Frances Goodman
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Born 1975, Bakenberg, ZA Currently Lives and Works in Paris, FR
Born 1975, Bakenberg, ZA Currently lives and works in Paris, FR EDUCATION 1998 Rijksakademie van Beeldende Kunsten, Amsterdam, NL RESIDENCIES 2017/2019 Cite Internationale des Arts, Paris, FR 2016 Kadist Art Foundation, Paris, FR 2015 Thami Mnyele Residency, Amsterdam, NL 2008 Résidences Internationales aux Récollets, Paris, FR 2002 The Fabric Workshop & Museum, Philadelphia, US Triangle Arts Trust, Grand- Rivière, TT SOLO EXHIBITIONS 2018 Relatives, Blain|Southern, London UK 2017 Fugitive, Stevenson, Johannesburg, ZA 2016 Ellipses, Stevenson, Cape Town, ZA MiniSurvey, Frieze, New York, US 2014 The Jealous Lover, ifa-Galerie Stuttgart; ifa-Galerie Berlin, DE 2013 Counterpoints: Moshekwa Langa, In and Out of Africa, Krannert Art Museum, University of Illinois, Urbana-Champaign, US Mogalakwena, Goodman Gallery, Cape Town, ZA 2012 Ramokone, Goodman Gallery, Johannesburg, ZA 2011 Marhumbini: In an Other Time, Kunsthalle Bern, CH 2010 Black Maria, Galerie Mikael Andersen, Copenhagen, DK Wuthering Heights, Galerie Mikael Andersen, Berlin, DE 2009 Rose Coloured Glasses, Bernier/Eliades Gallery, Athens, GR Thresholds, Goodman Gallery, Johannesburg, ZA 2008 Miracle in the Rain, Taché-Lévy Gallery, Brussels, BE 2007 Encounters: Moshekwa Langa - Homeland, Modern Art Oxford, UK The Inheritance of Loss, Goodman Gallery, Cape Town, ZA 2006 The man who cast no shadows, Taché-Lévy Gallery, Brussels, BE Terms of Endearment, Galeria Bonomo, Rome, IT 2005 Moshekwa Langa, MAXXI, Museo nazionale delle arti del XXI secolo, Rome, IT Backlash Blues, Goodman Gallery, -
PUBLICATIONS the Constitution of Public Intellectual Life Research Project
PUBLICATIONS The Constitution of Public Intellectual Life Research Project According to the University of the Witwatersrand Research Office figures for 2004, the Graduate School for the Humanities (which comprised the Constitution of Public Intellectual Life Project, the Graduate Programme in Journalism and Media Studies, and the Forced Migration graduate and research programme) had the highest relative publication figures, viz 2.453 (pubs/ftes) and 2.404 (pubs/sles). The next highest in the university was the School of Public Health on 1.758 (pubs/ ftes) and 2.033 (pubs/sles). The University average was 0.629(pubs/ftes) and 0.647 (pubs/sles). Accredited publications only. Platform for Public Deliberation Constitution of Public Intellectual Life Research Project Publications *Designates DNE accredited publications. Please note that as the Public Intellectual Life Project we are committed to publishing in public interest media as well as accredited academic publications. Platform for Public Deliberation Constitution of Public Intellectual Life Research Project Barstow, O. & Law-Viljoen, B. (eds) Fire Walker: William Kentridge and Gerhard Marx Fourthwall Books: Johannesburg, 2011. Barstow, O. “The Thinking Machine / Digging in the Rubbish Heap”, Itch Magazine: The Theme is Dead 1(5):76-79, 2005. Bester, R.M. “David Goldblatt’s Making Visible: Photographic Strategies of Rumination, Orchestration and Circulation” Social Dynamics 36(1): 153-165, 2010. Bester, R.M. “2009 Joburg Art Fair”, Art South Africa 7(4):81, 2009. Bester, R.M. “The Bride Stripped Bare for Her Bachelors”, Art South Africa 8(1): 44- 49, 2009. Bester, R.M. “Between the Wars and Walls”, Art South Africa 8(2): 64-69, 2009. -
Moshekwa Langa
Buchanan Building 46 7th Avenue Prinsengracht 371B [email protected] 160 Sir Lowry Road Parktown North 1016 HK Amsterdam www.stevenson.info 7925 Cape Town 2193 Johannesburg The Netherlands +27 21 462 1500 +27 11 403 1055 +31 62 532 1380 @stevenson_za MOSHEKWA LANGA. Born 1975, Bakenberg, South Africa Lives in Amsterdam, the Netherlands EDUCATION Rijksakademie van Beeldende Kunsten, Amsterdam, the Netherlands SELECTED SOLO EXHIBITIONS Andrew Kreps Gallery, New York, USA Stevenson, Cape Town, South Africa Blain Southern, London, UK Stevenson, Johannesburg, South Africa , Stevenson, Cape Town, South Africa Mini Survey, Frieze, New York, USA ifa-Galerie Stuttgart; ifa-Galerie Berlin, Germany Krannert Art Museum, University of Illinois, Urbana-Champaign, USA Goodman Gallery, Cape Town, South Africa Goodman Gallery, Johannesburg, South Africa Kunsthalle Bern, Switzerland Galerie Mikael Andersen, Copenhagen, Denmark Galerie Mikael Andersen, Berlin, Germany Bernier/Eliades Gallery, Athens, Greece Goodman Gallery, Johannesburg, South Africa Taché-Lévy Gallery, Brussels, Belgium Modern Art Oxford, UK Goodman Gallery, Cape Town, South Africa Taché-Lévy Gallery, Brussels, Belgium Galeria Bonomo, Rome, Italy MAXXI, Museo nazionale delle arti del XXI secolo, Rome, Italy Goodman Gallery, Johannesburg, South Africa Gallery SAW, Ottawa, Canada Kunstverein Düsseldorf, Germany Contemporary Arts Center, Cincinnati, USA Galerie Ascan Crone - Andreas Osarek, Berlin, Germany South African National Gallery, Cape Town, South Africa Galerie Tanya Rumpff, Haarlem, -
Bush Writings Post-Blue
HOW LATITUDES BECOME FORMS JUST HOW DID LATITUDES BECOME FORMS? ON MARCH 7, 2002, Philippe Vergne, Douglas Fogle, Olukemi Ilesanmi, and Aimee Chang engaged in a roundtable discussion of the Walker Art Center’s global initiative and the mounting of the exhibition How Latitudes Become Forms: Art in a Global Age.1 Following is an edited version of that conversation. Aimee Chang: Let’s start with the title of the show … Philippe Vergne: It was the result of a process that started with a discussion about what the exhibition should be and whether or not we should look at a specific theme. We went through many, many options; Once Upon a Place and Total Architecture were two early possibilities. Douglas Fogle: When we first started organizing the exhibition, we used the notion of “metropole” as a struc- turing principle, relating to the cities we were visiting, but that quickly fell out as a strategy. PV: Another idea was to use the show as a reflection of how art practice changes when we change locations. We tried The Third Place, making a distinction between place and space, after the theory of Homi Bhabha.2 We tried Globalism, using that word like the word modernism to see if a comparable shift could be identified in the development of late twentieth-century art. None of these initial ideas were completely satisfying. In the end, we did not want the show to be about a specific theme, to illustrate a theme. We wanted to keep our eyes and minds as open as possible when we were traveling and identifying artists. -
15 February 2020, Cape Town
CONTEMPORARY ART 15 February 2020 CT 2020/1 2 Contemporary Art including the Property of a Collector Saturday 15 February 2020 at 6 pm Bubbly and canapés from 5 pm VEnuE abSEntEE anD TELEPHonE biDS Quay 7 Warehouse, 11 East Pier Road Tel +27 (0) 21 683 6560 V&A Waterfront, Cape Town +27 (0) 78 044 8185 GPS Co-ordinates: 33°54’05.4”S 18°25’27.9”E [email protected] PREVIEW payMEnt Thursday 13 and Friday 14 February Tel +27 (0) 21 683 6560 from 10 am to 5 pm +27 (0) 11 728 8246 Saturday 15 February from 10 am to 6 pm [email protected] LEctuRES anD WalKaboutS conDition REpoRTS See page 10 [email protected] ENQuiRIES anD cataloGUES www.straussart.co.za +27 (0) 21 683 6560 +27 (0) 78 044 8185 contact nuMBERS DURinG PREVIEW anD auction ILLUSTRATED CATALOGUE: R220.00 Tel +27 (0) 78 044 8185 All lots are sold subject to the conditions of business +27 (0) 72 337 8405 printed at the back of ths catalogue PUBLIC AUCTION BY DIRECTORS F KILBOURN (EXECUTIVE CHAIRPERSON), E BRADLEY, CB STRAUSS, C WIESE, J GINSBERG, C WELZ, V PHILLIPS (MD), B GENOVESE (MD), AND S GOODMAN (EXECUTIVE) 4 Contents 3 Sale Information 6 Directors, Specialists, Administration 8 Map and Directions 9 Buying at Strauss & Co 10 Lectures and Walkabouts 12 Contemporary Art Auction at 6pm Lots 1–102 121 Conditions of Business 125 Bidding Form 126 Shipping Instruction Form 132 Artist Index PAGE 2 Lot 21 Yves Klein Table IKB® (detail) LEFT Lot 53 William Kentridge Small Koppie 2 (detail) From the Property of a Collector 5 Directors Specialists Administration -
PERSPECTIVES 2 5 March – 11 April 2015
PERSPECTIVES 2 5 MARch – 11 APRIL 2015 Perspectives 2 Perspectives 2 – as its title suggests, the second in a His Presence, a painting first shown in the Zimbabwean series of group exhibitions titled Perspectives – features Pavilion at the 55th Venice Biennale (2013). Moshekwa works by Walter Battiss, Zander Blom, David Goldblatt, Langa’s trance-like paintings similarly imagine a realm Pieter Hugo, Anton Kannemeyer, Moshekwa Langa, beyond comprehension, and the sparse black gestures Stanley Pinker, Robin Rhode, Penny Siopis of Zander Blom’s Untitled [1.288] draw inspiration from and Portia Zvavahera. the mark-making of South African modernist Ernest Mancoba’s lifelong meditation on the essence Many of the works included in Perspectives 2 have been of human form. exhibited in the gallery over the past 12 years; others by gallery artists were exhibited further afield. They return to A group of works picture scenes of pleasure. Stanley be offered to new collectors to start new conversations, and Pinker’s The Bather is a small, joyous painting of a nude from this group several themes emerge. sitting alongside a lake, and is a portrait of intimacy and relaxation calmingly rendered in a spring palette. Battiss’ The notion of seriality is prominent. Walter Battiss’ colourful renderings of women from the Bajun Islands watercolours painted at Leisure Bay in KwaZulu-Natal are on the Kenyan coast, and his watercolours of Leisure studies of colour and light at different times of the day. Bay, his holiday destination, offer comparably hedonistic Zander Blom’s large-scale abstract painting Untitled [1.300] sensibilities. This motif extends to the primary-coloured offers repetition in mark-making and so allows the viewer’s nude gathering in Battiss’ sgraffito oil on canvas Figures eye to circulate through it. -
African Arts African Studies Center
Surname Name Year Title Publisher Note African Studies Center University of California, Los Proehl, Paul O & Povey, John (founding eds). [Various] [Periodical] 1967- African Arts Angeles Data not yet entered Bell-Roberts, Brendon (founding ed.). Data not [Various] [Periodical] 2015- Art Africa Art Africa Magazine, Cape Town yet entered [Various] [Periodical] 2002-2015 Art South Africa Bell Roberts, Cape Town Data not yet entered [Various] [Periodical] 1966-1976 Artlook Johannesburg Data not yet entered [Various] [Periodical] 1989- Artworks in Progress Michaelis School of Fine Art, Cape Town Data not yet entered [Various] [Periodical] 1970-1994 Bulletin Pretoria Art Museum, Pretoria Data not yet entered University of Pretoria Department of Art and [Various] [Periodical] 1934-1938 Castalia Data not yet entered Culture, Pretoria Critical Interventions: Journal of African Art history Ogbechie, Sylvester Okwunodu (founding ed.). [Various] [Periodical] 2007- Aachron Editions; Taylor & Francis and culture Data not yet entered University of South Africa Department of Art [Various] [Periodical] 1967- De Arte Data not yet entered History and Fine Arts, Pretoria Walker, Garth & Gunning, Siobhan (founding [Various] [Periodical] 1995- i-Jusi Magazine Orange Juice Design, Durban eds). Data not yet entered University of Pretoria Department of Visual Arts Sauthoff, Marian (founding ed.). Data not yet [Various] [Periodical] 1992- Image & Text: A Journal for Design and Art History, Pretoria entered Adult Education Division Union Education [Various] [Periodical] 1949-1995 Lantern Department; The Foundation for Education, Data not yet entered Science & Technology, Pretoria Krause, Otto (founding ed.). Data not yet [Various] [Periodical] 1962-1963 NEWS/CHECK on South Africa and Africa entered Duke University Press, Durham; NKA Publications, Hassan, Sallah (founding eds). -
Paul Ndema, Uganda Ndema Paul Was Born in Uganda in 1979
Paul Ndema, Uganda Ndema Paul was born in Uganda in 1979. He studied at the Margaret Trowell School of Industrial and Fine Arts, Makerere University from 1999-2002 where he obtained a Bachelors degree in Fine Arts. In this latest series of work, Paul Ndema’s technical proficiency together with his satirical interpretations of religious moral order gives his paintings a unique and playful insight into the meeting of tradition and modernity. His final pieces are the result of his experiences growing up in a Catholic family together with his questioning of the ethics of those in positions of power and influence. His subjects, often self-portraits, are elevated to an iconic status yet compromised by the artist’s use of irony. Ndema places his subjects on colourful, patterned and symbolic backgrounds and his use of light suggests that his subjects are both literally and figuratively in the spotlight. Most recently he has participated in FNB Joburg Art Fair (2016); Circle Modern and Contemporary Art Auction in Nairobi (2015, 2014); Cape Town Art Fair (2015); Kampala Art Biennale (2014) and East African Encounters Exhibition, Circle Art Gallery (2014). His work is also housed in many international private collections. Ato Malinda, Kenya Ato Malinda (born 1981, Kenya), lives and works in Rotterdam. She has a Master of Fine Arts (MFA) from Transart Institute, New York. Her works consist of performance, drawing, painting, installation, video, and ceramic object-making. Through her diverse practice, Malinda investigates the hybrid nature of African identity, contesting notions of authenticity. She has worked with western museums to dispel notions of a Unitarian Africa, so often seen in ethnographic exhibitions. -
Photography at Auctions
AFRICAN CONTEMPORARY PHOTOGRAPHY AT AUCTIONS CONFIDENCE IN THE INTERNATIONAL MARKET REACHES AN ALL-TIME HIGH CAPE TOWN ART FAIR’S RISING PROFILE ART 14 LONDON, SETTING NEW HEIGHTS HASSAN HAJJAJ DAVID GOLDBLATT SIMON OTTENBERG JOACHIM MELCHERS UGOCHUKWU - SMOOTH C. NZEWI PAUL SIKA JOHN FLEETWOOD ARTUR WALTHER THE PHOTOGRAPHY ISSUE II OMENKA MAGAZINE 2 3 4 6 7 0 8 8 1 0 0 0 0 VOLUME 1 ISSUE 2 Ben (Benedict Chukwukadibia) Contact Enwonwu, M.B.E +44 (0) 20 7468 8355 (Nigerian, 1917 - 1994) [email protected] ‘Snake Dance’ carved wood 141 x 20 x 20cm (55 1/2 x 7 7/8 x 7 7/8in) (including base) £50,000 - 80,000 US$83,000 - 133,000 Africa Now New Bond Street bonhams.com/africanow 2014 Sandton Convention Centre, Johannesburg 22-24 August To submit your application, please visit www.artlogic.co.za/fairs The deadline for applications is the 28th of February 2014. Decoration or Asset? The Art Exchange’s Products and Services include... Advisory Services Acquisition Financing Custodian & Insurance Services www.theartexchangelimited.com [email protected] +234 706 590 4800 VOLUME 1 ISSUE 3 118 99 FEATURES Spot Lighting The Sanlam Food Wine Design Fair 2013 100 John Fleetwood: The Market Photo Workshop 106 Peer Conversation 114 Jude Anogwih and Adejoke Tugbiyele Art 14 London, Setting New Heights 118 Cape Town Art Fair’s Rising Profile 124 5 OMENKA MAGAZINE VOLUME 1 ISSUE 3 COLUMNS 81 ArtTactic 82 Confidence in the International Photography Market Reaches an All-time High Ask the Curator 84 Ugochukwu-Smooth Nzewi Letter to the Editor -
DANNY MYBURGH DATE of BIRTH 20 June 1962 ID NUMBER 620620
DANNY MYBURGH DATE OF BIRTH 20 June 1962 ID NUMBER 620620 0144 084 ADDRESS 10 Armagh Road Parkview Johannesburg 2193 South Africa CELLPHONE +27 82 881 7516 EMAIL [email protected] WEBSITE www.dannymyburgh.co.za MARITAL STATUS married to Craig Watt-Pringle with 2 sons, Simon 25 and Thomas 22 MATRICULATED 1980 St Mary’s School for Girls Waverly Johannesburg South Africa UNIVERSITY OF STELLENBOSCH South Africa 1981-1985 BA (Law) UNISA South Africa 1995-1996 History of Art THE ART THERAPY CENTRE – LEFIKA LA PHODISA Johannesburg South Africa 1998-2002, Certificate in Community Art Therapy 2002-2004 Project manager, The Art Therapy Centre – Lefika la Phodisa, Rosebank Johannesburg South Africa 2004-2007 Art therapist, Johannesburg Parent and Child Counselling Centre, Berea Johannesburg South Africa 2007-2012 Head of Art Department, The Ridge School, Westcliff Johannesburg South Africa 2012 - present Artist in residence at The Bag Factory, Fordsburg Johannesburg 2016 - present founded Editions art gallery EXHIBITIONS 2014 Turbine Art Fair, Newtown, Johannesburg 2014 Joburg Art Fair, Sandton, Johannesburg 2014 Solo exhibition Container/Contained, The Bag Factory, Fordsburg, Johannesburg 2014 Salon 1 group exhibition, Bamboo Centre, Melville, Johannesburg 2015 In Toto art gallery group exhibition, Birdhaven, Johannesburg South Africa 2015 Turbine Art Fair Newtown Johannesburg 2015 Johannesburg Art Fair Sandton Johannesburg 2015 Transitions at the Post Office group exhibition, Vrededorp ,Johannesburg South Africa 2016 Cape Town Art Fair 2016 The Bag Factory Salon Sale Fordsburg Johannesburg South Africa 2016 Hermanus FynArts festival South Africa, joint show with Terry Kobus 2016 Joburg Fringe at August House, Doornfontein, Johannesburg, group show COLLECTIONS Michaelis Art Library Johannesburg CURATOR 2015 Transitions at the Post Office Vrededorp Johannesburg 2016 Joburg Fringe at August House, Doornfontein, Johannesburg RESIDENCY 2015 Vallauris AIR Vallauris Alpes Maritime France . -
N O M a D G a L L E R Y B R U S S E L S
N O M A D G A L L E R Y B R U S S E L S HELEN TEELE Artist Statement / Bio / CV ARTIST STATEMENT: My paintings are grounded in the idea of “staying with the trouble.”1 They open up an exploration of abject bodies and monstrous shadows that we have to learn to live with and make kin with in a time characterised by ecological and humanitarian crisis. I am neither searching for polemic truths, nor pretending that the trouble isn’t there, but rather trying to find a visual way of sitting with it and learning how to be with it. For me painting is an intersectional medium that offers a peculiar, non-binary logic which the rigidities of language and positivism preclude. It doesn’t try to make the world transparent, but rather allows it to exist in the thickness of being that makes the world worldly.2 It is the most direct way for me to explore multi-layered meanings, not-knowing and uncertainty, and of translating the ways in which the body – conflicted, gendered, cultural, political, sexual and social as it is – comes to know the world by literally being in the world, as a human body in a multi-species environment, and learning how to live with its thickness, its contrariness, its opacity, its mystery and its trouble. BIO: Helen Teede is a painter born in 1988 in Zimbabwe. CV: EXHIBITIONS AND ART FAIRS 2020 “Body Language”, a two person show at Nomad Gallery, Brussels 2019 - “Bare Limbs”, solo show at First Floor Gallery Harare: Harare, Zimbabwe - “Home Affairs”, group show at Daor Contemporary: Cape Town, South Africa - “The Harare Fauves”, -
Frances Goodman
Frances Goodman Born Johannesburg, South Africa, 1975 Lives Johannesburg, South Africa EDUCATION 2003 Higher Institute for Fine Art, Antwerp, Belgium 2000 MFA, Goldsmiths College, University of London, UK 1999 Postgraduate Diploma, Goldsmiths College, University of London, UK 1997 BFA, University of the Witwatersrand, Johannesburg, South Afric SOLO EXHIBITIONS 2017 Title to be Confirmed, Galleri Specta, Copenhagen, Denmark. Beneath Her, Richard Taittinger Gallery, New York, USA. 2016 Degreened, SMAC Art Gallery, Cape Town, South Africa. Solo Booth, Richard Taittinger Gallery, 154 Art Fair, Brooklyn, USA. Rapaciously Yours, Richard Taittinger Gallery, New York, USA. 2015 Lick It, Walmart Art Windows, ArtCenter South Florida, Miami, USA. Let Down Your Hair, Art in Buildings, New York 2014 Nail Her, Goodman Gallery, Johannesburg, South Africa The Sweetest Ride, TM Projects, Geneva, Switzerland 2013 Sub Rosa, Goodman Gallery, Johannesburg, South Africa Cars and Girls, WHATIFTHEWORLD Gallery, Cape Town 2012 Touched, (Art) Amalgamated, New York 2011 Goodman Garage, Westdene, Johannesburg, South Africa Forever, NSA Gallery, Durban, South Africa Till Death Us Do Part, Goodman Gallery, Johannesburg, South Africa 2010 Keeping Up Appearances, Aeroplastics, Brussels 2009 Morbid Appetites, Goodman Gallery Cape, Cape Town 2008 Careless Whispers, Galleri Specta, Copenhagen Young Guns, Project Space, Aeroplastics, Brussels Art Fair, Brussels 2007 Wishful Thinking, Goodman Gallery, Johannesburg, South Africa 2005 Petite Mort, Goodman Gallery, Johannesburg, South Africa 2004 Wanting, KULAK, University of Kortrijk, Belgium David, Gallery in the Round, SA National Festival of the Arts, Grahamstown, South Africa 2003 Intimate/Inanimate Moments, Solo Project, The Process Room, Irish Museum of Modern Art, Dublin 2000 Two-person exhibition with Moshekwa Langa, Goodman Gallery, Johannesburg, South Africa GROUP EXHIBITIONS 2017 Le Jour Qui Vient, Galerie des Galeries, Paris, France.