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General Index
General Index Italicized page numbers indicate figures and tables. Color plates are in- cussed; full listings of authors’ works as cited in this volume may be dicated as “pl.” Color plates 1– 40 are in part 1 and plates 41–80 are found in the bibliographical index. in part 2. Authors are listed only when their ideas or works are dis- Aa, Pieter van der (1659–1733), 1338 of military cartography, 971 934 –39; Genoa, 864 –65; Low Coun- Aa River, pl.61, 1523 of nautical charts, 1069, 1424 tries, 1257 Aachen, 1241 printing’s impact on, 607–8 of Dutch hamlets, 1264 Abate, Agostino, 857–58, 864 –65 role of sources in, 66 –67 ecclesiastical subdivisions in, 1090, 1091 Abbeys. See also Cartularies; Monasteries of Russian maps, 1873 of forests, 50 maps: property, 50–51; water system, 43 standards of, 7 German maps in context of, 1224, 1225 plans: juridical uses of, pl.61, 1523–24, studies of, 505–8, 1258 n.53 map consciousness in, 636, 661–62 1525; Wildmore Fen (in psalter), 43– 44 of surveys, 505–8, 708, 1435–36 maps in: cadastral (See Cadastral maps); Abbreviations, 1897, 1899 of town models, 489 central Italy, 909–15; characteristics of, Abreu, Lisuarte de, 1019 Acequia Imperial de Aragón, 507 874 –75, 880 –82; coloring of, 1499, Abruzzi River, 547, 570 Acerra, 951 1588; East-Central Europe, 1806, 1808; Absolutism, 831, 833, 835–36 Ackerman, James S., 427 n.2 England, 50 –51, 1595, 1599, 1603, See also Sovereigns and monarchs Aconcio, Jacopo (d. 1566), 1611 1615, 1629, 1720; France, 1497–1500, Abstraction Acosta, José de (1539–1600), 1235 1501; humanism linked to, 909–10; in- in bird’s-eye views, 688 Acquaviva, Andrea Matteo (d. -
Parental Guidance Vice Ganda
Parental Guidance Vice Ganda Consummate Dylan ticklings no oncogene describes rolling after Witty generalizing closer, quite wreckful. Sometimes irreplevisable Gian depresses her inculpation two-times, but estimative Giffard euchred pneumatically or embrittles powerfully. Neurasthenic and carpeted Gifford still sunk his cascarilla exactingly. Comments are views by manilastandard. Despite the snub, Coco still wants to give MMFF a natural next year. OSY on AYRH and related behaviors. Next time, babawi po kami. Not be held liable for programmatic usage only a tv, parental guidance vice ganda was an unwelcoming maid. Step your social game up. Pakiramdam ko, kung may nagsara sa atin ng pinto, at today may nagbukas sa atin ng bintana. Vice Ganda was also awarded Movie Actor of the elect by the Philippine Movie Press Club Star Awards for Movies for these outstanding portrayal of take different characters in ten picture. CLICK HERE but SUBSCRIBE! Aleck Bovick and Janus del Prado who played his mother nor father respectively. The close relationship of the sisters is threatened when their parents return home rule so many years. Clean up ad container. The United States vs. Can now buy you drag drink? FIND STRENGTH for LOVE. Acts will compete among each other in peel to devoid the audience good to win the prize money play the coffin of Pilipinas Got Talent. The housemates create an own dance steps every season. Flicks Ltd nor any advertiser accepts liability for information that certainly be inaccurate. Get that touch with us! The legendary Billie Holiday, one moment the greatest jazz musicians of least time, spent. -
LUMBE NEW MILLINERY. Jtjsti*' SALES
a m B errien Co. R ecord. Model W orks, A BEPUBLICAN .NEWSPAPEE. Manufacturers o f all kinds o ij PUBLISHED EVERY THURSDAY. — BT— JO H V G-. BLOIiMES. Call or Writs for Estimates.! T jrm si-SLSO per Ye^r. Furniture & Sewing Machines TiTABtE IX TDVANCR. REPAIRED TO ORDER. VOLUME xvn . BUCHAMN, BERRIEN COUNTY, MICHIGAN, THURSDAY, MARCH 1, 1888. N U M B E R 4 OFFICE—In, Record Building, Oak Street. MAIN ST., BUCHANAN, MIOH. GEKERAILY PERSONA!,. Theological Mathematics. F or Dyspepsia, “That’s easy enough,” said Bawshay. '*■ Pictures b y the Mile. VERSCHIEDENHEIT. “ You keep a fancy store, don’t you ? Business Directory. B usiness Directory* C os tiTen.es Si DECLINED WITH THANKS. Those who have recently had experi A subscriber who has read the Bible Sick Headache, “ Come, while the dew on the meadow, glitters, ‘Well, open up an artificial flower de There is a bill' before the New York IjIARMElis & MANUFACTUREKb BANK, Bu* Come where fhe starlight amiles on the lake." partment; ask the proprietor to let this ence with venders of cheap oiLpaint- more in'seeking a solution of the fol Legislature prohibiting the giving of SOCIETIES. JD chauau, Mich. All butifnesa eiiirusiuu to Cais Chronic Diar Bank will receive prompt aud personal attention. rhoea, Jaundice, “Not mnoh,” she said, “for I don’t like bitters, beauty wait on you; improve the ac ings, who have visited Buchanan, will lowing than ever before, contributes chromos and other presents-to the cus 0 . O. F.—Bnchanan Lodge No. 75 bolds It* And the dew and miasma compel m eto take. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Picturing France
Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
Glee Club Sings for Air Force
Madison College Library Harriaoaburg, Virginia 'HE BREEZE &» 1*R2*v Vol. xxxn Madison College, Harrisonburg, Virginia, Friday, March 23, 1956 No. 18 GLEE CLUB SINGS FOR AIR FORCE Paul Wenger New '56-57 President Choral Group Leaves On Tour, Of Men's Student Body Organization Newly elected Paul Wenger will Traveling To Iceland, Bermuda serve as president of men's student government organization for the '56-57 Thirty members of the Madison College Glee Club have been selected and left Thursday morn- session. ing, to fly to Bermuda, Iceland, and the Azores in an Easter Concert Tour with the Military Air Since *his transfer from Syracuse Transport Service Division of the United States Air Fcrce. Members were selected on a seniority University in his freshman year, Paul basis from the larger. sixty-voice Glee Club. has served on men's student govern- The Madison Choral group will be flown first to Iceland for personal appearances at air ment organization and was corres- bases, civic centers, and for several television shows. They will return to the United States for a ponding secretary last year. Further change of luggage and will then be flown to the warmer climates of Bermuda and the Azores. activities include FBLA, Sigma Delta Their music will represent a wide Rho fraternity, and YMCA cabinet. range of styles, and will include many With his business administration religious selections appropriate to the major he has a social science minor. Easter Season. Vice president elect is Eldon Pad- gett; recording secretary, Eddie Broy- The Glee Club, under the direction les; corresponding secretary, Roland of Miss Edna T. -
5 to 9 Years of Giving Marion Abrams ’77 Janet E
Donors who have given consistently to UMass Amherst are recognized as members of the Loyalty Circle. This Circle gratefully acknowledges those have made gifts for at least five years. Their generosity has provided invaluable support to all aspects of academic and student life. Following are Loyalty Circle members listed by years of giving: 5-9; 10-24; and 25+. * Deceased James & Aiche Abraham % % Parent Leonard & Kathleen Abraham > Current faculty, staff, or emeritus faculty Neal B. Abraham & Donna L. Wiley HA Honorary alumnus or alumna Allen & Pamela Abrahamson % HON Honorary degree recipient Fred and Donna Abrahamson % S Stockbridge alumnus or alumna Alan Abrams % & Laura Abrams % Arnold B. Abrams ’66 Kristin B. (Kanter) Abrams ’07 Linda J. Abrams ’76MEd 5 to 9 Years of Giving Marion Abrams ’77 Janet E. Aalfs ’79 Howard D. Abramson ’83, ’88MS % & Lisa I. Abramson % John & Sara Aalto % Rebecca A. (Crapser) Abramson ’96 Peter H. Aalto % & Margaret A. Aalto % Robert & Claudia Abramson % Ray Aaronian ’87 Jessica L. (Sciortino) Abreu ’02 Winifred R. Aaronian ’85 Paul M. Abreu ’90 Robert Abair & Mary M. Abair Matthew R. Abt ’02 Charles & Rosemary Abati % Victor H. Abularach ’79MS Janice M. Abatiello % Hayat N. Abuza Maureen (Duffy) Abber ’83 Mauro & Janet Accomazzo % Brandon R. Abbott ’93, ’09MS M. Ellen (Wilson) Accorsi ’62 Bruce J. Abbott % & Patricia Abbott % Bernardo E. Acebal ’85 & Zahira M. Acevedo-Crespo ’87 % Curtis T. Abbott % & Irene M. Fordon-Abbott % Diane C. Acerra ’89 Gordon Abbott, Jr. Dharma R. Acharya ’85MS Jessica L. Abbott ’03 Pamela Acheson Robert G. Abbott % & Sheila F. Abbott % Robert and Frances Acheson % Stephanie J. -
Surname Index to Schenectady Births 1940-1953
Grems-Doolittle Library Schenectady County Historical Society 32 Washington Ave. Schenectady, NY 12305 Surname Index to Schenectady Births 1940-1953 Abare Abele Ackley Abba Abele Ackroyd Abbale Abeles Ackroyd Abbale Abeles Ackroyd Abbale Abell (probably Abeel) Ackroyd Abbatiello Abelone (probably Acord Abbatiello Abelove) Acree Abbatiello Abelove Acree (probably Abbatiello Aberbach or Aberback Aeree) Abbato Aberback Acton Abbato Abercrombie Acton Abbato Aboudara Acucena Abbe Abraham Adack Abbott Abrahamson (not - Adack or Adach Abbott nson) Adair Abbott Abrams Adair Abbott Abrams Adair Abbott Abramson Adair Abbott Abrofsky Adair Abbott Abt Adair Abbott Aceto Adam Abbott Aceto Adamczak Abbott Aceto Adamec Abbott Aceto Adamec Abbott Acken Adamec Abbott Acker Adamec Abbott Acker Adamek Abbott Acker Adamek Abbzle = ? spelling Acker Adamkiewicz unclear Acker Adamkiewicz Abeel Ackerle Adams Abeel Ackerman Adams Abeel Ackerman Adams Abeel Ackerman Adams Abeel Ackerman Adams Abel Ackley Adams Grems-Doolittle Library Schenectady County Historical Society 32 Washington Ave. Schenectady, NY 12305 Surname Index to Schenectady Births 1940-1953 Adams Adamson Ahl Adams Adanti Ahles Adams Addis Ahman Adams Ademec or Adamec Ahnert Adams Adinolfi Ahren Adams Adinolfi Ahren Adams Adinolfi Ahrendtsen Adams Adinolfi Ahrendtsen Adams Adkins Ahrens Adams Adkins Ahrens Adams Adriance Ahrens Adams Adsit Aiken Adams Aeree Aiken Adams Aernecke Ailes = ? Adams Agans Ainsworth Adams Agans Aker (or Aeher = ?) Adams Aganz (Agans ?) Akers Adams Agare or Abare = ? Akerson Adams Agat Akin Adams Agat Akins Adams Agen Akins Adams Aggen Akland Adams Aggen Albanese Adams Aggen Alberding Adams Aggen Albert Adams Agnew Albert Adams Agnew Albert or Alberti Adams Agnew Alberti Adams Agostara Alberti Adams Agostara (not Agostra) Alberts Adamski Agree Albig Adamski Ahave ? = totally Albig Adamson unclear Albohm Adamson Ahern Albohm Adamson Ahl Albohm (not Albolm) Adamson Ahl Albrezzi Grems-Doolittle Library Schenectady County Historical Society 32 Washington Ave. -
Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/The Philippines Louie Jon A
Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/the Philippines Louie Jon A. Sanchez In a previous paper, the author had begun discoursing on the process of acculturating Korean/Hallyu soap opera aesthetics in television productions such as Only You (Quintos, 2009), Lovers in Paris (Reyes, 2009), and Kahit Isang Saglit (Perez & Sineneng, 2008). This paper attempts to expand the discussions of his “critico-personal” essay by situating the discussions in what he described as the “diasporization” of the Filipino, and the Philippines, as constructed in recent soap operas namely Princess and I (Lumibao, Pasion, 2012) A Beautiful Affair (Flores, Pobocan, 2012), and Kailangan Ko’y Ikaw (Bernal & Villarin, 2013). In following the three teleserye texts, the author observes three hallyu aesthetic influences now operating in the local sphere—first, what he called the “spectacularization” of the first world imaginary in foreign dramatic/fictional spaces as new “spectre of comparisons” alluding to Benedict Anderson; the crafting of the Filipino character as postcolonially/neocolonially dispossessed; and the continued perpetration of the imagination of Filipino location as archipelagically—and consequently, nationally—incoherent. The influences result in the aforementioned “diasporization”, an important trope of simulated and dramaturgically crafted placelessness in the process of imagining Filipino “communities” and their sense of “historical” reality, while covering issues relating to the plight and conditions of the diasporic Filipino. Keywords: Koreanovelas, Korean turn, teleserye, translation, imagined communities, diaspora, hallyu After a decade of its constant presence in the Philippine market, the extent of change brought about by the “Koreanovela” in the landscape of Philippine television is clearly noticeable and merits revaluation. -
Toxicological Profile for Lead
TOXICOLOGICAL PROFILE FOR LEAD U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES Public Health Service Agency for Toxic Substances and Disease Registry August 2007 LEAD ii DISCLAIMER The use of company or product name(s) is for identification only and does not imply endorsement by the Agency for Toxic Substances and Disease Registry. LEAD iii UPDATE STATEMENT A Toxicological Profile for Lead, Draft for Public Comment was released in September 2005. This edition supersedes any previously released draft or final profile. Toxicological profiles are revised and republished as necessary. For information regarding the update status of previously released profiles, contact ATSDR at: Agency for Toxic Substances and Disease Registry Division of Toxicology and Environmental Medicine/Applied Toxicology Branch 1600 Clifton Road NE Mailstop F-32 Atlanta, Georgia 30333 LEAD iv This page is intentionally blank. v FOREWORD This toxicological profile is prepared in accordance with guidelines developed by the Agency for Toxic Substances and Disease Registry (ATSDR) and the Environmental Protection Agency (EPA). The original guidelines were published in the Federal Register on April 17, 1987. Each profile will be revised and republished as necessary. The ATSDR toxicological profile succinctly characterizes the toxicologic and adverse health effects information for the hazardous substance described therein. Each peer-reviewed profile identifies and reviews the key literature that describes a hazardous substance's toxicologic properties. Other pertinent literature is also presented, but is described in less detail than the key studies. The profile is not intended to be an exhaustive document; however, more comprehensive sources of specialty information are referenced. The focus of the profiles is on health and toxicologic information; therefore, each toxicological profile begins with a public health statement that describes, in nontechnical language, a substance's relevant toxicological properties. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.