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Irreguar Form, Sol LeWitt Presentation Photo pleine page de l’œuvre

Irregular Form, Sol LeWitt, 1998 Sol LeWitt, 1928-2007 Technical description of the artwork

Irregular Form, Sol LeWitt, 1998

Title:… ………………………………………………………………………………………… Irregular Form Artist:………………………………………………………………………………………………… Sol LeWitt Date:… …………………………………………………………………………………………………… 1998 Edition number:…………………………………………………………………………………………… 1/1 Dimensions:… ………………………………………………………………………………… 152 × 235cm

This unique gouache is a signature piece by the conceptual artist Sol LeWitt, using lines and colours to create an harmonious composition.

Sol LeWitt began his career in New York during the early 60s. He is known as one of the founding members of Conceptualism and Minimalism. From 1966, he participated in several major collective exhibitions: “Primary Structures” at the Jewish Museum of New York (1966), “When Attitudes Become Form” at the Kunsthalle in Bern (1969). In 1967, LeWitt wrote “Paragraphs on Conceptual Art”, a key text on Conceptualism. In this text he explains the premises for his work: an artwork is a simple illustration of an idea, neither the materials with which it is composed nor its size are of any importance. “The idea becomes the machine that creates art.”

Although drawing is a main feature of his works, he is also well known for his sculptures, especially those fo- cussed on the cube: a construction that can be converted into varied repetitions of a single unit by following the principles of geometrical progression. His early works were influenced by his early contact with Minimalism: through placing his objects on the floor he questions the use of the plinth and thus the boundaries imposed by classical sculpture. Moreover, LeWitt painted his works in white in order to eliminate all possibilities of repre- sentation and expression.

The works of Sol LeWitt can be found in major private and public collections all over the world and his writings remain to this day an important reference to Conceptual Art. Biography

From a family of Russian Jewish immigrants, that the idea and preparation for each project Sol LeWitt was born on 9 September 1928 in was more important than its execution.

Hertford, Connecticut in the United States of At the same time, LeWitt started devoting a lot of America. His father died when Sol was only six time to painting. He employed a live model and years old and consequently he moved with his began by copying the style of the Great Masters, mother to New England to live with his aunt. only to quickly discover that this was not to his Highly encouraging her son’s growing interest in taste. As an aspiring artist in New York towards art, his mother signed him up for drawing les- the end of Abstract Expressionism, a genre that sons at the Wadsworth Atheneum. These classes depends entirely on one’s individual touch, furthered his passion, seeing LeWitt spending LeWitt did not believe that he had anything par- his free time sketching on leftover scraps of pa- ticular to contribute. per at his aunt’s boutique.

He studied art at the University of Syracuse, gra- In 1959-60, an exhibition entitled “Sixteen Ame- duating in 1949. During the summer of 1950, ricans” at the Museum of Modern Art (MoMA) LeWitt travelled to Europe to continue his stu- of New York presented works from artists such dies in art as well as architecture, focussing as Jasper Johns and Frank Stella. This exhibition more specifically on the great “Masters” of art. played a major role in shaping LeWitt’s ideas: “I Serving in the army during the Korean War, was not particularly interested in the objects, but one of his main tasks was the composition of rather the ideas”. posters. Following on from his military service, In 1960 he accepted a job at the MoMA, wor- LeWitt moved to New York to study at the Car- king day and night shifts in the library. Here he toonists and Illustrators School (known today became a member of the artistic community, as the School of Visual Arts). He then worked making many acquaintances including the mi- in the graphics department of Seventeen, a ma- nimalism artist Dan Flavin, known for his sculp- gazine for young girls, where he was in charge tures and installations and Eva Hesse, famous of putting together the monthly mock-up, before for having promoted the use of materials such being employed as a draftsman by the architect as fibre glass, latex and plastic. He also befrien- Ian Ming Pei. ded Lucy Lippard, curator, writer and pioneer of Working for Ming Pei considerably shaped his Conceptualism and Feminism. ideas on art, notably with regards to geometri- cal precision. Moreover, his collaboration with architects also affected his opinion concerning Minimalism is at the origin of LeWitt’s artwork. his relationship with work, realising that artists – Along with artists such as Carl André, Donald like architects – can use the help of other people. Judd, Robert Morris, Dan Flavin or Walter de Nonetheless, his most important discovery was Maria, he became a prominent figure in Ameri- Biography (continued) can Minimalist art. He is recognised, however, tial, “recreating it by starting with the cube”. as being the artist who challenged the bounda- ries of conceptual logic from the start, placing it As of 1963, he worked on his first series of sus- at the service of a controlled irrationality. pended structures made out of wooden beams, This association formed due to its intense use of hung parallel to one another, on which he pain- reduced forms, for example the simplified geo- ted black and white stripes. At the same time, metrical structures such as his cubes. He uses he began producing his first elaborated modular this style from 1965 in sequential configurations structures in the form of a rectangle, made out of that become his signature style. Later on, LeWitt wood or steel and once again painted in black became closely linked to Conceptualism, to the and white. Through these structures, one can see point that he was often referred to as “the father LeWitt’s almost idealistic tendency, reinforced of conceptual art”. through the use of white, to declare geometry as a true form of an eternal order.

In 1967, he wrote Paragraphs on Conceptual Through elementary calculations such as mul- Art, in which he defines his art: to communi- tiplication or division, LeWitt studied all the cate his ideas, finding and forming the idea was sculptural varieties of a cube. He played with far more important than the actual physical form modular forms and the number of edges, giving produced at the end. LeWitt is in fact considered him a quasi-infinite choice of spatial possibili- as one of the first artists to have used the term ties. In these sculptures, his aim was not to ela- ‘conceptual’ to describe the practices of various borate a perceptive space, but rather to project artists (himself included). the notion of organisation in the given space and reduce the possibilities of a form’s variations.

An important discovery for LeWitt in the 60s was the 19th Century photographer Eadweard At the time, linguistic theories analysed and Muybridge, whose works that studied locomo- broke down words and concepts as the signifier tion and sequences surrounding man and ani- and the signified. Similarly, LeWitt creates his mal had a strong and significant impact on him. own personal ‘sign language’, communicating

This influence can be seen through LeWitt’s re- grammar and syntax through the use of cubes lief series in which he studies sequential imagery, and spheres. Although the idea can be deemed such as Objectivity and Look, Look in 1962, or theoretical, it is not strictly mathematical, but ra- even Muybridge II, homage to the photographer ther poetic. in 1964. He also becomes intrigued by Russian

Contructivism and its mechanical aesthetic. He It is important to note that LeWitt only ever crea- subsequently decides to reduce art to the essen- ted the concept behind each work; his assistants Biography (continued) realised the physical work itself. As of the mid- In 1988, as his participation to the Venice Bien- 80s, this strict conceptualism applied to both nial, Sol LeWitt invaded the interior walls of the his sculptures and his drawings led onto the de- Italian Pavillion. In 1993, LeWitt created a gra- composition of consistently more complex ini- phic work in wash tint measuring sixty-two feet tial forms. Certain works even transformed into high, dedicated to a specific site of his choice: furniture-like structures. the atrium of the High Museum of Art of Atlanta.

In 1996, he introduced acrylic to his wall pain-

In 1978, the MoMA in New York held an impor- tings. LeWitt described the colours of his pain- tant retrospective covering the last 15 years of tings as “excessive and vulgar”. The same year, LeWitt’s work. This consequently led to a criti- he received a commission for the new terminal cal re-evaluation of the artist by many people. at the National Airport of Washington to design Most people were hit by the powerful beauty of an eighteen-foot high medallion to be set in the the artworks, as well as the intellectual rigour floor of the main entrance. The work reflects behind each one. Even LeWitt himself seemed the essence of the modernist movement in art: overwhelmed by this exhibition. a monochrome painting, geometrical forms, an abnormal size and modular repetitions. Never- Certain aesthetical and structural changes in theless, LeWitt’s work falls under the category of his works were to follow, as well as the incor- conceptualism as, once again, it was his assis- poration of new concerns and influences. Af- tants who carried it out. ter having focussed on the cube, LeWitt began concentrating on a larger range of geometrical shapes, incorporating the circle and the triangle. As already mentioned, ‘concept’ always took Using isometric projections, the shapes gave a precedence over ‘execution’ in LeWitt’s art. In 3-dimensional illusion, most certainly an open his publications, LeWitt insists that his and other celebration of the cubic forms of his sculptures. conceptual artworks should not be deemed bo-

His works echoed techniques used in fresco ring, but rather light-hearted and without emo- paintings from the Roman era, as well as those tion. In contrast to the majority of other artworks, from the Italian Renaissance. In 1980, the artist they must allow their public to think about and had the opportunity to study first hand the works appreciate the thought and logic behind them. at Spoleto in Italy. This experience inspired the LeWitt’s aim was to oblige the spectator to re- use of a subtle palette of warm tones as well as flect seriously on the emotions triggered. the illusion of spatial depth that can be seen in In his final artworks, carried out on screens and his final works. The wall drawings, carried out walls, one finds an array of orderly colours that, during this period incorporated geometrical almost paradoxically, have a decorative trait to forms and stars. Certain parts of these works them. Moreover, LeWitt notably moves away were done as wash drawings. from strict geometrical shapes. His work sub- Biography (continued) sequently established a new subtle relationship Museum of American Art. with the reality that he found himself in.

Sol LeWitt died from cancer on 8 April 2007 in Sol LeWitt is well known in art circles for his New York. generous character, often exhibiting with young, up-and-coming artists in small galleries as a way of encouraging their progression. He notably purchased many of their artworks afterwards. He equally helped found ‘Printed Matter’, an orga- nisation that edited artists’ books.

A few years earlier, he had bought shares in what has now become one of the largest private collections of Contemporary art in the United States of America, found at the Wadsworth Mu- seum. When LeWitt moved back to America, he returned to Chester with his wife Carol. His two daughters both followed his footsteps into the world of art. Sophia lives in New York and works at the Paula Cooper Gallery, whilst Eva is an artist.

LeWitt also collected art. With his wife, they ac- cumulated some 800 artworks by his predeces- sors and contemporaries, which they donated to different institutions including the Wadsworth Atheneum. The museum possesses six of LeWitt’s large wall drawings. Frank Stella, Mel Bochner and Cindy Sherman are also amongst the contemporary artists in its collection.

LeWitt continues to be an important an influen- tial artist. In 2000, the San Francisco Museum of Modern Art organised a retrospective of his Works, which travelled onto the Museum of Contemporary Art in Chicago and the Whitney solo exhibitions

1965 1970

Daniels Gallery Galerie Yvon Lambert New York • USA Paris • France Galerie Heiner Friederich Munich • Germany 1966 “Wall Drawings” Galleria Sperone Dwan Gallery Turin • Italy New York • USA Art & Project Amsterdam • Netherlands 1967 GemeenteMuseum The Hague • Netherlands Dwan Gallery Dwan Gallery New York • USA New York • USA “Sulptures and Wall Drawings” John Weber Gallery 1968 New York • USA Pasadena Art Museum Galerie Konrad Fisher Pasadena • USA Düsseldorf • Germany Université de Wisconsin State Museum Haus Lange River Falls • USA Krefeld • Germany Lisson Gallery Heiner Friedrich Gallery London • United Kingdom Munich • Germany Galerie Bischofberger Zurich • Switzerland 1971 Ace Gallery Dunkelman Gallery Los Angeles • USA Toronto • Canada Daniels Gallery Konrad Fischer Gallery New York • USA Düsseldorf • Germany Galleria Toselli 1969 Milan • Italy Galerie Stampa Galerie Konrad Fisher Basel • Switzerland Düsseldorf • Germany Informations-Raum 3 Galerie Ernst Basel • Switzerland Hanover • Germany Lisson Gallery “Sol LeWitt: Sculptures and Wall Drawings” London • United Kingdom Museum Haus Lange “Drawings and Prints” Dwan Gallery Krefeld • Germany New York • USA Galleria L’Attico “Wall Drawings” Protech-Rivkin Gallery Rome • Italy Washington • USA Galerie Bischofbergern Zurich • Switzerland “Wall Drawings” Dwan Gallery 1972 New York • USA Galerie MTL Brussels • Belgium Anna Leonowens Gallery Nova Scotia College of Art & Design Halifax • Canada Solo Exhibitions (continued)

Konrad Fischer Gallery 1974 Düsseldorf • Germany “Location of Three Geometric Figures” Art & Project Palais des Beaux Arts Amsterdam • Netherlands Brussels • Belgium Kunsthalle Galerie Vega Bern • Switzerland Liège • Belgium Harkus-Krakow Gallery “Fifty Drawings 1964-74” Vancouver Art Gallery Boston • USA Vancouver • Canada “Wall Drawings, Sculptures” Hayden Gallery “Fifty Drawings 1964-74” The Winnipeg Art Gallery Cambridge • USA Winnipeg • Canada Dayton Art Institute “Incomplete Open Cubes” Galerie Yvon Lambert Dayton • USA Paris • France Gallery A-402, California Institute of the Arts Galerie December Valencia • USA Münster • Germany Galleria Scipione 1973 Macerata • Italy Galleria Sperone Galerie MTL Turin • Italy Brussels • Belgium Ace Gallery “A Wall Drawing” Vehicule Art Inc. Venice • Italy Montreal • Canada “Prints” Stedelijk Museum “Cercles et Lignes : Sol LeWitt” Galerie Yvon Lambert Amsterdam • Netherlands Paris • France RijksMuseum Kröller Muller Galleria Marilena Bonomo Otterlo • Netherlands Bari • Italy Lisson Gallery Galerie Toselli London • United Kingdom Milan • Italy “Fifty Drawings 1964-74” High Museum of Art Galleria L’Attico Atlanta • USA Rome • Italy “Fifty Drawings 1964-74” Mint Museum of Art Art & Project Charlotte • USA Amsterdam • Netherlands “Fifty Drawings 1964-74” Johnson Museum of Art Lisson Gallery Cornell University London • United Kingdom Ithaca • USA Museum of Modern Art “Fifty Drawings 1964-74” Arkansas Arts Center Oxford • United Kingdom Little Rock • USA “Six Wall Drawings” Cusack Gallery Gian Enzo Sperone Houston • USA New York • USA John Weber Gallery “Incomplete Open Cubes” John Weber Gallery New York • USA New York • USA Rosa Esman Gallery “Fifty Drawings 1964-74” New York Cultural Center New York • USA New York • USA “Wall Drawings” Portland Center for the Visual Arts “Fifty Drawings 1964-74” University Galleries Portland • USA Illinois State University Normal • USA Daniel Weinberg Gallery San Francisco • USA Solo Exhibitions (continued)

“Fifty Drawings 1964-74” Museum of Art 1976 San Francisco • USA “Geometric Figures” Galerie MTL “Fifty Drawings 1964-74” Everson Museum of Art Brussels • Belgium Syracuse • USA “Incomplete Open Cubes” Cologneischer Kunstverein “Fifty Drawings 1964-74” Tyler Museum of Art Cologne • Germany Tyler • USA Galerie T. H. Keller “The Location of Eight Points” Max Protetch Gallery Kefferhausen • Germany Washington • USA Gian Enzo Sperone Rome • Italy 1975 “Incomplete Open Cubes” Stedelijk van AbbeMuseum Eindhoven • Netherlands “Wall Drawings, Drawings and Incomplete Open Cubes” “Incomplete Open Cubes” Centre d’Art Contemporain Daniel Weinberg Gallery Geneva • Switzerland Düsseldorf • Germany “Drawings, Prints, and Cubes” B. R. Kornblatt Gallery Konrad Fischer Gallery Baltimore • USA Düsseldorf • Germany “Wall Drawings, Structures and Prints” Fine Arts Gallery Galeria Marilena Bonomo University of Colorado Bari • Italy Boulder • USA Saman Gallery “Wall Drawings” Wadsworth Atheneum Museum of Art Genoa • Italy Hartford • USA Galleria Peccolo “Wall Drawings” Claire Copley Gallery Leghorn • Italy Los Angeles • USA “Incomplete Open Cubes” Galleria Sperone Dag Hammarskjöld Plaza Sculpture Garden Turin • Italy New York • USA “Wall Drawings” Israel Museum Visual Arts Museum Jerusalem • Israel New York • USA “Incomplete Open Cubes” Art & Project Amsterdam • Netherlands “Graphik: 1970-1975” Kunsthalle Basel 1977 Basel • Switzerland The Art Gallery of New South Wales “Lines and Color” Rolf Preisig Gallery Sydney • Australia Basel • Switzerland “Geometric Figures” Konrad Fischer Gallery “Lines and Color” Annemarie Verna Galerie Düsseldorf • Germany Zurich • Switzerland Galleria Marilena Bonomo Printmakers’ Workshop Bari • Italy Edinburgh • United Kingdom Saman Gallery “Incomplete Open Cubes and Wall Drawings” Genoa • Italy Scottish National Gallery of Modern Art Torre Vecchio Edinburgh • United Kingdom Spoleto • Italy “Sol LeWitt, The Location of a Rectangle: Matrix 3” “Incomplete Open Cubes” Museum of Modern Art Wadsworth Atheneum Museum of Art Oxford • United Kingdom Hartford • USA Lisson Gallery Claire Copley Gallery London • United Kingdom Los Angeles • USA “Incomplete Open Cubes, Prints, and Wall Drawings” “Wall Drawings, Drawings and Incomplete Open Cubes” Fine Arts Center Daniel Weinberg Gallery University of Massachussets San Francisco • USA Amherst • USA Solo Exhibitions (continued)

University of North Dakota Art Gallery “Geometric Structures” Lisson Gallery Grand Forks • USA London • United Kingdom Art & Architecture Gallery “Sol LeWitt: New Strustures and Photogrids” Yale University Young Hoffman Gallery New Haven • USA Chicago • USA “Prints” Brooklyn Museum Margo Leavin Gallery New York • USA Los Angeles • USA “Structures” John Weber Gallery “The Graphics of Sol LeWitt” New York • USA New Britain Museum of American Art “Geometric Figures within Geometric Figures” New Britain • USA Utah Museum of fine Arts Rosa Esman Gallery Salt Lake City • USA New York • USA

1978 1980

“Retrospective Sol LeWitt” Museum of Contemporary Art “Six Geometric Figures and All Their Double Combinations” Montreal • Canada Galerie Yvon Lambert Galleria Marilena Bonomo Paris • France Bari • Italy “Grids and Colour” Rudiger Schottle “Geometric Figures” Rolf Preisig Gallery Munich • Germany Basel • Switzerland Galleria Ugo Ferranti Hallen für Internationalle Neue Kunst Rome • Italy Zurich • Switzerland “All Four-Part combinations of Six Geometric Figures” “Retrospective Sol LeWitt” Krannert Museum Galerie Watari University of Illinois Tokyo • Japan Champaign • USA “Sol LeWitt: New Structures, Wall Drawings and Drawings” “Retrospective Sol LeWitt” Museum of Contemporary Art Young Hoffman Gallery Chicago • USA Chicago • USA “Retrospective Sol LeWitt” “Sol LeWitt: Structures and Wall Drawings” Texas Gallery La Jolla Museum of Contemporary Art Houston • USA La Jolla • USA “Statues (A Melodrama)” John Weber Gallery “Graphics, 1970-1975” Brooklyn Museum of Art New York • USA New York • USA “Photogrids” Protetch MacIntosh Gallery “Prints and Drawings” John Weber Gallery Washington • USA New York • USA “Retrospective Sol LeWitt” Museum of Modern Art 1981 New York • USA “Drawings” Michael Berger Gallery “Sol LeWitt: New Structures; Works on Paper” Pittsburgh • USA David Bellman Gallery Protetch MacIntosh Gallery Toronto • Canada Washington • USA Mercer Union Art Gallery Toronto • Canada Galerie Yvon Lambert 1979 Paris • France Galerie Yvon Lambert Konrad Fischer Gallery Paris • France Düsseldorf • Germany Konrad Fischer Gallery Saman Gallery Düsseldorf • Germany Genoa • Italy Solo Exhibitions (continued)

Van Krimpen Gallery Young Hoffman Gallery Amsterdam • Netherlands Chicago • USA Palace f Culture Barbara Toll Fine Arts Warsaw • Poland New York • USA “Sol LeWitt: Strukturen 1978-80” Annemarie Verna Galerie John Weber Gallery Zurich • Switzerland New York • USA “Wall Drawings and Drawings” Graeme Murray Gallery “Isometric Drawings” Paula Cooper Gallery Edinburgh • United Kingdom New York • USA Graphics 1 and 2 Boston • USA 1983 “Sol LeWitt: Six Geometric Figures” Real Art Ways Hartford • USA CAPC Musée d’Art Contemporain de Bordeaux “Sol LeWitt Wall Drawings 1968-81” Bordeaux • France Wadsworth Atheneum Locus Solus Hartford • USA Genoa • Italy “Photogrids, Brick Wall, Autobiography, On the Walls of Academia delle Belle Arti the Lower East Side” University Art Gallery Perugia • Italy New Mexico State University “Piramide” Galleria Mario Pieroni Las Cruces • USA Rome • Italy Larry Gagosian Gallery “Wall Drawings” Galleria Ugo Ferranti Los Angeles • USA Rome • Italy Miami-Dade Community College Art Gallery “Wall Drawings, Aquatints, Woodcuts, Screenprints” Miami • USA Galeriet “Project: Wall Drawings, Geometric Figures” Lund • Sweden Max Protech Gallery Centre d’Art Contemporain New York • USA Geneva • Switzerland Paula Cooper “Drawings, Watercolours and Prints” Lisson Gallery New York • USA London • United Kingdom “Wall Drawings and Drawings” Daniel Weinberg Gallery “Sol LeWitt: Star Prints” Matrix Gallery San Francisco • USA University Art Museum Berkeley • USA “Sol LeWitt: Three Portfolios” Brooke Alexander Gallery 1982 New York • USA “Drawings” David Bellman Gallery Toronto • Canada 1984 “Wall Drawings: Sol LeWitt” Rudiger Schöttle Gallery Munich • Germany “Wall Drawings” Gewad “Sol LeWitt: Wall Drawings” Galleria Marilena Bonomo Ghent • Belgium Bari • Italy “Wall Drawings” Au Fond de la Cour à Droite Banco Gallery Chagny • France Brescia, Milan • Italy “Sol LeWitt Sculptures: 1964-1974” “Sol LeWitt: Structures” Galleria Ugo Ferranti Galerie Daniel Templon Rome • Italy Paris • France William Aronowitsch Gallery “Drawings” Galerie Yvon Lambert Stockholm • Sweden Paris • France “Sol LeWitt Wall Drawings” The Kemper Room Art Gallery “Skulpturen von Sol LeWitt” Konrad Fischer Gallery Illinois Institute of Technology Düsseldorf • Germany Chicago • USA Solo Exhibitions (continued)

“Wall Drawings” Raum für Kunst “Sol LeWitt : Wall Drawings, Dessins et Aquarelles” Hamburg • Germany Galerie Vega Galleria Marilena Bonomo Liège • Belgium Bari • Italy “Wall Drawings” Magasin “Books 1968-83” Gallery A Centre National d’Art Contemporain de Grenoble Amsterdam • Netherlands Grenoble • France “Sol LeWitt: Wall Drawings 1968-1984” Stedelijk Museum “Pyramides Aquarelles Sur Papier” Galerie Yvon Lambert Amsterdam • Netherlands Paris • France “Sol LeWitt: Wall Drawings 1968-1984” van AbbeMuseum “Foggia Sculpture” Cassa di Risparmio di Puglia Eindhoven • Netherlands Galleria Marilena Bonomo “Structures” Stedelijk van AbbeMuseum Bari • Italy Eindhoven • Netherlands Studio G7 di Genevra Grigolo “Sol LeWitt: Wall Drawings 1968-1984” Stedelijk Museum Bologna • Italy Stockholm • Sweden “Intervento Su Parete” Spazio Immagine “Wall Drawings and Drawings” Annemarie Verna Galerie Foligno • Italy Zurich • Switzerland Galleria Mario Pieroni “Wall Drawings” Lisson Gallery Rome • Italy London • United Kingdom Marco Noire “Tower” Figge Art Museum Turin • Italy Davenport • USA “Structures : 1978-1986” Annemarie Verna Galerie “Sol LeWitt: Wall Drawings 1968-1984” Zurich • Switzerland The Wadsworth Atheneum Museum of Art “Sol LeWitt: Wall Drawings” Institute for Contemporary Art Hartford • USA London • United Kingdom Tate Gallery London • United Kingdom 1985 “Sol LeWitt: Prints 1970-86” The Tate Gallery “Sculture di Sol LeWitt a Tecnopolis” London • United Kingdom Galleria Marilena Bonomo “New Structures” Donald Young Gallery Bari • Italy Chicago • USA “Diciannove Poliedre in Legno” Fausto Scaramucci “New Wall Drawings” Rhona Hoffman Gallery Spoleto • Italy Chicago • USA The Saatchi Gallery “Sol LeWitt: Works on Paper from the RSM Collection” London • United Kingdom The Contemporary Arts Center “New Works: Sol LeWitt” Harvard University Cincinnati • USA Cambridge • USA “Pyramids” John Weber Gallery “Wall Drawings and Structures” Daniel Weinberg Gallery New York • USA Los Angeles • USA “Inaugural Exhibition: Wall Drawings by Sol LeWitt” Light Gallery The Drawing Center New York • USA New York • USA “Pyramid: A Wall Drawing by Sol LeWitt” The Brooklyn Museum 1987 New York • USA “Sol LeWitt : Gravures, Gouaches, Dessins” Galeria Vega Liège • Belgium 1986 “Sol LeWitt Wall Drawings” Konrad Fischer Gallery Galerie Peter Pakesch Düsseldorf • Germany Vienna • Austria Solo Exhibitions (continued)

“Sol LeWitt Title Forms/Wall Drawings” “Sol LeWitt: Forme di Righe in Bianco e Nero” Westfälischer Kunstverein Salone dei Camuccini Munich • Germany Museo di Capodimonte “Sol LeWitt Wall Drawings” Galerie Yvon Lambert Naples • Italy Paris • France “Sol LeWitt Wall Drawings” Annemarie Verna Galerie “ARC” Musée d’Art Moderne de la Ville de Paris Zurich • Switzerland Paris • France “Sol LeWitt: 12 Recent Works on Paper” Lisson Gallery “Wall Drawings” Musée d’Art Moderne de la Ville de Paris London • United Kingdom Paris • France “Sol LeWitt Wall Drawings and Works on Paper” “Open Structures, New Prints” Galleria Marilena Bonomo Donald Young Gallery Bari • Italy Chicago • USA “Sol LeWitt Wall Drawings” Galeria Alessandra Bonomo “Sol LeWitt Wall Drawings” Des Moines Art Center Rome • Italy Des Moines • USA “Sol LeWitt Wall Drawings” Galeria Ugo Ferranti “Sol LeWitt Books” Minnesota Center for Books Arts Rome • Italy Minneapolis • USA “Sol LeWitt Prints” Walker Art Center “Sol LeWitt Wall Drawings” Galerie Ressle Minneapolis • USA Stockholm • Sweden “Sol LeWitt: Cube” John Weber Gallery “Sol LeWitt Wall Drawings” Graeme Murray Gallery New York • USA Edinburgh • United Kingdom “Sol LeWitt: New Structures” John Weber Gallery “Drawing Now: Sol LeWitt” The Baltimore Museum of Art New York • USA Baltimore • USA Lawrence Oliver Gallery “Sol LeWitt Wall Drawings” The Cleveland Museum of Art Philadelphia • USA Cleveland • USA “Sol LeWitt: Installation and Sculpture” “Pick Up the Book, Turn the Page, and Enter the System: B. R. Kornblatt Gallery Books by Sol LeWitt” Minnesota Center of Book Arts Washington • USA Minneapolis • USA “Structures 3 x 3 x l” Doris Freedman Plaza 1989 New York • USA “Double Pyramids” John Weber Gallery Galerie Tanit New York • USA Munich • Germany “Works: Sol LeWitt” “Sol LeWitt: Incomplete Open Cubes” Hirshhorn Museum and Sculpture Garden Galerie Le Gall Peyroulet Washington • USA Paris • France “Sol LeWitt : Sérigraphies et Dessins” Gilbert Brownstone et Cie. 1988 Paris • France “Sol LeWitt: Structures” Galerie Peter Pakesch “Sol LeWitt: Complex Form #8” Vienna • Austria Camera di Commercio di Bari “Sol LeWitt Wall Drawings: Continious Forms with Color Bari • Italy and Gouache Superimposed” Wiener Secession “Sol LeWitt: Sculture e Gouaches recenti” Galleria Bonomo Vienna • Austria Bari • Italy “Sol LeWitt Wall Drawings” Kestner-Gesellschaft “Sol LeWitt: Sculture/Acquarelli” Hanover • Germany Studio G7 di Ginevra Grigolo “Sol LeWitt: Structures” Massimo Minini Bologna • Italy Brescia • Italy Alfonso Artiaco “Sol LeWitt Wall Drawings” Le Case d’Arte Naples • Italy Milan • Italy “Sol LeWitt Wall Drawings” Galleria Ugo Ferranti Solo Exhibitions (continued)

Rome • Italy “Sol LeWitt: Opere recenti, pyramids, complex forms e “Sol LeWitt: 3 recente zeefdrukken” Galerie de Expeditie folding screens” Palazzo Rosari-Spada Amsterdam • Netherlands Spoleto • Italy “Sol LeWitt Wall Drawings” Galeria 57 “Sol LeWitt: Wall Drawings” Galleria Persano Madrid • Spain Turin • Italy “Sol LeWitt Wall Drawings y Gouaches” “Sol LeWitt: Recent Works” Galeria Juana de Aizpuru Touko Museum of Contemporary Art Madrid • Spain Tokyo • Japan “Sol LeWitt Wall Drawings 1984-88” Kunsthalle “Sol LeWitt: Four Wall Drawings” Zonder Titel Bern • Switzerland Amsterdam • Netherlands “Sol LeWitt: A Wall Drawing Exhibition” Lisson Gallery “Sol LeWitt: Wall Drawings” Galeria Benet Costa London • United Kingdom Barcelona • Spain “Sol LeWitt: Wall Drawings/Works on Paper” “Sol LeWitt: Structures & Prints” Galleria Juana de Aizpuru Thomas Segal Gallery Seville • Spain Boston • USA “New Structures and Gouache” Galerie Pierre Huber Gibbes Museum of Art Geneva • Switzerland Charleston • USA “Wall Drawings and Gouaches” Donald Young Gallery “Sol LeWitt: Recent Drawings” Daniel Weinberg Gallery Chicago • USA Los Angeles • USA “Sol LeWitt: New Structures” Rhona Hoffman Gallery “Sol LeWitt: Sculpture and Drawings” Chicago • USA Daniel Weinberg Gallery “Sol LeWitt: New Wall Drawings” John Weber Gallery Los Angeles • USA New York • USA “Sol LeWitt Prints: 1970-1986” Ezra & Cecile Zilka Gallery “Sol LeWitt: Books 1966-1990” Portikus Wesleyan University Frankfort • USA Middletown • USA “Sol LeWitt: Complex Forms and Wall Drawings” Portikus “Sol LeWitt Prints: 1970-1986” Frankfort • USA New Britain Museum of American Art “Large-Scale Concrete Block Sculpture” New Britain • USA Max Protetch Gallery “Sol LeWitt: Prints and Related Works” New York • USA Brooke Alexander Editions “Sol LeWitt: Prints” Susan Sheehan Gallery New York • USA New York • USA “Sol LeWitt: Works on Paper” Shea & Beker “Sol LeWitt: Prints and Related Works” New York • USA Tomoko Liguori Gallery “Sculpture & Drawings” Daniel Weinberg Gallery New York • USA Santa Monica • USA “Sol LeWitt: Recent Prints” Lawrence Oliver Gallery Philadelphia • USA 1990 1991 “Sol LeWitt : Structures” Galeria Vega Liège • Belgium Galerie 1900-2000 “Sol LeWitt : Papier Déchirés de 1975” Galerie de Poche Paris • France Paris • France “Wall Drawings No. 44, 45, 46-1970” Spazio d’Arte Galerie Yvon Lambert Naples • Italy Paris • France American Academy Konrad Fischer Galerie Rome • Italy Düsseldorf • Germany Galleria Marilena Bonomo Bari • Italy Solo Exhibitions (continued)

Galleria Alessandra Bonomo Kilkenny • Ireland Rome • Italy “Sol LeWitt: Una Struttura per Esterno” Massimo Minini Gallery Cellar Brescia • Italy Nagoya • Japan “Sol LeWitt: Recente Gouaches” Galerie Onrust “Original Copies: International Faxed Art” Lazelle Gallery Amsterdam • Netherlands Auckland • New Zealand “Sol LeWitt: Drawings 1958-1992” GemeenteMuseum “Wall Drawings and Gouaches” Galerie Ressle The Hague • Netherlands Stockholm • Sweden “Sol LeWitt: Drawings 1958-1992” Fundació Tapiès “Sol LeWitt: Wall drawings” Bündner KunstMuseum Barcelona • Spain Coire • Switzerland “Sol LeWitt Drawings” Kunsthalle “Sol LeWitt: Sculptures et gouaches” Galerie Patrick Roy Bern • Switzerland Lausanne • Switzerland “Sol LeWitt: Drawings 1958-1992” “Sol LeWitt: Complex Forms” Annemarie Verna Galerie KunstMuseum Winterthur Zurich • Switzerland Winterthur • Switzerland “Five Geometric Structures and their combinations” “Sol LeWitt: Drawings 1958-1992” Leeds City Art Gallery Graeme Murray Gallery Leeds • United Kingdom Edinburgh • United Kingdom “Sol LeWitt: Drawings 1958-1992” Museum of Modern Art “New Structures” Lisson Gallery Oxford • United Kingdom London • United Kingdom “Sol LeWitt: Drawings 1958-1992” “Sol LeWitt: Structures” Thomas Segal Gallery The Baltimore Museum of Art Boston • USA Baltimore • USA “Sol LeWitt: Wall drawings” Barbara Krakow Gallery “Sol LeWitt: Drawings 1958-1992” Museum of Fine Arts Boston • USA Boston • USA “New Structures” Donald Young Gallery “Sol LeWitt: New Wall drawings” Quint Contemporary Art Chicago • USA Chicago • USA “Sol LeWitt: Wall drawings, Structures & Gouaches” “Sol LeWitt: New Wall drawings” John Stoller & Co. Quint Krichman Projects at the Project Space Minneapolis • USA La Jolla Gallery “Sol LeWitt: Wall drawings” John Weber Gallery La Jolla • USA New York • USA “Project Room” John Weber Gallery “Sol LeWitt: Black Gouaches” Julian Pretto Gallery New York • USA New York • USA “Sol LeWitt: New Aquatints” The Aldrich Museum “Sol LeWitt: New Structures” Donald Young Gallery Ridgefield • USA Seattle • USA “Complex Fors: Structures and Prints” Akus Gallery Eastern Connecticut State University Willimantic • USA 1992

“Sol LeWitt: Drawings 1958-1992” Musée de Picardie 1993 Amiens • France “Sol LeWitt: Drawings 1958-1992” “Sol LeWitt: œuvres sur papier” Galerie Vega Centre Georges Pompidou Liège • Belgium Paris • France Galeria Tovar y Tovar “Sol LeWitt: Black Gouaches” Galerie Natkin Berta Bogotá • Colombia Paris • France “Sol LeWitt: 1975-1993” Galerie Natkin-Berta “Sol LeWitt: Drawings 1958-1992” Paris • France Westfälisches LandesMuseum “Styrofoam Wall Installation” Galerie Yvon Lambert Münster • Germany Paris • France “Sol LeWitt: Wall drawings” Butler Gallery Solo Exhibitions (continued)

“Sol LeWitt: Structures 1962-1993” “Sol LeWitt Wall Work: White Styrofoam on Black & Rela- Neues Museum Weserburg ted Works on Paper” Barbara Krakow Gallery Brême • Germany Boston • USA “New Wall Pieces” Galerie Konrad Fischer “Sol LeWitt Working Drawings” Thomas Segal Gallery Düsseldorf • Germany Boston • USA “Sol LeWitt: Structures 1962-1993” Villa Stuck John Weber Gallery Munich • Germany New York • USA Galleria Klemens Gasser “Sol LeWitt: Wall Drawings” PaceWildenstein Bolzano • Italy New York • USA “Sol LeWitt: Structures 1962-1993” Fruitmarket Gallery “Sol LeWitt: Brushstrokes in Different Colors in Two Di- Edinburgh • United Kingdom rections” Quartet Editions “Sol LeWitt: Structures 1962-1993” Leeds City Art Gallery New York • USA Leeds • United Kingdom “Testwall” TA’Art & Co “Sol LeWitt: Structures 1962-1993” Museum of Modern Art New York • USA Oxford • United Kingdom “Sol LeWitt: Twenty-five years of Wall Drawings 1968-1993” 1995 Addison Gallery of American Art Philips Academy “Sol LeWitt: Structures” Galerie Pietro Sparta Andover • USA Chagny • France “Sol LeWitt: Wall Drawings from the Collection of Robert “Sol LeWitt: Styrofoam Wall Pieces” and Sana Risman” Francis Colburn Gallery Kunstverein Ludwigsburg University of Vermont Ludwigsbourg • Germany Burlington • USA “Sol LeWitt: Working Drawings” “Styrofoam Wall Installation (Room)” Ace Gallery Ludwigsburger Schlossfestspiele Los Angeles • USA Ludwigsbourg • Germany “Sol LeWitt: Recent Works” “Sol LeWitt: Wall Drawings” Kukje Gallery New Britain Museum of American Art Seoul • South Korea New Britain • USA “Sol LeWitt: Obra Grafica” Edicions T Galeria d’Art “Styrofoam Wall Installation (Room)” Julian Pretto Barcelona • Spain New York • USA Lisson Gallery London • United Kingdom “Sol LeWitt: 26 Gouaches” Chester Gallery 1994 Chester • USA “Sol LeWitt 1975-1993” Galerie Natkin-Berta “Sol LeWitt: Working Drawings” Rhona Hoffman Gallery Paris • France Chicago • USA “Sol LeWitt: Wall Drawings 25 years of Wall Drawings “Sol LeWitt: Complex Form #7” Harn Museum of Art 1969-1994” RENN Espace d’Art Contemporain University of Florida Paris • France Gainesville • USA “Sol LeWitt: Wall Drawings” Zerynthia “New Gouaches” Pace Wildenstein Contrada Cervinara di Paliano Los Angeles • USA Paliano • Italy “Sol LeWitt: Cinderblock Structures” Ace Gallery Galeria Juana de Aizpuru New York • USA Madrid • Spain “Sol LeWitt: Very Large Gouaches” Gagosian Gallery “Sol LeWitt: Wall Drawings” Art & Public New York • USA Geneva • Switzerland “Sol LeWitt: 25 Small Gouache Drawings” Gallery 128 “Recent Works on Paper” Annemarie Verna Galerie New York • USA Zurich • Switzerland “Sol LeWitt: Working Drawings” John Weber Gallery New York • USA Solo Exhibitions (continued)

“Sol LeWitt: Wall Drawings 1970-71” Lawrence Markey “Sol LeWitt: New Works” Skoto Gallery New York • USA New York • USA “Sol LeWitt: Gouaches” Daniel Weinberg Gallery Works on Paper San Francisco • USA Philadelphia • USA “Sol LeWitt: New Wall Works” Joseloff Gallery “Sol LeWitt: Wall Drawing” Coby College West Hartford • USA Waterville • USA “Sol LeWitt: Complex Form #3” Williams College Museum of Art 1997 Williams College Williamstown • USA “Roland Dahinden / Sol LeWitt: Collaboration Sound Sculp- ture / Wall Drawing” Kuppelsaal LandesMuseum Joanneum 1996 Graz • Austria “Sobre o sol e as estrellas: Desenhos de parede de “Sol LeWitt: New Works” Galerie Nächt St. Stephan Sol LeWitt” XXIII Bienal Internacional de São Paulo Vienna • Austria São Paulo • Brazil “Sol LeWitt: 100 Cubes” Karoter Landesgalerie “Sol LeWitt: Gouaches” Dan Galeria Prague • Czech Republic São Paulo • Brazil Pièce Unique “Sol LeWitt Walls” Galerie Franck + Schulte Paris • France Berlin • Germany “Sol LeWitt: 100 Cubes” Kunsthalle Baden-Baden Galerie Konrad Fischer Baden-Baden • Germany Düsseldorf • Germany “Sol LeWitt: Cinque quadri” Galleria Ugo Ferranti “Two Works by Sol LeWitt” Stedelijk van AbbeMuseum Rome • Italy Eindhoven • Netherlands “Sol LeWitt: 100 Cubes” Kunsthaus Aarau “Sol LeWitt: Dibujos Murales, Wall Drawings” Aarau • Switzerland Sala de Las Alhajas “Sol LeWitt: Recent Works” Annemarie Verna Galerie Madrid • Spain Zurich • Switzerland “Sol LeWitt: New Wall Drawing” The Pier Arts Centre “Sol LeWitt: Drawings and Structures” Stromness • United Kingdom Montserrat College of Art Gallery “Sol LeWitt: Drawing and Sculptures” Montserrat College Barbara Krakow Gallery Beverly • USA Boston • USA “New Works” Rhona Hoffman Gallery “Sol LeWitt Prints: 1970-95” The Cleveland Museum of Art Chicago • USA Cleveland • USA “Sol LeWitt: Stars” Hiram Butler Gallery “Sol LeWitt Prints: 1970-95” The Detroit Institute of Arts Houston • USA Détroit • USA “Sol LeWitt: New Work; Wall Drawing and Sculpture” “Sol LeWitt Prints: 1970-95” Blaffer Gallery Rice University Art Gallery University of Houston Rice University Houston • USA Houston • USA “Sol LeWitt: Stars” Betsy Senior Gallery “Sol LeWitt: Sculpture and Works on Paper” New York • USA Jan Weiner Gallery “Sol LeWitt Prints: 1970-95” Museum of Modern Art Kansas City • USA New York • USA “Sol LeWitt: Wall Drawings and Prints” “Sol LeWitt: Large Scale Monoprints” Pace Prints Cummings Art Center New York • USA Connecticut College “Sol LeWitt: Wall Drawing, Installation and Styrofoam Ins- New London • USA tallation” Saint Marks Position “Wall Paintings” Ace Gallery New York • USA New York • USA Solo Exhibitions (continued)

“Sol LeWitt: Tables (1981-1997) & Related Work” A/D “Sol LeWitt: Works on Paper” New York • USA San Jose Institute of Contemporary Art Paula Cooper Gallery San Jose • USA New York • USA “New Wall Drawings” TZ’Art & Co. 1999 New York • USA “Sol LeWitt: Works of the 60s and 70s” Ubu Gallery “Sol LeWitt” Galerie Meert Rihoux New York • USA Brussels • Belgium “Wall Drawings” Donald Young Gallery “Sol LeWitt: New Wall Drawings” Galerie Pietro Sparta Seattle • USA Chagny • France “Sol LeWitt, Artist of the Year” Art/Place “Sol LeWitt, New Gouaches” Galerie Yvon Lambert Southport • USA Paris • France “Sol LeWitt: Irregular Forms” Galeri Franck + Schulte Berlin • Germany 1998 “Sol LeWitt: New Gouachen” Galerie Daniel Blau “Sol LeWitt: New Wall Pieces” Munich • Germany Museum of Contemporary Art “Sol LeWitt” Volume! Sydney • Australia Rome • Italy Museum Moderner Kunst Lankreis Institute for Contemporary Art Studio A-Sammlung Konkreter Kunst Boston • USA Cuxhaven • Germany “Decades and Diallogues: Perspectives on the MCA “Sol LeWitt: Large Gouaches” Alfonso Artiaco Collection” Museum of Contemporary Art Naples • Italy Chicago • USA “Sol LeWitt in Italia” Rocca Paolina “Sol LeWitt: Circles Arcs and Bands” Perugia • Italy Rhona Hoffman Gallery “Sol LeWitt (& Luca Pancrazzi)” Galleria Continua Chicago • USA San Gimignano • Italy “Sol LeWitt: New Works” Paula Cooper Gallery Galleria d’Arte Moderna e Contemporanea Palazzo Forti New York • USA Verona • Italy “Sol LeWitt: Indoors: Drawings and Models: Outdoors: Liliana Tovar Concrete Block” P.S. 1 Contemporary Art Cenyter Stockholm • Sweden New York • USA “Sol LeWitt: Bands of Lies: A Wall Drawings” “Sol LeWitt: New Works (Black and Colors)” Birmingham Bloomfield Art Center Institute of Contemporary Art Birmingham • United Kingdom University of Pennsylvania “Sol LeWitt: Wall Pieces (Drawings 1972-1998 and Ma- Philadelphia • USA quettes for Large Scale Structures)” Lisson Gallery London • United Kingdom 2000 “Sol LeWitt: Recent Gouaches” Pace Wildenstein Los Angeles • USA “Black Cubes” Galerie Konrad Fischer “Sol LeWitt: New Wall Drawings” PaceWildenstein Düsseldorf • Germany New York • USA Alfonso Artiaco “Sol LeWitt: Wall Works” Naples • Italy Alyce de Roulet Wiliamson Gallery Palazzo delle Esposizioni Art Center College of Design Rome • Italy Pasadena • USA Juliana Gallery “Sol LeWitt: Wall Drawings and Photographs 1969-1998” Seoul • South Korea Fraenkel Gallery “Sol LeWitt: New Structures” Galerie Tschudi San Francisco • USA Glarus • Switzerland Solo Exhibitions (continued)

“Stars by Sol LeWitt” Museum of Art “Sol LeWitt: New Gouaches” Art and Public Gallery University of Michigan Geneva • Switzerland Ann Arbor • USA “Sol LeWitt, Wall Drawings, Structure, Gouaches” “Sol LeWitt: Sculptures and Gouaches” Annemarie Verna Galerie Barbara Krakow Gallery Zurich • Switzerland Boston • USA “Sol LeWitt: Incomplete Open Cubes” Donald Young Gallery The Cleveland Museum of Art Chicago • USA Cleveland • USA “Sol LeWitt, Retrospective” Museum of Contemporary Art “Sol LeWitt: Incomplete Open Cubes” Chicago • USA Wadsworth Atheneum Museum of Art “Riverhouse Editions 1990-1999” The van Straaten Gallery Hartford • USA Chicago • USA “Sol LeWitt: New Works” “Wall to Wall: A Decade of Prints by Sol LeWitt” Margo Leavin Gallery and Regen Projects Alva Gallery Los Angeles • USA New London • USA “Sol LeWitt: Wall Drawings” Artspace “Sol LeWitt New Works: Structure, Wall Drawing, and New Haven • USA Gouaches” PaceWildenstein “Sol LeWitt New Editions: Distorted Cubes” Pace Prints New York • USA New York • USA “Sol LeWitt: Sculpture” Paula Cooper Gallery “Sol LeWitt: Wall Drawings and Prints” New York • USA Chestnut Hill Academy “Sol LeWitt, Retrospective” Philadelphia • USA Whitney Museum of American Art “Sol LeWitt: Incomplete Open Cubes” New York • USA Scottsdale Museum of Contemporary Art “Sol LeWitt 1971-1999: Etchings, Screenprints, Woodcuts” Scottsdale • USA Crown Point Press “Sol LeWitt: Incomplete Open Cubes” Museum of Art San Francisco • USA Colby College “Sol LeWitt, Retrospective” Museum of Modern Art Waterville • USA San Francisco • USA “Celebrating 75 Years: A Wall Drawing by Sol LeWitt” Williams College Museum of Art Williams College 2001 Williamstown • USA “Sol LeWitt: Wall Drawings y gouaches” Fundacion Proa Buenos Aires • Argentina 2002 “Sol LeWitt: Works on Paper” Galerie Meert Rihoux Brussels • Belgium “Sol LeWitt Drawings, Prints and Books 1968-1988” “Sol LeWitt: Wall Drawings” Galerie Yvon Lambert National Gallery of Australia Paris • France Canberra • Australia “Sol LeWitt: New Wall Drawings” Galerie Thomas Schulte “Sol LeWitt: Copied Lines” CCNOA Berlin • Germany Brussels • Belgium Galerie Konrad Fischer “Sol LeWitt: L’image de la pensée” Château de Villeneuve Düsseldorf • Germany Vence • France “Sol LeWitt: New Well Drawings” “Sol LeWitt: Wall Drawing-New Gouaches” Irish Museum of Modern Art Galerie Sfeir Semler Dublin • Ireland Hamburg • Germany “Sol LeWitt: New work” Alfonso Artiaco Alfonso Artiaco Naples • Italy Naples • Italy Atelier del Bosco di Villa Medicis Juliana Gallery Rome • Italy Seoul • South Korea Solo Exhibitions (continued)

“Sol LeWitt” Fundacion Pedro Barrié de la Maza “Sol LeWitt: Fotografia” Fundacion ICO Corunna • Spain Madrid • Spain “Sol LeWitt: Wall Drawings y Gouaches” “Sol LeWitt: Recent Acquisitions” Galería Juana de Aizpuru Addison Gallery of American Art Madrid • Spain Philipps Academy “Sol LeWitt” The Nordic Watercolour Museum Andover • USA Skärhamn • Sweden “Sol LeWitt: Brick and Block Outdoor Sculpture” “Sol LeWitt. Sculptures and Gouaches” Max Protetch: Sculpture Beacon Barbara Krakow Gallery Beacon • USA Boston • USA “Sol LeWitt: Models for Proposed Dome Structures and “Sol LeWitt. Gouaches” Merce Cunningham Foundation Recent Gouaches” Barbara Krakow Gallery Paula Cooper Gallery Boston • USA New York • USA “Sol LeWitt New Wall Drawings and Gouaches” “Sol LeWitt: New Editions” Pace Prints Rhona Hoffman Gallery New York • USA Chicago • USA “Sol LeWitt: New Wall Drawings” PaceWildenstein “Sol LeWitt: New Drawings” Margo Leavin Gallery New York • USA Los Angeles • USA “Sol LeWitt: Wall Drawing” Philip Alan Gallery “LeWitt’s LeWitt and Selections from the Collection of Sol and New York • USA Carol LeWitt” New Britain Museum of American Art “Sol LeWitt. Recent Prints” Augen Gallery New Britain • USA Portland • USA “Sol LeWitt: Maquettes 1979-2003” “Sol LeWitt Prints: 1982-2001” Maiden Land Exhibition Space Saint Joseph College Art Gallery New York • USA West Hartford • USA “Sol LeWitt: New Gouaches” Paula Cooper Gallery New York • USA 2003 “Sol LeWitt: Wall Drawing for 192 Books” “Sol LeWitt: Fotografia” Kamera Austria Paula Cooper Gallery Kunsthaus Graz New York • USA Graz • Austria “Sol LeWitt: Wall Drawing, Prints, Works on Paper” 2004 Galerie Nächst Stephan Vienna • Austria “Sol LeWitt: Wall” “Sol LeWitt: Fotografia” Collection Lambert Kunsthaus Graz am LandesMuseum Joanneum Avignon • France Graz • Austria “Sol LeWitt: Wall Drawing” Kunstsammlungen “XXIV Andamenti: Sol LeWitt – Mimmo Paladino” Chemnitz • Germany Museo Archeologico dell’Antica Capua “Sol LeWitt: New Work” Galerie Konrad Fischer Capua • Italy Düsseldorf • Germany “Sol LeWitt Wall Drawing: Whirls and Twirls Reggio Emi- “Sol LeWitt: Wall Drawings, Gouaches” lia: No. 1126” Sala di lettura Galleria Alessandra Bonomo Bibllioteca Panizzi Rome • Italy Reggio Emilia • Italy “Sol LeWitt: Fotografia” GemeenteMuseum “XXIV Andamenti: Sol LeWitt – Mimmo Paladino” The Hague • Netherlands Galleria Nazionale d’Arte Moderna “Sol LeWitt: Horizontal Brushstrokes” Livingstone Gallery Rome • Italy The Hague • Netherlands “Sol LeWitt: Wall Drawing, Structure, Gouaches” “Sol LeWitt: Fotografia” Tecla Sala Annemarie Verna Galerie Barcelona • Spain Zurich • Switzerland Solo Exhibitions (continued)

“Sol LeWitt: Zurich Project” Haus Konstruktiv “Variations on a Theme by Sol LeWitt and Paula Robinson” Zurich • Switzerland Isabella Stewart Gardner Museum “Sol LeWitt: New Work” Lisson Gallery Boston • USA London • United Kingdom “Sol LeWitt, Drawings for Projects” Donald Young Gallery “Sol LeWitt: Recent Works” Katonah Museum of Art Chicago • USA New York • USA “Sol LeWitt Splotches and Gouaches” Margo Leavin Gallery “Sol LeWitt: Structures 1962-2003” PaceWildenstein Los Angeles • USA New York • USA “Sol LeWitt and Alvin Lucier: A Collaboration” “Sol LeWitt: Recent Acquisitions” The RISD Museum Ezra and Cecile Zilkha Gallery Rhode Island School of Design Wesleyan University Providence • USA Middletown • USA “Sol LeWitt: Wall Drawing 1123: Planes with broken Bands “Sol LeWitt: Recent Work” Lyman Allyn Museum of Art of Color” The Aldrich Contemporary Art Museum Connecticut College Ridgefield • USA New London • USA “Sol LeWitt: Indoor/Outdoor Exhibition” “Sol LeWittin Madison Square Park” Madison Square Park Laumeier Sculpture Park New York • USA Saint-Louis • USA “Sol LeWitt on the Roof: Splotches, Whirls, and Twirls” “Sol LeWitt: New Wall Drawings and Photographs” The Iris B. and Gerald Cantor Roof Garden Fraenkel Gallery Metropolitan Museum of Art San Francisco • USA New York • USA “Sol LeWitt: New Wall Drawings” PaceWildenstein New York • USA 2005 “Sol LeWitt Gouaches” Paula Cooper Gallery “Sol LeWitt: New Work” Galerie Meert Rihoux New York • USA Brussels • Belgium “Sol LeWitt: Complex Form No. 7” Everson Museum of Art “Sol LeWitt Gouaches” Galerie Yvon Lambert Syracuse University Paris • France Syracuse • USA “Sol LeWitt: Wall Drawing 1176 Seven Basic Colors ans All Their Combinations in a Square Within a Square” 2006 Josef Albers Museum Bottrop • Germany “Sol LeWitt ‘Rainbow’ – a Painting Show” “Lost Voices” Synagogue Stommeln Galerie Sfeir-Semler Pulheim • Germany Hamburg • Germany “New Wall Drawings” Alfonso Artiaco Al Galeria Naples • Italy Budapest • Hungary “Disegni a Matita Sul Muro: Sol LeWitt Al Bportico d’Ot- “Sol LeWitt: Wall Drawings and Gouaches” tavia” Valentina Bonomo Arte Contemporanea Studio G7 di Ginevra Grigolo Rome • Italy Bologna • Italy “Sol LeWitt: Photographic Works” GemeenteMuseum “Sol LeWitt: Wall Drawing and Early Works” Den Haag Le Case d’Arte The Hague • Netherlands Milan • Italy “Sol LeWitt: Wall Drawing 801” Bonnefanten Museum “Sol LeWitt: Wall Drawings 1973” Lisson Gallery Maastricht • Netherlands London • United Kingdom “Sol LeWitt 123: All Three-Part Variation on Three Different “LeWitt x 2: Structure and Line / Selections from the Kinds of Cubes, 1967-2003” Riggion Galleries LeWitt Collection” Weatherspoon Art Museum Dia:Beacon The University of North Carolina Beacon • USA Austin • USA Solo Exhibitions (continued)

“Sol LeWitt Drawing Series…” Dia:Beacon “Sol LeWitt: Color and Line, Reproduced” Beacon • USA Smart Museum of Art “Sol LeWitt Portfolios – Set 1971-1983” Chicago • USA Barbara Krakow Gallery “LeWitt x 2” Cincinnati Art Museum Boston • USA Cincinnati • USA “LeWitt x 2: Structure and Line / Selections from the LeWitt “Sol LeWitt” Storm King Art Center Collection” Madison Museum of Contemporary Art Mountainville • USA Madison • USA “Sol LeWitt: Early Works” Bjorn Ressle Gallery “LeWitt x 2: Structure and Line / Selections from the LeWitt New York • USA Collection” Miami Art Museum “Sol LeWitt: Series and Sequence Prints 1972-2002” Miami • USA Senior & Shopmaker Gallery New York • USA “Sol LeWitt: Table” Dorfman Projects “Focus: Sol LeWitt” The Museum of Modern Art New York • USA New York • USA “Sol LeWitt Monoprints” Pace Prints “Sol LeWitt: A Wall Drawing Retrospective” New York • USA Masschusetts Museum of Contemporary Art “Replication: The Book of Sol LeWitt” North Adams • USA The New York Art Book Fair “Sol LeWitt: Wall Drawing 139” New York • USA Smith College Museum of Art Smith College 2007 Northampton • USA “The ABCDs of Sol LeWitt” Williams College Museum of Art “Sol LeWitt: Gouaches” Muiler Muiler Gallery Williams College Knokke-Heist • Belgium Williamstown • USA “Sol LeWitt in Memoriam” Museum of Contemporary Art Chicago • USA “Sol LeWitt: Scribble Wall Drawings” PaceWildenstein 2009 New York • USA “Artists Rooms: Sol LeWitt” Tate Liverpool “Sol LeWitt” Paula Cooper Gallery Liverpool • United Kingdom New York • USA “Sol LeWitt: Locations” Barbara Krakow Gallery “Sol LeWitt at the AMAM” Allen Memorial Art Museum Boston • USA Oberlin College “Focus: Sol LeWitt” Museum of Modern Art Oberlin • USA New York • USA “Sol LeWitt” Paula Cooper Gallery New York • USA 2008

“Estampes” Galerie Lelong 2010 Paris • France “Sol LeWitt ‘Arbeiten auf Papier / Works on paper” “Sol LeWitt ‘Wall Drawings’ (Berlin)” Konrad Fischer Galerie Galerie Boisserée Düsseldorf • Germany J. & W. Boisserée GmbH “Sol LeWitt: Gouache on Paper 1987-2005” Louver Gallery Cologne • Germany Venice • Italy “Sol LeWitt – Monumental Drawings” “Sol LeWitt: Wall Drawings and Gouaches” Galleria Nazionale d’Arte Moderna Galería Juana de Aizpuru Rome • Italy Madrid • Spain “Sol LeWitt, Complex Forms Structure VI” “Sol LeWitt: Prints” Annemarie Verna Gallery Rhona Hoffman Gallery Zurich • Switzerland Chicago • USA “Sol LeWitt” Barbara Krakow Gallery “Minimalism & Conceptualism” Jason Rulnick Boston • USA New York • USA Group shows

1966 Hamburg • Germany “Minimal Art” Neue Pinakothek St. Mark’s Church Munich • Germany New York • USA “Minimal Art” Gemeentemuseum The Hague • Netherlands 1964 “The Art of the Real” Kunsthaus Zurich • Switzerland Museum of Contemporary Crafts “The Art of the Real” Tate Gallery New York • USA London • United Kingdom “Benefit for Student Mobilization Committee to End the 1966 War in Vietnam” Paula Cooper Gallery “Multiplicity” Institute of Contemporary Art New York • USA Boston • USA “The Art of the Real” Museum of Modern Art “Primary tructures: Younger American and British Sculptors” New York • USA The Jewish Museum “Cool Art – 1967” The Aldrich Museum of Contemporary Art New York • USA Ridgefield • USA “10” Dwan Gallery New York, Los Angeles • USA 1969 “Working Drawings and Other Visible Things on Paper “When Attitudes Become Form” Museum Haus Lange Not Necessarily Meant to be Viewed as Works of Art” Krefeld • Germany School of Visual Arts “Konzeption / Conception” Stadtisch Museum New York • USA Schloss Morsbroich Leverkusen • Germany 1967 “When Attitudes Become Form” Kunsthalle Bern “American Sculpture of the Sixties” Bern • Switzerland Los Angeles County Museum of Art “The Art of the Real” Tate Gallery Los Angeles • USA London • United Kingdom “American Sculpture of the Sixties” “When Attitudes Become Form” Philadelphia Museum of Art Institute of Contemporary Art Philadelphia • USA London • United Kingdom

1968 1970

“The Art of the Real” Grand Palais “Conceptual Art, Arte Povera, Land Art” Paris • France Galleria Civica d’Arte Moderna “Minimal Art” Akademie der Kunst Turin • Italy th Berlin • Germany “10 Tokyo Bienniale” Metropolitain Museum of Art “Minimal Art” Neue Nationalgalerie Tokyo • Japan Berlin • Germany “Information” Museum of Modern Art “Minimal Art” Kunsthalle Berne New York • USA Berne • Germany “Walls” The Jewish Museum “Documenta IV” Kassel • Germany New York • USA “Minimal Art” Kunsthalle Düsseldorf Düsseldorf • Germany 1971 “Prospect 68” Kunsthalle Düsseldorf “Sonsbeek ‘71” Arnhem • Netherlands Düsseldorf • Germany “Minimal Art” Kunstverein Group shows (continued)

1972 “American Art Since 1945” Greenville County Museum Greenville • USA “Documenta V” Kassel • Germany “American Art Since 1945” Bronx Museum of the Arts “Grids” Institute of Contemporary Art New York • USA University of Pennsylvania “American Art Since 1945” Museum of Modern Art Philadelphia • USA New York • USA “Color as Language” Museum of Modern Art 1974 New York • USA “American Art Since 1945” Joselyn Art Museum “Some Recent American Art” Art Gallery of South Australia Omaha • USA Adelaide • Australia “Painting, Drawing & Sculpture of the ‘60s and the ‘70s “Some Recent American Art” from the Dorothy and Herbert Vogel Collection” The National Gallery of Victoria Institute of Contemporary Art Melbourne • Australia University of Pennsylvania “Some Recent American Art” West Australian Art Gallery Philadelphia • USA Perth • Australia “American Art Since 1945” Virginia Museum of Fine Arts “Some Recent American Art” Art Gallery of South Wales Richmond • USA Sydney • Australia “American Art Since 1945” Fine Arts Gallery of San Diego “Kunst – Uber Kunst: Werke und Theorie eine Ausstellung San Diego • USA in drei Teilen” Cologneischer Kunstverein “American Art Since 1945” Toledo Museum of Art Cologne • Germany Toledo • USA “Some Recent American Art” City of Auckland Art Gallery “34th Biennial of Contemporary American Painting” Auckland • New Zealand Corcoran Gallery of Art “Some Recent American Art” Washington • USA International Council of Museum of Modern Art “American Art Since 1945” Worcester Art Museum New York • USA Worcester • USA “Art Now 74: A Celebration of American Arts” “Color as Language” Museo de Bellas Artes John F. Kennedy Center for the Performings Arts Caracas • Venezuela Washington • USA

1975 1976 “37th Venice Biennale ” Venice • Italy “Color as Language” Museu de Arte Moderna “Three Decades of American Art” Rio de Janeiro • Brazil Seibu Department Store Art Gallery “Color as Language” Museu de Arte Assis Chateaubriand Tokyo • Japan São Paulo • Brazil “Drawing Now” The Museum of Modern Art “Color as Language” Museo de Arte Moderno New York • USA Bogotá • Colombia “200 Years of American Sculpture” “Color as Language” Museo de Arte Moderno Whitney Museum of American Art Mexico City • Mexico New York • USA “Painting, Drawing & Sculpture of the ‘60s and the ‘70s “Three Decades of American Art” from the Dorothy and Herbert Vogel Collection” Whitney Museum of American Art Contemporary Arts Center New York • USA Cincinnati • USA “American Art Since 1945” Dallas Museum of Fine Arts Dallas • USA 1977 “American Art Since 1945” Denver Art Museum “Documenta VI” Kassel • Germany Denver • USA Group shows (continued)

“Drawing Now” Tel Aviv Museum “Numerals: Mathematical Concepts in Contemporary Art” Tel Aviv • Israel MCAD Gallery “Works from the Collection of Dorothy & Herbert Vogel” Minneapolis College of Art and Design University of Michigan Museum of Art Minneapolis • USA University of Michigan “Artists’ Books USA” ICI Ann Arbor • USA New York • USA “The Word as Image” Museum of Contemporary Art “Numerals: Mathematical Concepts in Contemporary Art” Chicago • USA Yale University Art Gallery “10 Alumni” Visual Arts Museum Yale University School of Visual Arts New Haven • USA New York • USA “Numerals: Mathematical Concepts in Contemporary Art” Leo Castelli Gallery New York • USA 1978 “Numerals: Mathematical Concepts in Contemporary Art” “Artists’ Books USA” Dalhousie Art Gallery University Art Galleries Dalhousie University Illinois State University Halifax • Canada Normal • USA “Numerals: Mathematical Concepts in Contemporary Art” “Artists’ Books USA” Allen Memorial Art Museum Dartmouth College Gallery Oberlin College Dartmouth College Oberlin • USA Hanover • Germany “Between Sculpture and Painting” Worcester Art Museum “Numerals: Mathematical Concepts in Contemporary Art” Worcester • USA Martin Art Gallery Muhlenberg College 1979 Allentown • USA “Numerals: Mathematical Concepts in Contemporary Art” “The Reductive Object: A Survey of the Minimal Aesthetic New Gallery of Contemporary Art in the 1960’s” Institute of Contemporary Art Cleveland • USA Boston • USA “Numerals: Mathematical Concepts in Contemporary Art” “Drawings About Drawings: New Directions (1968-1978)” Art Museum of South Texas Ackland Art Center Corpus Christi • USA University of North Carolina “Numerals: Mathematical Concepts in Contemporary Art” Chapel Hill • USA University Art Gallery “Patterns +” Dayton Art Institute University of North Dakota Dayton • USA Grand Forks • USA “Exchanges 1” Henry Street Settlement “Artists’ Books USA” The Joseloff Gallery New York • USA Hartford Art School “1979 Whitney Biennial” Hartford • USA Whitney Museum of American Art “Artists’ Books USA” The University Art Gallery New York • USA University of California “The Decade in Review” Whitney Museum of American Art Irvine • USA New York • USA “Numerals: Mathematical Concepts in Contemporary Art” “Prospectus: The Seventies” The University Art Gallery The Aldrich Museum of Contemporary Art University of California Ridgefield • USA Irvine • USA “The Minimal Tradition” “Artists’ Books USA” Gallery 209 The Aldrich Museum of Contemporary Art University of Wisconsin-Stout Ridgefield • USA Menomonie • USA Group shows (continued)

1980 “Big Pictures by Contemporary Photographers” Museum of Modern Art “39th Venice Biennale” Venice • Italy New York • USA “International Sculpture Exhibition” Basel • Switzerland “Perceiving Modern Sculpture: Selections for the Sighted and Non-Sighted” Grey Art gallery 1984 New York University “Flyktpunkter: Vanishing Points: Mel Bochenr, Tom Doyle, New York • USA Dan Graham, Eva Hesse, Sol LeWitt, Robert Smithson, Ruth Vollmer” Moderna Museet 1981 Stockholm • Sweden “Olympian Gestures” Los Angeles County Museum of Art “Artists’ Gardens and Parks: Plans, Drawings and Photo- Los Angeles • USA graphs” Hayden Corridor Gallery Massachusetts Institute of Technology Cambridge • USA 1985 “Artists’ Gardens and Parks: Plans, Drawings and Photo- “Art Minimal 1: Carl Andre, Donald Judd, Sol LeWitt, graphs” Museum of Contemporary Art Robert Mangold, Robert Morris” Chicago • USA CAPC Musée d’Art Contemporain “Mapped Art: charts, Routes, Region” UMC Art Gallery Bordeaux • France University of Colorado “Process and Konstruction” Kunstwerksstatton Boulder • USA Munich • Germany “Contrasts of Form: Geometric Abstract Art 1910-1980” 1982 Museum of Modern Art New York • USA “Documenta VII” Kassel • Germany “Carnegie International” Carnegie Museum of Art “20th Anniversary Exhibition of the Vogel Collection” Pittsburgh • USA Brainerd Art Gallery SUNY Potsdam Potsdam • Germany 1986 “A Century of Modern Drawing” The British Museum “Chambre des Amis” Museum van Heddandaagse Kunst London • United Kingdom Ghent • Belgium “Prints by Contemporary Sculptors” “Art Minimal II” CAPC Musée d’Art Contemporain Yale University Art Gallery Bordeaux • France Yale University “Forty Years of Modern Art: 1945-1985” Tate Gallery New Haven • USA London • United Kingdom “A Century of Modern Drawing” Museum of Modern Art “Individuals: A Selected History of Contemporary Art, New York • USA 1945-1986” Museum of Contemporary Art “Minimalism x 4: Carl Andre, Donald Judd, Sol LeWitt, Los Angeles • USA Robert Morris” Whitney Museum of American Art “Political Geometries: Daniel Burren, Peter Halley, Sherrie New York • USA Levie, Sol LeWitt, Blinky Palermo, Robert Ryman” Hunter College Art Gallery 1983 Hunter College New York • USA “17th Scupture Biennale” Antwerp • Belgium “Sol LeWitt, Cy Twombly: New Works” Ugo Ferranti Gallery Rome • Italy “Artists’ Unse of Language, Part I” Franklin Furnace New York • USA Group shows (continued)

1987 “The Turning Point: Art & Politics in 1968: Twentieth Anni- versary Exhibition” Lehman College Art Gallery “Daniel Burren / Sol LeWitt” The City University of New York Centre National d’Art Contemporain New York • USA Grenoble • France “From the Collection of Dorothy and Herbert Vogel” “Skulptur Projekte Münster” Münster • Germany Laumeier Sculpture Park “Coleccion Sonnabend” Centro de Arte Reina Sofia Saint-Louis • USA Madrid • Spain “Edinburgh International: Reason & Emotion in Contem- porary Art” Royal Scottish Academy 1989 Edinburgh • United Kingdom “200 ans de peinture américaine, Collection du Musée “Drawing Now 1: Sol LeWitt and Robert Mangold” Wadsworth Atheneum” Galeries Lafayette The Baltimore Museum of Art Paris • France Baltimore • USA “L’art Conceptuel, une Perspective” “1987 Whitney Biennial” Musée d’Art Moderne de la Ville de Paris Withney Museum of American Art Paris • France New York • USA “L’art Conceptuel, une Perspective” Le Musée d’Art Contemporain de Monréal 1988 Montreal • Canada “L’art Conceptuel, une Perspective” Deichtorhallen “Collection Sonnabend” CAPC Musée d’Art Contemporain Hamburg • Germany Bordeaux • France “L’art Conceptuel, une Perspective” “Zeitlos” Hamburger Banhof Sala de Exposiciones de la Fundacion Caja de Pensiones Berlin • Germany Madrid • Spain “Rot, Gelb, Blau” Museum Fridericianum “Istanbul Second Annual biennale” Istanbul • Turkey Kassel • Germany “Minimalism” Tate Gallery “43rd Venice Biennale” Venice • Italy Liverpool • United Kingdom “Rot, Gelb, Blau” Kunstmuseum St. Gallen “The Presence of Absence: New Intsallations” Gallery 400 Saint-Gallen • Switzerland University of Illinois “24 Cubes” Fine Arts Center Chicago • USA University of Massachusetts “The Presence of Absence: New Intsallations” ICI Amherst • USA New York • USA “From the Collection of Dorothy and Herbert Vogel” “Abstraction” Museum of Modern Art Terra Museum of American Art New York • USA Chicago • USA “The Turning Point: Art & Politics in 1968: Twentieth Anniver- sary Exhibition” The Cleveland Center for Contemporary Art 1990 Cleveland • USA “Minimalism and Post-Minimalism: Drawing Distinctions” “From the Collection of Dorothy and Herbert Vogel” Hood Museum of Art Arnot Art Museum Dartmouth College Elmira • USA Hanover • Germany “From the Collection of Dorothy and Herbert Vogel” “Collection du Musée : Boltanski, Buren, Gilbert & Grand Rapids Art Museum George, Kounellis, LeWitt, Long, Merz” Grand Rapids • USA CAPC Musée d’Art Contemporain “From the Collection of Dorothy and Herbert Vogel” Bordeaux • France Art Museum at Florida International University “Un Choix d’Art Minimal dans la Collection Panza” Miami • USA Musée d’Art Moderne de la Ville de Paris Paris • France Group shows (continued)

“Minimalism and Post-Minimalism: Drawing Distinctions” “Allegories of Modernism: Contemporary Drawing” Parrish Art Museum Museum of Modern Art Southampton • United Kingdom New York • USA “Minimalist Vision: Buren, LeWitt, Mangold” “Series and Sequences: Contemporary Drawings and Prints Cleveland Center for Contemporary Art from the Permanent Collection” National Gallery of Art Cleveland • USA Washington • USA “Contemporary Illustrated Books: Word and Image 1967- 1988” The Nelson-Atkins Museum of Art 1993 Kansas City • USA “Contemporary Illustrated Books: Word and Image 1967- “Rolywholyover: A Circus” Menil Collection 1988” The University of Iowa Museum of Art Houston • USA University of Iowa “Rolywholyover: A Circus” Museum of Contemporary Art Iowa City • USA Los Angeles • USA “Contemporary Illustrated Books: Word and Image “Rolywholyover: A Circus” 1967-1988” ICI Solomon R. Guggenheim Museum New York • USA New York • USA “The Geometric Tradition in American Art 1930-1990” Whitney Museum of American Art 1991 New York • USA “Colletion du CAPCMusée : Jannis Kounellis, Sol LeWitt, Ri- “Rolywholyover: A Circus” Philadelphia Museum of Art chard Long, Mario Merz” CAPC Musée d’Art Contemporain Philadelphia • USA Bordeaux • France “PREFAB! Reconsidering the Legacy of the Sixties” “American Abstraction at the Addison” Rose Art Museum The Addison Gallery of American Art Brandeis University Philips Academy Waltham • USA Andover • USA “Reprise: The Vera G. List Collection, A Twentieth Anni- 1994 versary Exhibition” David Winton Bell Gallery Brown University “Même si c’est la nuit” CAPC Musée d’Art Contemporain Providence • USA Bordeaux • France “Motion and Document Sequence and Time: Eadweard “Minimal Art: Andre, Flavin, Judd, LeWitt, Morris, Man- Muybridge and Contemporary American Photography” gold, Ryman, Weiner: a new condensed exhibition pre- National Museum of American Art senting early and new works, which questions the com- Washington • USA mon label ‘Minimal Art’” Hallen für Neue Kunst “The Political Arm” Washington University Gallery of Art Schaffhausen • Switzerland Washington • USA “Wall to Wall: Robert Barry, Daniel Burren, Sol LeWitt, Simon Patterson, Julie Roberts, lily van der Stokker” Southampton • United Kingdom 1992 “Contemporary Abstract American Prints” “Rolywholyover: A Circus” Art Tower Museum Addicon Gallery of American Art Mito • Japan Philips Academy “Construction in Process IV: My Home is your Home” Andover • USA The Artists Museum “Drawing Rooms: Jonathan Borofsky, Sol LeWitt, Ri- Łódž • Poland chard Serra” Modern Art Museum “TransForm: BildObjektSkulpture im 20; Jarhundert” Fort Worth • USA Kunsthalle Basel “A Century of Artists Books” Museum of Modern Art Basel • Switzerland New York • USA Group shows (continued)

“For 25 Years: Brooke Alexander Editions” 1996 Museum of Modern Art “23rd São Paulo International Biennale” São Paulo • Brazil New York • USA “Passions Privées” Musée d’Art Moderne de la Ville de Paris “The Art of Memory: Holocaust Memorials in History” Paris • France The Jewish Museum “Main Stations: Newman, Pollock, Beuys, Broothaers, New York • USA Klein, Warhol, LeWitt, Johns, Stella, Ryman, Kounellis, “For Minimal to Conceptual Art: Works from the Dorothy Nauman, Weiner” and Herbert Vogel Collection” National Gallery of Art Casino Luxembourg – Forum d’Art Contemporain Washington • USA Luxembourg • Luxembourg

1995 1997 “45° Nord & Longitude : Œuvres de la Collection du CAPC “Drawing is another Kind of Language: Recent Ameri- Musée de la Collection du FRAC Aquitaine et de Collections can Drawings from a New York Private Collection” Privées” CAPC Musée d’Art Contemporain Graphische Sammlung Albertina Bordeaux • France Vienna • Austria “Revolution in Contemporary Art: The Art of the Sixties” “Drawing is another Kind of Language: Recent Ameri- Museum of Contemporary Art can Drawings from a New York Private Collection” Tokyo • Japan Kunst-Museum “In Two Worlds: The Grphic Work of Modern Sculptors” Ahlen • Germany Mead Art Museum “Drawing is another Kind of Language: Recent Ameri- Amherst • USA can Drawings from a New York Private Collection” “Printmaking in America: Collaborative Prints and Presses Akademie der Kunste 1960-1990” Mary and Leigh Block Gallery Berlin • Germany Northwestern University “Skulpture Projekte” Münster • Germany Evanston • USA “47th Venice Biennale” Venice • Italy “RAW Space” Real Art Ways “Drawing is another Kind of Language: Recent Ameri- Hartford • USA can Drawings from a New York Private Collection” “Printmaking in America: Collaborative Prints and Presses Kunstmuseum 1960-1990” The Museum Fine Arts Winterthur • Switzerland Houston • USA “In Visible Light: Photography and Classification in Art, “1965-1975: Reconsidering the Object of Art” Science and the Everyday” Museum of Modern Art The Museum of Contemporary Art Oxford • United Kingdom Los Angeles • USA “Drawing is another Kind of Language: Recent American “Printmaking in America: Collaborative Prints and Presses Drawings from a New York Private Collection” 1960-1990” The Jane Voohees Zimmerli Art Museum The Parrish Art Museum Rutgers University Southampton • United Kingdom New Brunswick • USA “7 x 6: Bochner, Hunt, LeWitt, Mazur, Morris, Plimack, “Carl Andre, Hanne Darboven, Sol LeWitt, Lawrence Weiner: Mangold” Fine Arts Center Drawings, Structures, Relations” Susan Inglett Gallery University of Massachusetts New York • USA Amherst • USA “Drawn on the Museum” “The Serial Attitude: Paintings, Sculpture and Works on The Aldrich Museum of Contemporary Art Paper” Addison Gallery of American Art Ridgefield • USA Philips Academy “Printmaking in America: Collaborative Prints and Presses Andover • USA 1960-1990” National Museum of American Art Washington • USA Group shows (continued)

“Drawing is another Kind of Language: Recent American “Then and Now: Art Since 1945 at Yale” Drawings from a New York Private Collection” Yale University Art Gallery Arthur M. Sackler Museum Yale University Harvard University New Haven • USA Cambridge • USA “Thirty-Five Years at Crown Point Press: Making Prints, 1999 Doing Art” Fine Arts Museums of San Francisco San Francisco • USA “Sculpture I Context” Addison Gallery of American Art “Thirty-Five Years at Crown Point Press: Making Prints, Philips Academy Doing Art” Nationale Gallery of Art Andover • USA Washington • USA “Multiples Configrations, Presenting the Contemporary Portfolio” Busch-Reisinger Museums Harvard University 1998 Cambridge • USA “The Edge of Awarness” SESC Pompeia “Global Conceptualism: Points of Origin 1950s-1980s” São Paulo • Brazil MIT List Visual Arts Center “The Edge of Awarness” National Academy of Art Massachusetts Institute of Technology New Delhi • India Cambridge • USA “Een keuze uit de eigen collective: A Choice from the Col- “Afterimage: Drawing Through Process” lection” et “Artist/Author: Contemporary Artists’s Books” The Museum of Contemporary Art Van Abbemuseum Los Angeles • USA Poughkeepsie • Netherlands “Afterimage: Drawing Through Process” “The Edge of Awarness” Art for the World Contemporary Art Museum Geneva • Switzerland Houston • USA “Artist/Author: Contemporary Artists’s Books” “Art at Work: Forty Years of the Chase Manhattan Collection” Fine Arts Center Museum of Fine Arts University of Massachusetts Houston • USA Amherst • USA “Art in our Time: 1950 to the Present” Walker Art Center “Artist/Author: Contemporary Artists’s Books” Minneapolis • USA The Western Gallery “Alfred Stieglitz and the Equivalent: Reinventing the Na- Bellingham • USA ture of Photography” Yale University Art Gallery “Artist/Author: Contemporary Artists’s Books” Yale University Museum of Contemporary Art New Haven • USA Chicago • USA “Primarily Structural: Minimalist and Post-Minimalist “Artist/Author: Contemporary Artists’s Books” Works on Paper” P.S. 1 Contemporary Art Center Lowe Art Mueum New York • USA Coral Gables • USA “Contemporary American Masters: The 1960s” “100 Years of Scultpure: From the Pedestal to the Pixel” The Nassau County Museum of Art Walker Art Center Roslyn Harbor Minneapolis • USA New York • USA “The Edge of Awarness” P.S. 1 Contemporary Art Center “Art at Work: Forty Years of the Chase Manhattan Collection” New York • USA The Queens Museum of Art “The Edge of Awarness” Siège des Nations Unies New York • USA New York • USA “Global Conceptualism: Points of Origin 1950s-1980s” “PAPER + works on Dieu Donné paper” The Queens Museum of Art The Gallery at Dieu Donné Papermill New York • USA New York • USA Group shows (continued)

“Correspondence: Harry Roseman: Sol LeWitt and Ita- “Hard Pressed – 600 Years of Prints and Process” lian Goddess from 2 B.C.” College Center Gallery Museum of Santa Fe Vassar College Santa Fe • USA Poughkeepsie • USA “Under Pressure: Prints from Two Palms” “Afterimage: Drawing Through Process” Henry Art Gallery Sonoma Museum of Visual Art Seattle • USA Santa Rosa • USA “Under Pressure: Prints from Two Palms” Schick Art Gallery Skidmore College 2000 Saratoga Springs • USA “(E COSI VIA) (AND SO ON), 99 artisti della Collezione “Stephan Anotonakos: Time Boxes 2000, with Richard Arts- Marzona” chwager, Daniel Buren, Sol LeWitt, and Robert Ryman” Galleria Comunale d’Arte Moderna e Contemporanea Rose Art Museum Rome • Italy Brandeis University “Many Colored Objects Placed Side by Side To Form A Waltham • USA Row of Many Colored Objects: Works from the Collection “Celebrating 75 Years – Permanent Change: Contempo- of Annick and Anton Herbert” rary Works from the Williams College Museum of Art” Casino Luxembourg – Forum d’Art Contemporain Williams College Museum of Art Luxembourg • Luxembourg Wililiams College “Changing Perceptions: The Panza Collection at the Williamstown • USA Guggenheim” Guggenheim Museum Bilbao • Spain 2001 “Under Pressure: Prints from Two Palms” Fine Arts Center University of Massachusetts “Conceptions. Conceptual Documents 1968-1972” Amherst • USA Morris and Helen Belkin Art Gallery “Minimalism Then and Now” University Art Museum University of British Columbia Vancouver University of California Vancouver • Canada Berkeley • USA “Sammlung Marzona – Kunst am 1968” Kunsthalle Bielefeld “Hard Pressed – 600 Years of Prints and Process” Bielefeld • Germany Boise Art Museum “Conceptions. Conceptual Documents 1968-1972” Boise • USA Norwich Gallery “Under Pressure: Prints from Two Palms” Meadows Museum Norwich • United Kingdom Southern Methodist University “An Added Dimension: Sculptors as Printmakers” Dallas • USA Cincinnati Art Museum “Under Pressure: Prints from Two Palms” Cincinnati • USA Kent State University Art Gallery “Watercolor: In the Abstract” Kent State University The Hyde Collection Art Museum Kent • USA Glens Falls • USA “Under Pressure: Prints from Two Palms” “Watercolor: In the Abstract” Lyman Allyn Museum of Art Michael C. Rockfeller Arts Center Gallery Connecticut College SUNY Fredonia New London • USA Fredonia • USA “Hard Pressed – 600 Years of Prints and Process” “Noncomposition: Fifteen Case Studies” Axa Gallery Wadsworth Atheneum Museum of Art New York • USA Hartford • USA “Under Pressure: Prints from Two Palms” “Objective Color” Yale University Art Gallery Arthur A. Houghton Jr. Gallery Yale University Cooper Union New Haven • USA New York • USA Group shows (continued)

“Watercolor: In the Abstract” Sarah Moody Gallery of Art “Trisha Brown: Dance and Art in Dialogue, 1961-2001” University of Alabama The Tang Teaching Museum and Art Gallery Tuscaloosa • USA Skidmore College “Watercolor: In the Abstract” Butler Institute of American Art Saratoga Springs • USA Youngstown • USA “Trisha Brown: Dance and Art in Dialogue, 1961-2001” “A Century of Drawing: Works on Paper from Degas to Henry Art Gallery LeWitt” National Gallery of Art University of Washington Washington • USA Seattle • USA “Watercolor: In the Abstract” Ben Shaw Gallery William Patterson University 2003 Wayne • USA “SUPPORT 1 – Die Neue Galerie als Sammlung” Neue Galerie 2002 Graz • Austria “Extra-Ball : Martin Barré, Simon Hantaï, Sol LeWitt, Fran- “Dessins de la Collection Paul Maens” FRAC Picardie çois Morellet” FRAC Poitou-Charentes Amiens • France Hôtel St Simon “Temporal Values – From Minimal to Video” Angoulême • France ZKM Museum für Neue Kunst “In Between” Museum für Moderne Kunst Karlsruhe • Germany Frankfurt • Germany “Ramen Windows” EdamsMuseum “Conceptual Art (1965-1975) from Dutch and Belgian Edam • Netherlands Collections” Stedelijk Museum “Beter één vogel: A Bird in the Hand…” Gemeentemuseum Amsterdam • Netherlands The Hague • Netherlands “Jim, Jonathan, Kenny, Frances and Sol” Stedelijk Museum “The Last Picture Show: Artists Using Photography, Amsterdam • Netherlands 1960-1982” MARCO “Assembly/Line: Works by Twentieth Century Sculptors” Vigo • Spain Mead Art Museum “The Last Picture Show: Artists Using Photography, 1960- Amherst College 1982” Fotomuseum Winterthur Amherst • USA Winterthur • Switzerland “Defying Distinction: Works from the Addison Collection” “Work Ethic” Baltimore Museum of Art Addison Gallery of American Art Baltimore • USA Philips Academy “Work Ethic” Des Moines Art Center Andover • USA Des Moines • USA “Trisha Brown: Dance and Art in Dialogue, 1961-2001” “Kingston Sculpture Biennial 5” Kingston • USA Addison Gallery of American Art “The Last Picture Show: Artists Using Photography, Philips Academy 1960-1982” Miami Art Museum Andover • USA Miami • USA “Some Chromes” Fogg Art Museum “The Last Picture Show: Artists Using Photography, Harvard University 1960-1982” Walker Art Center Cambridge • USA Minneapolis • USA “Trisha Brown: Dance and Art in Dialogue, 1961-2001” “The Last Picture Show: Artists Using Photography, Contemporary Arts Museum 1960-1982” UCLA Hammer Museum Houston • USA Los Angeles • USA “Trisha Brown: Dance and Art in Dialogue, 1961-2001” “Primary Matters: The Minimalist Sensibility 1959 to the New Museum of Contemporary Art Present” San Francisco Museum of Modern Art New York • USA San Francisco • USA Group shows (continued)

“Treasures of Modern Art: TheLegacy of Phyllis Wattis at 2005 SFMOMA” San Francisco Museum of Modern Art “Conceptual Artists Books from the Van Abbemuseum San Francisco • USA Collection” Van Abbemuseum Eindhoven • Netherlands 2004 “Open Systems: Rethinking Art c. 1970” The Tate Gallery London • United Kingdom “Intra-Muros” Musée d’Art Moderne et Contemporain “Sets, Series, and Suites: Contemporary Prints” Nice • France Museum of Fine Arst “Le Opere I Giorni tre” Certosa di San Lorenzo Boston • USA Padua • Italy “Extreme Abstraction: An Exhibition” Albright-Knox Gallery “Traces” National Museum of Modern Art Buffalo • USA Kyoto • Japan “Elemental” Walker Art Center “Art and Utopia. Action Restricted” Minneapolis • USA Museu d’Art Contemporani de Barcelona “The Plain of Heaven” Creative Time Barcelona • Spain New York • USA “An American Odyssey 1945/1980” Kiosco Alfonso “Sol LeWitt – Robert Mangold: Drawing into Print” Corunna • Spain Senior & Shopmaker Gallery “An American Odyssey 1945/1980” Circulo de Bellas Artes New York • USA Madrid • Spain “An American Odyssey 1945/1980” Domus Artium 2002 Salamanca • Spain 2006 “Design is Not Art : Functional Objects From Donald Judd “Faster, Bigger, Better” ZKM Museum für Neue Kunst to Rachel Whiteread” Aspen Art Museum Karlsruhe • Germany Aspen • USA “Ideal City – Invisible Cities” Offentlicher Raum “Contemporary Art: Floor to Ceiling, Wall to Wall” Potsdam • Germany Wadsworth Atheneum Museum of Art “Le Mouvement des Images” Centre Pompidou Hartford • USA Musée National d’Art Moderne “Beyond Geometry: Experiments in Form” Paris • France Los Angeles County Museum of Art “Le noir est une Couleur: Hommage Vivant à Aimé Los Angeles • USA Maeght” Fondation Marguerite et Aimé Maeght “A Minimal Future? Art As Object 1958-1968” Saint-Paul • France Museum of Contemporary Art “Sol LeWitt / Mario Merz” Fondazione Merz Los Angeles • USA Turin • Italy “Design is Not Art : Functional Objects From Donald Judd “Second Łódž Biennial” Łódž Art Center to Rachel Whiteread” National Design Museum Łódž • Poland New York • USA “Public Space/Two Audiences: Works and Documents “An American Odyssey 1945/1980” QCC Art Gallery from the Herbert Collection” Queensborough Community College Museu d’Art Contemporani de Barcelona New York • USA Barcelona • Spain “Singular Forms (Sometimes Repeated): Art from 1951 to “Plane/Figure: Amerikanische Kunst aus Schweizer Privat- the Present” Solomon R. Guggenheim Museum sammlungen und aus des Kunstmuseum Winterthur” New York • USA Kunstmuseum Winterthur “Small: The Object in Film, Video, and Slide Installation” Winterthur • Switzerland Whitney Museum of American Art “Wrestle” Hessel Museum of Art / CCS Bard Galleries New York • USA Bard College “Specific Objects: The Minimlist Influence” Annandale-on-Hudson • USA Museum of Contemporary Art San Diego • USA Group shows (continued)

“Out of Line: Drawings from the Collections of Sherry and “Works from the Collection of Société Générale Paris” Joel Mallin” Herbert F. Johnson Museum of Art National Museum of Contemporary Art Cornell Universitty Bucharest • Romania Ithaca • USA “Konceptualna umetnost” “Crisis of Modrenism: The Post-Minimal Rebellion” Muzej Savremene Umetnosti Vojvodine Milwaukee Art Museum Novi Sad • Serbia Milwaukee • USA “Feedback” Laboral – Centro de Arte y Creacion Industrial “Responding to Kahn: A Sculptural Conversation” Gijón • Spain Yale University Art Gallery “O Debuxo nas Colleccion Publicas de Santiago” Yale University Centro Galego de Arte Contemporanea New Haven • USA Santiago de Compostela • Spain “I Will Not Make Any More Boring Art: Lithographs, Publi- “The Panza Collection: An Experience of Color and Light” cations & Ephemera from the Nova Scotia College of Art & Albright Knox Art Gallery Design” Printed Matter Buffalo • USA New York • USA “Connecticut Contemporary” “Full House: Views of the Whitney’s Collection at 75” The Wadsworth Atheneum Museum of Art Whitney Museum of American Art Hartford • USA New York • USA “REALLIFE 1979-1990” Artists Space “Form and Function: Mathematics and Beyond in Contem- New York • USA porary Art” Noyes Museum of Art “The Happiness of Objects” Sculpture Center Oceanville • USA New York • USA “Twice Drawn” The Frances Young Tang Teaching Museum “Repeat Performances: Seriality and Systems Art Since Skidmore College 1960” Allen Memorial Art Museum Saratoga Springs • USA Oberlin College Oberlin • USA 2007 2008 “Orthodoce/Heterodoxe: Choisir sa Ligne” Le 10 Neuf CRAC “USA” Galerie Lindner Montbéliard • France Vienna • Austria “Calzolari – Degottex – LeWitt” L’Or du Temps “Exact + Different: Art and Mathematics from Dürer to Paris • France Sol LeWitt” Museum Moderner Kunst Stiftung Ludwig Wien “Black Square: Hommage à Malevich” MuseumsQuartier Hamburger Kunsthalle Vienna • Austria Hamburg • Germany “XXth Century” Gemeentemuseum “Artisti, parole, immagini dal 1960 al 1968” The Hague • Netherlands Fondazione Sandretto Re Rebaudengo “Styrofoam” RISD Museum of Art Cirié • Italy Rhode Island School od Design “L’aura della serialita” Basel • Switzerland Centro de Arte Moderna e Contemporanea della Spezia “Based on Paper: The Marzona Collection” La Spezia • Italy Middlesbrough Institute of Modern Art “52nd Venice Biennale” Venice • Italy Middlesbrough • United Kingdom “Dump – Postmodern Sculpture in the Dissolved Field” “How Artists Draw: Toward the Menil Drawing Institute The National Museum for Art and Study Center” The Menil Collection Architecture and Design Houston • USA Oslo • Norway “To Infinity and Beyond: Mathematics in Contemporary Art” The Heckscher Museum of Art Huntington • USA Group shows (continued)

“21: Contemporary Art at the Brooklyn Museum” Brooklyn Museum New York • USA “Color Chart: Reinventing Color, 1950 to Today” The Museum of Modern Art New York • USA

2009

“Born in the street-Graffiti” Fondation Cartier pour l’Art Contemporain Paris • France “1968. Die große Unschuld” Kunsthalle Bielefeld • Germany “Made in Munich” Haus der Kunst Munich • Germany “Minimal is More, Sammlung Lafrenz” Gemeentemuseum The Hague • Netherlands “American Print Show” Jealous Gallery London • United Kingdom “Summer Group Exhibition” Rhona Hoffman Gallery Chicago • USA “The Minimalist Site” Barbara Mathes Gallery New York • USA “Sol LeWitt, Keith Sonnier, Lawrence Weiner” Leo Castelli New York • USA

2010

“Group Show: Pizzi Cannella, Joseph Cornell, Damien Hirst, Sol LeWitt” Barbara Mathes Gallery New York • USA Collections with works from the artist

Argentina Switzerland Fundacion Prao Buenos Aires Kunstmuseum Basel Musée d’Art et d’Histoire Geneva Hallen für Neue Kunst Schaffhausen Australia Musée Jenisch Vevey Fotomuseum Winterthur Winterthur The Australian National Gallery Canberra INK Zurich

Austria USA Albertina Vienna The Akron Art Museum Akron Museum Moderner Kunst Vienna The High Museum of Art Atlanta Housatonic Museum of Art Bridgeport Belgium The Baltimore Museum of Art Baltimore The Albright Knox Art Gallery Buffalo Musée Royal des Beaux-Arts de Belgium Brussels University of Virginia Art Museum Charlottesville S.M.A.K Stedelijk Museum voor Aktuele Kunst Gand The Art Institute of Chicago Chicago The Smart Museum of Art at the University of Chicago Chicago Canada The Dayton Art Institute Dayton Art Gallery of Ontario Toronto The Dallas Museum of Art Dallas The Nasher Sculpture Center Dallas The Dayton Art Institute Dayton France The Detroit Institute of Art Detroit The Weatherspoon Art Gallery Greensboro Musée de Grenoble Grenoble The Wadsworth Atheneum Hartford Musée d’Art Moderne et d’Art Contemporain Nice The Houston Museum of Art Houston Musée National d’Art Moderne Paris Rice University Art Gallery Houston Centre Georges Pompidou Paris Indianapolis Museum of Art Indianapolis University of Iowa Museum of Art Iowa City La Jolla Museum of Contemporary Art La Jolla Germany DeCordova Museum and Sculpture Park Lincoln Nationalgalerie im Hamburger Bahnhof Berlin The Los Angeles Museum of Contemporary Art Museum für Gegenwart Hamburg Los Angeles The Los Angeles County Museum of Art Los Angeles The Minneapolis Institute of Art Minneapolis Israel The Walker Art Center Minneapolis The New Britain Museum of Art New Britain The Israel Museum Jerusalem The Brooklyn Museum of Art New York The Metropolitan Museum of Art New York The Museum of Modern Art New York Italy The Neuberger Museum of Art New York Palazzo Forti Verona The Whitney Museum New York Castello di Rivoli Museum of Contemporary Art Turin The Smith College Art Gallery Northampton The Philadelphia Museum of Art Philadelphia The Carnegie Museum of Art Pittsburgh Lithuania The Mildred Lane Kemper Art Museum Saint-Louis The Saint-Louis Art Museum Saint-Louis Europos Parkas Open Air Museum Vilnius The San Francisco Museum of Contemporary Art San Francisco The Toledo Museum of Art Toledo Netherlands The Hirshhorn Museum and Sculpture Garden The Stedelijk Museum Amsterdam Washington DC Bonnefantenmuseum Maastricht Ulrich Museum of Art at Wichita State University Wichita Worcester Museum of Art Worcester

Spain United Kingdom Musée Guggenheim Bilbao Fundacion NMAC • Montenmedio Arte Contemporaneo The National Gallery of Scotland Edinburgh Cadiz The Tate Gallery London Galleries representing the artist

Austria Spain Galerie Naechst St. Stephan Vienna Invesart Gallery Alicante Galeria Toni Tàpies Barcelona Black Cube Gallery Madrid Belgium Galeria Marta Cervera Madrid Galerie Greta Meert Brussels Galeria Juana de Aizpuru Madrid Wiegersma Fine Art Brussels Luna Nueva Art Gallery Madrid André Simoens Gallery Knokke Switzerland Brazil

Dropz São Paulo Anton Meier Galerie Geneva Art & Public Geneva De Primi Fine Arts SA Lugano Canada Silvan Faessler Fine Arts Zug Oberwil Nikola Rucaj Gallery Toronto Galerie Lelong Zurich Galerie Proarta Zurich China The Pace Gallery Beijing USA Richard Levy Gallery Albuquerque Thomas Segal Gallery Baltimore France ACE Gallery Beverly Hills, Los Angeles Yvon Lambert Paris Barbara Krakow Gallery Boston Galerie Lelong Paris Rhona Hoffman Gallery Chicago Vered Gallery East Hampton Germany Leanne Hull Fine Arts La Jolla Evelyn Fine Arts Miami Galerie Fahnemann Berlin Barbara Mathes Gallery New York Konrad Fischer Berlin, Düsseldorf David Zwirner New York Galerie Boissérée Cologne Galerie Lelong New York Galerie Sfeir-Semler Hamburg Garvey Simon Art Access LLC New York, San Francisco Galerie Tanit Munich L&M Arts New York Leo Castelli New York Ireland Paula Cooper Gallery New York Susan Sheehan Gallery New York Nicholas Gallery Belfast The Pace Gallery New York Yvon Lambert New York Italy Gallery Karl Oskar Prairie Village Fraenkel Gallery San Francisco Matteo Lampertico Milan Kornelia Tamm Fine Arts Santa Fe LA Louver Gallery Venice Japan Keiko Goto Numazu-shi, Shizuoka United Kingdom Bernard Jacobson Gallery London Lebanon Jealous Gallery London The Mayor Gallery London Galerie Sfeir-Semler Beirut Press review (selection)

1966 1983

After a Fashion: the Group Show Lucy R. Lippard Sol LeWitt Richard Armstrong The Hudson Review • Vol. 19, No. 4 Artforum • Vol. 21, No. 7

1969 1985

Sol LeWitt Drawings, 1968-1969 Barbara Reise Sol LeWitt Drawing at Brooklyn Museum Michael Brenson Studio International • Vol. 178, No. 917 New York Times Sol LeWitt (Interview) Gary Garrels et Sol LeWitt New Art Examiner • Vol. 28, No. 4 1972

LeWitt Germano Celant 1986 Casabella • No. 367 Sol LeWitt Bernard Marcadé Artstudio • No. 1 1975

Kuspit’s LeWitt: Has He Got Style? Joseph Masheck 1989 Art in America • Vol. 63, No. 5 Sol LeWitt : Un Concettuale informa l’architettura Adachiara Zevi 1976 L’Architettura • Vol. 35, No. 4 Sol LeWitt : The Look of Thought Rolalind Krauss Le Musée comme œuvre et artefact Andrea Miller-Keller Art in America • Vol. 64, No. 6 Les Cahiers du musée national d’art moderne

1978 1992

LeWitt in progress Rosalind Krauss Sol LeWitt Holland Cotter October • Vol. 6 New York Times Sol LeWitt MoMA • No. 5

1993 1979 Sol LeWitt interviewed Andrew Wilson For Minimalists, the Art is the Object David Joselit Art Monthly • No. 164 Boston Ledger

1996 1980 Wall Drawing #808 Adam D. Weinberg Venice Sleep and Sparks Germano Celant Culture + Travel Magazine Domus • No. 608 El Anatsui and Sol LeWitt Holland Cotter New York Times 1982

Sol LeWitt Wall Drawings: 1968-1981 John Carlin 1999 Art Journal • Vol. 42, No. 1 Sol LeWitt Mary Chan Sol LeWitt, Words and Wordworks MoMA • Vol. 2, No. 8 Art Journal • Vol. 42, No. 2 Press review (continued)

2000 Art in America • Vol. 93, No. 9 Ausstellungen – Sol LeWitt, Synagogue Stommeln The Writing on the Wall Apollinaire Scherr Annelie Pohlen Salon Magazine Kunstforum International • No. 176 LeWitt’s Retrospective: Did He Want to Bore Us? Hilton Kramer The New York Observer 2006

Second thoughts Adrian Searle 2001 The Guardian Newspaper Feeling contemporary in Turin Walter Robinson Wall Power Jerry Saltz ARTISSIMA The Village Voice A Beauty Really Bare Robert Hughes Time Magazine 2007 Sol LeWitt incomplete open cubes: Gentle Humanity and Penetrating Vision: Remembering Wadsworth Atheneum Hartford Scott Rothkopf Sol LeWitt (1928-2007) Joanna Marsh Artforum • Vol. 39, No. 10 American Art • Vol. 21, No. 3 Lead by Example – Sol LeWitt’s exemplary approach to art 2002 and life Robert Storr Frieze Magazine Review: Conceptualism and the Single Work of Art Der Herr der Kuben Thomas Wulffen Juli Carson Artnet Art Journal • Vol. 61, No. 4 Sol LeWitt at PaceWildenstein Edward Leffingwell Art in America • Vol. 90, No. 12 2008

Sol LeWitt at Pacewildenstein and Paula Cooper 2003 Michael Amy Art in America • Vol. 96, No. 2 Sol LeWitt Saul Ostrow ART BOMB • Vol. 85 Did Goodman’s Distinction survive Sol LeWitt? Kirk Pillow The Journal of Aesthetics and Art Criticism • Vol. 61, No. 4

2004

Sol LeWitt Ralf Christofori Frieze Magazine • Vol. 84 LeWitt at the Dwann Gallery: Displacement into conceptualism Minimalism: Art and Polemics in the Sixties James Meyern Yale University Press

2005

Sol LeWitt at the Metropolitan Museum, Madison Square Park, and PaceWildenstein Stephen Maine bibliographies (selection)

1969 1996

Sol LeWitt, 49 three-part variations using three different Sol LeWitt, Black Squares Artists Books International kinds of cubes Bruno Bischofberger 1998 1972 Sol LeWitt, Flat and Glossy Squares Imschoot, Gand Sol LeWitt, Arcs, Circles and Grids Kunsthalle & Paul Biancini 2001

Artists Talk: 1969-1977 Peggy Gale 1974 Halifax The Location of Eight Points Max Protech Sol LeWitt: Incomplete Open Cubes Nicholas Baume, A Decade of Sculpture: the New Media in the 1960s Jonathan Flately et Pamela M. Lee Julia M. Busch MIT Press The Art Alliance Press, Associated University Presses Sol LeWitt, The Location of Lines Lisson Publications 2003

Sol LeWitt & Mimmo Paladino Marilena Bonomo 1980 et Ludovico Pratesi Autobiography Sol LeWitt Hopefulmonster Editore Srl

1989 2004

Sol LeWitt, Lignes et Formes Yvon Lambert Sol LeWitt : Wall Peter Pakesch Verlag der Buchhandlung Walther Konig 1992 2006 Sol LeWitt, Black Gouaches Nouvelles Editions Séguier Sol LeWitt: Wall Drawings Damiani 1994 2010 Sol LeWitt: 25 Years of Wall Drawings, 1968-93 Jock Reynolds, Andrea Miller-Keller Minimalist Artists: Carl Andre, Frank Stella, Richard Serra, University of Washington Press Ellsworth Kelly, Dan Flavin, Donald Judd, Sol LeWitt, Josiah McElheny, Anne Truitt LLC Books (éd.) 1995

Sol LeWitt Wall Drawing 1176: Seven Basic Colors and all their Combinations in a Square within a Square for Josef Albers Heinz Liesbrock Richter Verlag Sol LeWitt Ann Hindry Éditions du Regard Carnets de la Commande Publique Catalogues (selection)

1973 Sol LeWitt : Books 1966-1990 Portikus, Frankfort Sol LeWitt: Complex Forms, Wall Drawings Cercles et lignes : Sol LeWitt Galerie Yvon Lambert, Paris Gerichtsgeäude E, Frankfort Wall Drawings Portland Center for Visual Arts, Portland

1992 1974 Sol LeWitt Drawings 1958-1992 Franz-W. Kaiser The Location of Eight Points et R.H. Fuchs MaxPretch Gallery, Washington Gemeentemuseum, The Hague

1975 1993 Wall Drawings Israel Museum, Jerusalem Sol LeWitt: Structures, 1962-93 Rosalind Krauss Museum of Modern Art, Oxford 1978 Sol LeWitt:Twenty-Five Years of Wall Drawings 1968-1993 Addison Gallery of Art, Phillips Academy Alicia Legg, (éd.), Sol LeWitt Museum of Modern Art, New York 1995 1980 Sol LeWitt: Working Drawings John Weber Gallery, New York Six Geometric Figures and All Their Double Combinations Yvon Lambert, Paris 1996 1984 Sol LeWitt Prints: 1975-1995 Museum of Modern Art, New York Sol LeWitt Alicia Legg (éd.) Sobre o sol e as estrellas: Desenhos de parede de Museum of Modern Art, New York Sol LeWitt/of Sun and Stars: Sol LeWitt Wall Drawings XXIII Biennial Internacional, São Paulo 1986

Sol LeWitt: Prints, 1970-1986 The Tate Gallery, London 1998

Sol LeWitt: New Wall Pieces 1987 Museum of Contempoary Art, Sydney Sol LeWitt Titled Forms/Wall Drawings Westfälischer Kunstverein, Munste 2000

Sol LeWitt, Gary Garrels, Sol LeWitt: a Retrospective 1989 San Francisco Museum of Modern Art Sol LeWitt: Wall Drawings 1984-1988 Kunsthalle Bern, Berne 2001

Nicolas Baume (éd.), Sol LeWitt: Incomplete Open 1990 Cubes Sol LeWitt Recent Works The MIT Press Touko Museum of Contemporary Art, Tokyo Sol LeWitt: L’image de la pensée Sol LeWitt : Opere recent, pyramids, complex forms, e fol- Château de Villeneuve, Vence ding screen Palazzo Rosari-Spada, Spoleto Catalogues (continued)

Sol LeWitt: 100 Views Susan Cross (éd.) Yale University Press

2003 2010 Sol LeWitt : Fotografia Sol LeWitt et George Stolz Sol LeWitt Artist’s Books Giorgio Maffei, Fondacion ICO, Madrid Emanuele de Donno, Didi Bozzini, Cecilia Metelli et Marilena Bonomo, 2004 Corraini Editore

Sol LeWitt: Recent Works Emily Braun Katonah Museum of Art, New York Sol LeWitt: Structures 1962-2003 PaceWildensetin, New York Sol LeWitt: Wall Peter Pakesch, Martin Prinzhorn, Marco de Michelis et Paul Horwich, Kunsthaus Walther König, Cologne

2005

Sol LeWitt: Wall Drawing 1176 Seven Basic Colors and All Their Combinations in a Square Within a Square Richter, Düsseldorf

2006

Sol LeWitt: Wall Drawings and Gouaches Studio G7 di Ginevra Grigolo, Bologne LeWitt × 2: Structure and Line/Selections from the LeWitt Collection Carl Andre et Donald Judd Madison Museum of Contemporary Art, Madison

2007

Sol LeWitt: Scribble Wall Drawings PaceWildenstein, New York

2008

The Panza Collection : Hirshhorn Museum and Sculpture Garden Hirshhorn Museum, Washington

2009

In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976 Christophe Cherix, Phillip van den Bossche, Cathleen Chaffee, Rini Dippel, Paula Feldman et Christian Rattemeye The Museum of Modern Art, New York Certificate For more information: www.afmarkets.net | [email protected] A&F Markets | 267 rue Lecourbe, F-75015 Paris, France