Aristophanes' Comedy, Birds, to Be Presented Feb. 8 and 9 at UCSD

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Aristophanes' comedy, Birds, to be presented Feb. 8 and 9 at UCSD January 30, 1997 Media Contact: Jan Jennings, 534-0361 ARISTOPHANES' COMEDY, BIRDS. TO BE PRESENTED FEB. 8 AND 9 AT UCSD The Aquila Theatre Company of London will present Aristophanes' comedy, Birds, at 8 p.m. Feb. 8 and at 2 and 8 p.m. Feb. 9 in the Price Center Theater at the University of California, San Diego. One of the foremost producers of classical theatre, London's Aquila Theatre Company is noted for its fresh, innovative, and invigorating productions of ancient Greek plays. The current production of Birds is a contemporary translation for the stage by Peter Meineck. Performances are sponsored by UCSD's Department of Literature, the Classics Program, and the University Events Office. Birds was originally produced in 414 B.C. in Athens during a time of social upheaval and civil strife. It tells the story of two ordinary men in search of a better life far removed from the hurly burly of the city, choking court laws, corrupt politicians, and endless war. The men persuade the birds to join them in the creation of a new city, and thus "Cloudcuckooland" is born -- as well as a comedy equally relevant today. The comedic production includes energetic slapstick, witty dialogue and specially composed music. The New Yorker hailed the work as "the single best performance of a Greek drama we've ever seen anywhere," and the London Times called it "hugely enjoyable and very, very funny." Birds is directed by Aquila's artistic director Robert Richmond. The cast includes Anthony Cochrane, who appears in the ABC mini series, The Apocalypse Watch, and is a veteran of the Royal Shakespeare Company; Andrew Price, who appeared in the film, Howard's End, and acts in London's Royal National Theatre; Daniel York, who has performed for the Royal Shakespeare Company and BBC television, and Anthony Dunn, who performed in West End, Edinburgh's production of Buddy and frequently appears on British television. Tickets for the Feb. 8 and 9 performances are $6 general admission and $5 for UCSD faculty, staff, and students. For information, call William Fitzgerald at 534-2279. (January 30, 1997).

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TRANSCRIPT Key Conversations with Phi Beta Kappa Classics Scholar Peter Meineck on How Greek Theater Trains Better Citizens The NYU's professor elaborates on how to better understand and live through today's social and moral turmoil by learning from the great theater works of antiquity. Meineck illustrates what Greek drama can teach us about understanding trauma, being informed voters, embracing difference, and what we should, and shouldn't, expect from leaders and heroes. Fred Lawrence: This podcast episode was generously funded by two anonymous donors. If you would like to support the podcast in similar ways, please contact Hadley Kelly, at [email protected]. Thanks for listening. Hello and welcome to Key Conversations with Phi Beta Kappa. I’m Fred Lawrence, Secretary and CEO of the Phi Beta Kappa Society. On our podcast, we welcome leading thinkers, visionaries, and artists who shape our collective understanding of some of today’s most pressing and consequential matters. Many of them are Phi Beta Kappa Visiting Scholars, who travel the country for us, visiting campuses and presenting free lectures that we invite you to attend. For the Visiting Scholars schedule, please visit pbk.org. Today, it’s a pleasure to welcome Dr. Peter Meineck, who holds the endowed chair of Professor of Classics in the Modern World at New York University, and is Honorary Professor of Humanities at the University of Nottingham in the UK. He specializes in ancient performance, cognitive theory, Greek literature and culture, and humanities public programming. In addition to his academic career, Dr. Meineck has worked extensively in professional theatre, founding Aquila Theatre, and has directed and produced over 50 productions of classical plays.
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