Mshollywood Tin,.’ \ -Mwom L™ That Calls for Two English Char- Ot Os "Hotel Paradiso.” Lit Feature
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Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
Glee Club Sings for Air Force
Madison College Library Harriaoaburg, Virginia 'HE BREEZE &» 1*R2*v Vol. xxxn Madison College, Harrisonburg, Virginia, Friday, March 23, 1956 No. 18 GLEE CLUB SINGS FOR AIR FORCE Paul Wenger New '56-57 President Choral Group Leaves On Tour, Of Men's Student Body Organization Newly elected Paul Wenger will Traveling To Iceland, Bermuda serve as president of men's student government organization for the '56-57 Thirty members of the Madison College Glee Club have been selected and left Thursday morn- session. ing, to fly to Bermuda, Iceland, and the Azores in an Easter Concert Tour with the Military Air Since *his transfer from Syracuse Transport Service Division of the United States Air Fcrce. Members were selected on a seniority University in his freshman year, Paul basis from the larger. sixty-voice Glee Club. has served on men's student govern- The Madison Choral group will be flown first to Iceland for personal appearances at air ment organization and was corres- bases, civic centers, and for several television shows. They will return to the United States for a ponding secretary last year. Further change of luggage and will then be flown to the warmer climates of Bermuda and the Azores. activities include FBLA, Sigma Delta Their music will represent a wide Rho fraternity, and YMCA cabinet. range of styles, and will include many With his business administration religious selections appropriate to the major he has a social science minor. Easter Season. Vice president elect is Eldon Pad- gett; recording secretary, Eddie Broy- The Glee Club, under the direction les; corresponding secretary, Roland of Miss Edna T. -
Murder of Thomas Becket
Murder of Thomas Becket Thomas Becket, the Archbishop of Canterbury, is having issues with his good friend, Britain’s King Henry II. It is the 12th century, and Becket is proving he is not a push-over. He takes his role as Archbishop very seriously, doing all he can to protect the Church’s interests whenever disagreements erupt between the Church and the King. This causes the King great displeasure, and it is straining their friendship. Among other issues, Becket refuses to sign a document known as the “Constitutions of Clarendon.” Why does he refuse to sign this document? Because he believes this new law would—among other things—end- up punishing clerics twice for the same crime. Becket is adamant in his refusal to agree to such a thing. In 1164, Becket is found guilty of treason at the Great Council held in Northampton. Avoiding whatever adverse consequences might flow from this verdict, Becket flees to France. Becket has the sitting Pope (Alexander III) on his side, however. The Pope threatens the King with excommunication from the Catholic Church, so Henry lets Becket come home to England. At this stage of their quarrels, it seems that Becket has bested the King (who views Becket as a “troublesome priest”). In the presence of English Barons, Henry II—who is now utterly vexed by Becket's actions—cries out: Will no one rid me of this troublesome priest? Believing the King meant for Becket to be murdered, four knights ride to Canterbury Cathedral and kill Becket on December 29, 1170. That scene is recreated in this film clip, starring Richard Burton (as Becket) and Peter O'Toole (as Henry II). -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Convert Finding Aid To
Peter Glenville: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Glenville, Peter, 1913-1996 Title: Peter Glenville Papers Dates: 1914-2001 Extent: 37 document boxes, 5 oversize boxes, 4 oversize flat files (osf) (17.64 linear feet) Abstract: The Peter Glenville Papers embrace correspondence, business records, address books, appointment books, photographs, clippings, and personal documents. Spanning the years 1914 to 2001, the collection is largely in its original order, with the material in each series arranged alphabetically by original file title. Language: English Access: Open for research. Some materials have mold damage; see the Condition Note concerning access to these materials. Condition Note: Portions of the Peter Glenville Papers were damaged by mold during storage in the years after Glenville’s death. Most of the damaged materials were in sufficiently sound condition to permit the Ransom Center’s Conservation Department to clean them so that they could be safely handled and viewed with proper precautions. During cataloging, preservation photocopies were made of all personal correspondence located within the moderately mold-damaged materials (boxes 30-37) and these surrogates are now interfiled in the undamaged papers (boxes 1-29) to facilitate use of the collection. All photocopies are marked "Preservation photocopy of mold-damaged original in the Peter Glenville Papers." Researchers wishing to access the moderately mold-damaged originals located in boxes 30-37 are cautioned that while the Conservation Department has treated these manuscripts for mold infestation by aspiration and/or dry cleaning, mold may still be present. Users sensitive to mold should wear gloves and a dust/mist respirator while handling this material. -