speaking. Right, this is the editor of Clrcul•tlon •nd Promotion FRIENDS JOURNAL. How may I help you? Nagendran Gulendran Well, we publish a monthly magazine and mail it out ~pesettlng#Computer Services Susan J ordhamo to about 9,500 subscribers. Secret.rl•l Services Students? You bet, lots of young people read it. Edward Sargent Some send us articles, too. The issue we're working on Bookkeeper right now, for instance, has an article by a student from James Neveil Edltorl•l Aaslst•nt#Computer Services Earlham who ... Timothy Drake What's Earlham? Oh, sorry, Earlham College. It's a Volunteers Quaker school in Indiana. I assumed you knew about it. Just learning about Quak Jane Burgess, Emily Conlon ers? Great! Anyway, as I was saying, an Earlham student has written a really good Bo•rd of M•n•gers 1990-1993: Marguerite C lark , Lee Nerr, Mary article for our March issue about the Middle East. There are some other good Ellen Singsen things, too: a piece on summer opportunities for youth, information on Quaker 1991-1994: Frank Bjornsgaard, Emily Conlon. Barbara Dinhofer, Sam Legg (Clerk), Parry camps, some international things ... Last month, for instance, we had a piece about Jones, Richard Moses (Treasurer), Harry Scott, a Quaker visit to Cuba, and next. -
1967 APBA PRO FOOTBALL SET ROSTER the Following Players Comprise the 1967 Season APBA Pro Football Player Card Set
1967 APBA PRO FOOTBALL SET ROSTER The following players comprise the 1967 season APBA Pro Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. Players in bold are starters. If there is a difference between the player's card and the roster sheet, always use the card information. The number in ()s after the player name is the number of cards that the player has in this set. See below for a more detailed explanation of new symbols on the cards. ATLANTA ATLANTA BALTIMORE BALTIMORE OFFENSE DEFENSE OFFENSE DEFENSE EB: Tommy McDonald End: Sam Williams EB: Willie Richardson End: Ordell Braase Jerry Simmons TC OC Jim Norton Raymond Berry Roy Hilton Gary Barnes Bo Wood OC Ray Perkins Lou Michaels KA KOA PB Ron Smith TA TB OA Bobby Richards Jimmy Orr Bubba Smith Tackle: Errol Linden OC Bob Hughes Alex Hawkins Andy Stynchula Don Talbert OC Tackle: Karl Rubke Don Alley Tackle: Fred Miller Guard: Jim Simon Chuck Sieminski Tackle: Sam Ball Billy Ray Smith Lou Kirouac -
APBA 1960 Football Season Card Set the Following Players Comprise the 1960 Season APBA Football Player Card Set
APBA 1960 Football Season Card Set The following players comprise the 1960 season APBA Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. BALTIMORE 6-6 CHICAGO 5-6-1 CLEVELAND 8-3-1 DALLAS (N) 0-11-1 Offense Offense Offense Offense Wide Receiver: Raymond Berry Wide Receiver: Willard Dewveall Wide Receiver: Ray Renfro Wide Receiver: Billy Howton Jim Mutscheller Jim Dooley Rich Kreitling Fred Dugan (ET) Tackle: Jim Parker (G) Angelo Coia TC Fred Murphy Frank Clarke George Preas (G) Bo Farrington Leon Clarke (ET) Dick Bielski OC Sherman Plunkett Harlon Hill A.D. Williams Dave Sherer PA Guard: Art Spinney Tackle: Herman Lee (G-ET) Tackle: Dick Schafrath (G) Woodley Lewis Alex Sandusky Stan Fanning Mike McCormack (DT) Tackle: Bob Fry (G) Palmer Pyle Bob Wetoska (G-C) Gene Selawski (G) Paul Dickson Center: Buzz Nutter (LB) Guard: Stan Jones (T) Guard: Jim Ray Smith(T) Byron Bradfute Quarterback: Johnny Unitas Ted Karras (T) Gene Hickerson Dick Klein (DT) -
2008 AMA Winter Educators' Conference Marketing Theory And
2008 AMA Winter Educators’ Conference Marketing Theory and Applications Editors Tom Brown, Oklahoma State University Zeynep Gurhan-Canli, Koç University Track Chairs Sankar Sen, Baruch College, CUNY Thomas Kramer, Baruch College, CUNY Tom Brown, Oklahoma State University Cees B.M. van Riel, Erasmus University Guido Berens, Erasmus University Jagdip Singh, Case Western Reserve University Ravi Sohi, University of Nebraska Aysegul Ozsomer, Koç University Ahmet Kirca, Michigan State University Vikas Mittal, University of Pittsburgh Michael Walsh, West Virginia University Rajesh Chandy, University of Minnesota Jaideep Prabhu, Imperial College of London Aric Rindfleisch, University of Wisconsin – Madison Kersi Antia, University of Wisconsin – Madison Joshua Wiener, Oklahoma State University Debra Scammon, University of Utah Deirdre Guion, St. Joseph’s University Michael Kamins, University of Southern California Volume 19 311 S. Wacker Dr. • Chicago, IL 60606 Copyright © 2008, American Marketing Association Printed in the United States of America Publications Director: Francesca V. Cooley Project Coordinator: Daphanee Lewis Cover Design: Jeanne Nemcek Typesetter: Marie Steinhoff, Southeast Missouri State University ISSN: 1054-0806 ISBN: 0-87757-329-8 All rights reserved. No part of the material protected by this copyright notice may be reproduced or utilized in any form or by any means, including photocopying and recording, or by any information storage or retrieval system, without the written permission of the American Marketing Association. TABLE OF CONTENTS TABLE OF CONTENTS iii PREFACE AND ACKNOWLEDGMENTS xiii BEST PAPERS AWARDS xiv LIST OF REVIEWERS xv CONSUMER PSYCHOLOGY AND BEHAVIOR The Use of Visual Metaphors in Ads: Incongruity, the Aha Effect and Affect Praggyan Mohanty 1 Measures of Emotional Response to Television Advertising Anca Cristina Micu 10 The Effects of Syntactic Structure Variation on Consumers’ Memory for Print Advertisements Hieu P. -
FEATURING the COASTERS Director’S Circle
FEATURING THE COASTERS Director’s Circle Dr. David & Katherine Arnold Bill & Linda Bayless Russell & Joan Bennett Van & Melissa Billingsley Neal & Joanne Cadieu Dr. Al & Pat Covington Wade & Beth Dunbar Ellerbe Pharmacy Joe & Diana Everett Brian & Danielle Goodman Representative Ken & Cindy Goodman Lee & Terry Howell G.R. & Mary Ellen Kindley J.C. & Hilda Lamm Terry & Cheryl Lewis David & Kim Lindsey Duane & Carol Linker Lazelle & Judy Marks Lonnie & Cheryl McCaskill Dr. Dale & Thomasa McInnis Tom & Janice McInnis Social Media Senator Gene & Donna McLaurin Are You Connected to the Cole? Dean & Candy Nichols Jerry & Brenda Purcell Ken & Claudia Robinette Stay in touch with the latest news from the Cole Auditorium. Nicholas & Lucy Sojka Dr. John & Sue Stevenson Thad & Mary Jane Ussery Lee & Tanya Wallace www.facebook.com/coleaud www.twitter.com/coleaud Larry & Michele Weatherly Facebook and Twitter feeds are available to patrons Thank you Director’s Circle Members! without having to register with the services. Just type the web addresses above directly into your Internet Now in it’s fifth year, the Director’s Circle helps Richmond browser’s address bar access to the information posted. Community College raise local funds critical to the success of the Cole Auditorium, RCC, and most importantly, our students. Season Ticket holders interested in joining the Director’s Circle should contact Joey Bennett at (910) 410-1691 or RCC Foundation COLE-MAIL Executive Director Olivia Webb at (910) 410-1807. www.richmondcc.edu www.richmondcc.edu ~Browse -
The Coasters on Atco and King by Claus Röhnisch
Those Hoodlum Friends – The Coasters: Supplement The Coasters on Atco and King by Claus Röhnisch Special supplement to Those Hoodlum Friends – edited by Claus Röhnisch http://www.angelfire.com/mn/coasters/supplement.pdf see Those Hoodlum Friends at http://www.angelfire.com/mn/coasters/ThoseHoodlumFriends.pdf The classic Coasters: Billy Guy, Carl Gardner, Will “Dub” Jones, Cornell Gunter, and guitarist Adolph Jacobs (in late 1958). The Coasters on Atco and King 1 Those Hoodlum Friends – The Coasters: Supplement The Coasters in 2008: Ronnie Bright, Carl Gardner Jr, J.W. Lance, and Alvin Morse (with guitarist Thomas “Curley” Palmer). (photo: Denny Culbert, 2theAdvocate.com, Louisiana) The Coasters receiving their two Golden Records for the double-hit "Searchin´" / "Young Blood" on the Steve Allen TV-show on August 25, 1957. Gardner, Guy, Nunn, Allen, Hughes, and seated Jacobs. (from Cash Box magazine, September 14, 1957 issue). 2 The Coasters on Atco and King Those Hoodlum Friends – The Coasters: Supplement THE COASTERS on Atco and King The Coasters’ Atco recordings – Sessionography, featuring: “There’s A Riot Goin’ On: The Coasters On Atco” – Rhino Handmade 4-set CD RHM2 7740 (December 12, 2007) The Coasters’ recording line-ups are listed as headings. Carl Gardner, lead vocal unless otherwise indicated. The Coasters’ stage guitarists Adolph Jacobs, Albert “Sonny” Forriest, and Thomas “Curley” Palmer also worked in the studios with the vocal group (as shown on personnel listings). Recording location is valid until new location is listed. All unmarked labels are Atco. Only US original issues are listed – singles, EPs and LPs, and when originally not issued on any US single or LP, the first album issue (LP/CD). -
The Coasters
The Coasters The Coasters are an American rhythm and blues/rock 1957 (all were recorded in Los Angeles). and roll vocal group who had a string of hits in the late "Yakety Yak" (recorded in New York), featuring King 1950s. Beginning with "Searchin'" and "Young Blood", Curtis on tenor saxophone, included the famous lineup of their most memorable songs were written by the songwrit- Gardner, Guy, Jones, and Gunter, became the act’s only ing and producing team of Leiber and Stoller.[1] Although national #1 single, and also topped the R&B chart. The the Coasters originated outside of mainstream doo-wop, next single, "Charlie Brown", reached #2 on both charts. their records were so frequently imitated that they be- It was followed by "Along Came Jones", "Poison Ivy" (#1 came an important part of the doo-wop legacy through for a month on the R&B chart), and "Little Egypt (Ying- the 1960s. Yang)". Changing popular tastes and a couple of line-up changes contributed to a lack of hits in the 1960s. During this 1 History time, Billy Guy was also working on solo projects, so New York singer Vernon Harrell was brought in to replace him for stage performances. Later members included Earl The Coasters were formed in October 1955 as a spin- “Speedo” Carroll (lead of the Cadillacs), Ronnie Bright off of the Robins, a Los Angeles-based rhythm and blues (the bass voice on Johnny Cymbal's "Mr. Bass Man"), group that included Carl Gardner and Bobby Nunn. The Jimmy Norman, and guitarist Thomas “Curley” Palmer. -
John's College Library
ST. JOHN'S COLLEGE LIBRARY 1111111111111i~I1filll1fil11r~w113 1696 01138 2387 ~1111111111111 [ FAREWELL TO THE LIBERTY TREE The 400-year-old Liberty Tree, beloved by generations of Annapolis students, finally succumbed to age and storm damage .......................14 READING, WRITING & S!JOHN'S COLLEGE POKEMON Thro groups of St. John's alumni ANNAPOLIS ·SANTA FE are involved with alternative schools that stress student-initiated learning ..................................... 16 RECENT GRADUATES COOL JOBS Dane Owen (SF98) imports Japanese arts and antiques; Hillary Fields (SF97) writes romance nov- Deirdre O'Shea (A98) thinks for Priceline.com.................. 2L 24, 28 How the Santa Fe art tutorials work. .... ........ 8 From the Bell Towers: The search for a new p..resident in Santa Fe; Newton's apple comes to SJC; Philanthropia reports success in fundraising; the College Creek shoreline gets a new marsh ............ 2 The Finding the music in ancient Greek. .......................... 9 ~chola1·sn11>: Annapolis tutor Beate Ruhm von Oppen has been working to uncover the actions and motivations of a hero of the German resistance ................................... 10 Alumni Profiles: Patti Nogales (A82) has written a book about metapnors; William Lang (A69) is a rare book librarian ................ 12" 22 ru.uia_puu.:::i, news of what's to come in Santa Fe ......... .. (JJ ..0 ..0 Q ~~c~~·.~·~·· Association: Awards of 1'. a.1.uu.uu., how the -5"' C2 Class ... 20 ............................... 7 Frolll the Bell To-wers ... NEW GOVERNANCE STRUCTURE APPROVED •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Presidential Search Underway overnance Committee of the the Polity of the college in accordance Committee. Second, that the Tilles (A59); Jonathan Zavin (A68); oard of Visitors and with the committee's recommenda Management Committee will have Charles Watts (Board member and for Novernors, chaired by Glenda tions. -
Bolderboulder 10K Results
BolderBOULDER 1987 - BolderBOULDER 10K - results OnlineRaceResults.com NAME DIV TIME ---------------------- ------- ----------- Ronnie Archuleta 31:11 Jeff Sanchez 31:35 Todd Wienke 31:50 Erin Vedeler 32:00 Nathan Wright 32:09 Bob Mcanany 32:32 Rick Katz 32:36 Michael Kubitschek 32:49 Timothy Jones 32:54 Don Hume 32:59 Pick Renfrow 33:03 David Kissner 33:06 Robert Hillgrove 33:08 James Houge 33:11 Marcus Canipe 33:15 Keith Golding 33:19 Ken Masarie 33:21 Quinn Smith 33:23 Alex Accetta 33:25 Andy Ames 33:27 D. K Corrallass 33:27 Bill Clark 33:30 Bob Boland 33:32 Erid Morrison 33:35 Michael Velascuez 33:37 Lance Denning 33:40 Bret Rickard 33:41 Charles Lusman 33:43 Brian Grier 33:44 Ron Harmon 33:46 Randy Liljenberg 33:49 Daniel King 33:51 Chuck Dooley 33:53 Ted Macblane 33:55 Nick Laydon 33:56 Finn Esbensew 33:58 Brian Jordan 34:00 David Lowe 34:00 Stan Allison 34:00 Job Hermens 34:01 Paul Duppen 34:03 Thomas Donohoue 34:04 Bob Fink 34:04 Bobb Finegan 34:05 Jim Tanner 34:07 Bruce Polford 34:09 Wayne Roth 34:11 Matt Peterson 34:13 Don Bieber 34:15 Dale Garland 34:16 Dave Dooley 34:18 Klye Hubbart 34:20 Kit Carpenter 34:21 Mati Maske 34:22 Kevin Macblane 34:24 Raley Hinojosa 34:26 Bill Kelly 34:28 Richard Kinney 34:30 Dave Leathers 34:31 John Des Roaiers 34:32 Ross Adams 34:32 Erick Anderson 34:33 Steve Rischeling 34:34 Pete Ybarra 34:37 Robert Anderson 34:40 Jay Kirksey 34:40 Daniel Corrales 34:42 Patrick Carringan 34:42 Dariub Baer 34:44 Dan Tomlin 34:45 Paul Fuller 34:46 Dave Swanson 34:46 Vincent Lostetier 34:47 Mike Sprung 34:48 Tom -
Belknap Collection for the Performing Arts - the AFRICAN-AMERICAN CINEMA COLLECTION
AFRICAN-AMERICAN CINEMA CINEMA AFRICAN-AMERICAN CINEMA The history of the African-American Cinema is a harsh timeline of racism, repression and struggle contrasted with film scenes of boundless joy, hope and artistic spirit. Until recently, the study of the "separate cinema" (a phrase used by historians John Kisch and Edward Mapp to describe the segregation of the mainstream, Hollywood film community) was limited, if not totally ignored, by writers and researchers. The uphill battle by black filmmakers and performers, to achieve acceptance and respect, was an ugly blot on the pages of film history. Upon winning his Best Actor Oscar for LILLIES OF THE FIELD (1963), Sidney Poitier accepted, on behalf of the countless unsung African-American artists, by acknowledging the "long journey to this moment." This emotional, heartbreaking and inspiring journey is vividly illustrated by the latest acquisition to the Belknap Collection for the Performing Arts - THE AFRICAN-AMERICAN CINEMA COLLECTION. The valuable research material, housed in this collection, includes over 300 pressbooks (illustrated campaign and advertising catalogs sent to theatre owners), press kits (media packages including biographies, promotional essays and illustrations), programs and over 1000 photographs and slides. The journey begins with the blatant racism of D.W. Griffith's THE BIRTH OF A NATION (1915), a film respected as an epic milestone, but reviled as the blueprint for black film stereotypes that would appear throughout the 20th century. Researchers will follow African-American films through an extended period of stereotypical casting (SONG OF THE SOUTH, 1946) and will be dazzled by the glorious "All-Negro" musicals such as STORMY WEATHER (1943), ST.LOUIS BLUES (1958) and PORGY AND BESS (1959). -
Go West, Brother: the Politics of Landscape in the Blaxploitation Western
10 Go West, Brother: The Politics of Landscape in the Blaxploitation Western Austin Fisher When The Legend of Nigger Charley (Martin Goldman, 1972) opened in downtown theaters across the United States in May 1972, its marketing campaign provided a clear indication of who its target audience was. The film’s tagline— “Somebody warn the West. Nigger Charley ain’t running no more”—locates it within the cultural moment of the “blaxploitation” cycle, appealing to inner-city black markets through an antagonistic opposition to white America’s most hallowed foundation myth. Yet this belligerent tone belies the hesitance and uncertainty toward the Wild West, its landscape, and the attendant tropes that are to be found in the film itself. After the eponymous hero and his two fellow escapees kill their brutal white slave-master and flee into the desert from an antebellum plantation, the first encounter they actually have with “the West” is rather less assured than the tagline suggests. Charley (Fred Williamson) belatedly notices an impending ambush by a group of Native Americans and nervously says “let’s keep moving,” but the trio are rapidly surrounded and brought to a halt. As the outlaws look around anxiously, one young tribesman reaches out, wipes his fingers down Charley’s cheek and checks to see if the color has rubbed off, before confirming to his companions that it has not. A visibly relieved Charley responds by returning the gesture, and our heroes are allowed to go on their way. On a diegetic level, this scene gives a brief but clear indication that the black outlaws and the Native Americans are in sympathy with each other in their mutual opposition to white oppression. -
Jimmy Orr Gino Marchetti Johnny Morris TA Doug Atkins Raymond
1963 APBA PRO FOOTBALL SET ROSTER The following players comprise the 1963 season APBA Pro Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. Players in bold are starters. If there is a difference between the player's card and the roster sheet, always use the card information. The number in ()s after the player name is the number of cards that the player has in this set. See below for a more detailed explanation of new symbols on the cards. BALTIMORE BALTIMORE CHICAG0 CHICAG0 OFFENSE DEFENSE OFFENSE DEFENSE EB: Jimmy Orr End: Gino Marchetti EB: Johnny Morris TA End: Doug Atkins Raymond Berry Ordell Braase Bo Farrington Bob Kilcullen Willie Richardson TC OC Don Thompson Angelo Coia Ed O'Bradovich R.C. Owens Tackle: Jim Colvin Tackle: Bob Wetoska Tackle: Stan Jones Tackle: George Preas Fred Miller Herman Lee Earl Leggett Bob Vogel John Diehl Steve Barnett John Johnson OC Guard: Alex Sandusky LB: Jackie Burkett Guard: Roger Davis Fred Williams Jim Parker OC Bill Pellington Ted Karras LB: Joe Fortunato Dan Sullivan Don Shinnick Jim Cadile Bill George Palmer Pyle Bill Saul Center: Mike Pyle OC Larry Morris Center: Dick Szymanski Butch Maples ET: Mike Ditka Tom Bettis ET: John Mackey OB CB: Bobby Boyd Bob Jencks KA KOB PB Roger LeClerc (2) KA KOA Butch Wilson Lenny Lyles QB: Billy Wade CB: Bennie McRae QB: Johnny Unitas Safety: Andy Nelson Rudy Bukich Dave Whitsell (2) Gary Cuozzo Jim Welch HB: Willie Galimore OC J.C.