Ace Frehley Rider 2019

Total Page:16

File Type:pdf, Size:1020Kb

Ace Frehley Rider 2019 ACE FREHLEY BAND BACKLINE REQUIREMENTS / USA 2018 Ace Frehley Guitar/Vocals 2 JCM2000 DSL 100 watt Heads. 2 Marshall 1960AV Cabinets 1 Shure UR4D wireless receiver with 3 transmitter belt packs 3- 30-40 ft ¼ male end speaker cables 1- 40 ft instrument cable ¼ male ends 8 misc length ¼ male end instrument cables 1 guitar boat Philip Shouse (Vocals / Bass) - 2 Ampeg SVT Bass Heads s - 2 Ampeg SVT 8x10 Cabiinets (PLEASE NOTE: BOTH 8x10 CABINETS ARE TO BE POWERED BY BASS HEAD ON STAGE RIGHT. PLEASE SUPPLY EXTRA LONG SPEAKER CABLE TO ACCOMMODATE) - 1 Fender P Bass of Fender Jazz Bass Ryan Cook (Guitar / BGV’s) ** FIRST CHOICE OF AMP IS POWERER KEMPER HEAD W/ REMOTE. IF THIS IS AVAILBLE, WE ALSO REQUEST ONE MARSHALL HEAD AS BACKUP. - 4 Marshall 4x12 Cabinets **IF KEMPER NOT AVAILABLE: - 2 Marshall JCM 800 or JCM 2000 - 1 Gibson Electric Guitar (Custom, Standard or Classic) Jeremy Asbrock (Guitar / BGV’s) ** FIRST CHOICE OF AMP IS POWERER KEMPER HEAD W/ REMOTE. IF THIS IS AVAILBLE, WE ALSO REQUEST ONE MARSHALL HEAD AS BACKUP. - 4 Marshall 4x12 Cabinets **IF KEMPER NOT AVAILABLE: - 2 Orange (preferably) or Marshall JCM 800 or JCM 2000 - 1 Gibson Electric Guitar (Custom, Standard or Classic) Accessories - 8 guitar stands - 5 LARGE, circular, tiltable, adjustable speed fans to be placed on stage - 4 drink / water bottle holders (one for each vocal mic stand Matt Starr Rider 2018 DRUMS Ludwig Legacy series • 26” Bass drum • 14" Rack tom • 16" Floor tom with legs • 18" Floor tom with legs • 14x6.5” Ludwig Black Beauty (Ludwig 6.5” Supraphonic optional) • Piano Black, Silver Sparkle, Red Sparkle first choices. CYMBALS Paiste 2002 (Signature if not available) • 15" Hi hats 2002 Sound Edge (14” optional) • (3) 20" 2002 crashes • 24” 2002 Rev Al ride(24” Giant Beat optional) • 22” China cymbal HARDWARE/PEDALS DW Drum Workshop • (1) DW 5000 single bass drum pedal • (1) DW 5000 Hi hat stand with 3 LEGS • (5) DW boom stands (all with boom arm in tube) • (2) DW snare stands (1) snare for drum set (1) for rack tom • Tama First chair/throne bicycle style (DW optional) DRUM HEADS Evans • Coated G2 on all toms TOP & BOTTOM • (2) Heavyweight head for snare • EQ3 kick BATTER, smooth white FRONT MISCELLANEOUS • 2 fans • DW or Evans heavy duty Drum Key 323.842.9120 • [email protected] www.mattstarrmusic.com Additional Staging - 1 Drum Riser 8’W x 8’L x 2’H Lighting Detail - Other than Follow Spots / Spotlights, NO WHITE LIGHTS ARE TO BE INCLUDED IN COLOR SCHEME. Only warm, “vibey” colors, please: Blue, Red, Purple Green, Yellow….Dark Colors. Talk Back Mics - Please arrange for Front of House, Monitor Engineer and Lighting Director to have talk back mics to communicate with artist via monitor wedges. PLEASE NOTE; DISTANCE FROM FOOT OF STAGE TO FRONT OF DRUM RISER 12’ 0” (12 feet, 0 inches). Ace Frehley input list 1-Kick In 2-Kick out 3-Snare top 4-Snare bottom 5-Hat 6-Rack Tom 7-Floor Tom 1 8-Floor Tom 2 9-O.H.SR 10- O.H.SL 11- Cowbell 12- Bass DI 13- Bass Mic 14- Guitar Ryan SR 15- Guitar Ace Center 16- Guitar Ace Center 17- Guitar Jeremy SL 18- Ryan Vocal SR 19- Phil Vocal SR 20- Ace Vocal Center 21- Jeremy Vocal SL 22- Matt Drum Vocal 23- Spare Vocal 24- sample DI 6 DRUMS MATT AC AC Guitar Bass Guitar AC Guitar Guitar RYAN PHIL ACE JEREMY 7 8 1 2 4 5 INPUT LIST 1 Kick In Beta 91 9 O/H KM184 17 Guitar S/L 57 25 2 Kick Out Beta 52 10 O/H KM184 18 Vocal Ryan 58 26 3 Sn top Beta 57 11 Cowbell 57 19 Vocal Phil 58 27 4 Sn bttm SM57 12 Bass DI 20 Vocal Ace 58 28 5 HiHat CM700 13 Bass Mic e602 21 Vocal Jeremy 58 29 6 Rack e604 14 Guitar S/R 57 22 Vocal Matt 58 30 7 Floor 1 e604 15 Guitar 1 Ace 57 23 Spare Vox 58 31 8 Floor 2 e604 16 Guitar 2 Ace 57 24 Trax DI 32 Ace Frehley 12/2018.
Recommended publications
  • Marketing Lessons I Learned from Working with Kiss
    MARKETING LESSONS I LEARNED FROM WORKING WITH KISS BY: MICHAEL BRANDVOLD Copyright 2011 Michael Brandvold Marketing • www.MichaelBrandvold.com "Quite eloquent. You're a powerful and attractive man." Gene Simmons Copyright 2011 Michael Brandvold Marketing • www.MichaelBrandvold.com CONTENTS • About • Acknowledgements • Testimonials • No Denying the Influence • All Press is Good Press • Love Me or Hate Me, Just Spell My Name Right • Wait for the Right Time • It’s All Branding • Everything You Do Will Not Succeed • Treat the Media with Respect • Listen to Your Fans You Work for Them • The Secret to Success is to Offend the Greatest Number of People • If You Don’t Ask For It You Won’t Get It • Separate Business and Pleasure • They Aren’t Afraid to Change Their Minds • The Takeaway • Contact Copyright 2011 Michael Brandvold Marketing • www.MichaelBrandvold.com ABOUT In both mainstream and adult entertainment, Michael Brandvold’s marketing talents, skills and savvy are vital assets that numerous companies rely upon to expand, prosper and operate effectively, efficiently and profitably in the online economy. Upon graduating from Mankato State University in 1987, Michael accepted the position of Director of Marketing with DKP Productions, an artist management firm in Chicago, before joining Red Light Records 1990, as National Radio Promotions manager. A self-taught master of HTML, Michael launched websites for Perris Records, Creative Communications, Sportmart, and Montgomery Ward. But it was KISS Otaku – his KISS fan site launched in 1995 – that would change his fortunes forever. In 1998, Gene Simmons of KISS discovered KISS Otaku and personally tapped Michael as the Director of Web Services at Signatures Network, a Sony/CMGi company, where he built-from-scratch, managed and grew KISSonline into a multi-million dollar enterprise with over of a half million visitors a month.
    [Show full text]
  • Kiss-Guitar-April-2016.Pdf
    APRIL 1996 • VOLUME 13 • NO. 6 FEATURES 24 The Best Guitarists You've Never Heard Of We could name them here, but you've never heard of them. So read on 28 Kiss The rock circus rolls back into town 28 Riffology Classic riffs and solos, plus a Kiss history 42 Alive Again Little Deuce Scoop: Exclusive interviews with Ace, Gene and Bruce on the family reunion and future plans 48 Rhythm Displacement by Jon Finn Professor Finn gets funky 56 Studio Guitarists byWolfMarsha/1 Session great Steve Lukather takes us on a walk behind the glass PROFILE 21 Bert Jansch byHPNewquist COLUMNS 70 Mike Stern OVER THE TOP Bop 'n' Roll, Part 2 72 Alex Skolnick THE METAL EDGE 74 Reeves Gabrels BEYOND GUITAR 76 Tony Franklin BASS NOTES 78 Steve Morse OPEN EARS 152 HookinQ Up Your Pedals SOUND F/X 158 The Recording Guitarist Oat's What I ua About DAT DEPARTMENTS 6 Opening Act 8 Input 10 Groundwire 68 Contest WinaB.C. Rich guitar 69 Toy Box Knowyourtubetypes 156 Guitar Picks 164 Tracks 172 Advertiser Index ENCORE 176 Musical Definitions by Charles H. Chapman and Jon Chappell GUITAR & BASS SHEET MUSIC 81 Performance Notes by Jon Chappell 82 Explaining Tab 83 MY JEKYLL DOESN'T HIDE Ozzy Osbourne 95 BETH Kiss 105 AFTERSHOCK Van Halen 129 SATELLITE Dave Matthews Band 140 INTO THE GREAT WIDE OPEN Tom Petty ssues ofyo rou decide t :again. easure to se Malmsteen th this yea as speechles e to feel tha IG nally realize vrite for thos n [Riffolog ative bits an It's about tim ndwagon.
    [Show full text]
  • Day Two LOTS 1446-1521 Page15 I446 GENE
    '- I Day Two LOTS 1446-1521 Page 15 ~446 GENE SIMMONS Script of ELDER 1980 $488.75 1447 GENE SIMMONS KISS Press Kit from ELDER Album, 1981 $373.75 1448 KISS Costume Armbands GENE SIMMONS from ELDER Era, 1981 $460.00 1449 Costume GENE SIMMONS RDER I CREATUES OF NIGHTTour 1981-1983 $4600.00 1450 KISS Costume PAULSTANLEY ELDER Tour, 1981 $5 175.00 j452 KISS Belt PAUL STANLEY ELDER Era, 1981 $1 380.00 1453 Bodysuit ACE FREHLEY ELDER 1CREATURES OF NIGHTTour 11981·1983 $4312.50 ~454 KISS Costume ERIC CARR from ELDER Era. 1981 $2875.00 ~460 KISS Top GENESIMMONS ASYLUM Tour, 1985-1986 $632.50 1461 KISS Costume Coat GENE SIMMONS ASYLUM Tour, 1985-1986 $1 265.00 i1469KISS Costume Jacket PAUL STANLEY ASYLUM Tour, 1985-1986 $3.737.50 ~472 KISS Costume Pants PAUL STANLEY ASYLUM Tour, 1985-1986 $1 ,725.001 1482 KISS Poster DesiQnlayout , 1984 $46000., . :. ~'. ~ ~483 KISS Band Portrait from ANIMALIZE Era, 1984 $345.00 ~484 KISS Costume Shin Guards GENE SIMMONS ANIMALIZE Tour, 1984-1986 $747.50 ~485 KISS Vest GENE SIMMONS ANIMALlZE Tour, 1984-1985 $2.070.00 ;1489PAUL STANLEY KISS Guitar ANIMALlZE Tour. 1984-1985 $4.887.50 h490 KISS Right Case and Drum Accessories ERIC CARR ANIMALIZE Tour. 1984 $488.75 ~492 KISS Vest BRUCE KUUCKfrom ANIMALlZETour, 1984-1985 $1.265.00 11495KISS Backstage Access Only Sign, 1999 $488.75 h496 Advertisement Proof, 1999 $977.50 11499GENE SIMMONS Simmons Records Mini Guitar Display, 1989 $431.25 1501 GENE SIMMONS Certification Document, 1984 $402.50 h502 Tour Book Cover Artwork for 10th ANNIVERSARY Tour, Circa 1982-1983 $258.75 • i1503 KISS Platinum Express Card.
    [Show full text]
  • 9.11.17 Press Release Gene Simmons & Ace Frehley
    FOR IMMEDIATE RELEASE Media Contact // Gates Lindquist [email protected] // 612.246.7250 Gene Simmons & Ace Frehley Will Perform Together For The First Time in Sixteen Years For ‘The Children Matter’ Benefit Concert For Hurricane Victims with special guests Don Felder & Cheap Trick St. Paul, MN | September 20th, 2017 www.thechildrenmatter.ngo September 11th, 2017 (Minneapolis, MN) – Today, Gene Simmons (KISS Co-founder, bassist) and Ace Frehley (original lead guitarist of KISS) announced they will perform together on-stage, the first-time in over 16 years (since Frehley left KISS in 2001) at The Children Matter Benefit Concert to support the victims of Hurricane Harvey. Don Felder (former lead guitarist of The Eagles) and Cheap Trick are confirmed to perform, with headliner Gene Simmons Band (which Frehley and Felder will be sitting in with) at The Children Matter Benefit Concert on September 20th 2017 in St. Paul, Minnesota. Over 10,000 expected to fill CHS Field Stadium in downtown St. Paul to witness rock history with once-in-a-lifetime collaborative performances between rock legends Gene Simmons, Ace Frehley, Don Felder and Cheap Trick as they turn up the volume for the victims of Hurricane Harvey. ALL proceeds from The Children Matter Benefit Concert will be directed to the hurricane relief efforts of the nonprofit MATTER. The nonprofit works in partnership with on-ground relief organizations to source and ship the items needed most, such as: MATTERbox Meal Kits, sanitation and contamination prevention supplies and more to the children and families affected displaced by the hurricane. Tickets starting under $60 and range up to $250 for VIP Meet & Greet.
    [Show full text]
  • UWS Academic Portal the Rock Band KISS and American Dream
    UWS Academic Portal The Rock Band KISS and American Dream Ideology James, Kieran; Briggs, Susan P.; Grant, Bligh Published in: European Journal of American Culture DOI: 10.1386/ejac.37.1.19_1 Published: 01/03/2018 Document Version Peer reviewed version Link to publication on the UWS Academic Portal Citation for published version (APA): James, K., Briggs, S. P., & Grant, B. (2018). The Rock Band KISS and American Dream Ideology. European Journal of American Culture, 37(1), 19-37. https://doi.org/10.1386/ejac.37.1.19_1 General rights Copyright and moral rights for the publications made accessible in the UWS Academic Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 17 Sep 2019 “The Rock Band KISS and American Dream Ideology” by Kieran James* University of the West of Scotland [email protected] Susan P. Briggs University of South Australia [email protected] and Bligh Grant University Technology Sydney [email protected] *Address for Correspondence: Dr Kieran James, School of Business and Enterprise, University of the West of Scotland, Paisley campus, Paisley, Renfrewshire, PA12BE, Scotland, tel: +44 (0)141 848 3350, e-mail: [email protected] and [email protected] Acknowledgements We thank Frances Miley, Andrew Read, conference participants at the International Conference for Critical Accounting (ICCA), Baruch College, New York City, 28 April 2011, this journal’s two anonymous reviewers, and this journal’s Editor for helpful comments.
    [Show full text]
  • Ace Frehley Album Kissfaq Interview with Rob Freeman July 2013
    Ace Frehley Album KissFAQ Interview with Rob Freeman July 2013 KissFAQ: Rob, what do you recall about getting the invitation to participate as the recording engineer on Ace Frehley’s 1978 solo album? Rob Freeman: I got the call to work on Ace’s solo album sometime in June 1978. I’m not sure if it came directly from Eddie Kramer, with whom I had previously worked, or from someone in the KISS organization. Either way, I was thrilled to get that call because I had a sense that recording that album was going to be a big step forward both for me and for Plaza Sound, the studio I had been working so hard to advance. By the summer of ‘78, I had already recorded some noteworthy albums at Plaza Sound with a variety of artists— among them, The Ramones’ first album, “Ramones”; Blondie’s first two albums, “Blondie” and “Plastic Letters”; and Richard Hell and the Voidoid’s “Blank Generation”—but these were mostly “downtown” New York artists, and, at least back then, my work with them hardly garnered the kind of worldwide recognition that a KISS album would. KF: Was this your first KISS-related project? RF: Yes, Ace’s album was the first. I guess the other KISS band members and the rest of their organization liked what I did for Ace because after that they called me to work on the “Music from the Elder” and “Lick It Up” albums as well as to put a number of radio and television commercial spots together for them.
    [Show full text]
  • Ll11t1j1t111~~~~I'1il1r 11 J
    - ALICE COOPER 1F NUGENT DEEP PURPLE JOURNEY . I ll11t1J1t111~~~~i'1il1r 11 j ROCK Contents Issue 93 l MONSTERS OF ROCK a untold best, funniest, muddiest ! downright daftest tales from the ,t rock festival of them all Features 31 MONSTERS OF ROCK 54 QUEENSRYCHE It looked like it was dead, but this summer it's They said they would never do Operation: back and very much alive. Read the untold Mindcrime II. So what changed their mind? stories- the good, the bad, the crazy- of the loudest festival on the; planet. S6KISS Detroit Rock City! God OfThunder! Beth! Shout 38 DEEP PURPLE It Out Loud! Destroyer! Great album! They've just had their biggest album in more than 20 years, and this summer they're 62 RED HOT CHILI PEPPERS co-headlining at their first Monsters Of Rock. They're back, and they've just made what Flea No wonder Ian Gillan is a happy chappie. says is "our greatest record". 43JOURNEY 66FEEDER Twenty-five years or so since the US AOR giants After 10 years of toil, is it finally their time? last played in Britain, this summer they play the Monsters Of Rock. So, Ross Valory, don't 68THECARS Journey like it over here, or what? Back on the road-and with a new driver. Classic Rock 3 Destroyer was where it al c tlier for Kiss W1 r b Fzn pulling the productio 1 <trir band transfor-n J 1er~ elv 'rorn rehearsal-room hopef I m.rlti-platirurn 'JJ On the :3 .h anniversary of Destroyer Classic Roe k ta k to Paul Stanley about the record U A t er into f, s platfo r -boo ">tP > WORDS: DANTE BONU;no Classic Rock 57 good the songs at their disposal.
    [Show full text]
  • When KISS Rocked Cadillac
    When KISS Rocked Cadillac foto.gettyimages.com/archive/rarely-seen/when-kiss-rocked-cadillac-never-seen-photos-from-1975/ never-seen photos KISS was on the cusp of superstardom when a small, conservative town in northern Michigan invited the band to visit. The rest is rock history. Fin Costello/Redferns Published July 19, 2018 Published 2 months ago It sounds like a Hollywood screenwriter's fantasy: a small-town high-school football team turns around a losing season, inspired by the music of wildly theatrical rock and rollers from New York. The team contacts the group with an unlikely ask: Would they consider visiting, so the town can say thanks? The band, on the cusp of superstardom, agrees — resulting in one of the most improbable, wholesome, heartwarming stories in rock history. But this was no movie: the year was 1975; the town was Cadillac, Michigan; and the band was KISS. Here, after unearthing never-seen photos from the event, FOTO celebrates an unrepeatable pop-culture moment, and speaks with a man who helped make it happen. 1/14 Fin Costello/Redferns ROLLING THUNDER Jim Neff (above, at right, in light-colored pants) was a 28-year-old assistant football coach and history teacher at Cadillac High in 1974 when the varsity Vikings experienced a rocky 0-2 start to the season. "I was a big KISS fan," Neff told FOTO, "and I started playing their music in the locker room to get the team fired up." When the Vikings started winning, Neff wrote to KISS' management to let them know about the team's reversal of fortune.
    [Show full text]
  • Sleaze King Misplaces Heart
    FEBRUARY 27, 1990 THE RETRIEVER / PAGE 11 The Retriever Arts & Entertainment ■* Sleaze king misplaces heart by Teddy Durgin abney Coleman .^^^ should be given M ^m a Lifetime m M Achievement M ^r Award for Best Supporting Sleaze. Throughout his career, Coleman has played such characters as the sleazy boss in 9 to 5, the sleazy director in Tootsie, the sleazy magazine publisher . in Dragnet and, now the sleazy father in Where The Heart Is. But not even he can save this poorly conceived film. Set in New York, Where The Heart Is relates the so-what story (See Heart, page 12) Montana Wild Axe: a premier musical road trip by Joab Jackson There's no feeling quite the premier pure rock n' roll bands "Aiko-Aiko," Bob Dylan's "It's All based around three groups, The will flow flawlessly into "I Know out rockers, M.W.A really shines like it. The road, that is. I've seen lately. Local and national Over Now," and "Quinn The Allman Brothers, Little Feat and You Rider." Their take of "Let It on the slower, more ethereal Late Friday afternoon you included. They may well be the best Eskimo." The James Gang's "Must The Grateful Dead. From the Rain" will move you to tears (or numbers. The Beatles' "Dear throw some necessities in cover band on the east-coast. at least to get another beer). Prudence" is the perfect example. the trunk, gather a few cohorts, and "Cover-band" you guffaw, The ghosts of Little Feat The original is a simple ballad, tank' er up.
    [Show full text]
  • Backstage Auctions, Inc. Proudly Presents the 2004 Classic Rock Auction Featuring the Private Collection of Eddie Kramer End of Auction Summary
    Backstage Auctions, Inc. Proudly Presents The 2004 Classic Rock Auction Featuring the private collection of Eddie Kramer End of Auction Summary Lot # Realized Price Title 1 $462.00 JIMI HENDRIX 1970 "DOLLY DAGGER"/"NIGHT BIRD FLYING" ACETATE 2 $333.96 JIMI HENDRIX "DOLLY DAGGER" VERSION 1 ACETATE 3 $338.06 JIMI HENDRIX "DOLLY DAGGER" VERSION 2 ACETATE WITH FADE 4 $258.00 JIMI HENDRIX "DOLLY DAGGER" MONO DJ ACETATE 5 $366.02 JIMI HENDRIX "JOHNNY B. GOODE" MONO-STEREO ACETATE 6 $366.02 JIMI HENDRIX "LOVER MAN" STEREO ACETATE 7 $700.00 JIMI HENDRIX "LAUGHING SAM" ACETATE WITH B-SIDE 8 $400.01 JIMI HENDRIX "STAR SPANGLED BANNER" STUDIO VERSION ACETATE 9 $360.00 JIMI HENDRIX 1971 "LIVE IN THE WEST" ALBUM ACETATE 10 $200.00 JIMI HENDRIX 1971 "LIVE IN THE WEST" B-SIDE ACETATE 11 $300.00 JIMI HENDRIX 1971 "RAINBOW BRIDGE" ALBUM ACETATE 12 $300.00 JIMI HENDRIX 1972 "WAR HEROES" ALBUM ACETATE VERSION 1 13 $300.00 JIMI HENDRIX 1972 "WAR HEROES" ALBUM ACETATE VERSION 2 15 $275.00 JIMI HENDRIX 1996 "FIRST RAYS" ALBUM 'MASTER' PLATE 17 $100.00 JIMI HENDRIX 1997 "FIRST RAYS" SET OF 4 TEST PRESSING RECORDS 18 $401.72 JIMI HENDRIX 1997 "AXIS: BOLD AS LOVE" SET OF 8 TEST PRESSINGS 19 $250.00 JIMI HENDRIX 1997 "ELECTRIC LADYLAND" SET OF 12 TEST PRESSINGS 20 $152.00 JIMI HENDRIX 1997 "ELECTRIC LADYLAND" SET OF 4 TEST PRESSINGS 21 $175.00 JIMI HENDRIX 1997 "ARE YOU EXPERIENCED" SET OF 7 TEST PRESSINGS 22 $225.00 JIMI HENDRIX 1997 "BAND OF GYPSYS" SET OF 6 TEST PRESSINGS 23 $100.00 JIMI HENDRIX 1997 "BAND OF GYPSYS" SET OF 2 TEST PRESSINGS 25 $150.00 JIMI HENDRIX 1998 "BBC SESSIONS" SET OF 6 TEST PRESSING RECORDS 26 $200.00 JIMI HENDRIX 1998 "FILMORE EAST" SET OF 8 TEST PRESSINGS 27 $200.00 JIMI HENDRIX 2000 "JIMI HENDRIX EXPERIENCE" 8 TEST PRESSINGS 28 $50.00 JIMI HENDRIX 2002 "SMASH HITS" SET OF 2 TEST PRESSINGS 29 $150.00 JIMI HENDRIX 2002 "BLUE WILD ANGEL" SET OF 6 TEST PRESSINGS 32 $175.00 JIMI HENDRIX COLLECTORS DREAM: 11 SEALED LTD.
    [Show full text]
  • Famicon List Game
    Famicon List Game : www.facebook.com/morearcade 1. 10-Yard Fight (J) 2. 100 Man $ Kid - Maboroshi no Teiou Hen (J) 3. 100-in-1 Contra Function 16 4. 11-in-1 Ball Games 5. 110-in-1 6. 1200-in-1 (Alt Games) 7. 15-in-1 8. 150-in-1 9. 16 Mahjong 10. 1942 (JU) 11. 1943 - The Battle of Midway (U) 12. 1944 (1943 Hack) 13. 1945 (Sky Shark Pirate) 14. 1991 Du Ma Racing (As) 15. 1999 - Hore, Mitakotoka! Seikimatsu (J) 16. 20-in-1 (Mapper 231) 17. 20-in-1 (Mapper 61) 18. 21-in-1 (2006-CA) (Unl) 19. 22-in-1 20. 24-in-1 21. 260-in-1 22. 3-D Battles of World Runner, The (U) [hM34] 23. 3-in-1 Supergun 24. 31-in-1 25. 35-in-1 26. 350-in-1 27. 36-in-1 (Unl) 28. 3D Block 29. 3D Block [p2] 30. 3D Block [p3] 31. 4 Nin Uchi Mahjong (J) 32. 52 Games 33. 54-in-1 (Game Star - GK-54) Famicon List Game : www.facebook.com/morearcade 34. 58-in-1 35. 6-in-1 (Game Star - GK-L01A) 36. 6-in-1 (SuperGK-L02A) 37. 64-in-1 38. 68-in-1 (Game Star - HKX5268) 39. 72-in-1 40. 720 (U) 41. 76-in-1 42. 8 Eyes (J) 43. 8-in-1 44. 9-in-1 Kyatto Ninja Teyandee 45. Aa Yakyuu Jinsei Icchokusen (J) 46. Abadox (J) 47. Abarenbou Tengu (J) 48. Aces - Iron Eagle 3 (J) 49. Action 52 (E) 50.
    [Show full text]
  • AT AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 7pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 7pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc.
    [Show full text]