Box Folder 27 9 Yad Vashem. 1971-1972
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Schechter@35: Living Judaism 4
“The critical approach, the honest and straightforward study, the intimate atmosphere... that is Schechter.” Itzik Biton “The defining experience is that of being in a place where pluralism “What did Schechter isn't talked about: it's lived.” give me? The ability Liti Golan to read the most beautiful book in the world... in a different way.” Yosef Peleg “The exposure to all kinds of people and a variety of Jewish sources allowed for personal growth and the desire to engage with ideas and people “As a daughter of immigrants different than me.” from Libya, earning this degree is Sigal Aloni a way to connect to the Jewish values that guided my parents, which I am obliged to pass on to my children and grandchildren.” Schechter@35: Tikva Guetta Living Judaism “I acquired Annual Report 2018-2019 a significant and deep foundation in Halakhah and Midrash thanks to the best teachers in the field.” Raanan Malek “When it came to Jewish subjects, I felt like an alien, lost in a foreign city. At Schechter, I fell into a nurturing hothouse, leaving the barren behind, blossoming anew.” Dana Stavi The Schechter Institutes, Inc. • The Schechter Institute of Jewish Studies, the largest M.A. program in is a not for profit 501(c)(3) Jewish Studies in Israel with 400 students and 1756 graduates. organization dedicated to the • The Schechter Rabbinical Seminary is the international rabbinical school advancement of pluralistic of Masorti Judaism, serving Israel, Europe and the Americas. Jewish education. The Schechter Institutes, Inc. provides support • The TALI Education Fund offers a pluralistic Jewish studies program to to four non-profit organizations 65,000 children in over 300 Israeli secular public schools and kindergartens. -
Bibliography
Bibliography Adamson, L. Walter, Avant-Garde Florence: From Modernism to Fascism (Cambridge, MA, 1993). Agamben, Giorgio, Homo Sacer: Sovereign Power and Bare Life (Stanford, CA, 1998). Agamben, Giorgio, The State of Exception, trans. by K. Atell (Chicago, IL, 2005). Almog, Shmuel, ‘Zionism and messianism’, Zionism and Historyy ( Jerusalem, 1982): 42–8 (Hebrew). Alter, Robert, ‘The achievement of Gershom Scholem’, Commentary, 55 (1973): 69–77. Amir, Aharon, ‘Dantz’, Ma’ariv, 29 July 1977 (Hebrew). Amir, Aharon, ‘The expectation of a crystallisation of identity’, Independence Day Supplement, Haaretz, 29 May 1998 (Hebrew). Amir, Aharon, ‘Horon in the Land of the Hebrews’, in Adia G. Horon, East and West: A History of Canaan and the Land of the Hebreww (Tel Aviv, 2000) (Hebrew), pp. 17–27. Aran, Gideon, ‘A mystic–messianic interpretation of modern Israeli his- tory: the Six Day War as a key event in development of the original religious culture of Gush Emunim’, Studies in Contemporary Judaism, 4 (1988): 263–75. Arieli, Yehoshua, History and Meta-History, edited by David Ohana ( Jerusalem, 2003) (Hebrew). Aschheim, Steven E., ‘The metaphysical psychologist: on the life and letters of Gershom Scholem’, Journal of Modern History, 76 (2004): 903–33. Aviad, Janet, ‘The messianism of Gush Emunim’, in Jonathan Frankel (ed.), Jews and Messianism in the Modern Era, Series, Studies in Contemporary Jewry, 7 (Oxford, 1991), 197–213. Avineri, Shlomo, ‘The Canaanite episode’, Ha-Po’el Ha-Tsa’ir, 26–7 (25 March 1953): 8–9 (Hebrew). Avineri, Shlomo, The Making of Modern Zionism: The Intellectual Origins of the Jewish State (New York, 1981). Avneri, Arieh, Interview with members of ‘Youth Against the Current Establishment’, Yediot Aharonott, 13 October 1972 (Hebrew). -
The Kibbutz and Israeli Cinema : Deterritorializing Representation and Ideology
UvA-DARE (Digital Academic Repository) The kibbutz and Israeli cinema : deterritorializing representation and ideology Kedem, E.M. Publication date 2007 Document Version Final published version Link to publication Citation for published version (APA): Kedem, E. M. (2007). The kibbutz and Israeli cinema : deterritorializing representation and ideology. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:01 Oct 2021 The Kibbutz and Israeli Cinema: Deterritorializing Representation and Ideology ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof.dr. J.W. Zwemmer ten overstaan van een door het college voor promoties ingestelde commissie, in het openbaar te verdedigen in de Aula der Universiteit op dinsdag 11 september 2007, te 12:00 uur door Eldad Meshulam Kedem geboren te Kibbutz Maagan, Tiberias Faculteit der Geesteswetenschappen Promotiecommissie: promotor: prof.dr. -
Salvage to Restitution: „Heirless‟ Jewish Cultural Property in Post-World War II
Salvage to Restitution: „Heirless‟ Jewish Cultural Property in Post-World War II Shir Kochavi Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds, School of Fine Art, History of Art and Cultural Studies May, 2017 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. ©2017 The University of Leeds and Shir Kochavi The right of Shir Kochavi to be identified as Author of this work has been asserted by Shir Kochavi in accordance with the Copyright, Designs and Patents Act 1988. Table of Content Acknowledgements…………………………………………………………………………....5 Abstract………………………………………………………………………………………..7 List of Abbreviations…………………………………………………………………………..8 Introduction …………………………………………………………………………………...9 Chapter 1: Mordecai Narkiss and the Bezalel Museum……………………………………...34 - Bezalel Before Narkiss 1906-1920…………………………………………………...37 - The Bezalel Museum Collection…………………………………………………..…44 - Bezalel and Narkiss 1920-1932………………………………………………………53 - Bezalel After Schatz 1932-1942……………………………………………………...67 - Finding A Jewish Art………………………………………………………………...76 - The Schatz Fund for the Salvage of Jewish Art Remnants…………………………..82 Chapter 2: Point of Collecting………………………………………………………………104 - The CCPs and the Question of the Rightful Heirs………………………………….109 - Cultural Property for Disposition.…………………………………………………..120 - „Heirless‟ “General” Art……………………………………………………………134 - A Call to Continue the Salvage……………………………………………………..143 Chapter 3: The Jewish Museum as Recipient of the „Heirless‟ Jewish Cultural Property….159 - Development of the Jewish Museum……………………………………………….165 - Planning a New Jewish Museum.…………………………………………….…….175 - Working with the JCR………………………………………………………………187 - A Controversial Disposition………………………………………………………...191 - Harry G. -
JEWISH REVIEW of BOOKS Volume 4, Number 4 Winter 2014 $7.95
Daniel Gordis A Requiem for Conservative Judaism JEWISH REVIEW OF BOOKS Volume 4, Number 4 Winter 2014 $7.95 Laura Rosenzweig Hollywood’s Anti-Nazi Spies Stuart Schoffman Did Hollywood Collaborate? Michael Weingrad Israeli Sci-Fi & Fantasy: Not Quite Narnia But … Don Seeman Pew’s Jews Lawrence Kaplan Franz Rosenzweig’s Kugel Paul Reitter Bambi’s Zionism Rebecca Schuman Kafka for Kids Hillel Halkin Lawrence of Oxford & Arabia ANNOUNCING Editor Abraham Socher the Jacob Kronhill Visiting Scholar Senior Contributing Editor at the YIVO Institute for Jewish Research Allan Arkush Art Director The YIVO Institute for Jewish Research is pleased to announce Betsy Klarfeld the appointment of the first Jacob Kronhill Visiting Scholar,D R. Associate Editor STEVEn ZIppERSTEIn, Daniel E. Koshland professor in Jewish Amy Newman Smith Culture and History at Stanford University. Administrative Assistant The Jacob Kronhill visiting Scholar will conduct a graduate-level semi- nar in east european Jewish history, lead a professional development Rebecca Weiss workshop for YivO fellows and other young scholars in the field, deliver a series of public lectures, and play a leading intellectual role in other YivO projects in research, education, and publications. Editorial Board dr. Zipperstein, who will begin visiting regularly in January and take up residence in March, is a Robert Alter Shlomo Avineri widely published scholar of modern Jewish history. he is the author of acclaimed books, includ- Leora Batnitzky Ruth Gavison ing The Jews of Odessa: A Cultural History, 1794-1881 (Stanford University Press, 1985), Imagin- ing Russian Jewry: Memory, History, Identity (University of Washington Press, 1999), and Elusive Moshe Halbertal Hillel Halkin Prophet: Ahad Ha’am and the Origins of Zionism (University of california, 1993).