The Young Olympians and the Most Amazingly Awesome Adventure Ever! By
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
Sea Monsters in Antiquity: a Classical and Zoological Investigation
Sea Monsters in Antiquity: A Classical and Zoological Investigation Alexander L. Jaffe Harvard University Dept. of Organismic and Evolutionary Biology Class of 2015 Abstract: Sea monsters inspired both fascination and fear in the minds of the ancients. In this paper, I aim to examine several traditional monsters of antiquity with a multi-faceted approach that couples classical background with modern day zoological knowledge. Looking at the examples of the ketos and the sea serpent in Roman and Greek societies, I evaluate the scientific bases for representations of these monsters across of variety of media, from poetry to ceramics. Through the juxtaposition of the classical material and modern science, I seek to gain a greater understanding of the ancient conception of sea monsters and explain the way in which they were rationalized and depicted by ancient cultures. A closer look at extant literature, historical accounts, and artwork also helps to reveal a human sentiment towards the ocean and its denizens penetrating through time even into the modern day. “The Sea-monsters, mighty of limb and huge, the wonders of the sea, heavy with strength invincible, a terror for the eyes to behold and ever armed with deadly rage—many of these there be that roam the spacious seas...”1 Oppian, Halieutica 1 As the Greek poet Oppian so eloquently reveals, sea monsters inspired both fascination and fear in the minds of the ancients. From the Old Testament to Ovid, sources from throughout the ancient world show authors exercising both imagination and observation in the description of these creatures. Mythology as well played a large role in the creation of these beliefs, with such classic examples as Perseus and Andromeda or Herakles and Hesione. -
YLO89 Magazine
•YLO 91_Layout 1 2/13/13 3:02 PM Page 1 TRD COVER Youth Leaders Only / Music Resource Book / Volume 91 / Spring 2013 Cover: Red 25 Ways To Create A Crisis Page 6 When Volunteers Date Kids Page 8 The Crisis Head/Heart Disconnect Page 10 INSIDE: ConGRADulations! Class of 2013 Music-Media Grad Gift Page 18 Heart of the Artist: RED Page 15 Jeremy Camp Page 16 The American Bible Challenge: Jeff Foxworthy Interview Page 12 Worship Chord Charts from Gungor, Planetshakers, Elevation Worship, Everfound Page 42 y r t s i & n i c i M s u h t M u o g Y n i n z i i a m i i x d a e M M CRISIS: ® HANDLING THOSE “UH OH!” SITUATIONS •YLO 91_Layout 1 2/13/13 3:02 PM Page 2 >> TRD TABLE OF CONTENTS CONTENTS MAIN/MILD/HOT ARE LISTED ALPHABETICALLY BY ARTIST 6 8 10 11 FEATURE 25 Ways To Create When Volunteers The Crisis I’m In A ARTICLES: Your Own Crisis Date Kids Disconnect Crisis NOW MAIN: 18 20 25 CONGRADULATIONS! PURPOSE FILM Artist: CLASS OF 2013 DVD GUNGOR Album Title: ConGRADulations! Class of 2013 Purpose A Creation Liturgy (Live) Song Title: Unstoppable Beautiful Things Study Theme: Sacrifice Life; Purpose Meaning Renewal MILD: 21 22 23 ELEVATION Artist: CAPITAL KINGS WORSHIP EVERFOUND Album Title: Capital Kings Nothing Is Wasted Everfound Song Title: You’ll Never Be Alone Nothing Is Wasted Never Beyond Repair Study Theme: God’s Presence Difficulty; Hope Within Grace HOT: 24 26 28 Artist: FLYLEAF JEKOB JSON Album Title: New Horizons Faith Hope Love Growing Pains Song Title: New Horizons Love Is All Brand New Study Theme: Hope; In God Love; Unconditional -
Knowing Your Songwriting Strengths Welcome Back!
Discovering Your Successful Songwriting Process John Chisum Module 7: Knowing Your Songwriting Strengths Welcome back! I hope you’re already getting a lot out of the principles and techniques we’re talking about in Discovering Your Successful Songwriting Process. The best songwriters I know have taken a long time to perfect their craft, so I hope you’ll be patient with yourself as you begin to understand the work you need to do around your process and methods to get where you want to go. I think we can sometimes be like the kid who wants badly to play piano or some sport they really haven’t learned to do well yet - - They play “at it” more than they commit to learning it well and they get frustrated, angry, and even quit, All the while blaming the piano or the ball and bat or whatever it is for being “stupid” or “dumb” and having a sour grapes attitude that spoils the whole thing for them. © All materials are the sole properties of John Chisum and Nashville Christian Songwriters. Reprint only by written permission. All Rights Reserved. It’s like the guy who got so frustrated and yelled out, “This computer sure can’t spell right!” Even we adults can act like children sometimes when we don’t want to take the time to really learn the proper ways of approaching a discipline. And I’ve seen it over and over in songwriting. I’ve had hundreds - literally hundreds - of aspiring songwriters tell me how called they are to it, but who then never do what it really takes to fulfill that call. -
Young Goodman Brown Effect KEVIN KILLIAN
2276 E 16th Street Los Angeles, CA 90021 L GOS AN ELES | 2016 NTIGH PAPERS Young Goodman Brown Effect KEVIN KILLIAN n Hawthorne’s 1835 fable of Puritan guilt, Young Goodman Brown leaves Salem Village and his Iwhitewashed cottage at sunset, the pleasant voice of his young wife, Faith, lilting through the air while she scrubs dishes or churns butter... Alone he sets out on a path narrowing into the forest, red leaves crunching underneath and the last rays of the sun disappearing overhead as he trudges on, one doesn’t MAX MASLAnskY | Pile (pillow case), 2016. know why yet... He meets a distinguished stranger who agrees to walk with him a ways, and little by little we discover that this kindly old man is really the devil, guiding Brown to a witches’ I probably shouldn’t because I must like to be alone a lot, Sabbath. Brown’s had the intellectual curiosity, perhaps, to but with a child you are never alone — probably you are not wonder what evil feels like; but he didn’t know the experience A alone for 25 years. Finally someone who was saying what I was going to be so universal, large enough to envelop just about thought! — that I would never be alone again — when all I everyone he’s ever known. As he proceeds into the heart of SHEILA HETI want is to be alone. She said, And what will be the value of night, the exalted status of his companion impresses all those that kid? This was something no one had said before, for I they encounter: the “good” people of the town, teachers, think it’s taken for granted that the value of the kid is that oday I talked with Sala over Skype. -
Allsång På Slottsträdgårdens Kafé
ALLSÅNG PÅ SLOTTSTRÄDGÅRDENS KAFÉ Allsång på Skånska med Schlagerhits & lite Mello DEN 9 AUGUSTI 2021 Främling (Carola) Främling Vad döljer du för mig? I dina mörka ögon En svag nyans, av ljus nånstans Men ändå, en främling Så känner jag för dig Jag ber dig, låt mig få veta Vem vill du vara? Kan du förklara Det för miiig-heeeey! Som Mona Lisa har sitt leende Så gömmer också du en hemlighet Stjärnor jag ser dem Vill gärna ta ner nån till dig Där bortom himlen finns en evighet Om du vill upptäcka den här med mig Ta första stegen och visa mig vägen ikväll En känsla och jag litar på dig Sen blir vår kärlek aldrig främmande igen Natten finns till för dig och mig Glöm det som är omkring oss Låt mig få komma Låt mig få vara nära diiig-heeeey! Som Mona Lisa har sitt leende Så gömmer också du en hemlighet Stjärnor jag ser dem Vill gärna ta ner nån till dig Där bortom himlen finns en evighet Om du vill upptäcka den här med mig Ta första stegen och visa mig vägen ikväll En känsla och jag litar på dig Sen blir vår kärlek aldrig främmande igeeeeeen! Då blir vår kärlek aldrig främmande igen Fyra Bugg & en Coca-Cola (Lotta Engberg) Du som tycker din dag är grå Jorden snurrar sitt varv ändå Bryr sig inte så mycket om Vem som gick och kom Snart så skiner en sol igen På en blommande äng Varma vindar från längese'n Spelar upp en refräng Fyra Bugg och en Coca-Cola Spela freestyle med fräck musik Fyra Bugg och en Coca-Cola Doft av sommar och romantik Vill du leva och vill du dansa? Våga skratta och våga chansa? Fyra Bugg och en Coca-Cola Spela freestyle med -
CYAN MAGENTA YELLOW BLACK Code No. Booklet-Pgs20&1
CYAN MAGENTA YELLOW BLACK 1. It's an open secret Webb 1964 2. When Jesus comes to you Webb 1964 3. Set the world a-singing Webb 1964 4. A million songs Webb 1964 5. Now I know Dalziel/Davidson 1964 6. All Alone Dalziel/Davidson 1965 7. He Cares Webb 1965 8. Have faith in God Webb 1965 9. I want to sing it Webb 1965 10. Follow Webb 1965 11. Lord on our side Davidson 1966 12. Time Davidson 1966 13. Love that's in my heart Dalziel/Davidson 1966 14. Without Him Gair (Dalziel) 1966 15. He is near Webb 1966 16. Where will it end Dalziel 1966 17. Long lost cause Davidson 1966 18. There will be God Webb 1966 19. It won't always be like this Dalziel/Robson 1967 20. This is living Davidson 1967 21. Everything Davidson 1967 22. Tomorrow Davidson 1967 SPS 254 CD Code No. Booklet-Pgs20&1 CYAN MAGENTA YELLOW BLACK INTRODUCTION by Sylvia Dalziel (Gair) When Commissioner Frederick Coutts was elected General of The Salvation Army in November 1963 he expressed the hope, in his election press conference, that The Salvation Army might show a Executive Producer more modern approach in bringing the message of Christian faith to the ‘man in the street’. He felt it Trevor Caffull should be possible for Salvationists with guitars to play in coffee bars and clubs if this proved to be an effective method of evangelising. After all the sixties was all about pop music and groups – it was Mastering the communication channel of the time, why not use it for God’s work? Adam Goldsmith The whole idea attracted considerable publicity and the media wanted photographs of ‘pop’ Production Manager Salvationists. -
00:00:01 Jesse Thorn Host Welcome to the Judge John Hodgman Podcast
00:00:00 Sound Effect Transition [Three gavel bangs.] 00:00:01 Jesse Thorn Host Welcome to the Judge John Hodgman podcast. I'm Bailiff Jesse Thorn. We're in chambers this week, clearing the docket. And with me as always is coastal Maine's number one... New York–based author... [John laughs.] ...of humorous memoirs... with the initials JH... Judge John Hodgman! 00:00:25 John Host Hello, yes! With you as always, but not with you... as always. But Hodgman with you in spirit, and visual! I can see you here. You can see me here, in the studios of WERU Community Radio. 89.9 FM. Don't dial in 99.9 anymore. They don't do it anymore. Right, Joel? 00:00:45 Joel Mann Guest That's right. 00:00:46 John Host Right. I don't know why they shut that one down. [Stifles laughter.] There's a lot of controversy, I understand. Very—uh, Joel doesn't wanna talk about it. 00:00:52 Joel Guest No. 00:00:53 John Host Right. Uh, obviously here with our friend, Programs and Operations Manager here at WERU Joel Mann. Joel? 00:01:01 Joel Guest Good to be here with you, Judge. 00:01:03 John Host Our—ooh, that's a lot of talk from Joel there all of the sudden. Joel, last time I saw you— [All three laugh.] Last time I saw you was at the supermarket— 00:01:11 Jesse Host More like "Chatty Cathy," man. [Joel laughs.] 00:01:13 John Host I know. -
Words: Dragon, Andromeda, Medusa, Perseus, Myth
Athens Journal of Mediterranean Studies - Volume 7, Issue 3, July 2021 – Pages 201-232 Medusa Must Die! The Virgin and the Defiled in Greco-Roman Medusa and Andromeda Myths By Sharon Khalifa-Gueta* Andromeda and Medusa are two types within the same motif—that of the motif of ―the woman and the dragon‖. This article positions a mythical hero between these two women and contrasts their relationship with dragons, along with a further fresh investigation of women and dragons in ritual and cultural context. The complexity of this motif, in contrast to the dragon-slayer topos, is explored, shedding light on social views, desires, and fears toward women in the ancient Greco-Roman cultural context. These female figures are contrasted within one mythical sequence, elucidating their educational role for men. This investigation also confronts the ―good‖ versus the ―defiled‖ woman and clarifies why a ―holy-defiled‖ woman, such as Medusa, cannot exist in patriarchal cultures, and therefore must be isolated, killed, or otherwise controlled by patriarchal society. Keywords: dragon, Andromeda, Medusa, Perseus, myth Introduction The myth sequence of Perseus is well studied, mostly as part of the dragon- slayer topos. This article aims to shift the attention from Perseus to his two encounters with females, Andromeda and Medusa, and suggest that by placing them together in the same myth sequence a motif with binary visualisations emerges. While Medusa‘s image has already been broadly investigated, Andromeda has mostly been neglected, with Perseus‘s figure gaining the most attention in this myth. Focusing on the artistic manifestation of the syntagm ―the woman and the dragon‖ reveals a Greco-Roman cultural binary of the ―good‖ versus the ―bad‖ woman. -
Eurovision Karaoke
1 Eurovision Karaoke ALBANÍA ASERBAÍDJAN ALB 06 Zjarr e ftohtë AZE 08 Day after day ALB 07 Hear My Plea AZE 09 Always ALB 10 It's All About You AZE 14 Start The Fire ALB 12 Suus AZE 15 Hour of the Wolf ALB 13 Identitet AZE 16 Miracle ALB 14 Hersi - One Night's Anger ALB 15 I’m Alive AUSTURRÍKI ALB 16 Fairytale AUT 89 Nur ein Lied ANDORRA AUT 90 Keine Mauern mehr AUT 04 Du bist AND 07 Salvem el món AUT 07 Get a life - get alive AUT 11 The Secret Is Love ARMENÍA AUT 12 Woki Mit Deim Popo AUT 13 Shine ARM 07 Anytime you need AUT 14 Conchita Wurst- Rise Like a Phoenix ARM 08 Qele Qele AUT 15 I Am Yours ARM 09 Nor Par (Jan Jan) AUT 16 Loin d’Ici ARM 10 Apricot Stone ARM 11 Boom Boom ÁSTRALÍA ARM 13 Lonely Planet AUS 15 Tonight Again ARM 14 Aram Mp3- Not Alone AUS 16 Sound of Silence ARM 15 Face the Shadow ARM 16 LoveWave 2 Eurovision Karaoke BELGÍA UKI 10 That Sounds Good To Me UKI 11 I Can BEL 86 J'aime la vie UKI 12 Love Will Set You Free BEL 87 Soldiers of love UKI 13 Believe in Me BEL 89 Door de wind UKI 14 Molly- Children of the Universe BEL 98 Dis oui UKI 15 Still in Love with You BEL 06 Je t'adore UKI 16 You’re Not Alone BEL 12 Would You? BEL 15 Rhythm Inside BÚLGARÍA BEL 16 What’s the Pressure BUL 05 Lorraine BOSNÍA OG HERSEGÓVÍNA BUL 07 Water BUL 12 Love Unlimited BOS 99 Putnici BUL 13 Samo Shampioni BOS 06 Lejla BUL 16 If Love Was a Crime BOS 07 Rijeka bez imena BOS 08 D Pokušaj DUET VERSION DANMÖRK BOS 08 S Pokušaj BOS 11 Love In Rewind DEN 97 Stemmen i mit liv BOS 12 Korake Ti Znam DEN 00 Fly on the wings of love BOS 16 Ljubav Je DEN 06 Twist of love DEN 07 Drama queen BRETLAND DEN 10 New Tomorrow DEN 12 Should've Known Better UKI 83 I'm never giving up DEN 13 Only Teardrops UKI 96 Ooh aah.. -
Euripides and Gender: the Difference the Fragments Make
Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Ruby Blondell, Chair Deborah Kamen Olga Levaniouk Program Authorized to Offer Degree: Classics © Copyright 2013 Melissa Karen Anne Funke University of Washington Abstract Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke Chair of the Supervisory Committee: Professor Ruby Blondell Department of Classics Research on gender in Greek tragedy has traditionally focused on the extant plays, with only sporadic recourse to discussion of the many fragmentary plays for which we have evidence. This project aims to perform an extensive study of the sixty-two fragmentary plays of Euripides in order to provide a picture of his presentation of gender that is as full as possible. Beginning with an overview of the history of the collection and transmission of the fragments and an introduction to the study of gender in tragedy and Euripides’ extant plays, this project takes up the contexts in which the fragments are found and the supplementary information on plot and character (known as testimonia) as a guide in its analysis of the fragments themselves. These contexts include the fifth- century CE anthology of Stobaeus, who preserved over one third of Euripides’ fragments, and other late antique sources such as Clement’s Miscellanies, Plutarch’s Moralia, and Athenaeus’ Deipnosophistae. The sections on testimonia investigate sources ranging from the mythographers Hyginus and Apollodorus to Apulian pottery to a group of papyrus hypotheses known as the “Tales from Euripides”, with a special focus on plot-type, especially the rape-and-recognition and Potiphar’s wife storylines.