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Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema. -
DOCUMENT RESUME ED 391 195 CS 509 138 AUTHOR Tillman, Lisa M.; Bochner, Arthur P. TITLE Seeing Through Film: Cinemaas Inquiry An
DOCUMENT RESUME ED 391 195 CS 509 138 AUTHOR Tillman, Lisa M.; Bochner, Arthur P. TITLE Seeing through Film: Cinemaas Inquiry and Pedagogy. PUB DATE Nov 95 NOTE 12p.; Paper presented at the AnnualMeeting of the Speech Communication Association (8Ist, SanAntonio, TX, November 18-21, 1995). PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Speeches/Conference Papers (150) EDRS PRICE MFOI/PC01 Plus Postage. DESCRIPTORS *Audience Response; Communication (ThoughtTransfer); *Critical Thinking; *Film Criticism; *FilmStudy; Higher Education; InstructionalEffectiveness; *Relationship; Undergraduate Students IDENTIFIERS *Film Viewing; University of SouthFlorida ABSTRACT An undergraduate course at the Universityof South Florida called "Relationshipson Film" treats movies as relationship texts to be "read" by active viewers. Throughthe semester, students engage film in two ways. First, they interpret filmsas response papers. Each week, students watch the assigned filmoutside of class. Then they select the relational issuesthey want to address, and write about what they find most evocative,interesting, or questionable. Second, students turna reflexive eye onto themselves and ask what values arid assumptionsthey use to interpret relationship experience. In other words,after students write about issues they select, they examine theiranalyses and consider such questions as, "How am I positionedas a viewer of this film?" or "What does my selection of theseissues say about me?" These questions call students to examine criticallytheir own structures of interpretation--their memories, their familytraditions, their cultural Cairo," two films that affirmthat people today live in what N. Denzin Cairo," 2 films that affirmthat people today live in what N. Denzin calls "a cinematic society."These "movies about movies" suggest that film mediates identity andrelationships in several ways. -
FFF Osama SG
Osama Study Guide Alicia McGivern fresh film festival 2005 1 Osama Osama Introduction Questions dir. Siddaq Barmak/ Osama is a film about life for a young Mulan is another film where the Afghanistan-Netherlands-Japan-Ireland- girl under Taliban rule in Afghanistan, central character must change her Iran/83mins/2003 the home of director and writer, Siddiq identity in order to survive. Do you Barmak. Said to be the first film know this film? Describe the story Cast produced in the country since this and compare with Osama. Marina Golbahari Osama extreme religious regime was ousted in Can you think of any other films in Arif Herati Espandi 2002, it premiered at Cannes in 2003 which the central character has to Zubaida Sahar Mother and went on to win a Golden Globe for change their identity? Best Foreign Film in 2004. The film What do you know about Afghanistan? Other cast opens with a quote from Nelson Brainstorm with your class. Mohamad NadUer Khadjeh Mandela - ‘I cannot forget, but I will Mohamad Haref Harati forgive’, which serves to entice the Director Gol Rahman Ghorbandi viewer to speculate on the story as Siddiq Barmak’s filmmaking career Khwaja Nader well as suggest an indictment of the can be seen as a reflection of recent Hamida Refah system on which the story is based. Afghan history. His early interest in The film tells the story of a cinema began in the Park Cinema in Production young girl who has to reinvent herself Kabul. Some 30 years later he Production Designer Akbar Meshkini in order to survive. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Of Monsters, Spirits, Soldiers and the Power of Imagination. a Psychoanalytic Lens on Victor Erice’S “The Spirit of the Beehive” (El Espíritu De La Colmena)
Of monsters, spirits, soldiers and the power of imagination. A psychoanalytic lens on Victor Erice’s “The spirit of the beehive” (El espíritu de la colmena) Andrea Sabbadini Abstract My article on Victor Erice's The Spirit of the Beehive (1973) looks at the ambivalent fantasies of two Spanish young girls, excited by the screening of the film Frankenstein in their village town-hall. I offer an interpretation of their fantasies in the context of those children's psychological development, of their relationship with emotionally distant parents, and of the post-Civil War historical period when the story takes place. Key words: childhood, frankenstein, spanish civil war, monsters, ghosts Throughout the history of cinema, feature films about children, which are not always films for children, abound. to this genre, My own idiosyncratic list of favourite European movies in this genre (therefore leaving out Hollywood’s important contribution) includes: Rossellini’s Germania anno zero (1947) about a boy’s desperate attempt to survive in a city destroyed by the war; Visconti’s Bellissima (1951) on a mother’s obsession with her little girl getting a part in a film; Truffaut’s autobiographical Les quatre cent coups (1959); Loach’s Kes (1969) on a lonely boy’s love for a bird of prey; Saura’s Cría Cuervos (1976) about a child wrongly convinced of having poisoned her father; Tornatore’s Nuovo Cinema Paradiso (1988) on a boy’s lifelong passion for cinema; Sverák’s Kolya (1996) on a cellist saddled with someone else’s kid, and getting to love him; and Doillon’s Ponette (1996) on a four-year old girl coming to terms with the death of her mother. -
Network Review #37 Cannes 2021
Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening -
Documente Muzicale Tipărite Şi Audiovizuale
BIBLIOTECA NAŢIONALĂ A ROMÂNIEI BIBLIOGRAFIA NA ŢIONALĂ ROMÂNĂ Documente muzicale tipărite şi audiovizuale Bibliografie elaborată pe baza publicaţiilor din Depozitul Legal Anul XLVII 2014 Editura Bibliotecii Naţionale a României BIBLIOGRAFIA NAŢIONALĂ ROMÂNĂ SERII ŞI PERIODICITATE Cărţi. Albume. Hărţi: bilunar Documente muzicale tipărite şi audiovizuale : anual Articole din publicaţii seriale. Cultură: lunar Publicaţii seriale: anual Românica: anual Teze de doctorat: semestrial © Copyright 2014 Toate drepturile sunt rezervate Editurii Bibliotecii Naţionale a României. Nicio parte din această lucrare nu poate fi reprodusă sub nicio formă, prin mijloc mecanic sau electronic sau stocat într-o bază de date, fără acordul prealabil, în scris, al redacţiei. Înlocuieşte seria Note muzicale. Discuri. Casete Redactor: Raluca Bucinschi Coperta: Constantin Aurelian Popovici Lista pubLicaţiiLor bibLiotecii NaţioNaLe a româNiei - Bibliografia Naţională Română seria: Cărţi.Albume.Hărţi seria: Documente muzicale tipărite şi audiovizuale : anual seria: Articole din publicaţii periodice. Cultură: lunar seria: Publicaţii seriale: anual seria: Românica: anual seria: Teze de doctorat: semestrial - Aniversări culturale, 2/an - Biblioteconomie: sinteze, metodologii, traduceri , 2/an - Abstracte în bibliologie şi ştiinţa informării, 2/an - Bibliografia cărţilor în curs de apariţie (CIP), 12/an - Revista Bibliotecii Naţionale a României, 2/an - Revista română de istorie a cărţii, 1/an - Revista română de conservare și restaurare a cărții, 1/an Abonamentele la publicaţiile Bibliotecii Naţionale a României se pot face prin Biblioteca Naţională a României , biroul Editorial (telefon 021 314.24.34/1095) Editura Bibliotecii Naţionale a României Blv. Unirii, nr.22, sect. 3, Bucureşti, cod 030833 Tel.021 314.24.34; Fax:021 312.33.81 E-mail: [email protected] Documente muzicale tipărite şi audiovizuale 3 CUPRINS COMPACT DISCURI - Listă divizionare .......................................................... -
Neuerwerbungen Noten
NEUERWERBUNGSLISTE JUNI 2018 FILM Cinemathek in der Amerika-Gedenkbibliothek (aktuelle Medienempfehlungen siehe auch im Webauftritt unter www.zlb.de/fachinformation/spezialbereiche/cinemathek) © Eva Kietzmann, ZLB Zentral- und Landesbibliothek Berlin Stiftung des öffentlichen Rechts Inhaltsverzeichnis Film 5 Stummfilme 3 Film 7 Fernsehserien 3 Film 10 Tonspielfilme 11 Film 20 Animationsfilme 39 Film 27 Animation/Anime Serien 40 Film 30 Experimentalfilme 40 Film 40 Dokumentarfilme 40 Musi Musikdarbietungen/ Musikvideos 40 K 400 Kinderfilme 42 Ju 400 Jugendfilme 45 Sachfilme nach Fachgebiet 46 Seite 2 von 52 Stand vom: 02.07.2018 Neuerwerbungen im Fachbereich Film Film 5 Stummfilme Film 5 Dupo 3 ¬Das¬ Alte Gesetz / Ewald A. Dupont Regie ; Paul Reno Dreh- a:DVD buchautor/in ; Theodor Sparkuhl Kamera ; Henny Porten Schau- spieler/in ; Ernst Deutsch Schauspieler/in ; Ruth Weyher Schau- spieler/in ; Heinrich Laube ; Philippe Schoeller [Komponist/in]. - 2018 Film 7 Fernsehserien Film 7/19- 19-2. - 4. Staffel. ¬Die¬ komplette vierte Staffel. - 2018 2/1:4.DVD 112/000 033 016 American Gods : [DVD-Video]. - 1. Staffel, Episoden 1-8.. - 2017 (Film 7 AmeGods 1 e:1.DVD) Film 7 Androme 1 Andromeda : [DVD-Video]. - Staffel 4, Episoden 1-22. / Jorge Mon- a:4.DVD tesi Regie ... Ashley Miller Drehbuchautor/in ... Gordon Verheul Kamera ... Kevin Sorbo Schauspieler/in ; Lisa Ryder Schauspieler/in ; Laura Bertram Schauspieler/in ... Gene Roddenberry ; Matthew MacCauley Komponist/in. - 2017 112/000 032 535 Ascencion : die komplette Serie / Adrian A. Cruz Drehbuchautor/in (Film 7 Ascenci 1 ; Philip Levens Drehbuchautor/in ; Tricia Helfer Schauspieler/in ; Gil c:DVD) Bellows Schauspieler/in ; Brian P. Holt Schauspieler/in. - 2016 112/000 034 515 Mit Schirm, Charme und Melone : wie alles begann ; [DVD-Video]. -
California State University, Sacramento Department of World Literatures and Languages Italian 104 a INTRODUCTION to ITALIAN CINEMA I GE Area C1 SPRING 2017
1 California State University, Sacramento Department of World Literatures and Languages Italian 104 A INTRODUCTION TO ITALIAN CINEMA I GE Area C1 SPRING 2017 Course Hours: Wednesdays 5:30-8:20 Course Location: Mariposa 2005 Course Instructor: Professor Barbara Carle Office Location: Mariposa Hall 2057 Office Hours: W 2:30-3:30, TR 5:20-6:20 and by appointment CATALOG DESCRIPTION ITAL 104A. Introduction to Italian Cinema I. Italian Cinema from the 1940's to its Golden Period in the 1960's through the 1970's. Films will be viewed in their cultural, aesthetic and/or historical context. Readings and guiding questionnaires will help students develop appropriate viewing skills. Films will be shown in Italian with English subtitles. Graded: Graded Student. Units: 3.0 COURSE GOALS and METHODS: To develop a critical knowledge of Italian film history and film techniques and an aesthetic appreciation for cinema, attain more than a mere acquaintance or a broad understanding of specific artistic (cinematographic) forms, genres, and cultural sources, that is, to learn about Italian civilization (politics, art, theatre and customs) through cinema. Guiding questionnaires will also be distributed on a regular basis to help students achieve these goals. All questionnaires will be graded. Weekly discussions will help students appreciate connections between cinema and art and literary movements, between Italian cinema and American film, as well as to deal with questionnaires. You are required to view the films in the best possible conditions, i.e. on a large screen in class. Viewing may be enjoyable but is not meant to be exclusively entertaining. -
Education Education Welcome Senior Cycle
Black Gold • Ten Canoes Comme une Image • Once Warchild • Los Olvidados Rocky Road to Dublin • Babel Mr Magorium’s Wonder Emporium Education BABEL Alejandro Gonzalez Inarritu’s Autumn/Winter 2007 Welcome Senior Cycle IFI Education: Supporting film in school curricula and English promoting moving image culture for young audiences. We currently reach 20,000 students around Ireland at secondary and primary level with our extensive programme. This includes films in Irish, French, German and Spanish, alongside Leaving Cert English titles, new Irish films, documentaries and films for primary school audiences. Strictly Ballroom Oct 3, 10.30am Baz Luhrmann’s flamboyant and colourful debut film tells LAUNCH EVENT the story of Scott and Fran who struggle to dance their Cinema Paradiso – Original Version Sep 27, 10.30am own steps despite an authoritarian Dance Federation. We are delighted to launch this term’s events with two free screenings at the IFI: As You Like It This modern classic is showing for Leaving Cert 08 in the Told as a fairy tale, romantic comedy and dance musical original version. The story is revealed in flashback, when rolled into one, this is an excellent choice for comparative (for teachers) on September 19th at 6.30 pm, and A Mighty Heart (for students) on Salvatore (Toto) returns to the small Sicilian town of his child- study: accessible, fun and fast-paced, it also deals with September 20th at 10.30 am. hood for the funeral of his mentor, local projectionist Alfredo. more serious themes. FRANCE/ITALY • 1998 • COMEDY/DRAMA • 123 MIN AUS • 1992 • COMEDY/DRAMA • 94 MINS • DIR: BAZ LUHRMANN DIRECTOR: GUISEPPE TORNATORE ALSO SHOWING AT: Samhlaíocht Kerry Film Festival (Nov 5-9) Nov 5 Booking through Samhlaíocht on (066) 712 9934 Revision Workshops for Leaving Cert 2008 Hour-long workshop focussing on key moments for students of Leaving Cert 2008. -
King's Film Society Past Films 1992 –
King’s Film Society Past Films 1992 – Fall 1992 Truly, Madly, Deeply Sept. 8 Howard’s End Oct. 13 Search for Intelligent Signs of Life In the Universe Oct. 27 Europa, Europa Nov. 10 Spring 1993 A Woman’s Tale April 13 Everybody’s Fine May 4 My Father’s Glory May 11 Buried on Sunday June 8 Fall 1993 Enchanted April Oct. 5 Cinema Paradiso Oct. 26 The Long Day Closes Nov. 9 The Last Days of Chez-Nous Nov. 23 Much Ado About Nothing Dec. 7 Spring 1994 Strictly Ballroom April 12 Raise the Red Lantern April 26 Like Water for Chocolate May 24 In the Name of the Father June 14 The Joy Luck Club June 28 Fall 1994 The Wedding Banquet Sept 13 The Scent of Green Papaya Sept. 27 Widow’s Peak Oct. 9 Sirens Oct. 25 The Snapper Nov. 8 Madame Sousatzka Nov. 22 Spring 1995 Whale Music April 11 The Madness of King George April 25 Three Colors: Red May 9 To Live May 23 Hoop Dreams June 13 Priscilla: Queen of the Desert June 27 Fall 1995 Strawberry & Chocolate Sept. 26 Muriel’s Wedding Oct. 10 Burnt by the Sun Oct. 24 When Night Rain Is Falling Nov. 14 Before the Rain Nov. 28 Il Postino Dec. 12 Spring 1996 Eat Drink Man Woman March 25 The Mystery of Rampo April 9 Smoke April 23 Le Confessional May 14 A Month by the Lake May 28 Persuasion June 11 Fall 1996 Antonia’s Line Sept. 24 Cold Comfort Farm Oct. 8 Nobody Loves Me Oct.