No. 58 – April 2016 Address for Communications

Total Page:16

File Type:pdf, Size:1020Kb

No. 58 – April 2016 Address for Communications News In this issue ... Page Page Address for Communications 2 Elgar Birthplace: Interim Director 17 Keep in touch 2 Birthplace Report 18 Letter from the Chairman 3 Donald Hunt at the Birthplace 20 Elgar Society News: the future 4 From the Birthplace Archive 21 Nomination for Secretary 5 Obituaries 25 Elgar Society AGM Adeste Fideles by Elgar 31 and Birthday Weekend 6 Concert Reviews 32 Elgar Day at 3Choirs Festival 8 Brief items 35 Treasurer’s Notes 8 Delius Society 39 Website News 9 Branch Reports 40 From the Membership Secretary 11 LSO Concerts: special offer 50 Welcome to new members 12 Branch Events 51 Elgar Works 12 Dates for your Diary 55 A new EE recording! 14 Crossword 64 This is what I do 16 Trustees’ Annual Report T1 No. 58 – April 2016 Address for Communications Contributions for the August 2016 issue of the Elgar Society News should be e–mailed to both the compilers: Richard Smith: [email protected] Peter James: [email protected] Full contact details can be found on the back cover. The latest date for submissions for the August issue is 25 June 2016. Ernie Kay Some of you will already know that one of the compilers of previous issues of The Elgar Society News, Ernie Kay, is suffering from a non–reversible serious illness. He has had to move to a new address which is Perrins House, Moorlands Road, Malvern, WR14 2TZ but his telephone number, 01684 567917, remains the same. For this reason, Ernie can no longer play an active role in compiling the News. We are delighted to report, however, that he is willing to contribute his expertise (as can be seen below) to this and future issues. We wish him well as we are sure you will all do. Keep in touch Remember: you can keep up to date with the latest Elgarian news online at Facebook: www.facebook.com Twitter: www.twitter.com London Branch Account: https://twitter.com/ElgarLondon YouTube: www.youtube.com or, search for ‘Elgar’ or ‘Elgar Society’ or ‘Elgar Birthplace’. 2 Elgar Society News Letter from the Chairman Dear Friends Welcome to the annual special edition that includes the yearly accounts and the Trustees’ annual report, with its reports on the whole range of our work. Last year at this time I wrote, ‘I really ought to complete the set [of Branch visits] with a trip to the Southern Branch’, and I am delighted to tell you I shall see our friends in the south in May, following another enjoyable visit to the Scottish Branch in March. In the following pages are details on both the Birthday Weekend in June (which coincides with the Queen’s 90th birthday celebration) and the Elgar Day at the Three Choirs Festival in Gloucester in July. I look forward very much to seeing as many of you as possible at these enormously enjoyable events. The two areas of endeavour on which we are making progress are our recordings and our German initiative. On the first, we are at an advanced stage of negotiation over the remaining five recordings we believe we need to complete a full discography of recordings of Elgar’s lesser appreciated works. More details will emerge as the year progresses. On the back of enthusiastic colleagues in Germany coupled with advocacy and practical help from the Executive Committee, the Elgar Family Charity Trust and Elgar Works, we are enabling and assisting increasing numbers of choral concerts in Germany, and over the next few years you will read about more performances in the Elgar in Performance section of the TAR. I recently heard reports from Ann Vernau, John Norris and Barry Collett about the superb performance of Scenes from the Saga of King Olaf in Herford, North Rhine–Westphalia, and regretted very much not being present then. However, I was lucky enough to attend in February an overwhelming performance of The Dream of Gerontius, given by the Kurrende choir under Benedikt Brändle in the ancient and lovely university town of Tübingen in Baden– Württemberg. From the moment my wife and I arrived at Stuttgart Airport, where we were met by Wolfgang Werner, we were treated with exemplary kindness and friendship. I witnessed the start of the choral rehearsal on Friday evening, one of the two afternoon rehearsals with soloists and orchestra on Saturday and Sunday No. 58 – April 2016 3 Letter from the Chairman culminating in what I described to my German friends as ‘a wonderful performance and an unforgettable experience’. Soloists, choir and orchestra were equally superb and I shall cherish for a long time the extended silence that followed the last chord and then the increasingly enthusiastic applause that brought a deserved standing ovation. Clearly, just as at the beginning of the last century, Elgar’s music is in excellent and sympathetic hands in Germany! The Kurrende Choir, Tübingen [Photograph: Steven Halls] Elgar Society News: the future When in April 2013 we heard that the editor of the Elgar Society News was retiring with immediate effect, we at the West Midlands Branch Committee discussed the likelihood of the Society losing its main channel of communication with the membership. Once gone it would not be easy to effect a comeback! It was agreed that, on behalf of the Branch, Richard and myself would provide a stopgap for one year and three editions. A further aim during this period was to set a clear brief for the next permanent editor covering content, print and cover standards and the distinctive roles of the Journal and News. 4 Elgar Society News Elgar Society News: the future Now with the invaluable addition of Peter James to our team, we have completed eight editions and achieved many of our aims. In any case we have had more bouquets than brickbats! It was always my personal aim to retire from the scene though, in a non–executive role, my advice will of course be still available to Richard and Peter as long as useful. Ambitions for the News for the future? Use of colour or improvement of black and white photographs in the printed version. While acknowledging the digital age and on–line publishing, I have the old fashioned love of printed archives on my bookshelf. Personal thanks to my co–workers and all the many contributors for their help. Ernie Kay Nomination for Secretary I will be standing down as Secretary at the AGM on 11 June 2016, after ten years in the post. The Secretary’s main responsibilities are: to fix Executive, Council and Branch Chairmen’s meetings; to prepare agendas for those meetings, in consultation with the Chairmen of those committees; to take the minutes of those meetings and circulate them; and to fix the AGM and oversee arrangements for the Birthday Weekend. As Secretary I have also had the pleasure and privilege of presenting the Elgar Medal as well as making the arrangements for presentations. Nominations for the office of Secretary shall be made in writing, signed by a proposer and seconder (who must be members of the Society) and by the candidate signifying willingness to stand; and should be received by the Honorary Secretary by 16 April 2016. Should there be more than one valid nomination a postal ballot of the members of the Society shall be held, the results of which shall be declared at the Annual General Meeting. Ballot papers shall be distributed to members not later than twenty–eight days before the Annual General Meeting and shall be received by the No. 58 – April 2016 5 Nomination for Secretary Honorary Secretary not later than seven days before the Annual General Meeting. Ballot papers shall be subject to the scrutiny of two members of the Society. If you consider that you have the necessary qualifications to act as Secretary of the Society you are invited to contact the Hon. Secretary. All the other officers offer themselves for re–election. Helen Petchey Elgar Society AGM and Birthday Weekend 11–12 June 2016 If you are a new member or haven’t been to a Birthday Weekend before, please do consider coming. It’s good to meet other members. I have made many friends over the years whom I look forward to seeing each year in Worcester. At 7.30 pm on Friday 10 June, John Harcup will be talking about ‘Elgar in Malvern and on the road to fame’ at Eden Church, Grovewood Road (off Townsend Way), Malvern, WR14 1GD (next to Malvern Spa). This is a meeting of the Malvern Civic Society, but Elgar Society members are most welcome. On Saturday 11 June members will be able to meet for coffee at Birchwood from 10.30am. Our thanks to Eileen and Mike Vockins for opening their home to us. Members always enjoy visiting the house where Elgar composed The Dream of Gerontius. To find Birchwood take the A4103 from Worcester. There is a signed right turn 2 miles beyond Leigh Sinton. The house is on the right one mile on. The postcode is WR13 5RZ. The AGM will be at 2pm on Saturday 11 June in the hall of St George’s Catholic Church (See AGM notice). NB Choral Evensong will be at 5.30pm on Saturday at Worcester Cathedral, which will be followed by the traditional laying of a chaplet beneath the Elgar memorial window. This is because Evensong on Sunday will be celebrating the 90th birthday of Her Majesty the Queen, with a multitude of guests. Although 6 Elgar Society News Society AGM and Birthday Weekend there will almost certainly be some of Elgar’s music at the Sunday service, the Dean felt that there could be more focus on Elgar, and the Society, at the Saturday service, at which the Cathedral Choir will be singing.
Recommended publications
  • International Trumpet Guild Journal
    Reprints from the International Trumpet Guild ® Journal to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet FORGING NEW PATHS : A CONVER SA TION WITH ALISON BALSOM BY PETER WOOD June 2014 • Page 6 The International Trumpet Guild ® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on a single workstation that you own • Transmit an unaltered copy of this file to any single individual end-user, so long as no fee, whether direct or indirect is charged • Print a single copy of pages of this file • Quote fair use passages of this file in not-for-profit research papers as long as the ITGJ, date, and page number are cited as the source. The International Trumpet Guild ® prohibits the following without prior writ ten permission: • Duplication or distribution of this file, the data contained herein, or printed copies made from this file for profit or for a charge, whether direct or indirect • Transmission of this file or the data contained herein to more than one individual end-user • Distribution of this file or the data contained herein in any form to more than one end user (as in the form of a chain letter) • Printing or distribution of more than a single copy of the pages of this file • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any third party, including such a device intended to be used wholly within an institution.
    [Show full text]
  • About City Music Foundation
    CITY MUSIC FOUNDATION SUMMER RESIDENCY 22 – 26 JULY 2019 1775.CITY MUSIC LEAFLET.indd 1 15/07/2019 13:53 1775.CITY MUSIC LEAFLET.indd 2 15/07/2019 13:53 ABOUT CITY MUSIC FOUNDATION CMF’s mission is ‘turning talent into success’. CMF Trustees & Advisory Board We select exceptional professional musicians Sir Roger Gifford, Founder & Trustee at the start of their careers when managing ‘the business of music’ can be a challenge and Sir Mark Boleat, Trustee support them with a comprehensive career Dr Kate Gee, Trustee development programme. We arrange mentoring, run workshops, do agency and management, Dr Andrew Parmley, Trustee make CDs, videos and websites, commission Guy Harvey, new music, secure airtime on BBC Radio 3 and Former Partner, Shepherd and Wedderburn promotion though online, print and social media, Wim Hautekiet, Managing Director, JP Morgan as well as showcasing our artists in our own recitals and concerts. CMF Alumni tell us of the Sir Nicholas Kenyon, many ways CMF has helped them during those Managing Director, Barbican Centre very fragile early stages of their professional Alastair King, careers. Getting the necessary visibility, Chairman, Naisbitt King Asset Management developing networks, gaining recognition in the industry, and having recordings – all this Kathryn McDowell CBE, Managing Director, LSO has allowed them to secure their careers as Ian Ritchie, Artistic Director, Setúbal Music Festival performers. Our aim is that CMF Artists are Sebastian Scotney, Editor, London Jazz News ready for four decades or more of contributing to society’s culture and well-being – reaching Adrian Waddingham, hundreds of thousands through live performance, Former Partner, Barnett Waddingham CDs, streaming, broadcasts, teaching and CMF Patrons mentoring – giving back a thousandfold what CMF has given them.
    [Show full text]
  • The English Concert – Biography
    The English Concert – Biography The English Concert is one of Europe’s leading chamber orchestras specialising in historically informed performance. Created by Trevor Pinnock in 1973, the orchestra appointed Harry Bicket as its Artistic Director in 2007. Bicket is renowned for his work with singers and vocal collaborators, including in recent seasons Lucy Crowe, Elizabeth Watts, Sarah Connolly, Joyce DiDonato, Alice Coote and Iestyn Davies. The English Concert has a wide touring brief and the 2014-15 season will see them appear both across the UK and abroad. Recent highlights include European and US tours with Alice Coote, Joyce DiDonato, David Daniels and Andreas Scholl as well as the orchestra’s first tour to mainland China. Harry Bicket directed The English Concert and Choir in Bach’s Mass in B Minor at the 2012 Leipzig Bachfest and later that year at the BBC proms, a performance that was televised for BBC4. Following the success of Handel’s Radamisto in New York 2013, Carnegie Hall has commissioned one Handel opera each season from The English Concert. Theodora followed in early 2014, which toured West Coast of the USA as well as the Théâtre des Champs Elysées Paris and the Barbican London followed by a critically acclaimed tour of Alcina in October 2014. Future seasons will see performances of Handel’s Hercules and Orlando. The English Concert’s discography includes more than 100 recordings with Trevor Pinnock for Deutsche Grammophon Archiv, and a series of critically acclaimed CDs for Harmonia Mundi with violinist Andrew Manze. Recordings with Harry Bicket have been widely praised, including Lucy Crowe’s debut solo recital, Il caro Sassone.
    [Show full text]
  • RISE UP! Winter Concert Tour 4 — 6 January 2020 Coventry, London & Nottingham NATIONAL YOUTH ORCHESTRA of GREAT BRITAIN
    RISE UP! Winter Concert Tour 4 — 6 January 2020 Coventry, London & Nottingham NATIONAL YOUTH ORCHESTRA OF GREAT BRITAIN 4 January, 7.30pm Warwick Arts Centre, Coventry 5 January, 7.00pm Barbican Centre, London 6 January, 7.30pm Royal Concert Hall, Nottingham Eisler AUF DEN STRASSEN ZU SINGEN Britten As part of our ongoing relationship with the BBC SINFONIA DA REQUIEM and its commitment to connect audiences with remarkable music and culture, we are excited that our performance on 5 January will be broadcast — INTERVAL — on BBC Radio 3 on 13 January. You can listen for 30 days at bbc.co.uk/radio3 or via BBC Shostakovich Sounds. Thank you to the BBC for its active and supportive relationship. SYMPHONY NO. 11 'THE YEAR 1905' We are proud to support the GREAT Britain campaign, showcasing the best of what our whole nation has to offer. JAIME MARTÍN Conductor Thank you to the London Symphony Orchestra for their incredible support for this concert and to Warwick Arts Centre and The University of Warwick for hosting our winter residency as part of our shared commitment to developing teenage Thank you to NYO Composers for sharing their new music before musicians and audiences. the concert at the Barbican Centre. 1 SARAH ALEXANDER OBE KYNAN WALKER Chief Executive & Artistic Director Leader 2020 'Rise up!' highest level, not only to entertain you, Hello, I’m Kynan and on behalf of all 164 of Each composer made their music for a but to share what is possible when we unite us in the National Youth Orchestra of Great reason.
    [Show full text]
  • BB 1.Indd 1 22-02-2011 17:12:06        
    Price £1.25 www.britishbandsman.com Issue no. 5654 – 26 February 2011 LEWIS MUSSON CAPTURES PRESTIGIOUS BBC TITLE BB 1.indd 1 22-02-2011 17:12:06 ! " !#$%&&'# ( ) * + , + - ) BB 2-3.indd 2 22-02-2011 17:04:52 NEWS Trip the Light Fantastic with the BBC BBC Radio 3 is on the hunt for community brass bands, wind bands, choirs, any strictly amateur or voluntary ensemble, in fact, to be a part of a weekend festival celebrating the riches of British light music. Light Fantastic is a participatory festival with a central theme of orchestral music. The focus of the festival is a weekend of events around the country and broadcasts on BBC Radio 3 (24-27 June 2011), which the BBC hopes will bring it closer to its audience. The BBC is inviting applications from amateur ensembles to take part in BBC recording events across the UK - in Glasgow (5 June), Manchester (25/26 June), Cardiff (21/22 May), Exeter (5 June) and London (21/22 May). Recordings may be broadcast by BBC Radio 3 in the context of Light Fantastic. You can find full details of how to apply, with terms and conditions and the closing date for applications and also other ways to get involved by visiting the website www.bbc.co.uk/radio3/classical/lightfantastic or by emailing direct to [email protected] There are also opportunities for ensembles to submit their own recordings for consideration. Full details about making a suitable recording are to be found on the Making
    [Show full text]
  • FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST and PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected]
    FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST AND PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected] LONG YU TO CONDUCT CHINA PHILHARMONIC ORCHESTRA, PRESENTED BY THE NEW YORK PHILHARMONIC PROKOFIEV’s Violin Concerto No. 2 with JULIAN RACHLIN SHOSTAKOVICH’s Symphony No. 5 December 11, 2016 NEW YORK PHILHARMONIC IN SIXTH ANNUAL CHINESE NEW YEAR CONCERT and GALA U.S. PREMIERE of CHEN Qigang’s Joie Éternelle with Trumpet Player ALISON BALSOM PUCCINI’s Selection from Turandot and Traditional Chinese Folk Songs with Soprano SUMI JO SAINT-SAËNS’s Introduction and Rondo Capriccioso with Concertmaster FRANK HUANG January 31, 2017 The New York Philharmonic will present two programs honoring its strong ties to China, both led by Long Yu: the China Philharmonic Orchestra will perform at David Geffen Hall on December 11, 2016, and the New York Philharmonic will perform its sixth annual Chinese New Year Concert and Gala, January 31, 2017. Both programs celebrate the cultural exchange between China and the U.S., particularly the Philharmonic’s connections to China. China Philharmonic Orchestra The New York Philharmonic will present the China Philharmonic Orchestra, led by Long Yu, its Music Director, at David Geffen Hall on December 11, 2016, at 3:00 p.m. The program will feature Prokofiev’s Violin Concerto No. 2, with Julian Rachlin as soloist, and Shostakovich’s Symphony No. 5. Long Yu co-founded the China Philharmonic Orchestra in 2000, and has since served as its artistic director and chief conductor. The orchestra’s appearance at David Geffen Hall, presented by the New York Philharmonic, is part of its 2016 Tour of the Americas.
    [Show full text]
  • Tabea D Ebus
    Jonathan Rees Alex McCartney Tabea Debus OHRWURM a Ganassi soprano recorder in C by e Ganassi alto recorder in F by Monika Musch h Viola da gamba by Jane Julier OHRWURM Monika Musch f Baroque alto recorder in F by Ernst Meyer (Devon, 1993) after Colichon (1693) b Baroque soprano recorder in C by Ernst after Peter Bressan j ‘French’ theorbo by Lars Jönsson (2011), Tabea Debus recorders Meyer after Jacob Denner g Voice flute in D by Ernst Meyer after with additions by Klaus Jacobsen (2019) Jonathan Rees viola da gamba c Ganassi alto recorder in G by Monika Musch Peter Bressan k Baroque guitar by Klaus Jacobsen (2014) d Baroque alto recorder in G by Luca de Paolis after Stradivarius Alex McCartney theorbo & guitar after Peter Bressan 1 after Antonio Bertali (1605–1669), Ciaconna a c h k [3:59] 12 anon. (16th c.) * La Monica (Une jeune fillette) c h j k [5:31] Tarquinio Merula (1595–1665) and 13 Pierre-Francisque Carroubel Spagnoletta a h k [1:18] † Claudio Monteverdi (1567–1643) * (1556–1611/15) from Terpsichore, Musarum Aoniarum (Michael Praetorius, 1612) 2 George Frideric Handel (1685–1759) Lascia ch’io pianga g h j [4:11] from Rinaldo, HWV 7b 14 anon.* When Daphne did from Phoebus fly e h j [5:53] diminutions by Jacob van Eyck (c.1590–1657) Pietro Castrucci (1679–1752) Sonata in D minor, Op. 1 No. 10 f h j 3 Adagio [1:48] 15 Henry Purcell (1659–1695) Fairest Isle g h j [2:26] 4 Allegro & Adagio [3:20] from King Arthur, Z 628 and Orpheus Britannicus (London, 1698) 5 Alessandro Marcello (1673–1747) † Concerto in D minor: Adagio f h j [3:24] ornaments by J.S.
    [Show full text]
  • CUMS Brochure 2010 PND 15/09/2010 16:39 Page 24 Page 16:39 15/09/2010 2010 PND Brochure CUMS CUMS Brochure 2010 PND 15/09/2010 13:34 Page 2
    CUMS brochure 2010_PND 15/09/2010 16:39 Page 24 Booking information We recommend you visit our website, www.cums.org.uk, for the latest information about booking, as well as Ducker Design and pre-press: Peter Cambridge our on-line booking system for concerts at West Road Concert Hall. University Box office for concerts in King’s College Chapel and Musical CUCO Concert on 20 November 2010: Cambridge Corn Exchange Box Office Wheeler Street, Cambridge CB2 3QB Society Tel: 01223 357851 Members of the CUMS Supporters’ Circle are able to purchase season tickets before tickets go on sale to the Principal Guest Conductor Sir Roger Norrington CBE Box Office for CUMS Chorus and Philharmonia general public. For more information please turn to mistd Orchestra concert on 25 February 2011 and page 22 of this brochure. Principal Conductor, King’s Foundation Concert on 19 March 2011: / Printed in the United Kingdom CUMS Chorus Shop at King’s 13 King’s Parade, Cambridge CB2 1SP Stephen Cleobury CBE Tel: 01223 369340 Principal Conductor, CUMS I Martin Yates Box office for concerts in West Road Concert Hall: Maggie Heywood Cambridge University Musical Society 20 Badminton Close, Cambridge CB4 3NW West Road Concert Hall Tel/Fax: 01223 365110 11 West Road, Cambridge CB3 9DP or www.cums.org.uk www.cums.org.uk 2010–2011 Season CUMS brochure 2010_PND 15/09/2010 13:34 Page 2 CUMS 2010–2011 Page Date Concert Venue UMS embarks upon its 167th season with a of the Cystic Fibrosis Trust, and in November we perform Cparticular sense of anticipation.
    [Show full text]
  • Cheltenham Music Festival Celebrates 75Th Anniversary in 2019
    President Dame Judi Dench CH Cheltenham Music Festival celebrates 75th Anniversary in 2019 Inaugural Festival programmed by Artistic Director Alison Balsom Ambitious programme features 20 world premieres, a community opera, focus on women composers & performers, performances from top international artists and the best in new talent 5 – 14 July 2019 Highlights from the 2019 Cheltenham Music Festival Making a difference through year-round outreach: • Major new Community Opera Across the Sky, the culmination of a four-year project with the community in West Cheltenham sharing a stage with Sarah Connolly • Side by Side initiative presents cross-cultural performances and education programme sees a residency by players, teachers, and mentors from charity Brass for Africa Providing unique experiences: • Opening Weekend in partnership with Classic FM introduces free concerts and family activities, heralded by a prize-winning new fanfare • Immersive tour of Cheltenham’s historic Regency Square as part of Schumann Square • Classical mixtape • Live Human Experiments: The Musical Brain of Guy Barker taking part in a live neurological experiment whilst performing Bringing the best to Cheltenham: • World-leading ensembles include Academy of Ancient Music, City of Birmingham Symphony Orchestra, London Symphony Orchestra and Nash Ensemble • Alison Balsom and the City of Birmingham Symphony Orchestra perform world premiere of Thea Musgrave's Trumpet Concerto, conducted by Mirga Gražinytė-Tyla • London Symphony Orchestra under Elim Chan perform new work
    [Show full text]
  • Proms 2014 Page 1 of 7
    Proms 2014 Page 1 of 7 Prom 1: First Night of the Proms Proms Chamber Music 1: Les Arts Florissants Prom 9: Brahms & Janáček Friday 18 July Monday 21 July Thursday 24 July 7.30pm ± c9.10pm 1.00pm ± c2.00pm 7.30pm ± c9.45pm Royal Albert Hall Cadogan Hall Royal Albert Hall Elgar Rameau Brahms The Kingdom, Op. 51 (90 mins) Pièces de clavecin en concerts (53 mins): Piano Concerto No. 1 in D minor (49 mins) Erin Wall soprano (Blessed Virgin) Premier concert : La Coulicam, La Livri - Rondeau gracieux, Le INTERVAL Catherine Wyn-Rogers mezzo-soprano (Mary Magdalene) Vézinet Janáček Andrew Staples tenor (St John) Deuxième concert : La Laborde, La Boucon, L©Agaçante, Premier Glagolitic Mass (original version, reconstructed P. Wingfield) (43 Christopher Purves baritone (St Peter) Menuet et Deuxième Menuet mins) BBC National Chorus of Wales Troisième concert : La Lapoplinière, La Timide, Premier Barry Douglas piano BBC Symphony Chorus Tambourin et Deuxième Tambourin en Rondeau Mlada Khudoley soprano BBC Symphony Orchestra Quatrième concert : La Pantomime, L©Indiscrète, La Rameau Yulia Matochkina mezzo-soprano Sir Andrew Davis conductor Cinquième concert : La Forqueray, La Cupis, La Marais Mikhail Vekua tenor Les Arts Florissants Yuri Vorobiev bass Paolo Zanzu harpsichord/director London Symphony Chorus Prom 2: Elgar, Tchaikovsky, Mussorgsky & Liszt London Symphony Orchestra Saturday 19 July Valery Gergiev conductor 7.30pm ± c10.25pm Prom 5: Beethoven, Dvořák & R.Strauss Royal Albert Hall Monday 21 July 7.30pm ± c9.50pm Prom 10: Elgar, Walton, Moeran & David Horne Elgar Royal Albert Hall Friday 25 July Military March, ©Pomp and Circumstance© in G major, Op 39.4 (6 7.30pm ± c9.50pm mins) Richard Strauss Royal Albert Hall Tchaikovsky Till Eulenspiegels lustige Streiche (18 mins) Fantasy-Overture ©Romeo and Juliet© (20 mins) Dvořák Walton Liszt Concerto for Violin in A minor, Op.
    [Show full text]
  • Alison Balsom Announces Her Return to Recording with Royal Fireworks A
    Alison Balsom announces her return to recording with Royal Fireworks A collection of grand Baroque masterpieces and new versions performed with the Balsom Ensemble, a world-class group of period instrument specialists Released worldwide on Warner Classics 8 November 2019 Virtuoso trumpeter Alison Balsom makes her long-awaited return to recording with Royal Fireworks, a collection of beloved Baroque classics and new arrangements released worldwide on 8 November 2019 on Warner Classics. Widely acknowledged as one of the greatest trumpeters of her generation, Alison Balsom has established a multi- faceted career as an in-demand soloist on the international concert stage, a passionate educator and spokesperson for music education and a curator; including her recent successful tenure as Artistic Director of the 75th Cheltenham Music Festival in 2019. Royal Fireworks marks the continuation of Balsom’s long-term partnership with Warner Classics, being her thirteenth solo release for the label and her first since 2016’s Jubilo. In addition to the birth of her second child and marriage to the film and theatre director Sam Mendes, in the intervening years, Alison Balsom has maintained her performing career and developed, conceived and implemented her vision as Artistic Director of an international festival. This all-Baroque album sees Balsom perform on the natural (valveless) trumpet and features concertos and orchestral masterpieces by Handel, JS Bach, Telemann and Purcell. A pioneer of adapting works written for other solo instruments, Balsom is committed to demonstrating the versatility of the trumpet and Royal Fireworks features three new orchestrations by arranger Simon Wright. Baroque repertoire and the natural trumpet are long-held passions for Alison Balsom.
    [Show full text]
  • Deutsche Nationalbibliografie 2013 T 05
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2013 T 05 Stand: 15. Mai 2013 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2013 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2013-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]