DOCSLIB.ORG

NETWORKING TOUR 2014 Johannesburg // South Africa

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NETWORKING TOUR 2014 Johannesburg // South Africa NETWORKING TOUR 2014 Johannesburg // South Africa The European - South African Studio NETWORKING TOUR 2014 The European - South African Studio Johannesburg // South Africa // 10. - 20.2.2014 Contacts and networks between artists, gallery owners and curators is a rare and precious treasure. The Networking Tours of the International Summer Academy of Fine Arts and Media Venice are specially designed to build up these contacts. In 2011 we arranged a tour to New York. 2014 we arrange one to Johannes- burg/South Africa. The program is, to meet the most prominent artists of South Africa, have studio visits, as well as to communicate with them on the basis of our own work. Therefore a special studio is prepared for us to ex- press our own reflections on Johannesburg and South Africa as a piece of art work of ourselves. This means that there will be studio visits from February 10th to 15th and studio work from February 16th to 18th. The final event will be the exhibition of the own art works and a plenary discussion together with most prominent gallery owners of South Africa. The accommodation as well as the studio will be at the Maboneng precinct, a newly developed area for art and business: www.mabonengprecinct.com Preliminary Program Monday, February 10th 2014 4.00 - 6.00pm: Before 1.00pm: Arrival and check in David Goldblatt 01.00 - 2.00pm: Santu Mofokeng Lunch at “Canteen” / Arts on Main. 8.00 - 10.00pm: 4.00 - 6.00pm: Dinner at the market theatre restaurant. Visit to “Miagi Centre” in Soweto, director Robert Brooks. Wednesday, February 12th 2014 8.00 - 10.00pm: 9.00am - 1.00pm: Dinner at the “House of Baobab” at “The Living of an Artist in Johannesburg” Maboneng. continued: Moshekwa Langa Tuesday, February 11th 2014 and visit to Alexandra 9.00am - 1.00pm: 4.00 - 6.00pm: Studio visits: artists living in Johannes- Visit to two of the most famous galleries. burg. See their work in their ateliers; talk with them on their experiences with gal- Goodman Gallery, talk with director leries, curators, colleagues, collectors, Liza Essers the media on “The Living of an Artist in Gallery AOP (Art On Paper) Johannesburg” 8.00 - 10.00pm: Dinner at a Jazz Club in Down Town. Gallery MOMO: Rodney Place and Monna Mokoena William Kentridge studio Thursday, February 13th 2014 Saturday, February 15th 2014 until Tuesday, February 18th 2014 9.00am - 1.00pm: “The Living of an Artist in Johannesburg” Studio work, individual art work elabora- continued: tion on the basis of Johannesburg im- pressions. Bag Factory Sam Malenghetwa, David Coloane Marcus Neustetter Wednesday, February 19th 2014 4.00 - 6.00pm: 9.00am - 1.00pm: Visit to the Apartheid Museum Preparation of the exhibition of the partic- 8.00 - 10.00pm: ipant works. Dinner at Trovelle Hotel 6.00pm: Opening of the exhibition. The exhibition will be open until February Friday, February 14th 2014 28th 9.00am - 1.00pm: 7.00 - 8.00pm: Wits Art School Plenary discussion with South African artists and gallery owners. Amatuli: Explorers Collectors Trad- ers 8.00 - 10.00pm: Dinner at Arts on Main restaurant. Saturday, February 15th 2014 Thursday, February 20th 2014 9.00am - 2.00pm: 9.00am - 12.00am: Beginning of the studio work. Check out and departure. The price for this tour from Monday, February 10th until Thursday, February 20th is €1.100.- and €1.400.- (double bed room/single bed room). This amount includes hotel - accommodation, Maboneng Precinct, studio rent, organiza- tion of the tour and the meetings, preparation and editing of a catalogue and the plenary discussion at the final exhibition, transports and transfers. Not included is the flight to and from Johannesburg, meals and consummation, as well as individual art material for studio work. Reservation per mail to [email protected] Contact information International Summer Academy of Fine Arts and Media l Venice Marc Aurel Straße 10 l 1010 Vienna l Austria Wolf Werdigier l Director mobile: +43 (0)676 566 8600 Diana Millet | Organization +43 (0)660 488 40 18 tel: +43 (0)1 535 45 84 fax: +43 (0)1 535 74 38 www.summeracademyvenice.com [email protected] Co-organizer Walter Stach www.wstach.at .
Load more

Recommended publications
  • Born 1975, Bakenberg, ZA Currently Lives and Works in Paris, FR
    Born 1975, Bakenberg, ZA Currently lives and works in Paris, FR EDUCATION 1998 Rijksakademie van Beeldende Kunsten, Amsterdam, NL RESIDENCIES 2017/2019 Cite Internationale des Arts, Paris, FR 2016 Kadist Art Foundation, Paris, FR 2015 Thami Mnyele Residency, Amsterdam, NL 2008 Résidences Internationales aux Récollets, Paris, FR 2002 The Fabric Workshop & Museum, Philadelphia, US Triangle Arts Trust, Grand- Rivière, TT SOLO EXHIBITIONS 2018 Relatives, Blain|Southern, London UK 2017 Fugitive, Stevenson, Johannesburg, ZA 2016 Ellipses, Stevenson, Cape Town, ZA MiniSurvey, Frieze, New York, US 2014 The Jealous Lover, ifa-Galerie Stuttgart; ifa-Galerie Berlin, DE 2013 Counterpoints: Moshekwa Langa, In and Out of Africa, Krannert Art Museum, University of Illinois, Urbana-Champaign, US Mogalakwena, Goodman Gallery, Cape Town, ZA 2012 Ramokone, Goodman Gallery, Johannesburg, ZA 2011 Marhumbini: In an Other Time, Kunsthalle Bern, CH 2010 Black Maria, Galerie Mikael Andersen, Copenhagen, DK Wuthering Heights, Galerie Mikael Andersen, Berlin, DE 2009 Rose Coloured Glasses, Bernier/Eliades Gallery, Athens, GR Thresholds, Goodman Gallery, Johannesburg, ZA 2008 Miracle in the Rain, Taché-Lévy Gallery, Brussels, BE 2007 Encounters: Moshekwa Langa - Homeland, Modern Art Oxford, UK The Inheritance of Loss, Goodman Gallery, Cape Town, ZA 2006 The man who cast no shadows, Taché-Lévy Gallery, Brussels, BE Terms of Endearment, Galeria Bonomo, Rome, IT 2005 Moshekwa Langa, MAXXI, Museo nazionale delle arti del XXI secolo, Rome, IT Backlash Blues, Goodman Gallery,
    [Show full text]
  • Moshekwa Langa
    Buchanan Building 46 7th Avenue Prinsengracht 371B [email protected] 160 Sir Lowry Road Parktown North 1016 HK Amsterdam www.stevenson.info 7925 Cape Town 2193 Johannesburg The Netherlands +27 21 462 1500 +27 11 403 1055 +31 62 532 1380 @stevenson_za MOSHEKWA LANGA. Born 1975, Bakenberg, South Africa Lives in Amsterdam, the Netherlands EDUCATION Rijksakademie van Beeldende Kunsten, Amsterdam, the Netherlands SELECTED SOLO EXHIBITIONS Andrew Kreps Gallery, New York, USA Stevenson, Cape Town, South Africa Blain Southern, London, UK Stevenson, Johannesburg, South Africa , Stevenson, Cape Town, South Africa Mini Survey, Frieze, New York, USA ifa-Galerie Stuttgart; ifa-Galerie Berlin, Germany Krannert Art Museum, University of Illinois, Urbana-Champaign, USA Goodman Gallery, Cape Town, South Africa Goodman Gallery, Johannesburg, South Africa Kunsthalle Bern, Switzerland Galerie Mikael Andersen, Copenhagen, Denmark Galerie Mikael Andersen, Berlin, Germany Bernier/Eliades Gallery, Athens, Greece Goodman Gallery, Johannesburg, South Africa Taché-Lévy Gallery, Brussels, Belgium Modern Art Oxford, UK Goodman Gallery, Cape Town, South Africa Taché-Lévy Gallery, Brussels, Belgium Galeria Bonomo, Rome, Italy MAXXI, Museo nazionale delle arti del XXI secolo, Rome, Italy Goodman Gallery, Johannesburg, South Africa Gallery SAW, Ottawa, Canada Kunstverein Düsseldorf, Germany Contemporary Arts Center, Cincinnati, USA Galerie Ascan Crone - Andreas Osarek, Berlin, Germany South African National Gallery, Cape Town, South Africa Galerie Tanya Rumpff, Haarlem,
    [Show full text]
  • Bush Writings Post-Blue
    HOW LATITUDES BECOME FORMS JUST HOW DID LATITUDES BECOME FORMS? ON MARCH 7, 2002, Philippe Vergne, Douglas Fogle, Olukemi Ilesanmi, and Aimee Chang engaged in a roundtable discussion of the Walker Art Center’s global initiative and the mounting of the exhibition How Latitudes Become Forms: Art in a Global Age.1 Following is an edited version of that conversation. Aimee Chang: Let’s start with the title of the show … Philippe Vergne: It was the result of a process that started with a discussion about what the exhibition should be and whether or not we should look at a specific theme. We went through many, many options; Once Upon a Place and Total Architecture were two early possibilities. Douglas Fogle: When we first started organizing the exhibition, we used the notion of “metropole” as a struc- turing principle, relating to the cities we were visiting, but that quickly fell out as a strategy. PV: Another idea was to use the show as a reflection of how art practice changes when we change locations. We tried The Third Place, making a distinction between place and space, after the theory of Homi Bhabha.2 We tried Globalism, using that word like the word modernism to see if a comparable shift could be identified in the development of late twentieth-century art. None of these initial ideas were completely satisfying. In the end, we did not want the show to be about a specific theme, to illustrate a theme. We wanted to keep our eyes and minds as open as possible when we were traveling and identifying artists.
    [Show full text]
  • 15 February 2020, Cape Town
    CONTEMPORARY ART 15 February 2020 CT 2020/1 2 Contemporary Art including the Property of a Collector Saturday 15 February 2020 at 6 pm Bubbly and canapés from 5 pm VEnuE abSEntEE anD TELEPHonE biDS Quay 7 Warehouse, 11 East Pier Road Tel +27 (0) 21 683 6560 V&A Waterfront, Cape Town +27 (0) 78 044 8185 GPS Co-ordinates: 33°54’05.4”S 18°25’27.9”E [email protected] PREVIEW payMEnt Thursday 13 and Friday 14 February Tel +27 (0) 21 683 6560 from 10 am to 5 pm +27 (0) 11 728 8246 Saturday 15 February from 10 am to 6 pm [email protected] LEctuRES anD WalKaboutS conDition REpoRTS See page 10 [email protected] ENQuiRIES anD cataloGUES www.straussart.co.za +27 (0) 21 683 6560 +27 (0) 78 044 8185 contact nuMBERS DURinG PREVIEW anD auction ILLUSTRATED CATALOGUE: R220.00 Tel +27 (0) 78 044 8185 All lots are sold subject to the conditions of business +27 (0) 72 337 8405 printed at the back of ths catalogue PUBLIC AUCTION BY DIRECTORS F KILBOURN (EXECUTIVE CHAIRPERSON), E BRADLEY, CB STRAUSS, C WIESE, J GINSBERG, C WELZ, V PHILLIPS (MD), B GENOVESE (MD), AND S GOODMAN (EXECUTIVE) 4 Contents 3 Sale Information 6 Directors, Specialists, Administration 8 Map and Directions 9 Buying at Strauss & Co 10 Lectures and Walkabouts 12 Contemporary Art Auction at 6pm Lots 1–102 121 Conditions of Business 125 Bidding Form 126 Shipping Instruction Form 132 Artist Index PAGE 2 Lot 21 Yves Klein Table IKB® (detail) LEFT Lot 53 William Kentridge Small Koppie 2 (detail) From the Property of a Collector 5 Directors Specialists Administration
    [Show full text]
  • PERSPECTIVES 2 5 March – 11 April 2015
    PERSPECTIVES 2 5 MARch – 11 APRIL 2015 Perspectives 2 Perspectives 2 – as its title suggests, the second in a His Presence, a painting first shown in the Zimbabwean series of group exhibitions titled Perspectives – features Pavilion at the 55th Venice Biennale (2013). Moshekwa works by Walter Battiss, Zander Blom, David Goldblatt, Langa’s trance-like paintings similarly imagine a realm Pieter Hugo, Anton Kannemeyer, Moshekwa Langa, beyond comprehension, and the sparse black gestures Stanley Pinker, Robin Rhode, Penny Siopis of Zander Blom’s Untitled [1.288] draw inspiration from and Portia Zvavahera. the mark-making of South African modernist Ernest Mancoba’s lifelong meditation on the essence Many of the works included in Perspectives 2 have been of human form. exhibited in the gallery over the past 12 years; others by gallery artists were exhibited further afield. They return to A group of works picture scenes of pleasure. Stanley be offered to new collectors to start new conversations, and Pinker’s The Bather is a small, joyous painting of a nude from this group several themes emerge. sitting alongside a lake, and is a portrait of intimacy and relaxation calmingly rendered in a spring palette. Battiss’ The notion of seriality is prominent. Walter Battiss’ colourful renderings of women from the Bajun Islands watercolours painted at Leisure Bay in KwaZulu-Natal are on the Kenyan coast, and his watercolours of Leisure studies of colour and light at different times of the day. Bay, his holiday destination, offer comparably hedonistic Zander Blom’s large-scale abstract painting Untitled [1.300] sensibilities. This motif extends to the primary-coloured offers repetition in mark-making and so allows the viewer’s nude gathering in Battiss’ sgraffito oil on canvas Figures eye to circulate through it.
    [Show full text]
  • Frances Goodman
    Frances Goodman Born Johannesburg, South Africa, 1975 Lives Johannesburg, South Africa EDUCATION 2003 Higher Institute for Fine Art, Antwerp, Belgium 2000 MFA, Goldsmiths College, University of London, UK 1999 Postgraduate Diploma, Goldsmiths College, University of London, UK 1997 BFA, University of the Witwatersrand, Johannesburg, South Afric SOLO EXHIBITIONS 2017 Title to be Confirmed, Galleri Specta, Copenhagen, Denmark. Beneath Her, Richard Taittinger Gallery, New York, USA. 2016 Degreened, SMAC Art Gallery, Cape Town, South Africa. Solo Booth, Richard Taittinger Gallery, 154 Art Fair, Brooklyn, USA. Rapaciously Yours, Richard Taittinger Gallery, New York, USA. 2015 Lick It, Walmart Art Windows, ArtCenter South Florida, Miami, USA. Let Down Your Hair, Art in Buildings, New York 2014 Nail Her, Goodman Gallery, Johannesburg, South Africa The Sweetest Ride, TM Projects, Geneva, Switzerland 2013 Sub Rosa, Goodman Gallery, Johannesburg, South Africa Cars and Girls, WHATIFTHEWORLD Gallery, Cape Town 2012 Touched, (Art) Amalgamated, New York 2011 Goodman Garage, Westdene, Johannesburg, South Africa Forever, NSA Gallery, Durban, South Africa Till Death Us Do Part, Goodman Gallery, Johannesburg, South Africa 2010 Keeping Up Appearances, Aeroplastics, Brussels 2009 Morbid Appetites, Goodman Gallery Cape, Cape Town 2008 Careless Whispers, Galleri Specta, Copenhagen Young Guns, Project Space, Aeroplastics, Brussels Art Fair, Brussels 2007 Wishful Thinking, Goodman Gallery, Johannesburg, South Africa 2005 Petite Mort, Goodman Gallery, Johannesburg, South Africa 2004 Wanting, KULAK, University of Kortrijk, Belgium David, Gallery in the Round, SA National Festival of the Arts, Grahamstown, South Africa 2003 Intimate/Inanimate Moments, Solo Project, The Process Room, Irish Museum of Modern Art, Dublin 2000 Two-person exhibition with Moshekwa Langa, Goodman Gallery, Johannesburg, South Africa GROUP EXHIBITIONS 2017 Le Jour Qui Vient, Galerie des Galeries, Paris, France.
    [Show full text]
  • Frieze London 2018: Announcing Highlights Including Talks, Projects, Solo and Themed Gallery Presentations, New Curators and Museum Collaborations
    Frieze London Press Release 20 September 2018 Frieze London 2018: Announcing Highlights including Talks, Projects, Solo and Themed Gallery Presentations, New Curators and Museum Collaborations The 16th edition of Frieze London takes place from 5–7 October, with two Preview Days on Wednesday 3 October and Thursday 4 October Announcing eight pioneering artists featuring in new Social Work section; nine interactive and performance-based works for Live; and a new Emerging Artist Prize in collaboration with Camden Arts Centre Frieze London 2018 will showcase the best of international contemporary art, with a discerning selection of around 160 galleries presenting their most forward-thinking artists and imaginative presentations. Opening for the first time with a two-day Preview, Frieze London coincides with Frieze Sculpture and Frieze Masters in The Regent’s Park, together forming the most significant week in London’s cultural calendar. Global lead partner Deutsche Bank supports Frieze London for the 15th consecutive year, continuing a shared commitment to discovery and artistic excellence. New collaborations with international curators, institutions and galleries will respond to contemporary issues – from the lack of visibility of women in the marketplace to hidden systems of communication and control – and create an exceptional environment for creativity and discovery. This year’s themed gallery section, Social Work will feature women artists who challenged the status quo and explored the possibilities of political activism in their art making during the 1980s and ‘90s, from Nancy Spero in the US to Berni Searle in South Africa to Ipek Duben in Turkey and Helen Chadwick in the UK. Solo, group and curated presentations across the fair’s sections will feature John Baldessari, Michaël Borremans, Lubaina Himid, Moshekwa Langa, David Shrigley, Tatiana Trouvé, Hardeep Pandhal, Athena Papadopoulos, Wong Ping and Cathy Wilkes, among many others.
    [Show full text]
  • Defining Reconciliation in Moshekwa Langa's Temporal Distance
    (Re)defining Reconciliation in Moshekwa Langa’s Temporal Distance (with a Criminal Intent) You Will Find Us in the Best Places Moshekwa Langa, Temporal Distance (with a Criminal Intent) You Will Find Us in the Best Places, 1997. author: aiden tait The 1995 South African Truth and Reconciliation Commission (TRC) intended to “provide a forum for both victims and perpetrators [of apartheid] to share their stories and bear witness to historical harms and injustices in an open, public forum.”1 The terms and expectations for the TRC’s notion of reconciliation, however, did not account for the lasting effects of the legacy of apartheid on post-apartheid South Africans. Neither did it account for the complex and highly personal processes of the (re)construction of national identity and the tentative navigation of “home” that would follow such an immense period of destabilization in South African history. As such, how may we navigate socio-political and cultural reconciliation within a post-apartheid South African contemporary art forum? How might we propose a form of visual reparation? By “visual reparation” I refer to a specific means by which these processes of mapping national, cultural, and personal identities operate outside of the TRC and its conflation of absolution with closure. Consequently, visual reparation instead offers a platform upon which post-apartheid artists may (re)define and interrogate the impact of the TRC’s definition and implementation of “reconciliation.” At the heart of this paper’s analysis is the shifting, following the abolition of apartheid in 1994 under the uncertain notion of “home” in post-apartheid South African National Congress (ANC) party, post-apartheid Africa.
    [Show full text]
  • Born 1975, Bakenberg, ZA Currently Lives and Works in Paris, FR
    Born 1975, Bakenberg, ZA Currently lives and works in Paris, FR EDUCATION 1998 Rijksakademie van Beeldende Kunsten, Amsterdam, NL RESIDENCIES 2017/2019 Cite Internationale des Arts, Paris, FR 2016 Kadist Art Foundation, Paris, FR 2015 Thami Mnyele Residency, Amsterdam, NL 2008 Résidences Internationales aux Récollets, Paris, FR 2002 The Fabric Workshop & Museum, Philadelphia, US Triangle Arts Trust, Grand- Rivière, TT SOLO EXHIBITIONS 2018 Relatives, Blain|Southern, London UK 2017 Fugitive, Stevenson, Johannesburg, ZA 2016 Ellipses, Stevenson, Cape Town, ZA MiniSurvey, Frieze, New York, US 2014 The Jealous Lover, ifa-Galerie Stuttgart; ifa-Galerie Berlin, DE 2013 Counterpoints: Moshekwa Langa, In and Out of Africa, Krannert Art Museum, University of Illinois, Urbana-Champaign, US Mogalakwena, Goodman Gallery, Cape Town, ZA 2012 Ramokone, Goodman Gallery, Johannesburg, ZA 2011 Marhumbini: In an Other Time, Kunsthalle Bern, CH 2010 Black Maria, Galerie Mikael Andersen, Copenhagen, DK Wuthering Heights, Galerie Mikael Andersen, Berlin, DE 2009 Rose Coloured Glasses, Bernier/Eliades Gallery, Athens, GR Thresholds, Goodman Gallery, Johannesburg, ZA 2008 Miracle in the Rain, Taché-Lévy Gallery, Brussels, BE 2007 Encounters: Moshekwa Langa - Homeland, Modern Art Oxford, UK The Inheritance of Loss, Goodman Gallery, Cape Town, ZA 2006 The man who cast no shadows, Taché-Lévy Gallery, Brussels, BE Terms of Endearment, Galeria Bonomo, Rome, IT 2005 Moshekwa Langa, MAXXI, Museo nazionale delle arti del XXI secolo, Rome, IT Backlash Blues, Goodman Gallery,
    [Show full text]
  • Galerie Hans Mayer Düsseldorf
    Galerie Hans Mayer Düsseldorf Zander Blom, Wim Botha, Ian Grose, Moshekwa Langa, Zanele Muholi, Serge Alain Nitegeka, Odili Donald Odita, Deborah Poynton, Robin Rhode, Viviane Sassen, and Portia Zvavahera: EXCHANGE Opening: 14th of October 2016, up from 6 pm Duration: November 2016 Galerie Hans Mayer is pleased to present “EXCHANGE”, a group show featuring works by eleven contemporary artists that are all in some way connected to the African continent, and who have chosen distinct ways to pursue their artistic message. “EXCHANGE” stands not only for an exchange of ideas, knowledge or methods, but also for the concrete exchange between South African gallery Stevenson and Galerie Hans Mayer. The exhibition will show a combination of oil paintings (Zander Blom, Ian Grose and Deborah Poynton), mixed media works on paper/canvas/wood (Moshekwa Langa, Serge Alain Nitegeka, Odili Donald Odita and Portia Zvavahera), photographic works (Zanele Muholi, Robin Rhode and Viviane Sassen) and sculpture (Wim Botha). One can say that the show is the outcome of an encounter with gallery Stevenson at Art Basel 2012, where our gallery was introduced to the work of Odili Donald Odita, Ernest Mancoba and Zander Blom. At that time, we were especially thrilled by Blom’s work and hence our first solo-exhibition showing his work was conducted in April 2015. The show was very well received by our audience, which made us think about other possibilities of promoting exchange between contemporary artists with roots in the African continent and our local art scene. Since 2012, we have seen the Stevenson booths at many art fairs and were able to visit their Cape Town and Johannesburg gallery, so we have become familiar with their program.
    [Show full text]
  • Moshekwa Langa, Viviane Sassen, and Portia Zvavahera Organized By
    Moshekwa Langa, Viviane Sassen, and Portia Zvavahera Organized by Andrew Kreps Gallery and Stevenson 55 Walker Street October 25 – December 21 Opening Reception: Friday, October 25, 6 - 8 pm Andrew Kreps Gallery and Stevenson are pleased to present an exhibition of new works by Moshekwa Langa, Viviane Sassen, and Portia Zvavahera at 55 Walker Street. Organized in partnership by the two galleries, the exhibition seeks to explore new collaborative models between galleries and investigate the ways in which regional practices can function beyond geographic borders, and resonate beyond their primary context. For the exhibition, the galleries have selected three artists from Stevenson’s program, Langa, Sassen, and Zvavahera, whose distinct practices are united by explorations of memory, the subconscious, and spirituality. Moshekwa Langa (b. 1975) presents recent large-scale works on paper, which represent an ongoing psycho-geographic mapping project. The works’ intensively layered surfaces are named for significant places, events, and figures in the artist's life. Belonging to his series Love Letters, Langa collages paper in the works in the exhibition to create tapestries of delicate inscriptions. In 2018, Langa’s work was included in We Don’t Need Another Hero, 10th Berlin Biennale, Germany, and The Red Hour, The 13th Dakar Biennale, Senegal. Solo exhibitions of Langa’s work have been presented at venues that include Kunsthalle Bern, Switzerland, Modern Art Oxford, United Kingdom, The Rennaissance Society, Chicago, Krannert Art Museum, University of Illinois, Urbana-Champaign, among others. Viviane Sassen (b. 1972) presents a group of works originally created for the exhibition Versailles – Visible/Invisible at the estate of Trianon, Château de Versailles.
    [Show full text]
  • News Release
    Contact: Communications Department 212-857-0045 [email protected] news release Snap Judgments: New Positions in Contemporary African Photography On view from March 10 through May 28, 2006 Media Preview March 9, 2006 9:30 - 11am RSVP: [email protected] 212.857.0045 Nontsikelelo “Lolo” Veleko Cindy and Nkuli, from “Beauty is in the Eye of the Beholder,” Johannesburg, 2003-04 © Nontsikelelo “Lolo” Veleko International Center of Photography Snap Judgments: New Positions in Contemporary African Photography is the first major U.S. exhibition in a decade to examine current photographic works from Africa. Organized for the International Center of Photography (ICP) by Okwui Enwezor, one of the world’s foremost curators of contemporary art, the exhibition will present over 200 works by 35 artists from a dozen countries. Encompassing the African continent from the Muslim cultures of North Africa to the sub-Saharan nations of the south, Snap Judgments will feature a range of highly individual artistic responses to the enormous changes now taking place in economic, social, and cultural life throughout Africa. The exhibition will be on view at ICP (1133 Avenue of the Americas at 43rd Street), its only venue, from March 10 through May 28, 2006. African photography has changed dramatically since 1996, when Mr. Enwezor organized In/Sight: African Photographers 1940 to the Present for the Guggenheim Museum. In that groundbreaking show, the studio portraiture of such now-acclaimed figures as Seidou Keïta, Malick Sidibé, and Samuel Fosso predominated. Today photography has come to play an expanded role within the spectrum of contemporary African art. Reflecting the increasingly close relation of photography with other forms of experimental art in Africa,Snap Judgments will include not only photographic works but also multimedia installations and documentation of performance art.
    [Show full text]