A Hermeneutic Phenomenological Approach

Total Page:16

File Type:pdf, Size:1020Kb

A Hermeneutic Phenomenological Approach View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SHAREOK repository UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE TEACHERS’ PERCEPTIONS OF THE LIVED EXPERIENCE OF SAFE SCHOOLS: A HERMENEUTIC PHENOMENOLOGICAL APPROACH A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By CINDI ATKINSON Norman, Oklahoma 2012 TEACHERS’ PERCEPTIONS OF THE LIVED EXPERIENCE OF SAFE SCHOOLS: A HERMENEUTIC PHENOMENOLOGICAL APPROACH A DISSERTATION APPROVED FOR THE DEPARTMENT OF EDUCATIONAL LEADERSHIP AND POLICY STUDIES BY ____________________________________ Dr. Courtney Vaughn, Chair ____________________________________ Dr. John Chiodo ____________________________________ Dr. Gregg Garn ____________________________________ Dr. Susan Laird ____________________________________ Dr. Jeffrey Maiden © Copyright by CINDI GALE ATKINSON 2012 All Rights Reserved. ACKNOWLEDGEMENTS My dissertation has been a personal journey for me. Words cannot express my appreciation to my husband David, to our children Heather and Matt, to their spouses Nathan and Audrey, to my Mom, and especially to my GRANDchildren Brien and Kylie. You believed in me, encouraged me, and patiently listened as I verbally processed what I was learning. You never once suggested I abandon the process, understanding intuitively that to do so would be untrue to myself. To the chair of my committee, thank you Courtney for introducing me to restorative practices and for willingly opening up and sharing your personal story. You are an educator that teaches from within and is using your life story to encourage others to teach with heart. To all of my committee thank you for challenging me; yet supporting me throughout this process. My appreciation is extended to all the mentor teachers in my life that led me to this profession, some that I was not even aware of at the time. Besides the caring teachers I had in elementary and high school, I am especially grateful to professors in my graduate classes that pushed me out of my comfort zone requiring me to dig deeper into my life story, to appreciate different people and cultures, and to listen to other teacher stories. Most importantly, thank you God for your direction along a path you eminently are responsible for. I sensed your leading and leaned on your creative spirit. Although I resisted the pain, this pilgrimage has helped me understand myself better and to extend that understanding to others. iv TABLE OF CONTENTS ACKNOWLEDGEMENTS .............................................................................................. iv LIST OF TABLES .......................................................................................................... viii LIST OF FIGURES .......................................................................................................... ix ABSTRACT ....................................................................................................................... x CHAPTER I: THEORETICAL PERSPECTIVE ............................................................. 1 Introduction ............................................................................................................ 1 Background for the Study ...................................................................................... 3 Need for Study ..................................................................................................... 13 Significance of the Study ..................................................................................... 21 Procedures ............................................................................................................ 25 Summary .............................................................................................................. 28 CHAPTER II: RESTORATIVE PRACTICES AS THEORETICAL FRAMEWORK FOR THE STUDY OF SAFE SCHOOLS.......................... 30 Restorative Practices versus Retributive Justice .................................................. 30 Needs Based ......................................................................................................... 32 Forgiveness .......................................................................................................... 34 Shame……………………………………………………………………………37 Restorative Practice Processes ............................................................................. 38 Fair Process .......................................................................................................... 40 Restorative Practices in Schools .......................................................................... 41 School Programs by Other Names ....................................................................... 48 Conclusions .......................................................................................................... 50 v CHAPTER III: METHODOLOGY ................................................................................ 54 Introduction .......................................................................................................... 54 The Question ........................................................................................................ 56 Husserl’s Phenomenology ................................................................................... 57 Heidegger’s Hermeneutic Phenomenology ......................................................... 58 Gadamer’s Hermeneutic Phenomenology ........................................................... 59 Intrepretivist Framework ..................................................................................... 60 Hermeneutic Circle .............................................................................................. 61 Interviewing ......................................................................................................... 63 Sample Selection .................................................................................................. 63 Ethical Conduct .................................................................................................... 66 Trustworthiness .................................................................................................... 67 Insider Researcher ................................................................................................ 68 Researcher Reflexivity ......................................................................................... 70 My Story .............................................................................................................. 71 Summary .............................................................................................................. 75 CHAPTER IV: PHENOMENOLOGICAL NARRATIVES: PRESENTATION OF FINDINGS ................................................................ 76 Introduction .......................................................................................................... 76 Phenomenological Narrative: The Uncovering of the Life-worlds ..................... 76 Participant One............................................................................................... 76 Participant Two .............................................................................................. 81 Participant Three ............................................................................................ 90 Participant Four .............................................................................................. 96 vi Participant Five ............................................................................................ 100 Participant Six .............................................................................................. 109 Participant Seven ......................................................................................... 117 Participant Eight........................................................................................... 121 Participant Nine ........................................................................................... 125 Participant Ten ............................................................................................. 130 Aggregate Analysis of the Existential Life-worlds ............................................ 136 Temporality (lived time) .............................................................................. 136 Corporeality (lived body) ............................................................................. 137 Relationality (lived others) .......................................................................... 138 Spatiality (lived space) ................................................................................. 142 CHAPTER V: DISCUSION AND INTREPRETATION OF FINDINGS................... 144 Introduction ........................................................................................................ 144 Shame ................................................................................................................. 145 Vulnerability ...................................................................................................... 149 Isolation.............................................................................................................. 151 Empathy/Relationship ........................................................................................ 153 Hope/Involvement.............................................................................................
Recommended publications
  • A Qualitative Study of Relational Aggression in Sixth Grade Girls
    University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2003 A qualitative study of relational aggression in sixth grade girls Catherine Tinsley McLallen University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2003 Catherine Tinsley McLallen Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Education Commons Recommended Citation McLallen, Catherine Tinsley, "A qualitative study of relational aggression in sixth grade girls" (2003). Dissertations and Theses @ UNI. 1143. https://scholarworks.uni.edu/etd/1143 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Copyright by CATHERINE TINSLEY MCLALLEN 2003 All Rights Reserved A QUALITATIVE STUDY OF RELATIONAL AGGRESSION IN SIXTH GRADE GIRLS A Thesis Submitted In Partial Fulfillment of the Requirements for the Degree Specialist in Education Catherine Tinsley McLallen University of Northern Iowa May2004 11 This study by: Catherine Tinsley McLallen Entitled: A Qualitative Study of Relational Aggression in Sixth Grade Girls has been approved as meeting the thesis requirement for the Degree of Specialist in Education: School Psychology i /zo/03 Date Dr. Radhi Al-Mabuk, Chair, Thesis Committee 8 -J-0-0"3 Date Dr.~tteeMember '8-- 1-0-03 Date /O-b-03 Date l1l ACKNOWLEDGEMENTS I would like to thank Vivian Pitlo; without her help it would have been a monumentally more difficult task to collect my data.
    [Show full text]
  • Competition Order Mobile, AL Mar 29-31, 2019 Renaissance Riverview Plaza Hotel 03/29/2019
    Competition Order Mobile, AL Mar 29-31, 2019 Renaissance Riverview Plaza Hotel 03/29/2019 Time Routine Studio Name Age Category Division 05:00 PM F-097 Cupid Debbie's School of Dance JR Ballet Solo 05:03 PM L-204 Bow Spirit Sheffield School of the Dance JR Contemporary Solo 05:06 PM D-075 This Year's Love Core Dance Center JR Contemporary Solo 05:09 PM L-198 Stop Wondering Sheffield School of the Dance JR Open Solo 05:12 PM I-245 Places We Won't Walk Broadway South Dance JR Contemporary Solo 05:15 PM K-174 When You Love Someone Spotlight Elite Dance Center JR Contemporary Solo 05:18 PM I-239 Familiar Broadway South Dance JR Contemporary Solo 05:21 PM I-162 This Too Shall Last Broadway South Dance JR Contemporary Solo 05:24 PM G-115 YFB RKM Dance Productions JR Contemporary Solo 05:27 PM B-049 Lullabies Meta Fairburn's Dance Academy JR Contemporary Solo 05:30 PM I-153 I Will Follow You Broadway South Dance JR Contemporary Solo 05:33 PM I-150 Jump Broadway South Dance JR Hip Hop Solo 05:36 PM N-208 Electric Love Enterprise School of Dance JR Jazz Solo 05:39 PM I-146 That Walk Broadway South Dance JR Jazz Solo 05:42 PM C-077 Problem Rhondas Dance and Gymnastics JR Jazz Solo 05:45 PM I-148 Imagine Broadway South Dance JR Lyrical Solo 05:48 PM N-205 My Wish Enterprise School of Dance JR Lyrical Solo 05:51 PM B-048 If I Die Young Meta Fairburn's Dance Academy JR Lyrical Solo 05:54 PM I-145 Le Jazz Hot Broadway South Dance JR Musical Theatre Solo 05:57 PM N-213** Bye Bye Black Bird Enterprise School of Dance JR Musical Theatre Solo 06:00 PM
    [Show full text]
  • Rough Like Wool
    CutBank Volume 1 Issue 75 CutBank 75 Article 32 Fall 2011 Rough Like Wool Becky Adnot Haynes Follow this and additional works at: https://scholarworks.umt.edu/cutbank Part of the Creative Writing Commons Let us know how access to this document benefits ou.y Recommended Citation Haynes, Becky Adnot (2011) "Rough Like Wool," CutBank: Vol. 1 : Iss. 75 , Article 32. Available at: https://scholarworks.umt.edu/cutbank/vol1/iss75/32 This Prose is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in CutBank by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. Becky a d n o t H aynes R o u g h L ike W ool It was an inauspicious beginning, one that made Nell, who thought beginnings especially important, wont to call the whole thing off, but her best friend Mandy argued that she shouldn’t let a good thing go so easily— and besides, it was a thing that tons of people were doing nowadays; Hillary Rodham Clinton even met Bill on an internet dating site, if she could believe that. “Is that right.” Nell peered at her friend. Mandy sighed. “No. Sorry. I couldn’t think of anyone famous who met her husband online, but I’m sure there’s someone. Just not Hillary. Too bad, though, because she’d be a really good advocate.” While she was speaking, she turned a pale orangey-pink, the color of a cooked shrimp.
    [Show full text]
  • 11/20/17–11/26/17
    Notre Dame Law School NDLScholarship Monday Morning Update Law School History 11-20-2017 MMU: 11/20/17–11/26/17 Notre Dame Law School, Student Bar Association Follow this and additional works at: https://scholarship.law.nd.edu/monday_morning_update Part of the Law Commons Recommended Citation Notre Dame Law School, Student Bar Association, "MMU: 11/20/17–11/26/17" (2017). Monday Morning Update. 98. https://scholarship.law.nd.edu/monday_morning_update/98 This Newsletter is brought to you for free and open access by the Law School History at NDLScholarship. It has been accepted for inclusion in Monday Morning Update by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. Fwd: MMU: 11/20 - 11/26 1 message Peter Horvath <[email protected]> Mon, Nov 20, 2017 at 9:27 AM To: [email protected] ---------- Forwarded message ---------- From: Andrew Magee <[email protected]> Date: Mon, Nov 20, 2017 at 9:06 AM Subject: MMU: 11/20 - 11/26 To: [email protected] Monday Morning Update November 20 - November 26 Hello Notre Dame Law School, Well, the last home game for the 3Ls has come and gone :( . Outside of the Georgia loss, it was a pretty great showing at home for the Irish. Against Navy, we did not look like our normal, dominant home-selves, however we still were able to grind out a hard-fought victory vs a rival on a cold, rainy day in South Bend. Marshmallows were everywhere which prompted me to ask a lot of people where this tradition started from and I could not get an answer.
    [Show full text]
  • Songs by Title
    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
    [Show full text]
  • Nov. 27, 2017 Price $8.99
    PRICE $8.99 NOV. 27, 2017 NOVEMBER 27, 2017 5 GOINGS ON ABOUT TOWN 19 THE TALK OF THE TOWN Amy Davidson Sorkin on sexual harassment; Lee Ann Womack in hi-fi; a director’s sister act; pups behind bars; Lois Smith, looking back. A CRITIC AT LARGE Anthony Lane 24 For the Win Winston Churchill’s many faces in film. SHOUTS & MURMURS Colin Nissan 29 My LinkedIn Photo ANNALS OF CRIME Alec Wilkinson 30 The Serial-Killer Detector A program to connect unsolved murders. THE SPORTING SCENE Nick Paumgarten 36 Confidence Game The intense discipline of a skiing prodigy. A REPORTER AT LARGE Alexis Okeowo 46 The People’s Police In Mexico, a woman who became the law. COMIC STRIP Edward Steed 53 “A Brief History of Time” FICTION Will Mackin 56 “The Lost Troop” THE CRITICS POP MUSIC Carrie Batton 62 Taylor Swift’s “Reputation.” BOOKS James Wood 65 Jon McGregor’s subtle fictions. Ruth Franklin 70 Reassessing Mary Oliver. 73 Briefly Noted Paul Bloom 74 Looking for the root of human cruelty. THE ART WORLD Peter Schjeldahl 78 Leonardo, Michelangelo, and Edvard Munch. POEMS Eileen Myles 40 “The West” Timothy Donnelly 60 “Unlimited Soup and Salad” COVER Barry Blitt “Nowhere to Hide” DRAWINGS Mitra Farmand, Tom Toro, P. C. Vey, Will McPhail, Bruce Eric Kaplan, David Sipress, Liana Finck, Shannon Wheeler, Roz Chast, Harry Bliss, Emily Flake, Julia Suits, Frank Cotham, Drew Dernavich, Emma Hunsinger, Michael Maslin, Sofia Warren, Paul Noth, Edward Koren SPOTS Andy Rementer THE NEW YORKER, NOVEMBER 27, 2017 1 CONTRIBUTORS Nick Paumgarten (The Talk of the Town, Alexis Okeowo (“The People’s Police,” p.
    [Show full text]
  • 2021 Breeze Show Choir Catalog
    Previously Arranged Titles (updated 2/24/21) Specific details about each arrangement (including audio samples and cost) are available at https://breezetunes.com . The use of any of these arrangements requires a valid custom arrangement license purchased from https://tresonamusic.com . Their licensing fees typically range from $180 to $280 per song and must be paid before you can receive your music. Copyright approval frequently takes 4-6 weeks, sometimes longer, so plan accordingly. If changes to the arrangement are desired, there is an additional fee of $100. Examples of this include re-voicing (such as from SATB to another voice part), rewriting band parts, making cuts, adding an additional verse, etc. **Arrangements may be transposed into a different key free of charge, provided that the change does not make re-voicing necessary** For songs that do not have vocal rehearsal tracks, these can be created for $150/song. To place an order, send an e-mail to [email protected] or submit a license request on Tresona listing Garrett Breeze as the arranger, Tips for success using Previously Arranged Titles: • Most arrangements can be made to work in any voicing, so don’t be afraid to look at titles written for other combinations of voices than what you have. Most SATB songs, for example, can be easily reworked for SAT. • Remember that show function is one of the most important things to consider when purchasing an arrangement. For example, if something is labelled in the catalog as a Song 2/4, it is probably not going to work as a closer.
    [Show full text]
  • Ed 324 674 Title Institution Report No Pub Date Note
    ED 324 674 TITLE Writing Assessment Handbook, Grade 8. INSTITUTION California State Dept. of Education, Sacramento. REPORT NO ISBN-0-8011-0887-X PUB DATE 90 NOTE 167p. AVAILABLE FROMBureau of Publications, Sales Unit, California Department of Education, P. 0. Box 271, Sacramento, CA 95802-0271 ($8.50, plus sales tax for California res:..dents). PUB TYPE Guides - Non-Classroom Use (055) EDRS PRICE MF01 Plus Postagi. PC Not Available from EDRS. DESCRIPTORS English Instructi.on; Grade 8; Junior High Schools; Language Arts; S.:oring; Writing (Composition); Writing Assignments; *Writing Evaluatim; Writing Exercises; *Writing Skills; *Writing Tests IDENTIFIERS *California ABSTRACT This handbook, intended for English language arts teachers, princi2als, curriculum and testing specialists, superintendents, and all educators interested in nreparing students for the grade 8 California Assessment Program (CAP) writing assessment, provides the practitioner with information about the content of the test, the rationale underlying it, and materials to help administrators and teachers prepare for and respond to the assessment. It is a practical and open-ended docuwent that contains descriptions of the eight types of writing tested in the eighth grade (report of information, evaluation, problem solution, autobiographical incident, firsthand biography, observational writing, story, and speculation about cause or effect), as well as information about the importance, characteristics, and interrelatedness of the various types of writing. In addition, the guide includes the following items: ex,nplary student essays and an example of one student's writing proces; suggestions for classroom writing assignments; samples of a range of students' writing, including essays written for the CAP writing test; examples of published essays; recommended readings for use in the classroom; and a scoring guide for rhetorical effectiveness.
    [Show full text]
  • Results by Age and Division Overall - Lancaster, PA 2018-2019
    Results By Age and Division Overall - Lancaster, PA 2018-2019 Rank Perf Order Routine Dancer Studio Shooting Star 7-9 Duo/Trio 1 161 Cruisin for a Bruisin Quinn King, Shawn Mirsky Doylestown Dance Centre 2 160 Youve Got a Friend in Me Madeleine Connolly, Gabriella Didio, Premiere Dance Studio Laura Tran Shooting Star 10-12 Duo/Trio 1 162 Bellas Lullabye Amanda Bush, Alexa Millet, Avigal Taylor Premiere Dance Studio Shooting Star 6 & Under Small Group 1 136 Fun and Games DanceDelaware Studios Shooting Star 7-9 Small Group 1 137 Love Train Premiere Dance Studio 2 139 All for One Ace Dance Company 3 140 The Twist Doylestown Dance Centre Shooting Star 10-12 Small Group 1 138 Wildside Premiere Dance Studio Shooting Star 13-15 Small Group 1 135 Lose Control Remix Becky’s School of Dance 2 141 When I Grow Up Becky’s School of Dance 3 155 Piece By Piece Becky’s School of Dance Shooting Star 6 & Under Large Group 1 147 Someday My Prince Will Come On Edge Movement Dance Studio Results By Age and Division Overall - Lancaster, PA 2018-2019 Rank Perf Order Routine Dancer Studio Shooting Star 7-9 Large Group 1 153 King of Rock & Roll Cathie Collins School of Dance 2 149 Queen of Hearts Dance 360 3 154 Count On Me Doylestown Dance Centre Shooting Star 10-12 Large Group 1 150 Party Go Boom Premiere Dance Studio Rising Star 7-9 Solo 1 378 My New Philosophy Leah Gordon Dee Buchanan Studio of Dance 2 386 Im a Lady Kimmie Schrader On Edge Movement Dance Studio 3 389 Who You Are Brynleigh Kitzmiller The School of Music and Dance 4 387 Dear Future Husband Anya
    [Show full text]
  • A Symbolic Convergence Theory Examination of “Other Girls” Brilynn Janckila
    St. Cloud State University theRepository at St. Cloud State Culminating Projects in English Department of English 8-2019 Boys Will Be Boys, Girls Will Be Not Like Other Girls: A Symbolic Convergence Theory Examination of “Other Girls” Brilynn Janckila Follow this and additional works at: https://repository.stcloudstate.edu/engl_etds Recommended Citation Janckila, Brilynn, "Boys Will Be Boys, Girls Will Be Not Like Other Girls: A Symbolic Convergence Theory Examination of “Other Girls”" (2019). Culminating Projects in English. 154. https://repository.stcloudstate.edu/engl_etds/154 This Thesis is brought to you for free and open access by the Department of English at theRepository at St. Cloud State. It has been accepted for inclusion in Culminating Projects in English by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. Boys Will Be Boys, Girls Will Be Not Like Other Girls: A Symbolic Convergence Theory Examination of “Other Girls” by Brilynn Janckila A Thesis Submitted to the Graduate Faculty of St. Cloud State University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English August, 2019 Thesis Committee: Sharon Cogdill, Chairperson Matt Barton Kirstin Bratt 2 Abstract The fandoms of teenage girls have, historically, been ridiculed by the larger part of American society. The popular interests of teenage girls, such as Taylor Swift, Twilight, or the Beatles, have been used to invalidate young women across America, reducing them to the idea of “basic”—someone who thinks they are unique but likes mainstream trends, such as wearing leggings and drinking Starbucks.
    [Show full text]
  • Show a and B Assignments.Xlsx
    HDA "Back to the Future" Recital 2020 Show Assignments Class Title Class Time Teacher Recital Song Show Performance Date/Time Ballet and Jazz 9+ Monday 1:00A Gena The Final Countdown Show A Thursday, July 30, 6:30 p.m. Combo 6-8 and Pre-Combo 3.5-5 Monday 1:00C and Monday 1:45C Sara A Million Dreams Show A Thursday, July 30, 6:30 p.m. Ballet 7-9 Monday 5:00D Kate All Is Found Show A Thursday, July 30, 6:30 p.m. Ballet Technique B and Ballet/Pre-Pointe DE COMBINED Monday 5:15A and Wed 4:45B Tracey Where Have All Flowers Show A OR B* See note below and details in a separate email. Jazz A3 Monday 5:30B Aly I Did Something Bad Show B Friday, July 31, 7 p.m. and Saturday, August 1, 1 p.m. Pre-Combo 3.5-5 Monday 5:45C Cassidy Slow Down Show A Thursday, July 30, 6:30 p.m. Jazz 7-9 Monday 6:00D Frannie Don't Stop Me Now Show A Thursday, July 30, 6:30 p.m. Ballet Technique A2/3 Monday 6:30A Tracey Red Hot Show B Friday, July 31, 7 p.m. and Saturday, August 1, 1 p.m. Ballet Technique A1 Monday 6:30B Kate The Pianist Show B Friday, July 31, 7 p.m. and Saturday, August 1, 1 p.m. Combo 7-9 Monday 6:45C Cassidy Sir Duke Show A Thursday, July 30, 6:30 p.m. Jazz B Monday 6:45D Aly Dear Future Husband Show B Friday, July 31, 7 p.m.
    [Show full text]
  • Download Album Taylor Swift Reputation SK-360
    download album taylor swift reputation SK-360. On Aug. 18, Taylor Swift went dark, wiping her social media accounts clean and replacing them with a cryptic clip of a snake. By the end of the week, Swift had announced her sixth album, Reputation, and released its moody, electro first single, “Look What You Made Me Do,” with its lyric: “The old Taylor can’t come to the phone right now … ‘Cause she’s dead!” The song, her first solo release in three years, broke 24-hour records for Spotify, Vevo and YouTube streams, and ended the 16-week reign of Luis Fonsi and Daddy Yankee’s “Despacito” atop the Billboard Hot 100 with 2017’s highest single-week sales. But the single has since set some less glamorous records as well. A week after reaching No. 1 on the Pop Songs chart, it moved to No. 7 — the largest fall from the top in the chart’s history — and from No. 5 to No. 20 on the all- format Radio Songs chart, the biggest fall from the top five in that chart’s 27-year history. Subsequent releases haven’t fared as well, either; after debuting at No. 4 on the Hot 100, second single “…Ready for It?” fell to No. 53 (though it has rebounded since the Oct. 26 release of its video), while “Gorgeous” dropped from a No. 13 debut to No. 69 in its second week. Download Taylor Swift – Reputation Album (Zip) TRACKLIST 01. Taylor Swift – …Ready For It 02. Taylor Swift – End Game 03. Taylor Swift – I Did Something Bad 04.
    [Show full text]