Jacques Milet's Destruction De Troie La Grant
JACQUES MILET’S DESTRUCTION DE TROIE LA GRANT: REASSESSING FRENCH THEATRE IN THE LATE MEDIEVAL PERIOD by Lofton L. Durham III BA, Transylvania University, 1995 MA, University of Pittsburgh, 2005 Submitted to the Graduate Faculty of The School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Lofton L. Durham III It was defended on April 22, 2009 and approved by Renate Blumenfeld-Kosinski, PhD, Professor, French & Italian Kathleen George, PhD, Professor, Theatre Arts Bruce McConachie, PhD, Professor, Theatre Arts Dissertation Advisor: Attilio Favorini, PhD, Professor, Theatre Arts ii Copyright © by Lofton L. Durham III 2009 iii Jacques Milet's Destruction de Troie la Grant: Reassessing French Theatre in the Late Medieval Period Lofton L. Durham III, PhD University of Pittsburgh, 2009 Jacques Milet's nearly 30,000-line French mystery play, Istoire de la Destruction de Troie la Grant [Story of the Destruction of Troy the Great], written in 1450, has been marginalized by theatre historians despite its 13 manuscripts (some with extensive illustrations) and 13 print editions dating until the mid-sixteenth century. As a play that treated its non-religious subject seriously, Destruction de Troie neither fits precisely with the spectacular religious cycles, nor with late medieval moralities and comedies, all genres which grew in popularity during the late fifteenth and early sixteenth centuries. However, Destruction de Troie's subject, the "matter of Troy," situates the play in the mainstream of the fictional universes appropriated by a range of groups--including sovereigns and their courts, civic guilds, and artists and writers of all varieties--for social and political purposes.
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