March 2019 Artsnews
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Typical Girls: the Rhetoric of Womanhood in Comic Strips Susan E
Typical girls The Rhetoric of Womanhood in Comic Strips Susan E. Kirtley TYPICAL GIRLS STUDIES IN COMICS AND CARTOONS Jared Gardner and Charles Hatfield, Series Editors TYPICAL GIRLS The Rhetoric of Womanhood in Comic Strips SUSAN E. KIRTLEY THE OHIO STATE UNIVERSITY PRESS COLUMBUS COPYRIGHT © 2021 BY THE OHIO STATE UNIVERSITY. THIS EDITION LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION- NONCOMMERCIAL-NODERIVS LICENSE. THE VARIOUS CHARACTERS, LOGOS, AND OTHER TRADEMARKS APPEARING IN THIS BOOK ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS AND ARE PRESENTED HERE STRICTLY FOR SCHOLARLY ANALYSIS. NO INFRINGEMENT IS INTENDED OR SHOULD BE IMPLIED. Library of Congress Cataloging-in-Publication Data Names: Kirtley, Susan E., 1972– author. Title: Typical girls : the rhetoric of womanhood in comic strips / Susan E. Kirtley. Other titles: Studies in comics and cartoons. Description: Columbus : The Ohio State University Press, [2021] | Series: Studies in comics and cartoons | Includes bibliographical references and index. | Summary: “Drawing from the work of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook’s Comeek), Barbara Brandon-Croft (Where I’m Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls examines the development of womanhood and women’s rights in popular comic strips”—Provided by publisher. Identifiers: LCCN 2020052823 | ISBN 9780814214572 (cloth) | ISBN 0814214576 (cloth) | ISBN 9780814281222 (ebook) | ISBN 0814281222 (ebook) Subjects: LCSH: Comic strip characters—Women. | Women in literature. | Women’s rights in literature. | Comic books, strips, etc.—History and criticism. Classification: LCC PN6714 .K47 2021 | DDC 741.5/3522—dc23 LC record available at https://lccn.loc.gov/2020052823 COVER DESIGN BY ANGELA MOODY TEXT DESIGN BY JULIET WILLIAMS TYPE SET IN PALATINO For my favorite superhero team—Evelyn, Leone, and Tamasone Castigat ridendo mores. -
Funky Turns 40
THE MUSEUM OF UNCUT FUNK PRESENTS FUNKY TURNS 40™: BLACK CHARACTER REVOLUTION A RETROSPECTIVE OF 1970‘S CARTOON ANIMATION ART FEATURING BLACK CHARACTERS THE MUSEUM OF UNCUT FUNK PRESENTS FUNKY TURNS 40: BLACK CHARACTER REVOLUTION EXHIBITION INVENTORY Contact Information Museum First Name Last Name Phone Address E-Mail Curator The Museum Of UnCut Funk Pamela Thomas Co-Curator The Museum Of UnCut Funk Loreen Williamson Art Item Photo Artwork Cartoon Studio Network Run Historical Notes Description I. BLACK CAST CARTOONS: Billy Jo Jive Billy Jo Jive - Original Production Cel Features Billy Billy Jo Jive Sesame Street PBS: Billy Jo Jive was the first positive Saturday morning cartoon Jo Jive and 11/27/78 - series featuring Black characters to be created from a series of Smart Susie through the children’s books. Billy Jo Jive was a self-described super crime Sunset 1980’s fighting ace, a prepubescent Black detective in animated segments on Sesame Street in the late 1970s and early 1980s. Billy Jo Jive and his sidekick, Smart Susie Sunset, originated in a series of children's books by John Shearer, with illustrations by his father Ted Shearer. The series debuted with Billy Jo Jive, Super Private Eye: The Case of the Missing Ten Speed Bike in 1976. The earliest known TV appearance: Sesame Street Episode 1186. Fat Albert And The Cosby Kids Fat Albert And The Cosby Kids - “Band Features Fat Fat Albert And Filmation CBS: Fat Albert is the longest running positive Black cast Saturday Practice” Limited Edition Cel Albert gang The Cosby Kids 9/9/72 - 8/10/85 morning cartoon series and the third positive Black cast from Halloween Run: Saturday morning cartoon series. -
March 2019 Artsnews
MARCH 2019 ARTSNEWS by Mary by Gillian Laub Family Jamie Practicing for the Detail of (photo credit: Kristen Somody Whalen) Annie E. Pettway, Gee's Bend Quilter Tooley Parker (photo courtesy of Rye Arts Center) Tooley Irvington Town Hall Theater – Rye Arts Center – ArtsWestchester – Amy Lynn and the Honey Men (A12) Fiber Now: Textile Artists on the Cutting Edge (A18) Modern Families (A8) A publication of ArtsWestchester artsw.org/artsnews This issue is sponsored by: A2 Westchester County Business Journal • ARTSNEWS MARCH 2019 from the County Executive from the CEO With spring and sunshine fast approaching, there are dozens of inspired opportunities to explore the arts in every corner of Westchester County. With ArtsWestchester serving as our partner, the possibilities for creativity and Who is Family? culture are endless, with a vast array of arts organizations showcasing a variety of disciplines and talents. By Janet Langsam, ArtsWestchester CEO Recently, Westchester County joined with ArtsWestchester to congratulate 45 local arts organizations on becoming recipients of matching funds Was it by chance? Or, was it ordained from the Art$WChallenge Grant Program. Dance, music, theater and the visual arts ... that I would meet the extraordinary are essential to our quality of life, and through this partnership, we are able to support widow of James Van Der Zee, deserving artists and organizations. We are also able to improve access to the arts the noted Harlem Renaissance and culture for residents living across Westchester County. The ArtsNews publication photographer at an ordinary gathering highlights all of the opportunities available to you. I invite you to keep track of upcoming of the Mt. -
New DUI Law Toughens Rules for More Than Driver
A-2, The Cadiz Record, Wednesday, March 6,1991 E nd o f w ar Just The Other Day W e 'r e By Billy Rawls ’tribute’ to I was recuperating from re p r o u d technology, cuperating, but my brain m igh t would not allow me to nap. It o f th e was mulling over thoughts concerning the "Old Timers men and women V o ice Basketball Game" that is scheduled for Saturday Night, of March 30, 1991 at Trigg V en a b le County High School. Last year this event was very suc By KeithS. cessful in raising funds for Venable new T.C.H.S. band uniforms A-''* and getting old gangs to gether. Along with all Americans I 0 My thoughts strayed back to Cadiz High School and the two rejoice at the rapid end of the cinder basketball courts that were squeezed in on both ends o f Iraq War. It is a tribute to of the school-house lot. Mostly, they were used as play American technology and the grounds for recess. But occasionally our two basketballs O p e r a t io n might of the U.S., and the were dribbled or shot at the warped plank backboards that skill and dedication of our held netless hoops which would not have survived a slam- D e s e r t young men and women in the dunk by boys wearing knee-pads to protect them from rough service. cinders. Every time I visit Ft. As I wondered if Cadiz really did play Lamasco and Cobb, S t o r m Campbell I have been im my telephone rang, and mental telepathy answered my pressed by the motivation £ thoughts in the person of Louise White Smiley of Okee shown by the people in the chobee, Florida (formerly from Cobb, Kentucky). -
Exhibition Catalogue Black Character Revolution Exhibition Catalogue Table of Contents
Black Character Revolution A Retrospective Of 1970’s Saturday Morning Animation Art Featuring Black Characters Exhibition Catalogue Black Character Revolution Exhibition Catalogue Table Of Contents Curator’s Statement 3 Historical Overview 4-5 Exhibition Review 6-8 In The Beginning... 9 1970‘s Black Character Timeline 10-12 Exhibition Firsts 13-15 Key Animation Studios 16-21 1970’s Black Animation Timeline 22-29 1970’s Black Animation Timeline By Category 30-38 1970’s Black Animation Fun Facts 39-49 ! ! 2 Black Character Revolution Exhibition Curator’s Statement As a kid growing up in the 1960’s, I saw images of Blacks being beaten and tortured. I saw the aftermath of the assassinations of Martin Luther King and Malcolm X and I couldn’t understand why people who looked like me had been treated in this manner. Then the 1970’s arrived and brought an explosion of color to Saturday Morning cartoons. As a pre-teen, I could see positive Black characters that looked like me and real people that I admired, like the Jackson Five and The Harlem Globetrotters. I was glued to the television. I couldn’t wait to see these animated characters fill the small screen. These cartoons changed my life...filling me with pride and self esteem. They brought adventure, mayhem and fun to a generation of Black children. Forty years later, my perspective on these cartoons is a little different. Besides being an integral part of Black children’s lives, these cartoons also benefited white children and the broader society as a whole. A number of these cartoons addressed issues like cultural differences, racism and multiculturalism. -
MES Book List Report Generated on 5/27/2021 9:46 AM
MES Book List Report generated on 5/27/2021 9:46 AM Title/Subtitle Author Publication Year 1-2-3 draw cartoon faces : a step-by-step guide Barr, Steve, 1958- 2002 1-2-3 draw cartoon people : a step-by-step guide Barr, Steve, 1958- 2002 1-2-3 draw dinosaurs and other prehistoric Levin, Freddie. 2001 animals 1,000 miles in 12 days : pro cyclists on tour Hautzig, David. 1995 1,001 facts about dinosaurs Clark, Neil. 2002 1,001 facts about sharks Pope, Joyce. 2002 3-D ABC : a sculptural alpHabet Raczka, Bob. 2007 The 3 little dassies Brett, Jan, 1949- 2010 4 x 4 trucks Von Finn, Denny. 2009 5-minute Disney Pixar stories. 2012 5 nice mice Westerlund, Kate. 2007 The 6tH grade nickname game Korman, Gordon. 1998 7 x 9 = trouble! Mills, Claudia. 2002 8 class pets + one squirrel [divided by] one dog = Vande Velde, Vivian. 2012 chaos 9 from the Nine Worlds Riordan, Rick. 2018 10 little rubber ducks Carle, Eric. 2005 10 minutes till bedtime RatHmann, Peggy. 1998 13 American artists children should know Finger, Brad. 2010 The 13-story treeHouse GriffitHs, Andy, 1961- 2013 13 treasures Harrison, MicHelle, 1979- 2010 14 cows for America Deedy, Carmen Agra. 2009 The 14 fibs of Gregory K. Pincus, Gregory K. 2013 15 minutes Young, Steve, 1947- 2006 17 kings and 42 elephants MaHy, Margaret. 1987 21 : [the story of Roberto Clemente : a graphic Santiago, Wilfred. 2011 novel] 26 letters and 99 cents Hoban, Tana. 1987 The 26-story treeHouse GriffitHs, Andy, 1961- 2014 The 39 clues, book 1 : The maze of bones Riordan, Rick. -
GENERAL. ELECTRIC March 22, 1974
The original documents are located in Box 11, folder “Fletcher, Arthur” of the Robert T. Hartmann Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Some items in this folder were not digitized because it contains copyrighted materials. Please contact the Gerald R. Ford Presidential Library for access to these materials. Digitized from Box 11 of the Robert T. Hartmann Files at the Gerald R. Ford Presidential Library / \·. BRIEFING BOOK FOR THE EFFORT TO INCREASE MINORITY ·-.-------ENGINEERING GRADUATES CONTENTS Historical Summary 1972 - 73. I The Effort to Increase Minority Engineering Graduates Definition and Goals Why This Effort is Important Breadth of Effort {with specific examples) II A General Proposal for National Council III Listing of Background Discussions With Federal Government Officials IV Why the Administration Should Be Enthusiastic About Endorsing This Effort Program Summary - 1974 v News Letter - National Academy of Engineering VI Expo Tech - Quincy VII Media J~XECUTIVE' ~arMM/\H y The:·.: is great" !;oci:tl ;~1:cl cco~Hnnic pressure and nec:cl to increase par ticip~tion by mi:loritics in key professional and leadership positions in American iii<!u~~t;·y. -
Activismo Social Y Político
LOS SETENTA: ACTIVISMO SOCIAL Y POLÍTICO Los movimientos sociales y políticos iniciados en la década de los sesenta en EE UU empezaron a madurar, a sedimentar en la sociedad, durante los setenta. Las protestas anti-Vietnam (hasta que en marzo de 1973 los últimos soldados nor- teamericanos abandonaron aquel país), las reivindicaciones para la igualdad en- tre razas, la revolución sexual, el renovado activismo para la liberación de la mu- jer y la lucha por los derechos de los homosexuales o las nuevas propuestas del rock progresivo encontraron eco en la calle, a pesar de las diversas crisis políticas (con el Watergate al frente) o económicas, como la generada por la escasez de 1. La conocida como crisis 1 del petróleo se inició en petróleo en 1973 . Un cambio generacional se vislumbraba ya entre los nuevos 1973, a causa de la decisión autores de tiras de prensa, hijos algunos de la primera tanda del baby boom que de la Organización de los veían las cosas de otra manera, y que integraron en su trabajo las complejas rela- Países Exportadores de Petróleo Árabes (OAPEC) de ciones sociales que estaban renovando la ética cotidiana. no exportar más petróleo a los países que habían apoyado a Israel en la guerra La prensa o el cine vivían también una década de cambios. El periodista Tom del Yom Kippur, que enfrentó Wolfe (1931) recogía en el libro The New Journalism (1973) una serie de escritos a Israel con Siria y Egipto. fi rmados, entre otros, por Hunter S. Thompson, Norman Mailer o el propio Wolfe, Este embargo afectaba, por supuesto, a EE UU y a que reivindicaban el concepto de “nuevo periodismo”, una fórmula literaria que todos sus aliados de Europa comprometía más al periodista con los protagonistas y el entorno del hecho noti- Occidental ciable (lo que Wolfe defi niría como “autop- sia social”).