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Are Ers Rave Rain O I"Ea Si Ence Christopher Clancy Staff
.<) <tii)f ~l THE UNIVERSITY OF IDAHO Q,i Frida, 4 ril 26, 1996 ASUI —Moscow Idaho Volume 97 No. $9 are ers rave rain o i"ea si ence Christopher Clancy Staff sudden spring shower may have damp- ened heads, but certainly did not dampen pirits, as a small group of marchers showed their solidarity in the fight against sexual assault in the Break the Silence rally. The event was the kick-off for the University of Idaho's Sexual Assault Awareness Week sponsored by the Women's Center and the ASUI Safety Task Force. The march, which began at Guy Wicks Field, took marchers on a winding tour of campus, lead by Safety Task Force Chair Angela Rauch and Vice-Chair Rhonda Anderson. "Last year over 119 cases of abuse have been reported to the Women's Center. We need to increase awareness and help victims of these types of violent crimes to gain the courage to . speak out and get help," Anderson said. z'4w" 4. During the march a whistle was blown every 15 seconds, signifying the statistic of one woman battered in the United States every 15 ~A'!. seconds. Similarly, each minute a bell was rung, signifying the rape of one woman. The march ended on the steps of the Administration Building where poetry, written by victims, was read and family members and survivors spoke about loss and hope. The mes- t. sage alw'ays: "Fight back, it's not your fault, get help, you'e not alone" was heard as encourage- ment from the victims and their families. -
QUARTERLY 1 3 RIVERSIDE QUARTERLY Illiteracy, Inc August '1973 Vol
RIVERSIDE vol. 6 QUARTERLY 1 3 RIVERSIDE QUARTERLY Illiteracy, Inc August '1973 Vol. 6, No. i (whole number 21) Editor: Leland Sapiro Assistant Editors: Associate Editor: Jim Harmon Bill Blackbeari To replace the customary announcements, etc., I wish to list some Art Editor: Jan Jonsson Redd Boggs misusages of languages in current books and magazines. Since these Poetry Editor: David Lunde Jon White errors were committed by presumably educated professional authors, I infer that grammar, syntax, etc., are no longer taught in school Send poetry to David Lunde, 1179 Central Ave, Dunkirk, NY 1404F —so this listing is an indirect plea that their study be resumed. and other correspondence to Box 40, Univ. Station,Regina, Canada Dangling Participles Certain verb forms that end in -ed and -ing are supposed to modify something—and in such a way that the sentence means what the writer TABLE OF CONTENTS intended. Two classic examples are: "If stewed, the patients will en joy the prunes" and (to quote, from memory, an old Rhodqmagnetic Di Illiteracy, Inc........................ ............................................. ........................... gest) "Being an English teacher, my time is very limited these days." The Prudish Prurience of H.R. Haggard and E.R. Burroughs I refrained from sending this last writer a note—"Your time doesn't teach English: you do—and not very wellI"—so these remarks are Richard Dale Mullen ........................................................................ 4 an Open Letter type of substitute. The Myth of Descent in Vincent King's Light a Last Candle Looking over Heinlein's early stories, it is possible to see an S.C. Fredericks ....................................................................................... 20 increasing grasp of technique. -
STORY 1 the Mighty Trapper STORY 2 Ridin' the Rails STORY 3 Low
STORY 1 The Mighty Trapper from Walt Disney’s Comics and Stories 36 (1943) WRITER, ARTIST AND LETTERER Carl Barks COLORIST Susan Daigle-Leach STORY 2 Ridin’ the Rails from Walt Disney’s Comics and Stories 173-175 (1955) WRITER Carl Fallberg STORY 8 ARTIST AND LETTERER Paul Murry Three For Breakfast COLORIST Digikore Studios from Walt Disney’s Comics and Stories 95 (1948) STORY 3 ARTIST AND LETTERER Harvey Eisenberg Low Diver COLORIST Digikore Studios from Silly Symphonies comic strip (1932), reprinted in Walt Disney’s Comics and Stories 23 (1942) STORY 9 WRITER Earl Duvall Magica’s Missin’ Magic ARTIST Al Taliaferro and Earl Duvall from Walt Disney’s Comics and Stories 591 (1994) INKER Al Taliaferro COLORIST Digikore Studios WRITER, ARTIST AND LETTERER William Van Horn COLORIST Susan Daigle-Leach and Digikore Studios STORY 4 Treed STORY 10 from Silly Symphonies comic strip (1940), reprinted in March of Science: Dinosaurs Walt Disney’s Comics and Stories 28 (1943) from Walt Disney’s Comics and Stories 559 (1991) WRITER Hubie Karp WRITER Tom Yakutis ARTIST Bob Grant ARTIST Bill White COLORIST Fernando Ventura with David Gerstein COLORIST Digikore Studios LETTERER Bill Wright LETTERER John Clark STORY 5 Doing Bad For Good PUBLISHER’S NOTE: Some comics in this archival collection from Walt Disney’s Comics and Stories 203 (1957) were created in an earlier time and may contain cartoon violence and occasional historically-dated content. While WRITER Vic Lockman modern Donald and Mickey stories would not feature these ARTIST AND LETTERER Gil Turner elements, we include them here with the understanding that COLORIST Digikore Studios they reflect a bygone era. -
Say Officials Fort Leonard Wood's Deputy Commanding General, Local, National, Or International Organizations Brig
That Fort Leonard Wood musicians wow audiences at the state Capitol. See page 1B. Volume 10 Number 38 Published in the interest of the personnel at Fort Leonard Wood, Missouri Thursday, October 2, 1997 CFC campaign off to Arnold in critical but stable condition 'slow start,' say officials Fort Leonard Wood's deputy commanding general, local, national, or international organizations Brig. Gen. Edwin Arnold, is S Contributions lag $60,000 through cash, check, money order, or payroll in critical but stable condition deduction. after suffering an apparent behind last year's fund drive Fort Leonard Wood's CFC campaign heart attack Monday morning with just three weeks to go here is off to a very slow start compared to at the Engineer Center. last year, said Lt. Col. Kevin Kerns, director Col. Richard Smrnerz, Gen- By Betty Thompson of resource management.The CFC cam eral Leonard Wood Army ESSAYONS Staff paign, scheduled to last through Oct. 24, is Community Hospital comn- already in its second week. However, there is mnander, was the first to apply Who can feed a hungry child, provide a considerable drop in contributions com- cardiopulmonary resuscita- relief for families in need of counseling, help pared to last year. About the same time last tion while awaiting the the search on cures for diseases, provide year, approximately $91,000 had been raised GLWACH emergency medi- access to clean water in Third World coun- compared to this year's $29,000. The cam- cal team. tries, or make environmental protection paign goal is $333,000, but "time is money." Smerz was at the Engi- possible'? Just a few weeks remain for authorized Fall surge fall-in neer Center on other business For over 30 years, federal employees solicitation of funds from federal employees Part of the largest load of trainees ever to descend on the 43rd Adjutant when Arnold collapsed. -
Walt Disney's Donald Duck
DonaldDuckDailies1_Layout 1 7/16/15 2:44 PM Page 1 DonaldDuckDailies1_Layout 1 7/16/15 2:44 PM Page 2 DonaldDuckDailies1_Layout 1 7/16/15 2:45 PM Page 3 IDW PUBLISHING San Diego VOLUME VOLUME ONE • 1938-1940 DonaldDuckDailies1_Layout 1 7/16/15 2:45 PM Page 4 ART AL TALIAFERRO SCRIPTS BOB KARP (4/6/1938 - 7/18/1940) HOMER BRIGHTMAN (2/7 - 4/5/1938) GAG IDEAS BY CARL BARKS (5/25, 6/10, 6/27, 7/2, 7/6, 7/25, 10/25, 10/27, 11/26/1938 and 1/10, 2/4, 2/6/1939) THE LIBRARY OF AMERICAN COMICS EDITOR/CO-DESIGNER DEAN MULLANEY ASSOCIATE EDITOR BRUCE CANWELL ART DIRECTOR/CO-DESIGNER LORRAINE TURNER CONSULTING EDITOR DAVID GERSTEIN PRODUCTION ASSISTANTS JOSEPH KETELS and REBEKAH CAHALIN ISBN: 978-1-63140-335-4 First Printing, July 2015 Published by: IDW Publishing a Division of Idea and Design Works, LLC 2765 Truxton Road, San Diego CA 92106 www.idwpublishing.com LibraryofAmericanComics.com Ted Adams, Chief Executive Officer/Publisher Greg Goldstein, Chief Operating Officer/President Robbie Robbins, EVP/Sr. Graphic Artist Chris Ryall, Chief Creative Officer/Editor-in-Chief Matthew Ruzicka, CPA, Chief Financial Officer Alan Payne, VP of Sales • Dirk Wood, VP of Marketing Lorelei Bunjes, VP of Digital Services Jeff Webber, VP of Digital Publishing & Business Development Distributed by Diamond Book Distributors 1-410-560-7100 Special thanks to Curt Baker, Ken Shue, Iliana Lopez, Julie Dorris, and Danielle Digrado at Disney; Susan Liberator and Marilyn Scott at the Billy Ireland Cartoon Library and Museum at the Ohio State University for filling in several weeks of missing strips; Steve Geppi, Josh Geppi, and Mike Wilbur at Diamond International Galleries; Germund von Wowern, Sarah Gaydos; Justin Eisinger; and Alonzo Simon. -
Cómo Pienso Al Animar
Anaís Díaz Morales Seminario de Título Cómo pienso al animar Ensayo Profesora guía: Jessica Villalón Animación Digital - Universidad Mayor Facultad de Artes 2017 Índice Introducción: /5 Esquema: /8 Marco teórico: /9 a. Antecedentes históricos /11 b. Antecedentes internacionales /39 c. Antecedentes nacionales /64 d. Estado del arte /70 e. Neurociencia en la animación /73 Propuesta y Objetivo: /84 Desarrollo: Cómo pienso al animar: /85 1. Motivación: Qué es lo que más me gusta de animar /87 2. Base/Vivencia personal: Cómo vivo, pienso y siento la animación a. Emociones y sensaciones /89 b. Pensamientos /94 c. “La corazonada” /116 d. Mi valor añadido /118 Conclusión: /120 Anexo: /123 3. Mis consideraciones al animar a. Preproducción ai. Estilo /124 b. Producción bi. Layout /125 c. Idea, técnica y género /126 d. Acting /128 Bibliografía digital: /130 Introducción Los que nos hemos interesado en el campo y arte de la animación, nos fijamos muchas veces en los resultados y trabajos, mas no en todo el proceso que fue necesario para llegar a tal resultado. O si pensamos en el proceso, tendemos a hacerlo desde un punto de vista más bien técnico. Y si consideramos al animador detrás de un trabajo, lo miramos bajo el lente y concepto de artista, de trabajador, pero no de persona e individuo con su propia personalidad, características, experiencias, etc. En este Seminario de Título se mostrará una reflexión personal de cómo abordar el proceso de animación. El uso de la palabra personal implica que se tratará, más específicamente, de un ensayo sobre la propia experiencia en el desarrollo del proceso de animación mismo, desde su comienzo hasta su final. -
El Dibujo Animado Americano Un Arte Del Siglo Xx Colección Luciano Berriatúa
EXPOSICIÓN EL DIBUJO ANIMADO AMERICANO UN ARTE DEL SIGLO XX COLECCIÓN LUCIANO BERRIATÚA ---------- 1929-1969 Sala Municipal de Exposiciones del Museo de Pasión C/ Pasión, s/n. Valladolid ---------- 1970-2000 Sala Municipal de Exposiciones de la iglesia de las Francesas C/ Santiago, s/n. Valladolid Del 17 de julio al 31 de agosto de 2014 ---------- EXPOSICIÓN: EL DIBUJO ANIMADO AMERICANO UN ARTE DEL SIGLO XX COLECCIÓN LUCIANO BERRIATÚA INAUGURACIÓN: 17 DE JULIO DE 2014 LUGAR: SALA MUNICIPAL DE EXPOSICIONES DEL MUSEO DE PASIÓN C/ PASIÓN, S/N VALLADOLID FECHAS: DEL 17 DE JULIO AL 31 DE AGOSTO DE 2014 HORARIO: DE MARTES A SÁBADOS, DE 12,00 A 14,00 HORAS Y DE 18,30 A 21,30 HORAS. DOMINGOS, DE 12,00 A 14,00 HORAS. LUNES Y FESTIVOS, CERRADO INFORMACIÓN: MUSEOS Y EXPOSICIONES FUNDACIÓN MUNICIPAL DE CULTURA AYUNTAMIENTO DE VALLADOLID TFNO.- 983-426246 FAX.- 983-426254 WWW.FMCVA.ORG CORREO ELECTRÓNICO: [email protected] EXPOSICIÓN COMISARIO EXPOSICIÓN LUCIANO BERRIATÚA COORDINACIÓN DE LA EXPOSICIÓN EN LA SALA MUNICIPAL DE EXPOSICIONES DEL MUSEO DE PASIÓN JUAN GONZÁLEZ-POSADA M. MONTAJE FELTRERO PROGRAMAS EDUCATIVOS Y VISITAS GUIADAS EVENTO La exposición “EL DIBUJO ANIMADO AMERICANO. UN ARTE DEL SIGLO XX” muestra una gran colección de dibujos originales de los artistas que han diseñado y animado las más importantes producciones de dibujos animados realizadas en EEUU durante el pasado siglo. Se presentan obras de artistas de todos los grandes estudios desde Walt Disney, Fleischer y Paramount, Hanna-Barbera y MGM, Warner, Columbia y Upa, Walter Lantz y Universal, o independientes como Bill Plympton, UbIwerks, Tex Avery, Chuck Jones o Ralph Bakshi.