DOCSLIB.ORG

Read Ebook {PDF EPUB} the Unexpected Knight an Ace Stone Adventure #2 by Nicholas A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Ebook {PDF EPUB} the Unexpected Knight an Ace Stone Adventure #2 by Nicholas A Read Ebook {PDF EPUB} The Unexpected Knight an Ace Stone adventure #2 by Nicholas A. Price The Unexpected Knight: an Ace Stone adventure #2 by Nicholas A. Price. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6588bc716f35c3d9 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. About The Author: Nicholas A. Price. Nicholas Price left the world of international high-finance to pursue his passion in life as a visual artist. His artworks are extensive and feature across the world in both private and public domains. He is an author that has published a variety of genres that include: Crime Fiction, comedy, children's and poetry books. His writing style offers a variety of topics that entertain a large audience. "I enjoy writing about the things I am acquainted with and have experienced first-hand. That knowledge spans nearly 40 years and those friends and colorful characters I have discovered in both in my personal, creative and professional life have loosely crossed into the fictional path of my writings. They grow and evolve into the characters I hope my readers will also come to love or despise in much the same way as I do." Nicholas is an avid traveler, when he's not enjoying his private writer's retreat or undertaking his artistic commissions. Customer Support & Contact. Essential updates on the website are applied between 2am and 7am Eastern Standard Time. If you are having difficulties placing orders please try again after 7am or contact us and we will happy to assist you. We are located in New York with distribution services in Florida and California. A Message From Nicholas A. Price. Press & publicity. Questions about press and publicity should be directed to my publicity agent, whose email address is [email protected] . Movie rights/TV/Articles. Questions about movie rights and other things that involve money should go to my agent and business manager, [email protected]. Grace works with my ace legal team as well my publishers, so she’s a great person to start with first. Visits and speaking engagements. The person to talk to about library visits and speaking engagements is my team at Tough Tribe, who can be reached at [email protected]. Purchase signed copies of my books. If you would like to purchase signed copies of my books, you can do so through my publisher Tough Tribe, who can be reached at [email protected] or from my author site that offers signed copies. Let them know the titles in which you are interested. There is a waiting list sometimes, so don’t get frustrated if it takes a while to get to you. Review my books. Are you a journalist, book blogger or professional reviewer? You can request to be placed on my book review list where my publisher will send you a copy of my book if you qualify. My publisher is a real stickler for experienced and honest reviews of their author’s books, so your track record must show you to be totally uninfluenced, fair and impartial to qualify. Please sign onto their mailing list here and complete the relevant information. Snail mail. If you wish to send me something in the actual mail please email my agent Grace. You’ll need to tell her what you want to send as security is pretty tight around here and nothing gets past her without permission. Grace will advise you accordingly. In case you missed it earlier her email is: [email protected]. Social. You can follow me on Twitter at @NicholasAPrice or like me on Facebook at OfficialNicholasPrice. I also have an Instagram at @NicholasAPrice. Please note that all my social media accounts are my own posts but handled by my marketing and publicity department, especially when I am writing or traveling. Looney Tunes Golden Collection: Volume 6. Looney Tunes Golden Collection: Volume 6 is a four-disc DVD box set collection of Looney Tunes and Merrie Melodies cartoons. Following the pattern of one release each year of the previous volumes, it was released on October 21, 2008. [1] Warner Home Video had announced that this will be the final release in the Golden Collection series. [2] Succeeding the Golden Collection series would be the Looney Tunes Platinum Collection series on Blu-ray, which had its first release in November 2011. On July 3, 2012, a two-disc DVD version of Volume 1 of the Platinum Collection was released. [3] Volume 6 is far less child-friendly than the other five volumes in the series. Like Volumes 3, 4, and 5, it has a warning before each disc about the shorts containing content that some viewers would not consider to be "politically correct" by today's standards (but will be shown uncut and uncensored for historical reasons), and as such, is "intended for the adult collector". However, Volume 6's disclaimer states that it "is not suitable for children", as opposed to Volumes 3-5 stating that they "may not be suitable for children". This is due to that in addition to containing cartoons that have racial and/or ethnic stereotypes (like in Volumes 3, 4, and 5) and references to sexism in Robert McKimson's Wild Wife , Volume 6 also contains many cartoons that pertain to World War II, most of them containing depictions or references to Adolf Hitler and Hideki Tojo or to Nazis and Imperial Japan in general. While Volumes 4 and 5 each had a couple explicitly WWII themed cartoons (Plane Daffy and Scrap Happy Daffy respectively), Volume 6 is notable for having an entire disc dedicated to the subject (Disc 2: Patriotic Pals), including several of its bonus cartoons. Volume 6 was originally only released in North America due to the poor sales of Volume 5. However, the discs in this volume were not region- coded, making it easy for collectors outside of North America to import and play this set. The set was released in the UK on 12 September 2011. [4] Contents. Disc 1: Looney Tunes All-Stars. # Title Characters Director Year Series 1 Hare Trigger Bugs, Sam Friz Freleng 1945 MM 2 To Duck or Not To Duck Daffy, Elmer Chuck Jones 1943 LT 3 Birth of a Notion Daffy Robert McKimson 1947 LT 4 My Little Duckaroo Daffy, Porky, Nasty Canasta Chuck Jones 1954 MM 5 Crowing Pains Foghorn, Henery, Sylvester, Barnyard Robert McKimson 1947 LT 6 Raw! Raw! Rooster! Foghorn Robert McKimson 1956 LT 7 Heaven Scent Pepé, Penelope Chuck Jones 1956 MM 8 My Favorite Duck Daffy, Porky Chuck Jones 1942 LT 9 Jumpin' Jupiter Porky, Sylvester Chuck Jones 1955 MM 10 Satan's Waitin' Tweety, Sylvester Friz Freleng 1954 LT 11 Hook, Line and Stinker Wile E. Coyote and The Road Runner Chuck Jones 1958 LT 12 Bear Feat The Three Bears Chuck Jones 1949 LT 13 Dog Gone South Charlie, Colonel Shuffle Chuck Jones 1950 MM 14 A Ham in a Role Goofy Gophers Robert McKimson 1949 LT 15 Often an Orphan Porky, Charlie Chuck Jones 1949 MM. Special features. Bonus cartoons. Title Characters Director Year Series Sniffles Takes a Trip Sniffles Chuck Jones 1940 MM Hippety Hopper Sylvester, Hippety Hopper, Hector Robert McKimson 1949 MM Rabbit Rampage Bugs, Elmer Chuck Jones 1955 LT Boyhood Daze Ralph Phillips Chuck Jones 1957 MM. Commentaries. Hare Trigger by Greg Ford Birth of a Notion by Mark Kausler My Favorite Duck by Jerry Beck. Music-only tracks. Raw! Raw! Rooster! Jumpin' Jupiter Rabbit Rampage Boyhood Daze. Television specials. Bugs Bunny in King Arthur’s Court (1978) Daffy Duck’s Easter Eggcitement (1980) Disc 2: Patriotic Pals. # Title Characters Director Year Series 1 Herr Meets Hare Bugs Friz Freleng 1945 MM 2 Russian Rhapsody Bob Clampett 1944 MM 3 Daffy - The Commando Daffy Friz Freleng 1943 LT 4 Bosko the Doughboy Bosko Hugh Harman 1931 LT 5 Rookie Revue Friz Freleng 1941 MM 6 The Draft Horse Chuck Jones 1942 MM 7 Wacky Blackout Bob Clampett 1942 LT 8 The Ducktators Norman McCabe 1942 LT 9 The Weakly Reporter Chuck Jones 1944 MM 10 The Fifth-Column Mouse Friz Freleng 1943 MM 11 Meet John Doughboy Porky Bob Clampett 1941 LT 12 Hollywood Canine Canteen Robert McKimson 1946 MM 13 By Word of Mouse Sylvester Friz Freleng 1954 LT 14 Heir- Conditioned Sylvester, Elmer Friz Freleng 1955 LT 15 Yankee Dood It Sylvester, Elmer Friz Freleng 1956 MM. Special features. Bonus cartoons. Title Characters Director Year Series The Fighting 69½th Friz Freleng 1941 MM Hop and Go Norman McCabe 1943 LT Confusions of a Nutzy Spy Porky Norman McCabe 1943 LT. Friz Freleng at MGM. Poultry Pirates (1938) A Day at the Beach (1938) The Captain’s Christmas (1938) Seal Skinners (1939) Mama’s New Hat (1939) Commentaries. Herr Meets Hare by Greg Ford Russian Rhapsody by Mark Kausler The Draft Horse by Greg Ford. Music-only track. Yankee Dood It. Disc 3: Bosko, Buddy & Merrie Melodies. All cartoons on this disc are in black-and-white.
Load more

Recommended publications
  • Are Ers Rave Rain O I"Ea Si Ence Christopher Clancy Staff
    .<) <tii)f ~l THE UNIVERSITY OF IDAHO Q,i Frida, 4 ril 26, 1996 ASUI —Moscow Idaho Volume 97 No. $9 are ers rave rain o i"ea si ence Christopher Clancy Staff sudden spring shower may have damp- ened heads, but certainly did not dampen pirits, as a small group of marchers showed their solidarity in the fight against sexual assault in the Break the Silence rally. The event was the kick-off for the University of Idaho's Sexual Assault Awareness Week sponsored by the Women's Center and the ASUI Safety Task Force. The march, which began at Guy Wicks Field, took marchers on a winding tour of campus, lead by Safety Task Force Chair Angela Rauch and Vice-Chair Rhonda Anderson. "Last year over 119 cases of abuse have been reported to the Women's Center. We need to increase awareness and help victims of these types of violent crimes to gain the courage to . speak out and get help," Anderson said. z'4w" 4. During the march a whistle was blown every 15 seconds, signifying the statistic of one woman battered in the United States every 15 ~A'!. seconds. Similarly, each minute a bell was rung, signifying the rape of one woman. The march ended on the steps of the Administration Building where poetry, written by victims, was read and family members and survivors spoke about loss and hope. The mes- t. sage alw'ays: "Fight back, it's not your fault, get help, you'e not alone" was heard as encourage- ment from the victims and their families.
    [Show full text]
  • QUARTERLY 1 3 RIVERSIDE QUARTERLY Illiteracy, Inc August '1973 Vol
    RIVERSIDE vol. 6 QUARTERLY 1 3 RIVERSIDE QUARTERLY Illiteracy, Inc August '1973 Vol. 6, No. i (whole number 21) Editor: Leland Sapiro Assistant Editors: Associate Editor: Jim Harmon Bill Blackbeari To replace the customary announcements, etc., I wish to list some Art Editor: Jan Jonsson Redd Boggs misusages of languages in current books and magazines. Since these Poetry Editor: David Lunde Jon White errors were committed by presumably educated professional authors, I infer that grammar, syntax, etc., are no longer taught in school Send poetry to David Lunde, 1179 Central Ave, Dunkirk, NY 1404F —so this listing is an indirect plea that their study be resumed. and other correspondence to Box 40, Univ. Station,Regina, Canada Dangling Participles Certain verb forms that end in -ed and -ing are supposed to modify something—and in such a way that the sentence means what the writer TABLE OF CONTENTS intended. Two classic examples are: "If stewed, the patients will en­ joy the prunes" and (to quote, from memory, an old Rhodqmagnetic Di­ Illiteracy, Inc........................ ............................................. ........................... gest) "Being an English teacher, my time is very limited these days." The Prudish Prurience of H.R. Haggard and E.R. Burroughs I refrained from sending this last writer a note—"Your time doesn't teach English: you do—and not very wellI"—so these remarks are Richard Dale Mullen ........................................................................ 4 an Open Letter type of substitute. The Myth of Descent in Vincent King's Light a Last Candle Looking over Heinlein's early stories, it is possible to see an S.C. Fredericks ....................................................................................... 20 increasing grasp of technique.
    [Show full text]
  • STORY 1 the Mighty Trapper STORY 2 Ridin' the Rails STORY 3 Low
    STORY 1 The Mighty Trapper from Walt Disney’s Comics and Stories 36 (1943) WRITER, ARTIST AND LETTERER Carl Barks COLORIST Susan Daigle-Leach STORY 2 Ridin’ the Rails from Walt Disney’s Comics and Stories 173-175 (1955) WRITER Carl Fallberg STORY 8 ARTIST AND LETTERER Paul Murry Three For Breakfast COLORIST Digikore Studios from Walt Disney’s Comics and Stories 95 (1948) STORY 3 ARTIST AND LETTERER Harvey Eisenberg Low Diver COLORIST Digikore Studios from Silly Symphonies comic strip (1932), reprinted in Walt Disney’s Comics and Stories 23 (1942) STORY 9 WRITER Earl Duvall Magica’s Missin’ Magic ARTIST Al Taliaferro and Earl Duvall from Walt Disney’s Comics and Stories 591 (1994) INKER Al Taliaferro COLORIST Digikore Studios WRITER, ARTIST AND LETTERER William Van Horn COLORIST Susan Daigle-Leach and Digikore Studios STORY 4 Treed STORY 10 from Silly Symphonies comic strip (1940), reprinted in March of Science: Dinosaurs Walt Disney’s Comics and Stories 28 (1943) from Walt Disney’s Comics and Stories 559 (1991) WRITER Hubie Karp WRITER Tom Yakutis ARTIST Bob Grant ARTIST Bill White COLORIST Fernando Ventura with David Gerstein COLORIST Digikore Studios LETTERER Bill Wright LETTERER John Clark STORY 5 Doing Bad For Good PUBLISHER’S NOTE: Some comics in this archival collection from Walt Disney’s Comics and Stories 203 (1957) were created in an earlier time and may contain cartoon violence and occasional historically-dated content. While WRITER Vic Lockman modern Donald and Mickey stories would not feature these ARTIST AND LETTERER Gil Turner elements, we include them here with the understanding that COLORIST Digikore Studios they reflect a bygone era.
    [Show full text]
  • Say Officials Fort Leonard Wood's Deputy Commanding General, Local, National, Or International Organizations Brig
    That Fort Leonard Wood musicians wow audiences at the state Capitol. See page 1B. Volume 10 Number 38 Published in the interest of the personnel at Fort Leonard Wood, Missouri Thursday, October 2, 1997 CFC campaign off to Arnold in critical but stable condition 'slow start,' say officials Fort Leonard Wood's deputy commanding general, local, national, or international organizations Brig. Gen. Edwin Arnold, is S Contributions lag $60,000 through cash, check, money order, or payroll in critical but stable condition deduction. after suffering an apparent behind last year's fund drive Fort Leonard Wood's CFC campaign heart attack Monday morning with just three weeks to go here is off to a very slow start compared to at the Engineer Center. last year, said Lt. Col. Kevin Kerns, director Col. Richard Smrnerz, Gen- By Betty Thompson of resource management.The CFC cam eral Leonard Wood Army ESSAYONS Staff paign, scheduled to last through Oct. 24, is Community Hospital comn- already in its second week. However, there is mnander, was the first to apply Who can feed a hungry child, provide a considerable drop in contributions com- cardiopulmonary resuscita- relief for families in need of counseling, help pared to last year. About the same time last tion while awaiting the the search on cures for diseases, provide year, approximately $91,000 had been raised GLWACH emergency medi- access to clean water in Third World coun- compared to this year's $29,000. The cam- cal team. tries, or make environmental protection paign goal is $333,000, but "time is money." Smerz was at the Engi- possible'? Just a few weeks remain for authorized Fall surge fall-in neer Center on other business For over 30 years, federal employees solicitation of funds from federal employees Part of the largest load of trainees ever to descend on the 43rd Adjutant when Arnold collapsed.
    [Show full text]
  • Walt Disney's Donald Duck
    DonaldDuckDailies1_Layout 1 7/16/15 2:44 PM Page 1 DonaldDuckDailies1_Layout 1 7/16/15 2:44 PM Page 2 DonaldDuckDailies1_Layout 1 7/16/15 2:45 PM Page 3 IDW PUBLISHING San Diego VOLUME VOLUME ONE • 1938-1940 DonaldDuckDailies1_Layout 1 7/16/15 2:45 PM Page 4 ART AL TALIAFERRO SCRIPTS BOB KARP (4/6/1938 - 7/18/1940) HOMER BRIGHTMAN (2/7 - 4/5/1938) GAG IDEAS BY CARL BARKS (5/25, 6/10, 6/27, 7/2, 7/6, 7/25, 10/25, 10/27, 11/26/1938 and 1/10, 2/4, 2/6/1939) THE LIBRARY OF AMERICAN COMICS EDITOR/CO-DESIGNER DEAN MULLANEY ASSOCIATE EDITOR BRUCE CANWELL ART DIRECTOR/CO-DESIGNER LORRAINE TURNER CONSULTING EDITOR DAVID GERSTEIN PRODUCTION ASSISTANTS JOSEPH KETELS and REBEKAH CAHALIN ISBN: 978-1-63140-335-4 First Printing, July 2015 Published by: IDW Publishing a Division of Idea and Design Works, LLC 2765 Truxton Road, San Diego CA 92106 www.idwpublishing.com LibraryofAmericanComics.com Ted Adams, Chief Executive Officer/Publisher Greg Goldstein, Chief Operating Officer/President Robbie Robbins, EVP/Sr. Graphic Artist Chris Ryall, Chief Creative Officer/Editor-in-Chief Matthew Ruzicka, CPA, Chief Financial Officer Alan Payne, VP of Sales • Dirk Wood, VP of Marketing Lorelei Bunjes, VP of Digital Services Jeff Webber, VP of Digital Publishing & Business Development Distributed by Diamond Book Distributors 1-410-560-7100 Special thanks to Curt Baker, Ken Shue, Iliana Lopez, Julie Dorris, and Danielle Digrado at Disney; Susan Liberator and Marilyn Scott at the Billy Ireland Cartoon Library and Museum at the Ohio State University for filling in several weeks of missing strips; Steve Geppi, Josh Geppi, and Mike Wilbur at Diamond International Galleries; Germund von Wowern, Sarah Gaydos; Justin Eisinger; and Alonzo Simon.
    [Show full text]
  • Cómo Pienso Al Animar
    Anaís Díaz Morales Seminario de Título Cómo pienso al animar Ensayo Profesora guía: Jessica Villalón Animación Digital - Universidad Mayor Facultad de Artes 2017 Índice Introducción: /5 Esquema: /8 Marco teórico: /9 a. Antecedentes históricos /11 b. Antecedentes internacionales /39 c. Antecedentes nacionales /64 d. Estado del arte /70 e. Neurociencia en la animación /73 Propuesta y Objetivo: /84 Desarrollo: Cómo pienso al animar: /85 1. Motivación: Qué es lo que más me gusta de animar /87 2. Base/Vivencia personal: Cómo vivo, pienso y siento la animación a. Emociones y sensaciones /89 b. Pensamientos /94 c. “La corazonada” /116 d. Mi valor añadido /118 Conclusión: /120 Anexo: /123 3. Mis consideraciones al animar a. Preproducción ai. Estilo /124 b. Producción bi. Layout /125 c. Idea, técnica y género /126 d. Acting /128 Bibliografía digital: /130 Introducción Los que nos hemos interesado en el campo y arte de la animación, nos fijamos muchas veces en los resultados y trabajos, mas no en todo el proceso que fue necesario para llegar a tal resultado. O si pensamos en el proceso, tendemos a hacerlo desde un punto de vista más bien técnico. Y si consideramos al animador detrás de un trabajo, lo miramos bajo el lente y concepto de artista, de trabajador, pero no de persona e individuo con su propia personalidad, características, experiencias, etc. En este Seminario de Título se mostrará una reflexión personal de cómo abordar el proceso de animación. El uso de la palabra personal implica que se tratará, más específicamente, de un ensayo sobre la propia experiencia en el desarrollo del proceso de animación mismo, desde su comienzo hasta su final.
    [Show full text]
  • El Dibujo Animado Americano Un Arte Del Siglo Xx Colección Luciano Berriatúa
    EXPOSICIÓN EL DIBUJO ANIMADO AMERICANO UN ARTE DEL SIGLO XX COLECCIÓN LUCIANO BERRIATÚA ---------- 1929-1969 Sala Municipal de Exposiciones del Museo de Pasión C/ Pasión, s/n. Valladolid ---------- 1970-2000 Sala Municipal de Exposiciones de la iglesia de las Francesas C/ Santiago, s/n. Valladolid Del 17 de julio al 31 de agosto de 2014 ---------- EXPOSICIÓN: EL DIBUJO ANIMADO AMERICANO UN ARTE DEL SIGLO XX COLECCIÓN LUCIANO BERRIATÚA INAUGURACIÓN: 17 DE JULIO DE 2014 LUGAR: SALA MUNICIPAL DE EXPOSICIONES DEL MUSEO DE PASIÓN C/ PASIÓN, S/N VALLADOLID FECHAS: DEL 17 DE JULIO AL 31 DE AGOSTO DE 2014 HORARIO: DE MARTES A SÁBADOS, DE 12,00 A 14,00 HORAS Y DE 18,30 A 21,30 HORAS. DOMINGOS, DE 12,00 A 14,00 HORAS. LUNES Y FESTIVOS, CERRADO INFORMACIÓN: MUSEOS Y EXPOSICIONES FUNDACIÓN MUNICIPAL DE CULTURA AYUNTAMIENTO DE VALLADOLID TFNO.- 983-426246 FAX.- 983-426254 WWW.FMCVA.ORG CORREO ELECTRÓNICO: [email protected] EXPOSICIÓN COMISARIO EXPOSICIÓN LUCIANO BERRIATÚA COORDINACIÓN DE LA EXPOSICIÓN EN LA SALA MUNICIPAL DE EXPOSICIONES DEL MUSEO DE PASIÓN JUAN GONZÁLEZ-POSADA M. MONTAJE FELTRERO PROGRAMAS EDUCATIVOS Y VISITAS GUIADAS EVENTO La exposición “EL DIBUJO ANIMADO AMERICANO. UN ARTE DEL SIGLO XX” muestra una gran colección de dibujos originales de los artistas que han diseñado y animado las más importantes producciones de dibujos animados realizadas en EEUU durante el pasado siglo. Se presentan obras de artistas de todos los grandes estudios desde Walt Disney, Fleischer y Paramount, Hanna-Barbera y MGM, Warner, Columbia y Upa, Walter Lantz y Universal, o independientes como Bill Plympton, UbIwerks, Tex Avery, Chuck Jones o Ralph Bakshi.
    [Show full text]