Illustrations

Measurements are given in centimetres, height before width before depth.

1. Ossip Zadkine, Le Poete, OU Hommage a Paul Eluard, 1954. Plaster, 216 x 57 x 76. Musee Zadkine, Paris. Photo: Marc Vaux

2. Alberto Giacometti, Objet desagreable, ajeter, 1931. Wood, 31 x 19.6 x 29. The Scottish National Gallery of Modern Art, Edinburgh. Photo: Antonia Reeve

3. Alberto Giacometti, Sans titre (Femme egorgee), c. 1932. Pen and ink on paper, 31.6 x 24.5. Scottish National Gallery of Modern Art, Edinburgh. Gabrielle Keiller Collection

4. Pierre-Jean David d'Angers, Goethe, 1829-31. Plaster. Musee d'Orsay, Paris.© Photo RMN

5. Auguste Preault, Virgile, 1853. Bronze. Musee d'Orsay, Paris.© Photo RMN

6. Auguste Preault, Dante, 1852. Bronze. Musee d'Orsay, Paris. © Photo RMN

7. Gabriel Pech, Monument a Charles Perrault, 1908. Stone. Jardin des Tuileries, Paris

8. Alexandre Schoenewerk, La Jeune Tarentine, 1872. Marble. Musee d'Orsay, Paris.© Photo RMN

9. Theodore Riviere, SalammbO chez Math6, 1895. Bronze, ivory and jewels. Musee d'Orsay, Paris.© Photo RMN

10. Ernest Christophe, La Comedie humaine, 1876. Marble. Musee d'Orsay, Paris.© Photo RMN

11. Paul Dubois, Chanteur jlorentin, 1865. Silvered bronze, h.38.4. Musee d'Orsay, Paris.© Photo RMN

12. Pierre-Jean David d' Angers, Le Poete Gilbert, 1842. Plaster. Galerie David, Angers

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13. Auguste Preault, Orphelie, 1843. Bronze, 75 x 200 x 20. Musee d'Orsay, Paris.© Photo RMN

14. Jean-Baptiste Carpeaux, Ugolin et ses fils, 1857-61. Bronze, h.194. Musee d'Orsay, Paris.

15. Jean-Baptiste Carpeaux, Ugolin rampant sur les corps de ses enfants, 1858. Black crayon, pen, ink and wash ori paper, 14 x 21.5. Musee des Beaux-Arts, Valenciennes

16. Auguste Rodin, Porte de l'Enfer, c.1880-1900. Plaster. Musee d'Orsay, Paris, on deposit from Musee Rodin. © Photo RMN

17. Auguste Rodin, Sketch for Porte de l 'Enfer, 1880. Plaster. Musee d'Orsay, Paris.© Photo RMN

18. Auguste Rodin, Le Baiser, 1887. Marble. Musee d'Orsay, Paris. © PhotoRMN

19. Auguste Rodin, Porte de l'Enfer (detail of left panel). © Photo RMN

20. Auguste Rodin, Porte de l'Enfer (detail of left side). © Photo RMN

21. Auguste Rodin, Porte de l'Enfer (detail of right panel).© Photo RMN

22. Auguste Rodin, Fugit amor, c.1881. Bronze, 38.8 x 46 x 33.5. Musee d'Orsay, Paris.© Photo RMN

23. Camille Claude!, L'Age mur, OU La Fatalite, 1895. Plaster, 87 x 99.5 x 52.5. Musee d'Orsay, Paris. ©Photo RMN

24. Camille Claude!, L'Age mur, 1899-1903. Bronze, 114 x 163 x 72. Musee d'Orsay, Paris.© Photo RMN

25. Auguste Rodin, Le Penseur, 1887. Pen and ink in margin of Paul Gallimard's copy of Les Fleurs du Mal (1857) by Charles Baudelaire. Musee Rodin, Paris

26. Auguste Rodin, Sans titre, 1887. Pen and ink in Paul Gallimard's copy of Les Fleurs du Mal (1857) by Charles Baudelaire. Musee Rodin, Paris

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27. Auguste Rodin, Satan, 1887. Pen and ink in Paul Gallimard's copy of Les Fleurs du Mal (1857) by Charles Baudelaire. Musee Rodin, Paris

28. Auguste Rodin, le suis belle, c.1882. Bronze, 75 x 40 x 30. Musee d'Orsay, Paris.© Photo RMN

29. Emile-Antoine Bourdelle, Buste de Leon Cladel, 1894. Bronze, h. 126. Musee Ingres, Montaubon. Photo © Courtauld Institute of Art

30. Emile-Antoine Bourdelle, Monument a Auguste Quercy, 1911. Bronze, h. 120. Jardin des Plantes, Montaubon. Photo © Courtauld Institute of Art

31. Emile-Antoine Bourdelle, Apollon et sa meditation et les Muses (detail), 1912. Bronze, h. 284. Central panel from frieze for Theatre des Champs-Elysees, Paris. Photo© Courtauld Institute of Art

32. Emile-Antoine Bourdelle, Sapho, 1924-25. Bronze, h. 210. Musee Bourdelle, Paris. Photo © Courtauld Institute of Art

33. G. Duroucher, Monument a Ronsard. Stone. Tours. Photo© Courtauld Institute of Art

34. Fran~ois Sicard, Monument aux marts, 1870. Stone. Lycee Descartes, Tours. Photo © Courtauld Institute of Art

35. Denys Puech, Monument a Leconte de Lisle, 1898. Stone. Jardin du Luxembourg, Paris. Photo © Courtauld Institute of Art

36. Emile-Antoine Bourdelle, Monument a Moreas, 1911. Plaster, h. 40. Musee Bourdelle, Paris. Photo: Gazette des Beaux-Arts

37. Emile-Antoine Bourdelle, Femme sculpteur au repos, 1906. Bronze, h. 68. Musee Bourdelle, Paris. Photo© Courtauld Institute of Art

38. Alexandre Falguiere, Untitled decorative sculpture. Stone. Toulouse. Photo © Courtauld Institute of Art

39. Paul Valery, Edgar Degas (left), 1910, Stephane Mallarme (right), 1910. Wax. Musee d'Orsay, Paris.© Photo RMN

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40. Edgas Degas, Tete, petite etude pour le Portrait de Madame S., c.1892. Bronze, 14.5 x 10.4. Musee d'Orsay, Paris.© Photo RMN

41. Paul Valery, Manuscript with drawings. Pen and ink on paper. Bibliotheque Nationale, Paris. Reproduced from Cahiers 1894-1914, eds Nicole Celeyrette-Pietri et Judith Robinson-Valery, Paris, 1987. © Editions GALLIMARD

42. Paul Valery, Chez Mallarme, 10 October 1891. Pen and ink on paper. Bibliotheque litteraire Jacques Doucet, Paris

43. Paul Valery, Une Salle de Spectacle: projet d'illustration pour "Monsieur Teste", Ink and wash on paper. Musee Paul Valery, Sete

44. Edgar Degas, Renoir et Mallarme, 1895. Photograph. Bibliotheque litteraire Jacques Doucet, Paris

45. Edgas Degas, Danseuse regardant la plante de son pied droit, c.1896- 1911. Bronze, 45.7 x 18.5 x 20.7. Musee d'Orsay, Paris.© Photo RMN

46. Henri Laurens, Instrument de musique, 1916. Papier colle and charcoal on paper, 36.5 x 55.9. National Gallery of Art, Washington

47. Henri Laurens, Nature morte, 1918. Papier colle and charcoal, 32 x 40. Galerie Louise Leiris, Paris

48. Henri Laurens, Bouteille et pipe, 1917. Papier colle and chalk, 47 x 30. Galerie Louise Leiris, Paris

49. Henri Laurens, Guitare, 1919. Painted stone, h.37. Galerie Louise Leiris, Paris

50. Hans Arp, Tete stabile, 1926. Painted wood, 61 x 45. Stiftung Hans Arp und Sophie Taeuber-Arp e.v., Rolandseck. Photograph by kind permission of the owner and Hubertus Gassner.

51. Hans Arp, Tete aux objets ennuyeux, 1930. Bronze, 36 x 26 x 19. Stiftung Hans Arp und Sophie Taeuber-Arp e. V., Rolandseck. Photo© museum

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52. Hans Arp, "L' Air est une racine", Le Surrealisme au service de la revolution, 6, 1933. Stiftung Hans Arp und Sophie Taeuber-Arp e.V., Rolandseck.

53. Hans Arp, Chemise et fourchette, 1922-27. Painted wood, 39 x 37. Stiftung Hans Arp und Sophie Taeuber-Arp e. V., Rolandseck. Photograph by kind permission of Serge Fauchereau.

54. Hans Arp, Kaspar, 1930. Bronze, 50 x 28 x 19. Stiftung Hans Arp und Sophie Taeuber-Arp e. V., Rolandseck. Photograph by kind permission of Serge Fauchereau

55. Hans Arp, Yawning Shell, 1965. Bronze, 15.5 x 22 x 15. Stiftung Hans Arp und Sophie Taeuber-Arp e. V., Rolandseck. Photograph by kind permission of Serge Fauchereau

56. Hans Arp, Doigts, 1933. Collage, 26.7 x 22.4. Stiftung Hans Arp und Sophie Taeuber-Arp e. V., Rolandseck. Photograph by kind permission of Hubertus Gassner

57. Hans Arp, Groupe mediterraneen, 1941-42. Bronze. Fondazione Marguerite Arp, Locarno. Photo © Celesia fotografia, Locarno

58. Hans Arp, Sculpture automatique (Hommage a Rodin), 1938. Plaster, 27 x 22 x 11.5. Mrs Erica Kessler, Locarno. Photograph by kind permission of Serge Fauchereau

59. Hans Arp, Roue foret /, 1961. Stone, 90 x 82 x 20. Fondazione Marguerite Arp, Locarno. Photo © Celesia fotografia, Locarno

60. Andre Breton, Poeme-objet: Portrait de l'acteur A.B., 1941. Assemblage on board. Present whereabouts unknown

61. Andre Breton, Objet a fonctionnement symbolique, 1931. Various materials assembled on a wooden plank, 24.5 x 41.5 x 32. Private collection

62. Andre Breton, Poeme-objet, 1935. Assemblage and manuscript poem on wooden board, 31 x 35.6 x 6.9. The Scottish National Gallery of Modern Art, Edinburgh

63. Cover of Documents, 11/1, 1930

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64. Stills from Fox Movietone Follies of 1929, in Documents, 116, 1929

65. Alberto Giacometti, Homme et femme (1928-29) and Tetes (1927-29). Photograph composed by Michel Leiris, and published in Documents, 114, 1929

66. Jacques-Andre Boiffard, Gros orteil, sujet feminin, 24 ans, 1929. Photograph published in Documents, 1/6, 1929

67. Alberto Giacometti, Various sculptures including Homme (1929). Photograph composed by Michel Leiris, and published in Documents, 114, 1929

68. Alberto Giacometti, Objet desagreable, 1931. Wood, 15.5 x 49 x 11. Private Collection

69. Bahaylou, L'Homme et !'aloes, 1928. ·Reproduced in Documents, 116, 1929

70. Pablo Picasso, La Grue, 1951. Plaster, spade, forks, metal items, tap and sprig of osier on wooden base. 76.5 x 29 x 43.5. Musee Picasso, Paris. © Photo RMN - Beatrice Hatala

71. Pablo Picasso, Guitare, 1912. Construction of cardboard, string and wire (restored). 65.1x33 x 19. The Museum of Modern Art, New York. Gift of the Artist. Photograph© 1995 The Museum of Modern Art, New York

72. Pablo Picasso, Verre d'absinthe, 1914. Painted bronze with silver-plated spoon. 22 x 16.5 x 5. Berggruen Collection, Berlin

73. Pablo Picasso, Tete de femme, 1929-30. Painted iron, sheet-iron, springs and colanders. 100 x 37 x 59. Musee Picasso, Paris.© Photo RMN

75. Pablo Picasso, Tete de taureau, 1942. Bicycle saddle and handlebars. 33.5 x 43.5 x 19. Musee Picasso, Paris. © Photo RMN - Beatrice Hatala

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76. Pablo Picasso, Crane de chevre, bouteille et bougie, 1951-52. Painted bronze. 79 x 93 x 54. Musee Picasso, Paris. © Photo RMN

77. Pablo Picasso, Petite Fille sautant a la corde (unfinished), 1950. Plaster, osier basket, cake mould, shoes, wood, iron and pottery. 152 x 65 x 66. Photo: David Douglas Duncan

78. Pablo Picasso, Petite Chouette, 1951-52. Plaster, screws, nails and metal objects. 33.5 x 22.5 x 19. Marina Picasso. Courtesy Jan Krugier Gallery, New York

80. Pablo Picasso, Femme enceinte (unfinished), 1950. Plaster, wood and pottery. Photo Archive, Musee Picasso, Paris. Photo: Claire Batigne

81. Pablo Picasso, Homme, 1958. Wood and nails. 117 x 76 x 25. Private Collection

82. Gaetano Kanizsa, Organization in Vision, New York, 1979. ©Gaetano KANIZSA, © Praeger, New York. Reproduced with permission of GREENWOOD PUBLISHING GROUP, INC., Westport, CT

83. Gaetano Kanizsa, Organization in Vision, New York, 1979. © Gaetano KANIZSA, © Praeger, New York. Reproduced with permission of GREENWOOD PUBLISHING GROUP, INC., Westport, CT

84. Gaetano Kanizsa, Organization in Vision, New York, 1979. ©Gaetano KANIZSA, © Praeger, New York. Reproduced with permission of GREENWOOD PUBLISHING GROUP, INC., Westport, CT

85. The Spotty Dalmatian. From Richard L. Gregory, London, Weidenfeld & Nicolson, 1971. Photograph by Ronald C. James. Present whereabouts unknown.

86. Michelangelo, Madonna and Child, c.1504. Marble, h.128. Church of Notre Dame, Bruges

87. Henry Moore, Three Points, 1939-40. Bronze, 15.2 x 10.2 x 20.3. Trustees of the Tate Gallery, London

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88. Meret Oppenheim, Objet (Le Dejeuner en fourrure), 1936. Fur-covered cup, saucer, and spoon: cup, 10.9 diam.; saucer, 23.7 diam.; spoon, 20.2, long; overall h.7.3. The Museum of Modern Art, New York. Photo © 1999 The Museum of Modern Art, New York

89. Brigitte Meier-Denninghoff, Gust of Wind, 1960. Brass and tin, 111.5 x 104.5. Present whereabouts unknown

90. Antony Gormley, Angel of the North, 1998. Iron. Gateshead Metropolitan Borough Council. Photo: Sally-Ann Norman. © Booth• Clifford Editions 1998, ©Antony Gormley, © Gateshead Metropolitan Borough Council 1998

***** Works by Hans Arp, Emile-Antoine Bourdelle, Andre Breton, Alberto Giacometti, Henri Laurens, Meret Oppenheim, Ossip Zadkine © ADAGP, Paris and DACS, London, 1999; Pablo Picasso © Succession Picasso and DACS, London, 1999. The work by Henry Moore is reproduced by permission of the Henry Moore Foundation. For artists' copyright of all other works see list of illustrations.

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