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Corporate Hierarchies, Genres of Management, and Shifting Control in South Korea’S Corporate World
Ranks & Files: Corporate Hierarchies, Genres of Management, and Shifting Control in South Korea’s Corporate World by Michael Morgan Prentice A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in The University of Michigan 2017 Doctoral Committee: Associate Professor Matthew Hull, Chair Associate Professor Juhn Young Ahn Professor Gerald F. Davis Associate Professor Michael Paul Lempert Professor Barbra A. Meek Professor Erik A. Mueggler Michael Morgan Prentice [email protected] ORCID: 0000-0003-2981-7850 © Michael Morgan Prentice 2017 Acknowledgments A doctoral program is inexorably linked to the document – this one – that summarizes the education, research, and development of a student and their ideas over the course of many years. The single authorship of such documents is often an aftereffect only once a text is completed. Indeed, while I have written all the words on these pages and am responsible for them, the influences behind the words extend to many people and places over the course of many years whose myriad contributions must be mentioned. This dissertation project has been generously funded at various stages. Prefield work research and coursework were funded through summer and academic year FLAS Grants from the University of Michigan, a Korea Foundation pre-doctoral fellowship, and a SeAH-Haiam Arts & Sciences summer fellowship. Research in South Korea was aided by a Korea Foundation Language Grant, a Fulbright-IIE Research grant, a Wenner-Gren Dissertation Fieldwork Grant, and a Rackham Centennial Award. The dissertation writing stage was supported by the Rackham Humanities fellowship, a Social Sciences Research Council Korean Studies Dissertation Workshop, and the Core University Program for Korean Studies through the Ministry of Education of the Republic of Korea and Korean Studies Promotion Service of the Academy of Korean Studies (AKS-2016-OLU-2240001). -
Handbook for Korean Studies Librarianship Outside of Korea Published by the National Library of Korea
2014 Editorial Board Members: Copy Editors: Erica S. Chang Philip Melzer Mikyung Kang Nancy Sack Miree Ku Yunah Sung Hyokyoung Yi Handbook for Korean Studies Librarianship Outside of Korea Published by the National Library of Korea The National Library of Korea 201, Banpo-daero, Seocho-gu, Seoul, Korea, 137-702 Tel: 82-2-590-6325 Fax: 82-2-590-6329 www.nl.go.kr © 2014 Committee on Korean Materials, CEAL retains copyright for all written materials that are original with this volume. ISBN 979-11-5687-075-3 93020 Handbook for Korean Studies Librarianship Outside of Korea Table of Contents Foreword Ellen Hammond ······················· 1 Preface Miree Ku ································ 3 Chapter 1. Introduction Yunah Sung ···························· 5 Chapter 2. Acquisitions and Collection Development 2.1. Introduction Mikyung Kang·························· 7 2.2. Collection Development Hana Kim ······························· 9 2.2.1 Korean Studies ······································································· 9 2.2.2 Introduction: Area Studies and Korean Studies ································· 9 2.2.3 East Asian Collections in North America: the Historical Overview ········ 10 2.2.4 Collection Development and Management ···································· 11 2.2.4.1 Collection Development Policy ··········································· 12 2.2.4.2 Developing Collections ···················································· 13 2.2.4.3 Selection Criteria ···························································· 13 2.2.4.4 -
Cinematic Han and the Historical Film: South Korean Cinema and the Representation of Korea’S Geopolitical Conflict in the Twentieth Century
School of Media, Creative Arts and Social Inquiry Cinematic han and the Historical Film: South Korean Cinema and the Representation Of Korea’s Geopolitical Conflict in the Twentieth Century Niall Edward Peter McMahon This thesis is presented for the Degree of Doctor of Philosophy of Curtin University November 2018 0 1 Contents Acknowledgements .................................................................................................. Page 3 Thesis Abstract ........................................................................................................ Page 4 List of Illustrations ................................................................................................... Page 5 General Introduction ................................................................................................ Page 8 Chapter 1 - Historical Knowledge and the Fiction of the Historical Film Genre . Page 23 Chapter 2 - Cinematic han and the South Korean Historical Film ....................... Page 63 Chapter 3 - The Japanese Occupation of Korea and the South Korean Historical Film .............................................................................................................................. Page 129 Chapter 4 - World War II and the South Korean Historical Film ....................... Page 197 Chapter 5 - The Korean War and the South Korean Historical Film .................. Page 243 General Conclusion ............................................................................................. Page 300 Appendix 1 - Interview -
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2019 Afa.Pdf
AFA 2019 1 AFA 2019 3 Contents AFA 2019 - Mentors 04 - Instructors & Technical Assistants 07 - Fellows 14 - Asian Film Academy 2019 28 - Program 30 - Scholarships & Fund Support 34 - Timetable 36 - Daily Schedule 38 - Graduation Ceremony & Short Film Screening 42 History of AFA 44 AFA Alumni at 24th BIFF 54 Staff 68 Mentors AFA 2019 5 Directing Mentor Mouly SURYA Director / Indonesia Mouly Surya, born in Jakarta, Indonesia, studied literature and filmmaking in Australia. Her debut film Fiksi premiered at the Busan International Film Festival in 2008. Her second film What They Don’t Talk About When They Talk About Love competed at Sundance. Her latest filmMarlina the Murderer in Four Acts, premiered at Cannes in the Directors’ Fortnight in 2017, and was later theatrically released in 14 countries including the U.S.A. and Canada. In 2018 it won a record 10 awards, including Best Picture and Best Director at Indonesia’s Citra Award, often referred to as the Indonesian’ Oscars. Cinematography Mentor Karina KLESZCZEWSKA Cinematographer / Poland Karina Kleszczewska is a graduate of Lodz Film School cinematography and a member of the Polish Film Academy. She has worked as director of photography in Łukasz Barczyk’s films: Changes (2003), The Unmoved Mover (2008), Gli Italiani (2011), Influence (2015) as well as the lighting director for theatre plays. 6 AFA 2019 Cinematography Mentor KIM Young-Ro Cinematographer / Korea Kim Young-Ro studied cinematography at the American Film Institute and is a member of the Cinematographers Guild of Korea (CGK). He has worked on films involving various fields, such as traditional 2D films to 3D, ScreenX and VR films.