DOCSLIB.ORG

An Index to Images in a Spring on the Desert the Online Video Course from Churchnext.Tv by Frank and Victoria Logue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

An index to images in A Spring on the Desert The online video course from ChurchNext.tv by Frank and Victoria Logue Opening and closing video • The opening shot with the logo is of Frank and Victoria walking toward the Superstition Mountains along the Apache Trail Scenic Drive east of Apache Junction, Arizona. • The closing shot of Frank and Victoria walking at sunrise is in Papago Park in Phoenix, Arizona Lesson 1 – Desert Spirituality Filmed at Spur Cross Ranch Conservation Area north of Cave Creek, Arizona. • Additional video from Frank Logue and storyblocks.com under license • Jacob’s Dream by William Blake (1757-1827). This and others from Wikimedia.org • Moses before the Burning Bush by Domenico Fetti (1589-1623) • Elijah Fed by Ravens by George (1815-1902) and Edward Dalziel (1817-1905) • Saint John the Baptist by anonymous Romanian icon writer • Christ in the Wilderness by Ivan Kramskoy (1837-1887) • Christ and the Samaritan Woman by Duccio di Buoninsegna (1255-1319) • Hagar Giving Ishmael Water from the Miraculous Well by Charles Paul Landon (1761-1826) • Rebecca et Eliézer by Alexandre Cabanel (1823-1889) Lesson 2 – Desert Mothers and Fathers Filmed at The Hole in the Rock in Papago Park, Phoenix, Arizona • Additional video from storyblocks.com under license • Saint Antony mosaic in the Fethiye Museum by an anonymous artist • Righteous Syncletica of Alexandria from the Menologion of Basil (976-1025) • Photograph of St. Antony’s Monastery in Egypt from Wikimedia Commons • St. Athanasius by Otto Bitschnau from Leben der Heiligen 1883 • The Conversion of St. Augustine by Fra Angelico and workshop (circa 1395-1455) • The Torment of Saint Anthony by Michelangelo Buonarroti (1475-1564) • Saint Anthony abbot meets Saint Paul the hermit by David Teniers (1610-1690) • The Storm on the Sea of Galilee by Rembrandt van Rijn (1606-1669) • St. Ephrem the Syrian by anonymous Romanian icon writer Lesson 3 – Christian Virtues Filmed at the Collegiate Church of St. Paul the Apostle (Episcopal) in Savannah, Georgia • Additional video from Frank Logue and storyblocks.com under license • Movie poster for Se7en from NewLine Cinema • Temptation of St Anthony by Bernardo Parentino (c. 1450-c. 1500) • Evagrius Ponticus by anonymous icon writer • 1910 photo of the Armenian Monastery in the Old City of Jerusalem, Courtesy of American Colony • Melania the Elder by anonymous artist in the Catacomb of Priscilla in Rome • Photograph of St. Antony’s Monastery in Egypt from Wikimedia Commons • Evagrius Ponticus by Jan Sadeler (1550-1600) • St. Augustine of Hippo by Gerard Seghers (1591-1651) • Dante Alighieri by Bronzino (1503-1572) • Saint Thomas Aquinas by Carlo Crivelli (1430-1495) • Study for Christ in the House of Simon the Pharisee by Ercole Procaccini the Younger (1605-1680) • St. Ephrem the Syrian by anonymous Romanian icon writer Lesson 4 – Learning from the Plants and Animals of the Desert Victoria filmed at Spur Cross Ranch Conservation Area north of Cave Creek, Arizona. Frank filmed at the Hole in the Rock in Papago Park, Phoenix, Arizona • Additional video by Frank Logue and Storyblocks.com under license • The Little Prince by Antoine de Saint-Exupery (NY: Reynal & Hitchcock, 1943) • Fennec Fox peak photo by Anass Errihani from Wikimedia Commons • Fennec Fox alone at night by Bruno D’Amicis from Alamy Stock • Fennec Fox Family by Mark Dumont from Wkimedia Commons Lesson 5 – Faithfulness Filmed at St. Matthew’s Episcopal Church in Savannah, Georgia • Additional video from storyblocks.com under license • The Israelites gathering Manna by Ercole de' Roberti (c. 1451-1496) • Jonah and the Vine from Martin Luther’s Bible • Jonah and the Whale, Folio from a Jami al-Tavarikh (c. 1400) • Praying to a Golden Idol from Bible Pictures and What They Teach Us by Charles Foster (1897) • Illustration of Hosea and Gomer from Bible Historiale (1372) • Sacrifice of Jeroboam by Claes Corneliszoon Moeyaert (1592-1655) • Melania the Elder by anonymous artist in the Catacomb of Priscilla in Rome • Melania the Younger from the Menologion of Basil (976-1025) • Christ on the Cross by Simon de Vos and workshop (1603-1676) Lesson 6 – Confession Filmed at the Collegiate Church of St. Paul the Apostle (Episcopal) in Savannah, Georgia • Additional video from Frank Logue and storyblocks.com under license • Rachel Held Evans author photo from Nelson Books • Lorenzo de’ Medici’s Confession by Augusto Tominz (1818-1883) • Abbas Antony and Paul by anonymous icon writer Lesson 7 – Humility Victoria filmed in the Superstion Mountains east of Apache Junction, Arizona • Additional video from Frank Logue and storyblocks.com under license • Ephram the Syrian by anonymous icon writer • Jesus Washing Peter’s Feet by Ford Madox Brown (1821-1893) • Saint Anthony Abbot Shunning the Mass of Gold by Fra Angelico (c. 1395-1455) • Saint Arsenius the Great, a fresco in Saint Nicholas Church in Kastoria, Greece (1663) • Jesus with the Crown of Thorns by an anonymous icon writer Lesson 8 – Prayer Filmed at the Collegiate Church of St. Paul the Apostle (Episcopal) in Savannah, Georgia • Additional video from Frank Logue and storyblocks.com under license • Vendimian of Bythinia from the Menologion of Basil (976-1025) • The Pharisee and the Publican by Barent Fabritius (1624-1673) • The Way of a Pilgrim and The Pilgrim Continues His Way translated by Helen Bacovcin 9(NY: Double Day, 2003) Lesson 9 – Forgiveness Filmed at the Collegiate Church of St. Paul the Apostle (Episcopal) in Savannah, Georgia • Additional video from storyblocks.com under license • The raising of the cross by James Tissot (1836-1902), Brooklyn Museum • Christ Crucified between the Two Thieves by Rembrandt van Rijn (1606-1669) • Abbot Sisios in Slimnitsa Monastery, Greece • Scenes from the lives of the Desert Fathers by Fra Angelico (c. 1395-1455) • Conversion of St. Augustine by Fra Angelico (c. 1395-1455) Lesson 10 – Learning from Cacti Filmed along the Apache Trail scenic drive east of Apache Junction, Arizona • Additional photos and video by Frank Logue and Storyblocks.com • Ocatillo in Joshua Tree National Park from Wikimedia Commons • Ocatillo in Bloom from Wikimedia Commons • Ocatillo from Wikimedia Commons • Ginny Owens photo from Halogen Entertainment • Cactus Wren Building a Nest by Robb Hannawacker from Wikimedia Commons • Cactus Wren from needpix.com Lesson 11 – Scripture Filmed at the Collegiate Church of St. Paul the Apostle (Episcopal) in Savannah, Georgia • Additional video from Frank Logue and storyblocks.com under license • King David Handing the Letter to Uriah by Pieter Lastman (1583–1633) • Judith Beheading Holofernes by Caravaggio (1571–1610) • The Last Judgment by Hans Memling (circa 1433 –1494) • Nain widow’s son is resurrected by Christ from a mosaic in Montreal Cathedral Lesson 12 – Generosity Filmed at St. Matthew’s Episcopal Church in Savannah, Georgia • Additional photos and video from Frank Logue and storyblocks.com under license • The Miraculous Draught of Fishes by Jacopo Bassano (c. 1510-1592) • The Second Miraculous Draught of Fishes by James Tissot (1836-1902) • Miracle of the Bread and Fish by Giovanni Lanfranco (1582-1647) • The Widow’s Mite by Gustave Dore (1832-1883) • Scenes from the lives of the Desert Fathers by Fra Angelico (c. 1395-1455) • Last Supper and Stories of Moses by Alessandro Allori (1535-1607) Lesson 13 – Constancy Filmed at St. Matthew’s Episcopal Church in Savannah, Georgia • Additional video from Storyblocks.com Lesson 14 – Learning from Camels Filmed east of Cave Creek, Arizona • Additional video from Frank Logue and Storyblocks.com Lesson 15 – Moderation and Sabbath Filmed north of Cave Creek, Arizona • Additional video from storyblock.com under license • Evagrius Ponticus by an anonymous icon writer • Mosaics in the Worcester Art Museum, Worcester, Massachusetts • Visit of St. Anthony to St. Paul by Matthias Grünewald (c. 1470-1528) • The Dream of Saint Joseph by The Master of the Osservanza (c. 1440-1480) • Jesus went out to a Deserted Place by James Tissot (1836-1902) • Miracle of the Bread and Fish by Giovanni Lanfranco (1582-1647) Lesson 16 – Vocation Filmed at the Collegiate Church of St. Paul the Apostle (Episcopal) in Savannah, Georgia • Additional photos courtesy King of Peace Episcopal Church, Kingsland, Georgia • Additional photos by Frank and Victoria Logue • Additional video from storyblock.com under license • St. Jerome by Caravaggio (1571–1610) • Saint Jerome in the Wilderness by Bernardino Pinturicchio (1454-1513) • St. Jerome by Leonello Spada (1576-1622) • St. Paul is staying in the house of Aquila and his wife Priscilla in an engraving by Jan Sadeler (1550- 1600) after a painting by Jodocus Winghe (1544–1603) Lesson 17 – Loving-Kindness Filmed at St. Matthew’s Episcopal Church in Savannah, Georgia • Additional photos and video from Frank and Victoria Logue and storyblock.com under license • Peter’s vision of a sheet with animals by Domenico Fetti (c. 1589-1623) • Jesus Washing Peter’s Feet by Ford Madox Brown (1821-1893) • Moses Breaks the Stone Tablets from Bible History: Containing the Most Remarkable Events of the Old and New Testaments (NY: Benziger Brothers, 1904) • Jesus by an anonymous Ethiopian icon writer • Holy Trinity with Abraham icon in Holy Trinity Church in Nizhny Novgorod by an anonymous icon writer • Woman Caught in Adultery by Woonbo Kim Ki-chang (1913-2001) • Creation mosaic by unknown artist • The Last Supper by The Antwerp School (16th Century) • The Crucifixion by anonymous Ethiopian icon writer (c. 1900) • Icon
Recommended publications
  • Nil Sorsky: the Authentic Writings Early 18Th Century Miniature of Nil Sorsky and His Skete (State Historical Museum Moscow, Uvarov Collection, No

    Nil Sorsky: the Authentic Writings Early 18Th Century Miniature of Nil Sorsky and His Skete (State Historical Museum Moscow, Uvarov Collection, No

    CISTER C IAN STUDIES SERIES : N UMBER T WO HUNDRED T WENTY -ONE David M. Goldfrank Nil Sorsky: The Authentic Writings Early 18th century miniature of Nil Sorsky and his skete (State Historical Museum Moscow, Uvarov Collection, No. 107. B 1?). CISTER C IAN STUDIES SERIES : N UMBER T WO H UNDRED TWENTY -ONE Nil Sorsky: The Authentic Writings translated, edited, and introduced by David M. Goldfrank Cistercian Publications Kalamazoo, Michigan © Translation and Introduction, David M. Goldfrank, 2008 The work of Cistercian Publications is made possible in part by support from Western Michigan University to The Institute of Cistercian Studies Nil Sorsky, 1433/1434-1508 Library of Congress Cataloguing-in-Publication Data Nil, Sorskii, Saint, ca. 1433–1508. [Works. English. 2008] Nil Sorsky : the authentic writings / translated, edited, and introduced by David M. Goldfrank. p. cm.—(Cistercian studies series ; no. 221) Includes bibliographical references (p. ) and indexes. ISBN 978-0-87907-321-3 (pbk.) 1. Spiritual life—Russkaia pravoslavnaia tserkov‚. 2. Monasticism and religious orders, Orthodox Eastern—Russia—Rules. 3. Nil, Sorskii, Saint, ca. 1433–1508—Correspondence. I. Goldfrank, David M. II. Title. III. Title: Authentic writings. BX597.N52A2 2008 248.4'819—dc22 2008008410 Printed in the United States of America ∆ Estivn ejn hJmi'n nohto;~ povlemo~ tou' aijsqhtou' calepwvtero~. ¿st; mysla rat;, vnas= samäx, h[v;stv÷nyã l[täi¡wi. — Philotheus the Sinaite — Within our very selves is a war of the mind fiercer than of the senses. Fk 2: 274; Eparkh. 344: 343v Table of Contents Author’s Preface xi Table of Bibliographic Abbreviations xvii Transliteration from Cyrillic Letters xx Technical Abbreviations in the Footnotes xxi Part I: Toward a Study of Nil Sorsky I.
  • GLIMPSES INTO the KNOWLEDGE, ROLE, and USE of CHURCH FATHERS in RUS' and RUSSIAN MONASTICISM, LATE 11T H to EARLY 16 T H CENTURIES

    GLIMPSES INTO the KNOWLEDGE, ROLE, and USE of CHURCH FATHERS in RUS' and RUSSIAN MONASTICISM, LATE 11T H to EARLY 16 T H CENTURIES

    ROUND UP THE USUALS AND A FEW OTHERS: GLIMPSES INTO THE KNOWLEDGE, ROLE, AND USE OF CHURCH FATHERS IN RUS' AND RUSSIAN MONASTICISM, LATE 11t h TO EARLY 16 t h CENTURIES David M. Goldfrank This essay originated at the time that ASEC was in its early stages and in response to a requestthat I write something aboutthe church Fathers in medieval Rus'. I already knew finding the patrology concerning just the original Greek and Syriac texts is nothing short of a researcher’s black hole. Given all the complexities in­ volved in the manuscript traditions associated with such superstar names as Basil of Caesarea, Ephrem the Syrian, John Chrysostom, and Macarius of wherever (no kidding), to name a few1 and all of The author would like to thank the staffs of the Hilandar Research Library at The Ohio State University and, of course, the monks of Hilandar Monastery for encouraging the microfilming of the Hilandar Slavic manuscripts by Ohio State. I thank the Dumbarton Oaks Research Library and Collection; and Georgetown University’s Woodstock Theological Library as well as its Lauinger Library Reference Room for their kind help. Georgetown University’s Office of the Provost and Center for Eurasian, East European and Russian Studies provided summer research support. Thanks also to Jennifer Spock and Donald Ostrowski for their wise suggestions. 1 An excellent example of this is Plested, Macarian Legacy. For the spe­ cific problem of Pseudo-Macarius/Pseudo-Pseudo-Macarius as it relates to this essay, see NSAW, 78-79. Tapestry of Russian Christianity: Studies in History and Culture.
  • January Menaion

    January Menaion

    Byzantine Monthly Menaion Volume Five: January Metropolitan Cantor Institute Byzantine Catholic Seminary Pittsburgh, PA Foreword A Menaion is a liturgical book which contains the changeable parts of Byzantine divine services for a given month. The volume in your hands is the fourth of a series of twelve books for use in Byzantine Catholic parishes. Each day is provided with the following material: (1) Synaxarion (brief life of the saints remembered) (2) Troparia and Kontakia (3) Prokeimena and Alleluiaria (4) Communion Hymn. On major feasts, the proper antiphons (when there are any) and the Magnification and Irmos (appointed to take the place of It is truly proper) are also included. Texts which are contained in the Faithful’s Book published by the Byzantine Catholic Church are reproduced with their musical settings from that book. Those texts were translated by the Inter-Eparchial Liturgical Commission, and then set to plainchant by the Inter-Eparchial Music Commission. Many of the Troparia contained in this volume of the Menaion are, in fact, common texts (i.e., they are used on more than one feast). These texts, too, come from the work of the IELC/IEMC, as are all the Prokeimena and Alleluiaria and Communion Hymns. The texts of the Troparia and Kontakia that are not from the above-mentioned source are almost always taken from the Order of Matins published by the Sisters of the Order of Saint Basil the Great, and we acknowledge these texts with gratitude. This volume is intended to be used annually. Because of this, cantors must use the Typikon of the Metropolitan Church to discern how materials from the Menaion are to be combined with the Sunday Ochtoechos.
  • SYNAXIS the Symposium Journal

    SYNAXIS the Symposium Journal

    SYNAXIS the symposium journal n. a periodical gathering published by eighth day institute Theophany 2019 Vol. 6, No. 1 U.S. $15 EROS AND THE MYSTERY OF GOD On the Body, Sex & Asceticism EROS & THE MYSTERY OF GOD ON THE BODY, SEX & ASCETICISM EDITED BY Erin Doom EIGHTH DAY INSTITUTE WICHITA, KS 2019 SENIOR EDITOR & DESIGNER Erin Doom BOOK REVIEW EDITORS The Eighth Day Books Crew SYNAXIS is published to promote the renewal of culture through faith and learning. Published by Eighth Day Institute, 2836 E. Douglas, Wichita, KS, 67214, Synaxis is a tri-annual publication, published in conjunction with the annual Eighth Day Symposium in January, the annual Florovsky Week in July, and the annual Eighth Day Books Anniversary celebration at the Inklings Oktoberfest in October. Subscriptions are automatically included with all levels above the “Donor” level of Eighth Day Memberships (see inside back cover for details). Theophany 2019, Volume 6, Number 1. Copyright © 2019 by Eighth Day Institute, a nonprofit corporation. All contributions above the cost of subscription are tax-deductible to the extent allowed by law. To subscribe, send check or money order to: Eighth Day Institute, 2836 E. Douglas, Wichita, KS, 67214. For credit card subscriptions, visit us online at www.eighthdayinstitute.org or call 316-573-8413. Financial contributions, back issue orders, letters to the editor, manuscript submissions, and inquiries should be directed to our editorial office at Eighth Day Institute, 2836 E. Douglas, Wichita, KS, 67214, or by email to [email protected]. Although Eighth Day Institute and Eighth Day Books have no formal affiliation or financial relationship, our support for each other is mutual and enthusiastic.
  • Spiritual Struggle

    Spiritual Struggle

    Spiritual struggle ALBERTO GIANQUINTO, Jacob and the Angel Words of Spirituality by ENZO BIANCHI If we want to fight evil effectively, we have to fight within ourselves and defeat the evil that is in us The spiritual struggle is an essential aspect of Christian spiritual life. The Bible asks believers to prepare themselves to encounter opposition. Just as we are called to “have dominion” within creation, we are also called to dominate ourselves and the sin that threatens us: “Sin is a demon lurking at the door: his urge is toward you, yet you can be his master” (Genesis 4:7). This struggle is an interior one, not directed against those around us but against the temptations, thoughts, suggestions, and inner processes that lead us to consume evil. Paul, using images related to war and athletics (running and boxing), speaks of Christian life as a fight, a sort of inner tension that allows us to remain faithful to Christ, and that involves an unmasking of the processes by which sin gains control over our hearts so that we can fight it at its source. Our heart, in fact, is the site of the battle. In Biblical anthropology, the heart is the organ that best represents life in its totality: as the center of the ethical and inner life, the intelligence and the will, the heart contains all of the elements that constitute what we call the ‘person’ and is similar to how we define ‘conscience.’ The Christian spiritual struggle, however, is in no way limited to a psychological process of discernment and adjustment.
  • ''William Burroughs's Final Countdown: Against the Moral Grain''

    ''William Burroughs's Final Countdown: Against the Moral Grain''

    ”William Burroughs’s Final Countdown : Against the Moral Grain”. Didier Girard To cite this version: Didier Girard. ”William Burroughs’s Final Countdown : Against the Moral Grain”.. Dagger, Don Jolly, 2018. halshs-02568870 HAL Id: halshs-02568870 https://halshs.archives-ouvertes.fr/halshs-02568870 Submitted on 18 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Exhibition catalog of William S. Burroughs’ THE SEVEN DEADLY SINS. Published by Lococo-Mulder, New York / St. Louis / Amsterdam, 1992. William Burroughs is in my opinion—whatever his conscious intention may be—a religious writer. There is a sense in Naked Lunch of the de- struction of soul, which is more intense than any I have encountered in any other modern novel. It is a vision of how mankind would act if man was totally divorced from eternity. -Norman Mailer William Burroughs published The Seven Deadly Sins1 in a single plate of painted wood Burroughs had also shot an era when apparently sin can no longer be “Capital” (a with his 12-gauge shotgun. Inasmuch as sex can engage contemporary Catholic catechism only devoted one small both mental and physical extremes of human experience section to the subject).
  • Service Books of the Orthodox Church

    Service Books of the Orthodox Church

    SERVICE BOOKS OF THE ORTHODOX CHURCH THE DIVINE LITURGY OF ST. JOHN CHRYSOSTOM THE DIVINE LITURGY OF ST. BASIL THE GREAT THE LITURGY OF THE PRESANCTIFIED GIFTS 2010 1 The Service Books of the Orthodox Church. COPYRIGHT © 1984, 2010 ST. TIKHON’S SEMINARY PRESS SOUTH CANAAN, PENNSYLVANIA Second edition. Originally published in 1984 as 2 volumes. ISBN: 978-1-878997-86-9 ISBN: 978-1-878997-88-3 (Large Format Edition) Certain texts in this publication are taken from The Divine Liturgy according to St. John Chrysostom with appendices, copyright 1967 by the Russian Orthodox Greek Catholic Church of America, and used by permission. The approval given to this text by the Ecclesiastical Authority does not exclude further changes, or amendments, in later editions. Printed with the blessing of +Jonah Archbishop of Washington Metropolitan of All America and Canada. 2 CONTENTS The Entrance Prayers . 5 The Liturgy of Preparation. 15 The Divine Liturgy of St. John Chrysostom . 31 The Divine Liturgy of St. Basil the Great . 101 The Liturgy of the Presanctified Gifts. 181 Appendices: I Prayers Before Communion . 237 II Prayers After Communion . 261 III Special Hymns and Verses Festal Cycle: Nativity of the Theotokos . 269 Elevation of the Cross . 270 Entrance of the Theotokos . 273 Nativity of Christ . 274 Theophany of Christ . 278 Meeting of Christ. 282 Annunciation . 284 Transfiguration . 285 Dormition of the Theotokos . 288 Paschal Cycle: Lazarus Saturday . 291 Palm Sunday . 292 Holy Pascha . 296 Midfeast of Pascha . 301 3 Ascension of our Lord . 302 Holy Pentecost . 306 IV Daily Antiphons . 309 V Dismissals Days of the Week .
  • Coptic Church Review

    Coptic Church Review

    ISSN 0273-3269 COPTIC CHURCH REVIEW Volume 21, Number 1 . Spring 2000 • Coptic Neomartyrs in the New Millennium • The Life of Evagrius • Cyril of Alexandria’s Exegesis Society of Coptic Church Studies EDITORIAL BOARD Bishop Wissa (Al-Balyana, Egypt) COPTIC CHURCH REVIEW Bishop Antonious Markos (Coptic Church, African Affairs) A Quarterly of Contemporary Patristic Studies Bishop Isaac ISSN 0273-3269 (Quesna, Egypt) Bishop Dioscorus Volume 21, Number 1 . .Spring 2000 (Coptic Church, Egypt) Fr. Tadros Malaty (Alexandria, Egypt) 2 Coptic Neomartyrs in the New Professor Fayek Ishak Millenneum (Ontario, Canada) Translated from Al-Kiraza William El-Meiry, Ph.D. (N.J., U.S.A.) Magazine Girgis A. Ibrahim, Ph.D. (Florida, U.S.A.) 8 Coptic Palladiana ii: The Life of Esmat Gabriel, Ed.D. Evagrius (PA., U.S.A.) Tim Vivian EDITOR Rodolph Yanney, M.D. 24 Moses and the Mystery of Christ CIRCULATION MANAGER Ralph Yanney in Cyril of Alexandira’s Exegesis © Copyright 2000 John A. McGuckin by Coptic Church Review E. Brunswick, NJ 32 Book Review Subscription and Business Address: Society of Coptic Church Studies • Bonding with God P.0. Box 714 E. Brunswick, NJ 08816 email: [email protected] Editorial Address: Coptic Church Review P.O. Box 1113 Lebanon, PA 17042 email: [email protected] Acknowledgement Subscription Price (1 Year) U.S.A. $10.00 Scripture quotations in this volume, unless oth- Canada $12.00 (U.S. dollars) erwise noted, are from the Revised Standard Overseas $13.00 Version of the Bible copyrighted 1946, 1952, Articles are indexed in Religion Index ©1971, 1973 and used by permission of the One: Periodicals; book reviews are indexed in Index to Book Reviews in Division of Christian Education of the National Religion.
  • The Seven Deadly Sins 8 Free

    The Seven Deadly Sins 8 Free

    FREE THE SEVEN DEADLY SINS 8 PDF Miki Yoshikawa | 192 pages | 26 May 2015 | Honno Ltd | 9781612628295 | English | Aberystwyth, United Kingdom The Seven Deadly Sins (TV Series – ) - IMDb Catholicism portal. The seven deadly sinsalso known as the capital vicesor cardinal sinsis a grouping and classification of vices within Christian teachings[1] although they are not mentioned in the Bible. Behaviours or habits are classified under this category if they directly give rise to other immoralities. These sins are often thought to be abuses or excessive versions of one's natural faculties or passions for example, gluttony abuses one's desire to eat, to consume. This classification originated with the Desert Fathersespecially Evagrius Ponticuswho identified seven or eight evil thoughts or spirits that one The Seven Deadly Sins 8 to overcome. The Catholic Church used the concept of the deadly sins in order to help people curb their inclination towards evil before dire consequences and misdeeds could occur; the leader-teachers especially focused on pride which is thought to The Seven Deadly Sins 8 the The Seven Deadly Sins 8 that severs the soul The Seven Deadly Sins 8 grace[5] and the one that is representative and the very essence of all evil and greed, both of which are seen as inherently sinful and as underlying all other sins to be prevented. To inspire people to focus on the seven deadly sins, the vices are discussed in treatises and depicted in paintings and sculpture decorations on Catholic churches as well as older textbooks. The seven deadly sins, along with the sins against the Holy Ghost and the sins that cry to Heaven for vengeanceare considered especially serious in the Western Christian traditions.
  • Sunday of the Myrrbearing Women Third Sunday of Pascha

    Sunday of the Myrrbearing Women Third Sunday of Pascha

    Sunday of the Myrrbearing Women Third Sunday of Pascha 2 / 15 May 2016 Resurrection Tropar, Tone 2: When Thou didst descend to death, O Life Immortal, Thou didst slay hell with the splendour of Thy Godhead! And when from the depths Thou didst raise the dead, all the powers of Heaven cried out: O Giver of Life, Christ our God, Glory to Thee. Tropar of the Sunday Of The Myrrh-bearing Women, Tone 2: The noble Joseph took Thine immaculate Body down from the Tree, / havinG wrapped It in pure linen and spices, laid in a new tomB. / But on the third day Thou didst rise, O Lord, // GrantinG to the world Great mercy. Kondak of the Sunday Of The Myrrh-bearing Women, Tone 2: When Thou didst cry, Rejoice, unto the myrrh-bearers,/ Thou didst make the lamentation of Eve the first mother to cease / By Thy Resurrection, O Christ God. / And Thou didst Bid Thine apostles to preach: // The Saviour is risen from the Grave. Kondak of Pascha, Tone 8: Though Thou didst descend into the Grave, O Immortal One, yet didst Thou destroy the power of Hades, and didst arise as victor, O Christ God, calling to the myrrh-bearing women, Rejoice, and givinG peace unto Thine Apostles, O Thou Who dost grant resurrection to the fallen. Matins Gospel III Epistle: St. Acts of the Apostles 6: 1-7 Now in those days, when the numBer of the disciples was multiplyinG, there arose a complaint aGainst the HeBrews By the Hellenists, Because their widows were neGlected in the daily distriBution.
  • Psychotherapy: Healing the Soul Wisdom of the Holy Fathers

    Psychotherapy: Healing the Soul Wisdom of the Holy Fathers

    Psychotherapy: Healing the Soul Wisdom of the holy fathers Donna C. Dobrowolsky, M.D. Catholic Psychotherapy Association Annual Meeting April 23, 2021 1 Learning Objectives: 1. Participants will be able to deepend their appreciation for the integrative view of the person from the lens of patristic anthropology. 2. Participants will be able to integrate insights by the Desert Fathers and Mothers on the human condition and the potential for its transformation. 3. Participants will appreciate how patristic teachings and practices can be combined with contemporary psychotherapeutic approaches to address the challenges of the new century. Additionally, hope that this presentation will: 1. Provide a better understanding of how transformation, understood from the perspective of restoration (into the image and likeness of God), both integrates and preserves diversity. 2. Make more aware of the diverse liturgical traditions within the one holy, catholic and apostolic church. 3. Appreciate that despite arising to address different questions and purposes, patristic teachings and contemporary psychotherapy are both traditions supportive of the living of human life, of achieving or restoring well-being, One Holy Catholic and Apostolic Church: diversity within unity “Catholic” = “katholou”: pertaining to the whole; preserving for all; the whole truth What are the Eastern Christian Churches and Who are Eastern Christians? Most Catholics are familiar with the founding of the see of Rome by Peter, and the succession of bishops that continues to this present day. What many do not know is that other churches founded by the Apostles, also have their own succession of bishops that continue as well. The term Eastern Christianity is generally used in the west to describe all Christian traditions which did not develop in Western Europe.
  • Le Caravagisme

    Le Caravagisme

    L’école de la lumière et de l’ombre en Europe Le Caravagisme 1599-1632 Le Caravagisme Archimède, Domenico Fetti, 1620, Musée Alte Meister, Dresde (Allemagne) Ce vénitien interprète le caravagisme avec un réalisme pittoresque et des couleurs lumineuses se détachant sur un fond sombre. Portrait d'homme Des avant-gardistes « Faux autoportrait » La 1ière intuition du luminisme d’Antonello de Messine s'exprime à Venise à partir des (1430-1479), 35,5 × 25,5 cm, leçons recueillies par Antonello de huile sur bois, Londres, Messine chez les peintres Flamands National Gallery 1473, pour lesquels il est apprenti à Naples. Titien, Le Couronnement d'épines, 1542 Musée du Louvre, Paris. Il influence Le CARAVAGE Savoldo, Saint Matthieu et l'Ange, v. 1530-1533. Metropolitan Museum of Art, New York Du luminisme au ténébrisme Luminisme : travail sur le rôle de la lumière dans l'organisation cohérente des formes par le jeu des valeurs tonales La Cène, Le Tintoret, 1594, San Giorgio Maggiore, Venise. L'apport du Caravage sera de découvrir, « à partir des expériences luministes de ses prédécesseurs, la puissance propre et la force des ombres. » D'où un style où la lumière n'est pas asservie à la définition plastique des formes sur lesquelles elle tombe... (elle est) au contraire l'arbitre, avec l'ombre, de leur existence même » (R. Longhi). Michelangelo Merisi da Caravaggio, Le Caravage, craie sur papier par Ottavio dit le Caravage, est un peintre milanais Leoni, vers 1621, Florence. né en 1571 et mort en 1610. Le Caravagisme : peinture naturaliste, réaliste, en opposition au maniérisme intellectuel et artificiel, apparue vers 1599.