Billy Sullivan

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OPENING: Thursday, May 10, 6-8pm BILLY SULLIVAN MAY 8 - JUNE 16, 2012 Nicole Klagsbrun is pleased to present Billy Sullivan’s fifth solo exhibition with the gallery. With his signature directness and clarity, Sullivan continues to paint portraits of close friends and acquaintances. Together with these portraits, a new series of still life paintings will be exhibited, as well as a foray into wallpaper featuring the Yorkshire terrier, Missy, as the central motif. Seldom seen without his camera, Sullivan has built up an archive of subject matter ranging from Manhattan’s downtown club scene of the 1970s, to close friends, to chronicling the fashion world, to intimate scenes on Long Island beaches. He can return to this archive for new subjects, or pose new and old friends in his studio. The still lifes he has recently created are lively and luminous in their execution and reflect the impact on Sullivan’s paintings of Long Island’s East End’s clear, ocean- washed light, and the occasional influence of Fairfield Porter and Jane Freilicher, just as scenes of Manhattan’s occasionally crowded interiors take Warhol into account. Sullivan continues to alternately work in his Long Island and Lower Manhattan Bowery studios. Over the years his work has been included in numerous solo and group exhibitions in the U.S. and abroad, including the 2006 Whitney Biennial, Day for Night, and the more recent group show curated by Carroll Dunham for the Addison Gallery of American Art at Phillips Academy in Andover, MA, Open Windows: Keltie Ferris, Jackie Saccoccio, Billy Sullivan, and Alexi Worth. Sullivan’s work can be seen in the collections of the Museum of Modern Art and the Metropolitan Museum of Art, both in New York City, as well as in The Parrish Art Museum in Southampton, New York, the Detroit Institute of Arts, New Orleans Museum of Art, and the Ellipse Foundation of Contemporary Art Collection, Lisbon, Portugal, among others..

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Reinventing, Downtown
Reinventing, Downtown By XICO GREENWALD | June 24, 2017 Abstract Expressionists Willem de Kooning, Jackson Pollock and Franz Kline urged a pair of friends to start an art gallery. Tibor de Nagy and John Bernard Myers followed their advice and, in 1950, on East 53rd Street, they opened the Tibor de Nagy Gallery. MEDRIE MACPHEE A Dream of Peace, 2017 oil and mixed media on canvas, 60 x 78 inches In the years to come, Mr. Myers and Mr. de Nagy would exhibit works by a number of second-generation Abstract Expressionists, including Alfred Leslie, Grace Hartigan, Robert Goodnough and Helen Frankenthaler. They also showed figurative paintings by the likes of Larry Rivers, Jane Freilicher, Fairfield Porter and Red Grooms. And Tibor de Nagy editions, the gallery’s book imprint, published poetry by Frank O’Hara, John Ashbery, Barbara Guest and others. Mr. Myers left the gallery in 1970. By that time, Tibor de Nagy had relocated to the 57th Street gallery district. When Mr. de Nagy died in 1993, he bequeathed his business to two young gallery assistants, Eric Brown and Andrew Arnot. Over the next 24 years, Mr. Arnot and Mr. Brown built on the gallery’s legacy together, exhibiting New York School pictures alongside works by select contemporary artists influenced by New York School poets and painters. But in the fast-paced New York art world, perhaps the only constant is change. Mr. Brown departed from the gallery this year. And now Mr. Arnot has relocated Tibor de Nagy to the Lower East Side, partnering with Betty Cuningham Gallery in a space-sharing agreement.
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JANE FREILICHER, MIRA DANCY, DANIEL HEIDKAMP January 6 - February 5, 2017 OPENING RECEPTION: Friday, January 6, 2017, 6-8Pm
! JANE FREILICHER, MIRA DANCY, DANIEL HEIDKAMP January 6 - February 5, 2017 OPENING RECEPTION: Friday, January 6, 2017, 6-8pm Derek Eller Gallery is pleased to present an exhibition of works by Jane Freilicher, Mira Dancy, and Daniel Heidkamp. Freilicher's historic paintings will be hung in conversation with new work by contemporary artists Dancy and Heidkamp in a show that highlights common interests: improvisation, painting as a window, studio as subject, and the desire to interact with, and, at times, reinvent the New York cityscape. From the 1950s until her death in 2014, Jane Freilicher painted images of the countryside and the city as seen from her studios in Watermill and Manhattan, New York. In company with the work of her peers Fairfield Porter and Larry Rivers, Freilicher’s paintings utilized expressionist technique but were in direct opposition to the heroic abstraction that was in vogue when she began her career. The gallery will exhibit paintings from the 1980s, 1990s and 2000s depicting the view from her lower Fifth Avenue studio window. This body of work documents the changing skyline of lower Jane Freilicher, Window on the West Village, 1999, oil on Manhattan, albeit imprecisely; Freilicher admittedly would linen, 24 x 28 inches. reinvent things when the paintings needed it. In a 2009 interview, poet and fellow New York School member John Ashbery described her work as “inviting the spectator to share her discovering of how impossible it is really to get anything down.” As a result of this process, the subject of these paintings seems less the city and more a celebration of intuitive image making or the sanctuary of the studio.
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Frank O'hara As a Visual Artist Daniella M
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Parrish Art Museum Annual Report 2019
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Share Your Creations with Us on Social Media! Follow Us @Curriermuseum on Instagram and Follow Us on Facebook. #Currierfromhome
Jane Freilicher was an American representational painter known for her distinctive painterly realism. She is most noted for her Long Island landscapes seen from her Water Mill studio window, and her views of downtown Manhattan, often juxtaposed with still life objects in the foreground. Notice the tree in the foreground of Cherry Blossoms. Freilicher came of age in the era of Abstract Expressionism at the center of a group of influential artists and poets, including painters Willem de Kooning, Rudy Burckhardt, Joan Mitchell, Larry Rivers, Fairfield Porter, Alex Katz and Jane Freilicher, Cherry Blossoms poets John Ashbery, Kenneth Koch, and Frank O’Hara. To Painted Outdoors, 1977. Oil on learn more about Abstract Expressionism in the Currier’s canvas, 36 in. x 36 in. Gift of collection click here. Howard and Beverly Zagor. Activity: Q-tip Tree Painting Materials: • Paper and pencil • Drawing utensils such as crayons, markers, or colored pencils • Q-tips • Paint • Cups for paint Directions: • Use your pencil to draw a simple tree on your paper. • Add color to the ground and tree trunk and branches using your drawing utensils. • Dip a Q-tip in a paint color and dot it onto the paper to create leaves and flowers in the branches of the tree. Try layering different colors. • Use the Q-tip to add more dots to the ground for fallen leaves. Tips: • Try different color combinations to represent different times of the year, such as light green, pink, and white for spring cherry blossom trees or red, orange, and yellow for autumn foliage. • See what other household items you can use as a “paintbrush” such as toothpicks or chopsticks.
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James S. Jaffe Rare Books Llc
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BORN: Seymour, Iowa 1924
Jane Wilson Born 1924 Seymour, IA Education 1947 M.A., University of Iowa, Iowa City, IA 1945 B.A., University of Iowa, Iowa City, IA Solo Exhibitions 2014 DC Moore Gallery, New York 2011 DC Moore Gallery, New York 2009 DC Moore Gallery, New York, NY 2008 The Drawing Room, East Hampton, NY 2007 DC Moore Gallery, New York, NY 2006 The Drawing Room, East Hampton, NY 2004 DC Moore Gallery, New York, NY 2003 DC Moore Gallery, New York, NY The MAC, Dallas, TX 2001 DC Moore Gallery, New York, NY Heckscher Museum of Art, Huntington, NY 1999 DC Moore Gallery, New York, NY 1997 Fischbach Gallery, New York, NY 1996 The Parrish Art Museum, Southampton, NY Glenn Horowitz Bookseller, Inc., East Hampton, NY 1995 Fischbach Gallery, New York, NY 1993 Fischbach Gallery, New York, NY Arnot Art Museum, Elmira, NY 1992 Earl McGrath Gallery, Los Angeles, CA 1991 Fischbach Gallery, New York, NY Jaffe-Friede and Strauss Galleries, Dartmouth College, Hanover, NH 1990 Fischbach Gallery, New York, NY Marsh Gallery, University of Richmond, Richmond, VA Earl McGrath Gallery, Los Angeles, CA 1989 Watkins Gallery, The American University, Washington, DC Benton Gallery, Southampton, NY 1988 Fischbach Gallery, New York, NY Compass Rose Gallery, Chicago, IL Bachelier Cardonsky Gallery, Kent, CT 1985 Fischbach Gallery, New York, NY 1984 Fischbach Gallery, New York, NY 1982 Cornell University, Ithaca, NY 1981 Fischbach Gallery, New York, NY 1980 William-Munson-Proctor Institute, Utica, NY 1 1979 Port Washington Public Library, Port Washington, NY 1978 Fischbach Gallery,
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