DOCSLIB.ORG

Christian Songs Artist Genre a Love Like This Phil & Brenda Nicholas Christian & Gospel Bestill Yolanda Adams Christian

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Christian Songs Artist Genre a Love Like This Phil & Brenda Nicholas Christian & Gospel Bestill Yolanda Adams Christian Christian Songs Artist Genre A Love Like This Phil & Brenda Nicholas Christian & Gospel Bestill Yolanda Adams Christian & Gospel Find Your Wings Mark Harris Christian & Gospel I'm In Love With You (feat. Kari Jobe) Klaus Christian & Gospel Set Me as a Seal Matt Maher Christian & Gospel Walk By Faith Jeremy Camp Christian & Gospel What Faith Can Do Kutless Christian & Gospel When God Made You NewSong Christian & Gospel Christmas Songs A Not So Merry Christmas Bobby Vee Christmas A Snowflake Fell (And It Felt Like a Kiss) Glasvegas Christmas All I Want For Christmas Is You Mariah Carey Christmas ALONE ON CHRISTMAS Ronettes Christmas Another Christmas Song Stephen Colbert Christmas Auld Lange Syne The Lonesome Travelers Christmas Ave Maria Stevie Wonder Christmas Away In A Manger Gladys Knight & The Pips Christmas Baby, It's Cold Outside Lady Antebellum Christmas Baby's First Christmas Connie Francis Christmas Back Door Santa (rock) Christmas BELLS ARE RINGING Christmas Blue Christmas Elvis Presley Christmas Carol of the Bells / Jingle Bells Barry Manilow Christmas Carol Of The Bells- Jamaican Christmas Christmas (Baby Please Come Home) Christmas Christmas Everyday Smokey Robinson & The Miracles Christmas CHRISTMAS IS NEAR Nat "King" Cole Christmas Cold December Night Michael Bublé Christmas Comfort and Joy ( flute- jazz) Paul Gilbert Christmas Cool Yule Williams-Sonoma Christmas Dance Of The Sugarplum Fairies (Nutcracker) techno Christmas Deck The Halls/Bring A Torch, Jeanette, Isabella Smokey Robinson & The Miracles Christmas Dominick the Italian Christmas Donkey (Dominick's Party Time Remix) Lou Monte Christmas Elmer Elf Marty Gold Children's Chorus Christmas FROSTY THE SNOWMAN FaTS DOMINO Christmas Frosty The Snowman The Jackson 5 Christmas Frosty The Snowman Gene Autry Christmas Give Love On Christmas Day The Jackson 5 Christmas God Rest Ye Merry Gentlemen Manheim Steamroller Christmas God Rest Ye Merry Gentlemen Smokey Robinson & The Miracles Christmas God Rest Ye Merry Gentlemen Rascal Flatts Christmas Great Balls Of Fire Various Artists Christmas Greensleeves Vince Guaraldi Trio Christmas Have Yourself A Merry Little Christmas Johnny Maestro & The Brooklyn Bridge Christmas Here Comes Santa Claus Doris Day Christmas I Saw Mommy Kissing Santa Claus Jacksons Christmas I Saw Mommy Kissing Santa Claus Frankie Valli & The Four Seasons Christmas I Wish You A Merry Christmas Bing Crosby Christmas If Every Day Was Like Christmas Elvis Presley Christmas I'LL BE HOME FOR CHRISTMAS - COUNTRY Thomas Giles Christmas It's Beginning to Look a Lot Like Christmas Michael Bublé Christmas It's Beginning To Look A Lot Like Christmas Johnny Mathis Christmas jingle bell rock Christmas Jingle Bells Patti Page Christmas Jingle Bells Slide Jack Scott Christmas Joy To The World Manheim Steamroller Christmas Last Christmas - Album Version rhythm Christmas Let It Snow! Let It Snow! Let It Snow! Frank Sinatra Christmas Lullaby For Christmas Eve Marty Gold Children's Chorus Christmas Mamacita, Donde Esta Santa Claus? Christmas merry christmas Ronettes Christmas MERRY MERRY CHRISTMAS BABY Connie Francis Christmas My Christmas List - Rock Christmas NIGHT BEFORE CHRISTMAS Bobby DARRIN Christmas O Holy Night Musiq Soulchild Christmas O Holy Night Jerry Butler Christmas One Little Christmas Tree Stevie Wonder Christmas Please Come Home For Christmas Charles Brown Christmas PRETTY PAPER RoY ORBISON Christmas Rags Marty Gold Children's Chorus Christmas Roaring Sam The Snowmobile Marty Gold Children's Chorus Christmas Rockin' Around The Christmas Tree Brenda Lee Christmas Rudolph The Red-Nosed Reindeer The Temptations Christmas Rudolph The Red-Nosed Reindeer Gene Autry & The Pinafores Christmas Rudolph The Red-Nosed Reindeer The Cadillacs Christmas Run Run Rudolph Pantera Christmas Saint Nick Beach Boys Christmas Santa Claus Is Back In Town Elvis Presley Christmas SANTA CLAUSE IS COMIN TO TOWN Michael Jackson Christmas Silent Night The Temptations Christmas Silent Night Sarah McLachlan Christmas Silent night -soul Into Eternity Christmas Silver And Gold Burl Ives Christmas Silver Bells The Supremes Christmas Silver Bells Diana Ross & The Supremes Christmas SLEIGH RIDE Ventures Christmas Someday at Christmas Stevie wonder Christmas The Chipmunk Song (Christmas Don't Be Late) Marty Gold Children's Chorus Christmas The Christmas Song King Curtis Christmas The Christmas Song (Merry Christmas To You) The Jackson 5 Christmas The Kitty Ate The Tinsel On The Christmas Tree Marty Gold Children's Chorus Christmas The Man With All The Toys The Beach Boys Christmas The Nutcracker, Op. 71, Act 2: Character Dances (Divertissement) - Dance of the Reed Pipes Kirov Orchestra & Valery Gergiev Christmas Trim Up The Tree Marty Gold Children's Chorus Christmas Twelve Days of Christmas Mexicani Marimba Band Christmas Twistin' Bells Santo & Johnny Christmas Welcome Christmas Marty Gold Children's Chorus Christmas White Christmas Smokey Robinson & The Miracles Christmas White Christmas The Drifters Christmas Winter Wonderland Engelbert Humperdinck Christmas You're A Mean One, Mr. Grinch Various Artists Christmas You're A Mean One, Mr. Grinch Marty Gold Children's Chorus Christmas .
Load more

Recommended publications
  • 1 American Political Thought II Spring 2021 Boston College Political
    1 American Political Thought II Spring 2021 Boston College Political Science 234 Professor Ken I. Kersch Email: [email protected] This course surveys American Political Thought from the end of the Civil War to the election of Ronald Reagan, with a few added readings that bring matters to the present day (a separate course – APT I -- takes up the pre-Civil War period). It is sometimes said that the United States, being new and not European, lacks any serious philosophical tradition, with The Federalist Papers (before the period we treat) the only serious contribution to political thought the nation has produced. Others take the U.S. as the exemplar or apotheosis of a single political theory: Lockean liberalism. At the same time, however, American political history, with its providentialist religiosity, robust democracy, de-centered (and often besieged) localism, vibrant (and sometimes fierce) capitalism, struggles unto war over principles of civic and social equality, and (yes) liberal commitment to individual freedom, is among the most interesting and important in the world. As this list suggests, it is also full of tensions, contradictions, arguments, struggles, and battles. Is American political thought unique or “exceptional”? Is it deep or shallow? Is it a coherent whole, or a cacophonous miscellany? Does it develop over time, or remain rooted in timeless principles? Is it a tradition we should be proud of or ashamed? Is it of value, to our politics today, and beyond our shores, or merely of antiquarian interest? We will look at some of the most prominent American thinkers from the late nineteenth century to today in an attempt to answer these questions, and to avail ourselves of the insights, limits, and legacy of this thought in assessing our individual and collective pasts and futures.
    [Show full text]
  • MAAILMA JA KUVA Korjattu 30 10 2017
    MAAILMA JA KUVA – valmistautumista institutionaalista esityskäytäntöä vasten Sanni Priha Taiteen maisterin opinnäyte Dokumentaarinen elokuva Elokuva taiteen ja lavastustaiteen laitos Taiteiden ja suunnittelun korkeakoulu Aalto-yliopisto 27.10.2017 Tekijä Sanni Priha Työn nimi Maailma ja kuva – valmistautumista institutionaalista esityskäytäntöä vasten Laitos Elokuvataiteen ja lavastustaiteen laitos Koulutusohjelma Dokumentaarinen elokuvaohjaus Vuosi 2017 Sivumäärä 64 Kieli suomi Tiivistelmä Tämä taiteellinen tutkimus pohti elokuvan institutionaalisuutta, sen kytkeytymistä uutiskerrontaan ja niiden yhdessä tuottamaa narratiivia. Yhdessä opinnäytetyön taiteellisen osan, dokumentaarisen elokuvan Prime Time Rage / Puoli yhdeksän raivo, kanssa tutkimus muodostaa Sanni Prihan maisterin opinnäytteen. Prime Time Rage tarkasteli televisio-uutisten tuottamaa maailmankuvaa ja sen vastaanottamista. Tutkielma analysoi elokuvainstituution rakenteita ja rakentumista. Tausta-ajatuksena oli elokuvaohjaajan pohdinta siitä, millaisia eettisiä ratkaisuja toimiminen osana elokuvateollisuutta edellyttää. Tekijä pohti ristiriitaista suhdettaan elokuvainstituution rakenteisiin ja etsi keinoja asemoida tekijyytensä suhteessa elokuvainstituutioon. Tutkimuksen keskeisiä käsitteitä olivat ’totuuden jälkeinen’, ’konflikti’, ’polarisaatio’ ja ’kuvien kiertokulku’. Tutkimuksen lähtökohtana oli näiden käsitteiden tarkastelu ja metodina työpäiväkirja, taiteellinen työskentely ja esseistinen kirjoittaminen. Tutkimusaineisto muodostui kysymyksenasettelun pohjalta ja koostui
    [Show full text]
  • Infrastructural Aesthetics in the Films of Adam Curtis
    Cultural Politics vol.14, no.3, November 2018. Accepted: 3rd May 2018. “Destabilized Perception” Infrastructural Aesthetics in the Films of Adam Curtis Rob Coley Abstract: The formerly dissident status of the essay film has, in recent years, been exchanged for a great deal of favorable attention both inside and outside of academia. In the more overly moralistic commentary on the form, the contemporary essay film is submitted as a tactical response to a surfeit of audiovisual media, to an era in which most of us have become both consumers and producers of a digital deluge. The work of Adam Curtis is notably absent from these ongoing debates. Yet Curtis is far from an underground figure— he has been making essayistic films for the BBC for more than twenty years and was the first to produce work directly for the iPlayer platform. Using archival images to examine the present, his films produce counterintuitive connections and abrupt collisions that supplant the authority of narrative causality for a precarious network of associations and linkages. This article treats Curtis’s recent body of work diagnostically. It argues that, quite apart from any promise of escape or deliverance, the aesthetic form of his work actively inhabits the rhythms and vectors of contemporary media. For Curtis, the media- technological conditions of the twenty-first century provoke a crisis that is both political and epistemological, one in which sensemaking can no longer claim to take place at a distance from the infrastructure that mediates such processes but is instead thoroughly and inescapably immanent to them, a situation that prevents contact with the outside.
    [Show full text]
  • Borderlands E-Journal
    borderlands e-journal www.borderlands.net.au VOLUME 16 NUMBER 1, 2017 Adam Curtis’s compelling logic: the tortuous corridor to the hypernormal Brett Nicholls University of Otago It’s like living in the mind of a depressed hippy (Curtis 2007b) Adam Curtis is a BAFTA award-winning documentary filmmaker who employs borrowed images from the past to construct complex accounts of the political present. Produced primarily for the medium of television (the BBC), though this has expanded in recent years to include digital platforms, his films consist of an idiosyncratic use of archived image and sound fragments: Hollywood and British films, news footage, expert vox pops, television shows, corporate training films, drone footage, film music, sound effects, and so on. These fragments are generally overlayed by a serious ‘matter of fact’, Journalistic voice-over narration (Curtis himself), that tells the story of our times. Curtis is well- known as a polemicist. His films directly question and challenge the proficiency of political elites. For instance, a powerful sequence in Curtis’s most debated and cited film, The power of nightmares (2004), consists of news footage of George W Bush on a podium looking direct to camera. Bush triumphantly announces, ‘one by one terrorists are learning the meaning of American justice’. This image is inserted at the end of a longer sequence that provides an account of absurdist court cases against ‘terror suspects’ in the USA. After the attacks upon the WTC towers, law enforcement, in its various forms, is busy gathering evidence against ‘terror suspects’ inside America’s borders. The film reveals that the gathered evidence is specious and thin.
    [Show full text]
  • Chicago Open Trash 2018: Look at All Those Chickens by Rob Carson, Carsten Gehring, and Andrew Hart Round 7: Tossups
    Chicago Open Trash 2018: Look at All Those Chickens by Rob Carson, Carsten Gehring, and Andrew Hart Round 7: Tossups 1. After this man hit a last-second bank shot that seemingly gave his team a 3–2 lead in the NBA Finals, the crowd mobbed the court, a fan fought against referee Richie Powers, and opposing center Paul Westphal was assessed a technical foul for calling an illegal time-out, but the Suns managed to send the game into triple overtime anyway. In an earlier playoff series, this man was mobbed by fans who held him aloft and ripped off his jersey after he made a play immediately following his teammate throwing the ball off of a guy wire under the opponents’ basket. Johnny (*) Most yelled, “It’s all over!” after this man jumped in front of Chet Walker to make a play very similar to one made 22 years later under similar circumstances by Larry Bird. A pass by Hal Greer was intercepted by, for 10 points, what Celtics player who, in game seven of the 1965 Eastern Conference Finals, “stole the ball”? ANSWER: John Havlicek [or John Joseph Havlicek; or Hondo Havlicek; prompt on “Hondo”] <Hart> 2. This coiner of a koan-like namesake “law” concerning balanced reporting won a LearnedLeague one-day contest on the subject of Philip Roth with a perfect score in 2012, the same year that he and longtime friend Peter Gethers collaborated to write a musical revue based on the web series Old Jews Telling Jokes. Ken Burns’s PBS miniseries Prohibition drew heavily on this man’s book Last Call.
    [Show full text]
  • AGONY and the ECSTASY of PHIL SPECTOR Press
    THE AGONY AND THE ECSTASY OF PHIL SPECTOR Directed by Vikram Jayanti Produced by Vikram Jayanti & Anthony Wall USA / UK / 2008 / 102 Minutes Press Kit Booking Contact: Jim Browne Argot Pictures 718-369-1180 [email protected] THE AGONY AND THE ECSTASY OF PHIL SPECTOR In a 50-year career stretching back to his first hit in 1958, To Know Him is to Love Him, Phil Spector has never given a substantial filmed interview – until now. Director Vikram Jayanti was given unprecedented access. Spector is filmed in his own home - literally his castle - before the piano he bought with John Lennon for Imagine. He discusses his relationship with music greats from the girl groups of the Sixties through to The Beatles and Tina Turner. He also talks about his troubled personal life, his sense of being hounded and the anger and rage which helped him to develop his art, long before it was recognized as anything other than mere pop music. THE AGONY AND THE ECSTASY OF PHIL SPECTOR is an exploration of one of the single most important careers in popular music. Spector’s classic hits dramatized and articulated teenage life, his “little symphonies for the kids” soundtracked a generation. Phil Spector transformed rock n’ roll; John Lennon told him “you kept rock n’ roll alive for the two and a half years that Elvis was in the army”. With Be My Baby, You’ve Lost That Lovin’ Feelin’, River Deep – Mountain High, Spector was the first music producer as star. He went on to produce The Beatles’ Let It Be, the great solo work of John Lennon and George Harrison and even The Ramones.
    [Show full text]
  • The 42Nd Telluride Film Festival 2015
    THE NATIONAL FILM PRESERVE LTD. PRESENTS THE THIS FESTIVAL IS DEDICATED TO Peter von Bagh 1943–2014 THE NATIONAL FILM PRESERVE LTD. PRESENTS THE Julie Huntsinger | Directors Tom Luddy Rachel Kushner | Guest Director Mara Fortes | Curator Kirsten Laursen | Chief of Staff Brandt Garber | Production Manager Karen Schwartzman | SVP, Partnerships Erika Moss Gordon | VP, Filmanthropy & Education Melissa DeMicco | Development Manager Joanna Lyons | Events Manager Bärbel Hacke | Hosts Manager Shannon Mitchell | VP, Publicity Justin Bradshaw | Media Manager Lily Coyle | Assistant to the Directors Marc McDonald | Theater Operations Manager Lucy Lerner | SHOWCorps Manager Erica Gioga | Housing/Travel Manager Chapin Cutler | Technical Director Ross Krantz | Technical Wizard Barbara Grassia | Projection and Inspection Annette Insdorf | Moderator Mark Danner | Resident Curators Pierre Rissient Peter Sellars Paolo Cherchi Usai Publications Editor Jason Silverman (JS) Chief Writer Larry Gross (LG) Prized Program Contributors Sheerly Avni (SA), Serge Bromberg (SB), Paolo Cherchi Usai (PCU), Jesse Dubus (JD), Geoff Dyer (GD), Mara Fortes (MF), Scott Foundas (SF), Barry Jenkins (BJ), Rachel Kushner (RK), Nicholas O’Neill (NO), Todd McCarthy (TM), Errol Morris (EM), Caspar Llewellyn Smith (CLS), Milos Stehlik (MS), Fyodor Urnov (FU) Tribute Curator Short Films Curators Student Prints Curator Chris Robinson Bill Pence Gregory Nava Barry Jenkins 1 Guest Director The National Film Preserve, Ltd. Each year, Telluride’s Guest Director serves as a key collaborator in the A Colorado 501(c)(3) nonprofit, tax-exempt educational corporation Festival’s programming decisions, bringing new ideas and overlooked films. Past Guest Directors include Laurie Anderson, Geoff Dyer, Buck Henry, Guy Founded in 1974 by James Card, Tom Luddy and Bill & Stella Pence Maddin, Michael Ondaatje, Alexander Payne, B.
    [Show full text]
  • Berlin Documentary Forum 3 M
    Basma Alsharif Alexa Karolinski Maria Thereza Alves Ursula von Keitz Yazid Anani Pedram Khosronejad Thordis Arrhenius Parviz Kimiavi Michael Baers Eva Knopf Erika Balsom Leonhard Christa Blümlinger Koppelmann Pauline Boudry Jesse Lerner Scott Bridges Sylvère Lotringer Stella Bruzzi Cornelia Lund Nicholas Bussmann Stephanie Metzger CAMP (Shaina Eva Meyer Anand & Ashok Sohrab Mohebbi Sukumaran) Rabih Mroué Sofia Canales Ingo Niermann Beatriz Colomina Uriel Orlow Catherine David Jorge Otero-Pailos Smadar Dreyfus Rawya Rageh Jimmie Durham David Riff Harun Farocki Roee Rosen Peter Fischli Ben Russell Bärbel Freund Werner Ružička Sergio González Ayako Saito ­Rodríguez Sakai Ko Hamaguchi Ryusuke Eran Schaerf Samir Harb Stefanie Schlüter Karl Heil Dalia Taha Richard Hill Andrea Thal Nikolaus Hirsch Eduardo Thomas Kay Hoffmann Koyo Yamashita Elfriede Jelinek Tim Zulauf Ampam Karakras Nathalie Karl 2 Das Berlin Documentary Forum findet alle zwei Jahre am Haus der Kulturen der Welt in Berlin statt. Interdisziplinär im Ansatz, widmet sich das Festival dem Dokumentarischen in den ver - schie densten Disziplinen wie Film, Fotografie, zeit genössische Kunst, Performance, Architektur und Kulturtheorie. Die dritte Ausgabe des Berlin Documentary Forums findet vom 29. Mai bis 1. Juni 2014 statt. The Berlin Documentary Forum is a biennial program held at the Haus der Kulturen der Welt in Berlin. Interdisciplinary in orientation, it engages with the “documentary” across the fields of film, photography, contemporary art, performance, architecture, and cultural theory. The third edition of the Berlin Documentary Forum runs from 29th May to 1st June, 2014. 1 Inhalt Vorwort Modernity’s Arrow Bernd M. Scherer Michael Baers → 4 → 43 Der Ort des Konflikts: Narration Ich hatte das Radio an.
    [Show full text]
  • Routledge, 2001. X, 278 Pp
    Timothy D. Taylor. Strange Sounds: Music, Technology, and Culture. New York: Routledge, 2001. x, 278 pp. Reviewed by Albin J Zak III Strange Sounds is among the growing literature concerned with the inter­ face of technology and musical practice, reception, and use (referred to in this book, as in many others, as "production" and "consumption").1 More specifically, the author is concerned with the ways "that digital technology shapes the three areas that have historically been so affected by technol­ ogy: music production, storage/distribution, and consumption" (IS), with a particular focus on the latter two. The ability to capture sound as digital information is, of course, an outgrowth of analog sound recording, and is thus only the latest chapter in a history of technological evolution that has both shaped and been shaped by the forces of musical culture. The field of potential inquiry for such a project is vast, and from the complex of relevant topics Taylor takes up a subset focusing on "agency" and "ideolo­ gies of technology" (9), with the aim of probing the social dimensions of the music/ technology interface. What emerges is a somewhat idiosyncratic investigation that draws attention to several unlikely historical and aes­ thetic connections. There are, for example, two chapters devoted to so-called "space-age pop" of the 19S0s which, though a fascinating and in scholarly circles un­ der-reported topic, would seem to have little connection to digital music technology. Or so it appears from the technological and the musical evi­ dence. But the author is after something else here.
    [Show full text]
  • Biden to Seek Extension of Nuclear Treaty with Russia
    MOVIES: Leslie Odom Jr. NFL brings soul to role Page 15 Defenses are peaking GAMES: Call of the Sea when it can be puzzling Page 18 counts Page 48 TELEVISION: Network TV that’s worth streaming Page 30 stripes.com Volume 79 Edition 198 ©SS 2021 FRIDAY,JANUARY 22, 2021 $1.00 Biden to seek extension of nuclear treaty with Russia BY JOHN HUDSON The Washington Post President Joe Biden is seeking a five-year extension with Russia on the only remaining treaty lim- iting the world’s two largest nu- clear arsenals just days before it expires, said two senior U.S. offi- cials. At the same time, his adminis- tration is preparing to impose Heading new costs on Russia pending a newly requested intelligence as- sessment of its recent activities. The officials said Biden is ruling out a “reset” in bilateral relations with Moscow as many new U.S. presidents have done since the into the end of the Cold War. “As we work with Russia, so, too, will we work to hold Russia accountable for their reckless and aggressive actions that we’ve seen in recent months and years,” High North said a senior U.S. official, who like others spoke on the condition of anonymity to discuss a sensi- tive security matter. Army plans new ‘Arctic brigade’ The decision to seek a five-year treaty extension, which Russia as sea levels and competition rise supports but the Biden adminis- tration hadn’t settled on until BY JOHN VANDIVER now, reflects the rapidly ap- Stars and Stripes proaching deadline for Washing- STUTTGART, Germany — The Army wants a new Arctic-fo- ton to renew the New START cused brigade and other operational forces to bolster its position pact Feb.
    [Show full text]
  • Book Club Discussion Guide
    by New York Times bestselling author Book Club Discussion Guide www.HeatherGudenkauf.com Dear Readers, Thank you for selecting MISSING PIECES for your book club discussion. I love talking books with readers and would be honored to join your discussion via Skype. Contact me at heather@heathergudenkauf for details. Photo Credit: Morgan Hawthorne Sarah Quinlan’s husband, Jack, has been haunted for decades by the untimely death of his mother when he was just a teenager. The case rocked the small farm town of Penny Gate, Iowa, where Jack was raised, and for years Jack avoided returning home. But when his beloved aunt Julia is in an accident, Jack and Sarah are forced to confront the past that they have long evaded. Upon arriving in Penny Gate, Sarah and Jack are welcomed by the family Jack left behind all those years ago—barely a trace of the wounds that had once devastated them all. But as facts about Julia’s accident begin to surface, Sarah realizes that nothing about the Quinlans is what it seems. Caught in a fl urry of unanswered questions, Sarah dives deep into the puzzling rabbit hole of Jack’s past. But the farther in she climbs, the harder it is for her to get out. And soon she is faced with a deadly truth she may not be prepared for. D I Do you really know the person sitting next to you? Is it ever okay to keep a secret? How far would you S go to uncover the truths about the people in your life? My hope is that MISSING PIECES will spur on C a lively discussion among your book club members.
    [Show full text]
  • Manuscrítica § N. 40 • 2020 Artigos Revista De Crítica Genética
    Manuscrítica § n. 40 • 2020 Artigos revista de crítica genética Rafael Ghiraldelli da Silva1 ADAM CURTIS (1955- ) É UM CINEASTA BRITÂNICO INTERESSADO EM INVESTIGAR RELAÇÕES HISTÓRICAS ENTRE SOCIEDADE, política e tecnologia por via do documentário. Desde fins dos anos 1980, Curtis trabalha quase que exclusivamente para os canais de televisão da British Broadcasting Corporation (BBC) realizando minisséries e longas-metragens que se aprofundam nas possíveis convergências – e nas consequências da interação – entre tecnologias e epistemologias oriundas de uma ou mais potências capitalistas, bem como nos tipos de colonialidade que elas permitiram exercer sobre os povos do chamado Sul global. Em suma, Curtis se preocupa com as maneiras pelas quais o discurso político embutido em artefatos2 que atuam como mediadores na relação entre humanidade e o mundo ao seu redor também molda determinados ideais de progresso, de afeto, de desenvolvimento econômico e de liberdade. Um exemplo disso pode ser visto na série The Trap: What Happened to Our Dream of Freedom (A Armadilha: O que Aconteceu com Nosso Sonho de Liberdade), de 2007. Nela, Curtis traça uma associação entre o desenvolvimento da teoria dos jogos e da cibernética nos Estados Unidos do começo da Guerra Fria e um processo de compreensão ocidental das relações interpessoais progressivamente racionalizadas. É a partir dos anos 1950 que Curtis identifica figuras tais quais o matemático John Forbes Nash Jr. (1928-2015) e o psicólogo R. D. Laing (1927-1989) como membros da comunidade científica global cada vez mais convictos de que a estrutura social moderna é uma trama que se auto-organiza a partir do pressuposto íntimo de que cada pessoa conspira contra outras o tempo todo.
    [Show full text]