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BWTB July 30Th 2016

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BWTB July 30Th 2016 1 Playlist July 31st, 2016 2 9AM The Beatles - All I’ve Got to Do – With The Beatles (Lennon-McCartney) Lead vocal: John Written entirely by John Lennon and introduced to the other Beatles at the session at which it was recorded, The Beatles never played the song again. Lennon has said this soulful ballad was his attempt at making a Smokey Robinson song. Recorded on September 11, 1963 in 14 takes with an overdub (presumably George’s introductory guitar chord) becoming “take 15” and the finished version. “All I’ve Got to Do” marked a rare instance in which John’s lead vocal was not double-tracked. On U.S. album: Meet The Beatles! - Capitol LP The Beatles - Money (That’s What I Want) – With The Beatles (Bradford-Gordy) Lead vocal: John Originally recorded by Barrett Strong and released as a single on Motown’s Tamla and Anna labels in 1959 and 1960 respectively, peaking at #23 in 1960. It was a part of The Beatles’ live repertoire from 1960 to 1964. On July 18, 1963, the group, with George Martin on piano, performed the song live in the studio -- vocals and all -- for six full takes, the final take being deemed the best. Although The Beatles involvement with the 3 recorded track lasted this one day, George Martin continued to add overdubs and tinker with his piano part until the song was completed to his satisfaction on September 30, 1963. On U.S. album: The Beatles’ Second Album - Capitol LP The Beatles - I Should Have Known Better - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John Following their triumphant visit to America The Beatles were thrust back to work. On February 25, 1964 they dove into new songs slated for their film. On this day they recorded “You Can’t Do That” and began work on Paul’s “And I Love Her” and John’s “I Should Have Known Better.” In the film “I Should Have Known Better” was performed in the train compartment scene, which in reality was the interior of a van with crew members rocking the van to fake the train in motion. Used as the flip side of the U.S. “A Hard Day’s Night” single. Paul’s “Things We Said Today” was the UK b-side. Recorded Feb. 25-26, 1964. On U.S. album: A Hard Day’s Night - United Artists LP Hey Jude - Apple LP (1970) The Beatles - Ticket To Ride - Help! (Lennon-McCartney) 4 Lead vocals: John and Paul The Beatles’ ninth single release for EMI’s Parlophone label. Issued nearly four months prior to the “Help!” album’s release on July 19, 1965 in the U.S. and four days later in the UK. Recorded on February 15, 1965 and featuring a blistering lead guitar performance by Paul McCartney. John and Paul composed the song together based primarily on John’s idea. The song’s distinctive drum pattern was conceived by Paul. The complex song arrangement was highly innovative for the time, and certainly unlike anything being played on top 40 radio. John Lennon in 1970: “ ‘Ticket To Ride was slightly a new sound at the time. It was pretty heavy for then, if you go and look in the charts for what other music people were making. It's a heavy record and the drums are heavy too. That's why I like it.” McCartney said, “It was quite radical at the time.” Capitol Records printed “From the United Artists release ‘Eight Arms To Hold You’ ” on both sides of the single. On U.S. album: Help! - Capitol LP The Beatles - What You’re Doing - Beatles For Sale (Lennon-McCartney) Lead vocal: Paul Recorded in seven takes on October 26, 1964. The most problematic song in the sessions for ”Beatles For Sale.” The Beatles tried different arrangements over three days and finally hit upon one they liked on the last day of recording for the album. Written primarily by Paul between August 31 and September 1, 1964 in Atlantic City during days off on the Beatles’ North American Tour. Paul provides the double-tracked lead vocal. 5 On U.S. album: Beatles VI - Capitol LP Flip coin - BREAK The Beatles - Things We Said Today - A Hard Day’s Night (Lennon-McCartney) Lead vocal: Paul Written in May 1964 on board a yacht called Happy Days during Paul McCartney's holiday in the Virgin Islands with his girlfriend Jane Asher, plus Ringo Starr and his future wife Maureen. Recorded in three takes on June 2, 1964. In his 1980 interview with Playboy magazine John Lennon remembered this being one of Paul’s better songs. McCartney double tracked his vocals. John Lennon's piano part was meant to be omitted from the final mix, but lack of separation between instruments meant that its sound leaked into other microphones during recording. As a result it can be heard on the released version. The b-side of the UK “A Hard Day’s Night” single. On U.S. album: Something New - Capitol LP George Harrison – If Not For You - All Things Must Pass ‘70 This track was retrieved from the session George did with Bob Dylan earlier in the year. Dylan was to release the track himself the following year on his New Morning LP, but George’s take definitely has the edge over Dylan’s lackadaisical reading. The Beatles - Don’t Let Me Down - Non-LP B-Side (Lennon-McCartney) Lead vocal: John with Paul 6 The Beatles’ nineteenth single release for EMI, and second on the Apple Records label. The “Get Back” sessions, as the January 1969 recording sessions were now known, produced about 475 hours of film and 141 hours of audio tape that had to be sifted through. But proper multi-track recordings weren’t made until the band was recording in the basement of the Beatles’ Apple headquarters between January 21-31, 1969. Producer/Engineer Glyn Johns attempted to construct an album entitled “Get Back” from the tapes but his versions were rejected. The tapes would be left dormant in the vault for a year, with the exception of a single (“Get Back”/“Don’t Let Me Down”). John Lennon’s “Don’t Let Me Down” was a love song for Yoko Ono and was the first song given a full run-through by the group when sessions for the new album began at Twickenham Studios on January 2, 1969. But proper multi-track recording takes were not done until the band changed location to the basement recording studio at their Apple headquarters. On U.S. album: Hey Jude - Capitol LP (1970) 9.26 BREAK OK…pay attention to the next 20 minute set as there will be a QUIZ for big prizes following its completion. The Beatles – Mean Mr. Mustard - Abbey Road Recorded July 24th. Written in India as we heard on the White LP demos from Esher. 7 When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 The Beatles - Her Majesty – Abbey Road Recorded July 2, 1969. Originally fit between” Mean Mr. Mustard” and “Polythene Pam” McCartney 1.00 The Beatles – Polythene Pam - Abbey Road Recorded July 25th w/ “She Came in Through The Bathroom Window “. The only Beatles song inspired by a woman in New Jersey who dressed in polythene (but not jack boots or kilts). Written in India, demoed for the White LP. Lennon 1.00 The Beatles – She Came In Through The Bathroom Window - Abbey Road Recorded July 25th 1969. Written while in NYC to announce Apple. Based on a true story about some Scruffs breaking into Paul house at St. John’s Wood. Paul wrote w/ Joe Cocker in mind…who later coved it as he did with most Beatle songs. McCartney 1.00 8 Paul McCartney – The Lovely Linda – McCartney ‘70 The recording Paul first used to test his new home recording set-up. It is the shortest song in McCartney's catalogue at 42 seconds long. The Beatles - Why Don’t We Do It In The Road? - The Beatles (Lennon-McCartney) Lead vocal: Paul 9 Excepting a drum track played by Ringo Starr and added as an overdub a day later, “Why Don’t We Do It In The Road?” is a Paul McCartney solo performance, recorded in five takes on October 9, 1968. Playing an acoustic guitar, Paul started off each track tapping out the beat on the sounding board of his guitar. By the fifth and final take, Paul’s ditty had turned into a raunchy rocker, showcasing McCartney’s gritty, top-flight voice. The “Anthology 3” album features a more restrained performance of the song. On October 10, while John and George were involved in Studio Two with George Martin’s string overdubs for “Piggies” and “Glass Onion,” Paul invited Ringo to join him in Studio Three and lay down a drum track. Other overdubs included handclaps, additional vocals, and Paul playing his Rickenbacker bass guitar and an electric guitar part on his Epiphone Casino. “Long Tall Sally” (Johnson-Penniman-Blackwell) Lead vocal: Paul Paul McCartney recorded this Little Richard screecher in just one take on March 1, 1964. Prior to being properly recorded, the Beatles performed the song for an American audience during the Beatles’ first concert appearance, in Washington D.C. on February 11, 1964. In a rare instance, two of the songs from the “Long Tall Sally” EP were issued first in America (“Long Tall Sally” on “The Beatles’ Second Album” and “I Call Your Name” on “Something New”). The initial pressings of the “Long Tall Sally” EP credited only Enotris Johnson as the writer of “Long Tall Sally.” Johnson was a little girl that had written some original lyrics for a song she hoped Little Richard would record.
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