Devo - Live 1980 Dualdisc Review
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DVD/CD Rewritable Drive
IT 2-636-779-12 (1) 4F.B5U12.012 DVD/CD Rewritable Drive Operating Instructions JP FR DE ES IT CS DRU-810A © 2005 Sony Corporation Safety Regulations WARNING You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment. To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only. CAUTION: As the laser beam in the DRU-810A is harmful to the eyes, do not attempt to disassemble the cabinet. Refer servicing to qualified personnel only. The use of optical instruments with this product will increase eye hazard. The use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure. This label is located on the bottom of the drive unit enclosure. Dieses Etikett befindet sich auf der Unterseite des Laufwerksgehäuses. 2 The DRU-810A is classified as a CLASS 1 LASER PRODUCT. The CLASS 1 LASER PRODUCT label is located at the bottom of the enclosure. Bei diesem DRU-810A handelt es sich um ein Laser-Produkt der Klasse 1. Das Etikett mit der Aufschrift LASER KLASSE 1 PRODUKT befindet sich auf der Unterseite des Gehäses. CLASS 1 LUOKAN 1 LASERLAITE LASER PRODUCT LASER KLASSE 1 KLASS 1 LASER APPARAT PRODUKT Compliance Statements Disposal of Old Electrical & Electronic Equipment (Applicable in the European Union and other European countries with separate collection systems) This symbol on the product or on its packaging indicates that this product shall not be treated as household waste. -
Midwinter 2005 ISSN 1534-0937 Walt Crawford
Cites & Insights Crawford at Large Libraries • Policy • Technology • Media Sponsored by YBP Library Services Volume 5, Number 2: Midwinter 2005 ISSN 1534-0937 Walt Crawford $20-$25 of 256MB for $40-$50 may be more Trends & Quick Takes typical. With XP computers typically having front-mounted USB slots, the primary setup The Hazy Crystal Ball requirement is security. It’s that time of year—time for pundits and gurus to ¾ Wireless Access: “Providing wireless access tell us what’s to come and for a few of them to spin frees up your public access computing termi- last year’s projections. nals for those who truly need them, and I was going to include snarky comments (or cred- makes your library the neighborhood ‘hot- its, when applicable) about last year’s forecasts—but I spot’ for information access.” see that last year got so confusing that I never ran a ¾ Thin Clients::: “Thin-client technology en- set of forecasts. Neither did I make one: That should ables you to extend the life of your existing be no surprise. computers, lower costs on expanding the number of patron terminals, and simplify WebJunction’s Emerging technologies maintenance procedures.” for small libraries ¾ Upgrading Your Operating Systems: “Tech- You could think of this as a counterpart to the LITA Soup Stock offers upgrades to Windows XP Top Technology Trends group, but with fewer partici- for $8 (libraries are eligible)…” The text calls pants (eight in the October 4 posting) and a small- Windows 2000 and 95 “antiquated.” library bent. The committee develops a quarterly “list of five technologies they think are worth considering Inside This Issue for your library.” I like the guidelines: “The committee Bibs & Blather.................................................................... -
G98 DVD Audio Transport G98 DVD Audio Transport
G98 DVD Audio Transport G98 DVD Audio Transport Video scaling/resolution enhancement for single, high quality path to display DVD-ROM drive reads data PRELIMINARY with maximum accuracy Plays all CD and DVD optical G98AH rear panel shown above discs including hybrids Outline Specifications screen with pluge bars enables brightness setting of display device. Upsamples 2-channel digital Formats: DVD-Audio, DVD-Video, DVD-R; Video CD (VCD), Dimensions: Width – 440mm (17.32in); Depth – 350mm (13.78in) signals to 88.2/96kHz CVCD, MP3; CD Audio (CD-DA) including CD-R, plus connectors; Height – 90mm (3.54in) CD/DVD (DualDisc) and the CD layer of hybrids such Powerful multi-format as SACD Rack Mounting: Kit available from Meridian authorized dealers video processor with Weight: TBD Audio outputs: G98DH: 3 x digital coax main outputs plus MHR HDMI/DVI Smart Link digital output. 15 Pin ‘D’ type connector, Power: Universal supply 100–240V, 50–60Hz, 25W. plus 1 x aux digital coax. *analogue component limited to 480/576p. Unique MHR SmartLink con- G68AH: 6-channel analogue output on phonos, nects high-resolution digital 2V/47Ω plus 1 x optical Toslink aux out. signals to Meridian systems Video features: Automatic PAL or NTSC encoding on Composite and S-Video. NTSC black-level setup adjustable as 0 or 7.5IRE. 16:9 and 4:3 displays supported. Screen saver Decodes film soundtracks, timeout. enabling external upsam- Video Processor: Three composite video inputs, three S-Video inputs; pling to 24/96 composite, S-Video, component and HDMI outputs (HDMI also carries audio and is DVI compatible via Meridian’s G Series line of high performance Virtually every piece of audio equipment has an adaptor cable), all simultaneously active*; select- digital and analogue consumer audio compo- its own, characteristic sound. -
Th-D60 Th-D50 Th-D5 Th-D4
TH-D6D5D4[JC]EN.book Page 1 Friday, February 23, 2007 7:47 PM DVD DIGITAL THEATER SYSTEM TH-D60 Consists of XV-THD60, SP-THD6W, SP-THD6F, SP-THD6C and SP-THD6S TH-D50 Consists of XV-THD50, SP-THD5W, SP-THD5F, SP-THD5C and SP-THD5S TH-D5 Consists of XV-THD5, SP-THD5W, SP-THD5F, SP-THD5C and SP-THD5S TH-D4 Consists of XV-THD4, SP-THD5W, SP-THD5F, SP-THD5C and SP-THD5S (TH-D60 only) For Customer Use: INSTRUCTIONS Enter below the Model No. and Serial No. which are located either on the rear, bottom or side of the cabinet. Retain this information for future reference. Model No. Serial No. LVT1704-001B [J,C] TH-D6D5D4[JC]EN.book Page 1 Friday, February 23, 2007 7:47 PM Warnings, Cautions and Others Mises en garde, précautions et indications diverses CAUTION — button! Disconnect the mains plug to shut the power off completely (the STANDBY lamp goes off). When installing the apparatus, ensure that the plug is easily accessible. The button in any position does not disconnect the mains line. • When the system is on standby, the STANDBY lamp lights red. • When the system is turned on, the STANDBY lamp goes off. The power can be remote controlled. ATTENTION — Touche Déconnectez la fiche d’alimentation secteur pour couper l’alimentation complètement (le témoin STANDBY s’éteint). Lors de l’installation de l’appareil, assurez-vous que la fiche soit facilement accessible. La touche , dans n’importe quelle position, ne déconnecte pas le système du secteur. • Quand le système est en attente, le témoin STANDBY est allumé en rouge. -
New Sound Recording Formats
NEW SOUND RECORDING FORMATS—Library of Congress Practice This statement is meant to cover certain descriptive aspects (GMD, physical description, and notes) associated with recent and emerging sound recording formats. As new formats are cataloged at the Library of Congress, they will be incorporated into this list. The guidelines are meant to aid Library of Congress catalogers and are meant to reflect only Library of Congress practice. Currently the list covers the following: Compact Disc Formats: • Dual Discs • Mini CDs • Mini Discs • SACD • Shaped Discs DVD Formats: • CD/DVD Combos • Dual Discs • DVD Audio Electronic Resources: • CD-ROMs • Midi Files • MP3 Files COMPACT DISC FORMATS Dual Definition: 4 ¾ inch discs with one side that functions as a standard audio Discs compact disc and one side that functions as a standard DVD. The DVD side may contain enhanced audio, images, video, games, etc. The following guidelines apply to items for which the sound recording is determined to be the dominant content. Leader Type “i” or “j” as appropriate 006 [For DVD video] if appropriate 007 [For standard CD] 007 [For DVD audio] if appropriate 245 GMD = [sound recording] 300 1 DualDisc : $b digital ; $c 4 ¾ in. 500 Hybrid CD/DVD-video disc. [or, Hybrid CD/DVD-audio disc.] 538 $a [quote system requirements if present; if not present, do not provide a note] Mini CDs Definition: Do not confuse with MiniDiscs (see below). These are standardly formatted CDs that measure 3 1/8 inches. Some come with an adapter enabling them to play in all standard CD players. 007 /06 = z (other) 245 GMD = [sound recording] 300 $a 1 sound disc : $b digital ; $c 3 1/8 in. -
The Haverford Journal
The Haverford Journal The Haverford Journal Volume 3, Issue 1 April 2007 Volume 3, Issue 1 The Cultural Politics of British Opposition to Italian Opera, 1706-1711 Veronica Faust ‘06 Childbirth in Medieval Art Kate Phillips ‘06 Baudrillard, Devo, and the Postmodern De-evolution of the Simulation James Weissinger ‘06 Politics and the Representation of Gender and Power in Rubens’s The Disembarkation at Marseille from The Life of Marie de’ Medici April 2007 Aaron Wile ‘06 “Haverford’s best student work in the humanities and social sciences.” April 2007 (Vol. 3, Issue 1) 1 The Haverford Journal Volume 3, Issue 1 February 2007 Published by The Haverford Journal Editorial Board Managing Editors Pat Barry ‘07 Julia Erdosy ‘07 Board Members Production Leigh Browning ‘07 Sam Kaplan ‘10 Julia McGuire ‘09 Sarah Walker ‘08 Faculty Advisor Phil Bean Associate Dean of the College The Haverford Journal is published annually by the Haverford Journal Editorial Board at Haverford College, 370 Lancaster Avenue, Haverford, PA 19041. The Journal was founded in the spring of 2004 by Robert Schiff in an effort to showcase some of Haverford’s best student work in the humanities and social sciences. Student work appearing in The Haverford Journal is selected by the Editorial Board, which puts out a call for papers at the end of every spring semester. Entries are judged on the basis of academic merit, clarity of writing, persuasiveness, and other factors that contribute to the quality of a given work. All student papers submitted to the Journal are numbered and classified by a third party and then distributed to the Board, which judges the papers without knowing the names or class years of the papers’ authors. -
2020 Olac Newsletter
2020 OLAC NEWSLETTER 2020 Virtual Conference Volume 40 Number 4 December 2020 THE OLAC NEWSLETTER The OLAC Newsletter (ISSN: 0739-1153) is a quarterly publication of the Online Audiovisual Catalogers, Inc. appearing in March, June, September and December. Permission is granted to copy and disseminate information contained herein, provided the source is acknowledged. EDITOR-IN-CHIEF Laura Kane McElfresh University of Minnesota Libraries 309 19th Avenue South Minneapolis MN 55455 [email protected] ADDRESS AND EMAIL CHANGES BOOK REVIEW EDITOR Jennifer Eustis Richard N. Leigh W.E.B. Du Bois Library Ball State University Libraries University of Massachusetts Amherst 2000 W. University Avenue 154 Hicks Way Muncie IN 47306 Amherst MA 01003-9275 [email protected] [email protected] CONFERENCE REPORTS EDITOR NEWS & ANNOUNCEMENTS EDITOR Jan Mayo Yoko Kudo Joyner Library University of California, Riverside East Carolina University 900 University Avenue Greenville NC 27858-4353 Riverside CA 92521 [email protected] [email protected] QUESTIONS & ANSWERS EDITOR SPOTLIGHT EDITOR Jay Weitz Lisa Romano OCLC Joseph P. Healey Library MC 745 University of Massachusetts 6565 Kilgour Place 100 Morrissey Boulevard Dublin OH 43017-3395 Boston, MA 02125-3393 [email protected] [email protected] Material for publication in the OLAC Newsletter should be sent to the appropriate editor. Persons wishing to review books should contact Richard Leigh and indicate their special interests and qualifications. For AV cataloging questions, contact Jay Weitz. Articles should be submitted in electronic form, using standard word- processing software, and consistent in length and style with other items published in the Newsletter. For further guidance, please check the OLAC Newsletter Editorial Stylesheet. -
The Makeover from DVD to Blu-Ray Disc
Praise for Blu-ray Disc Demystified “BD Demystified is an essential reference for designers and developers building with- in Blu-ray’s unique framework and provides them with the knowledge to deliver a compelling user experience with seamlessly integrated multimedia.” — Lee Evans, Ambient Digital Media, Inc., Marina del Rey, CA “Jim’s Demystified books are the definitive resource for anyone wishing to learn about optical media technologies.” — Bram Wessel, CTO and Co-Founder, Metabeam Corporation “As he did with such clarity for DVD, Jim Taylor (along with his team of experts) again lights the way for both professionals and consumers, pointing out the sights, warning us of the obstacles and giving us the lay of the land on our journey to a new high-definition disc format.” — Van Ling, Blu-ray/DVD Producer, Los Angeles, CA “Blu-ray Disc Demystified is an excellent reference for those at all levels of BD pro- duction. Everyone from novices to veterans will find useful information contained within. The authors have done a great job making difficult subjects like AACS encryption, BD-Java, and authoring for Blu-ray easy to understand.” — Jess Bowers, Director, Technical Services, 1K Studios, Burbank, CA “Like its red-laser predecessor, Blu-ray Disc Demystified will immediately take its rightful place as the definitive reference book on producing BD. No authoring house should undertake a Blu-ray project without this book on the author’s desk. If you are new to Blu-ray, this book will save you time, money, and heartache as it guides the DVD author through the new spec and production details of producing for Blu-ray.” — Denny Breitenfeld, CTO, NetBlender, Inc., Alexandria, VA “An all in one encyclopedia of all things BD.” — Robert Gekchyan, Lead Programmer/BD Technical Manager Technicolor Creative Services, Burbank, CA About the Authors Jim Taylor is chief technologist and general manager of the Advanced Technology Group at Sonic Solutions, the leading developer of BD, DVD, and CD creation software. -
Ron Wilcox Testimony
PUBLIC sit~~ch~f~ MUSIC eNTIR781NM&NT SSQQuhadi?i~al~,~~~uuE. NcwYcrB . ~PrY .1662~11. Z128a31Ra~0 TESTIMONY OF RON ~7ILCOX Executive Vice President and Chief Business and Legal Affairs Officer SONY BMG MUSIC ENTERTAINMENT New York, NY Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. PUBLIC OUALIFICATIONS My name is Ron Wilcox, and I am the Executive Vice President and Chief Business and Legal Affairs Officer of SONY BMG MUSIC ENTERTATNMENT. Zn that position, I oversee all of SONY BMG's Business and Legal Affairs activities, including negotiating deals with artists, music publishers, and digital music services and formulation of policies concerning new technologies and other matters. I have worked in the music business for almost 25 years. Prior to Sony's merger with BMG, I was Executive Vice President, Business Affairs and New Technology at Sony Music Entertainment. Between 1990 and 2000, I was Senior Vice President, Business Affairs & Administration at Sony Music. From 1983 to 1990, I worked in Business Affairs for CBS Records. Previously, I was an attorney for CBS Inc. I graduated ~om the College of Wooster in 1975 and the University of Michigan Law School in 1978. INTRODUCTION AND SUMMARY Record companies like SONY BMG are the driving force of the music industry. It is record companies that turn the notes and lyrics of songs - or often just an idea for a song - into a high-quality commercial product, connect it with an audience, and distribute it through every practicable means. The creative contribution and investment made by record companies are what makes it possible for songwriters and publishers to make money from songs. -
Primal Scream Lady Sovereign Devo the Bar-Kays
MUSIC SXSW 09 LIVE SHOTS CONTINUED FROM P.57 exhilarating UK rockers 25-plus years on. THE BAR-KAYS Their Cedar Street gig ranged from 1990’s Dirty Dog Bar, March 19 classic Screamadelica (“Loaded”) to a thun- dering version of new single “Can’t Go Back.” Gillespie looked and sounded a full decade younger than the shorn, scrawny blowhard that staggered through his last Austin incarna- tion in 2000. With demon-green laser beams shooting over the sardine-tinned audience’s sea of raised hands, the Scream’s skintight renditions of classic hyper-rockers “Swastika Eyes” and “Miss Lucifer” twice resulted in a stage-front scrum that brought security into the crush. Encoring the 50-minute set with an electrifying version of “Rocks,” Gillespie and company exited slapping front-row flesh, grin- ning, laughing, and looking altogether pleased with their own beautiful future. – Marc Savlov LADY SOVEREIGN Club de Ville, March 20 AUBREY EDWARDS Beginning 20 minutes late, Lady Call it the Beale Street Invasion. Memphis Music Foundation’s Thursday night show- Sovereign’s set initially reigned chaos. The case was a reminder that the resilient Tennessee town is forever a haven for American showcase MC tried to keep the crowd ener- music. After hip-hoppers Free Sol filled in for 8Ball & MJG, who missed their flight, and gized while Sov’s DJ Annalyze spun and rockers Lucero drenched the crowd in bourbon-inspired grit, the Bar-Kays headlined with scratched, and seven or eight entouragers a Delta soul/funk party they’ve pumped for the past 40 years. -
Blu-Ray Disc Player B D P - S 3 0 0 Operating Instructions B D P - S 3 0 1
3-214-290-11(1) Blu-ray Disc Player B D P - S 3 0 0 Operating Instructions B D P - S 3 0 1 TM 3-214-290-11 (1) Printed on 70% or more recycled paper using VOC (Volatile Organic Compound)- Printed in Malaysia free vegetable oil based ink. ©2007 Sony Corporation Actual total number: PANTONE 2925C Sony BDP-S300/301(US) 3-214-290-11 (1) Note WARNING This equipment has been tested and found to comply Notes About the with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against Discs harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause To reduce the risk of fire or electric harmful interference to radio communications. • To keep the disc clean, handle the disc shock, do not expose this apparatus to However, there is no guarantee that interference will by its edge. Do not touch the surface. rain or moisture. not occur in a particular installation. If this equipment does cause harmful interference to radio To avoid electrical shock, do not open or television reception, which can be determined by the cabinet. Refer servicing to qualified turning the equipment off and on, the user is encouraged to try to correct the interference by one personnel only. or more of the following measures: The AC power cord must be changed – Reorient or relocate the receiving antenna. -
Micro HI-FI Component System
Disposal of Old Electrical & Electronic Note on DualDiscs Equipment 4-178-679-11(1) A DualDisc is a two sided disc product which mates Basic Operations (Applicable in the European Union and DVD recorded material on one side with digital other European countries with separate Notes on loading discs collection systems) audio material on the other side. However, since the To Press audio material side does not conform to the Compact When you turn on the system, the disc is not pulled into the disc slot Selecting a music source until “NO DISC” appears in the display. Do not attempt to push in Pause playback (pause) on the remote (or Disc (CD) standard, playback on this product is not Micro HI-FI This symbol on the product or on its packaging indicates Press the following buttons (or press FUNCTION the disc until “NO DISC” appears. TAPE (pause) on the unit). guaranteed. If you load a disc that is not playable by this system, it will be ejected that this product shall not be treated as household repeatedly). To resume play, press the button waste. Instead it shall be handed over to the applicable automatically. again. Component System Music discs encoded with copyright To select Press Do not load an 8 cm disc with an adaptor. Doing so may cause the collection point for the recycling of electrical and system to malfunction. Stop playback (stop) on the remote (or electronic equipment. By ensuring this product is protection technologies CD CD on the remote. When you remove a disc, handle the disc by its edge and pull it TAPE (stop) on the unit).