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Commerce Department's Ban on Wechat and Tiktok Mobile
Alert Commerce Department’s Ban on WeChat and TikTok Mobile Applications Delayed on Eve of Implementation September 22, 2020 On Sept. 18, 2020, the U.S. Department of Commerce (“Commerce Department”) issued its eagerly anticipated regulations under President Trump’s Aug. 6, 2020 Executive Orders (“E.O.s”) relating to the mobile applications (“apps”), WeChat and TikTok. As explained below, the regulations sharply restrict transactions involving either app within the United States, beginning on Sept. 20, 2020.1 At the same time, the Commerce Department refrained from imposing sanctions on use of the apps outside the United States or on trading in the securities of WeChat’s and TikTok’s parent companies. Both sets of regulations were scheduled to begin to take effect on Sept. 20, but due to subsequent developments in the courtroom and the boardroom, neither will. On Sept. 19, 2020, a federal judge in California granted a motion for a preliminary injunction which will — at least temporarily — curtail the government’s ability to implement the WeChat ban. And on the same day, following the announcement of a bid by Oracle Corp. (“Oracle”) for the U.S. operations of TikTok, the Commerce Department temporarily delayed implementation of the TikTok ban for one week. Background The Aug. 6, 2020 E.O.s vest broad authority in the Commerce Department to prohibit persons subject to U.S. jurisdiction from engaging in transactions with the Chinese companies that own TikTok and WeChat.2 E.O. 13942 targets ByteDance Ltd. (“ByteDance”), the owner of TikTok Inc. (“TikTok”); E.O. 13943 targets Tencent Holdings Ltd. -
Do You Know Your Instagram from Your Tiktok, Twitter Or Tumblr?
Do you know your Instagram from your TikTok, Twitter or Tumblr? If not, we have created some basic Instagram tutorials on YouTube (see links be- low) to get your club onto Instagram and posting in no time! Why Instagram? • Great engagement with younger age group ie. 13-17 y/o compared to Face- book • Easy to post – take photos and videos on rally days, competitions and camps, or re-post your members photos. Some tips for using Instagram • Engagement is more important than followers - remember, it’s not a compe- tition! Instagram is a really great tool to keep connected with your younger members, and also reach potential new members • Having a business account will allow you to see your engagements, profile visits, audience demographics, and also when your audience is online the most (to help you to determine the best time to post) • Remember to adhere to the Pony Club NSW Social Media Policy, which can be found here. A good rule is if you are questioning whether it is appro- priate to post, it probably isn’t! • All Instagram users must be at least 13 years or older to have their own ac- count. • Don’t share photos posted on members pages without asking them for per- mission first, and make sure you credit them for use of their image. • Use a club email address to make your Instagram account, that way if the person looking after the account moves on from the club, the login details can be passed onto the new person responsible (succession planning). Instagram vs Facebook We have found at a state level, our Facebook followers are generally older than our Instagram followers, so we customise our approach depending on the plat- form. -
China's Global Media Footprint
February 2021 SHARP POWER AND DEMOCRATIC RESILIENCE SERIES China’s Global Media Footprint Democratic Responses to Expanding Authoritarian Influence by Sarah Cook ABOUT THE SHARP POWER AND DEMOCRATIC RESILIENCE SERIES As globalization deepens integration between democracies and autocracies, the compromising effects of sharp power—which impairs free expression, neutralizes independent institutions, and distorts the political environment—have grown apparent across crucial sectors of open societies. The Sharp Power and Democratic Resilience series is an effort to systematically analyze the ways in which leading authoritarian regimes seek to manipulate the political landscape and censor independent expression within democratic settings, and to highlight potential civil society responses. This initiative examines emerging issues in four crucial arenas relating to the integrity and vibrancy of democratic systems: • Challenges to free expression and the integrity of the media and information space • Threats to intellectual inquiry • Contestation over the principles that govern technology • Leverage of state-driven capital for political and often corrosive purposes The present era of authoritarian resurgence is taking place during a protracted global democratic downturn that has degraded the confidence of democracies. The leading authoritarians are ABOUT THE AUTHOR challenging democracy at the level of ideas, principles, and Sarah Cook is research director for China, Hong Kong, and standards, but only one side seems to be seriously competing Taiwan at Freedom House. She directs the China Media in the contest. Bulletin, a monthly digest in English and Chinese providing news and analysis on media freedom developments related Global interdependence has presented complications distinct to China. Cook is the author of several Asian country from those of the Cold War era, which did not afford authoritarian reports for Freedom House’s annual publications, as regimes so many opportunities for action within democracies. -
How to Market Music to Gen-Z: Current Tips & Future Trends PAGE 2 2020 WHAT a YEAR, HUH?
How To Market Music To Gen-Z: Current Tips & Future Trends PAGE 2 2020 WHAT A YEAR, HUH? HERE AT FANBYTES WE'VE BEEN KEEPING AN EYE ON THINGS AND A LOT HAS CHANGED... 2020, the year of coronavirus, the shutting of venues and the cancelling of festivals. It's been an unprecedented time for all of us but particularly trying for us working in music. As we come out of the other side of summer we wanted to share with you some of the biggest trends across social media from over the summer, some of our most recent standout campaigns, a few tips and tricks on how to market to Gen-Z and finally our two cents on some of the coming future trends that you can tap into. PAGE 3 TIPS & TRICKS FOR MARKETING MUSIC TO GEN-Z PAGE 4 TIPS & TRICKS FOR MARKETING MUSIC TO GEN-Z UNDERSTAND YOUR AUDIENCE Gen Z refers to people born between 1995 and 2009. They’re called ‘digital natives’, having grown up with the internet around them. Gen Z’s environment shapes their preferences: 66% of them use more than one internet device at a time, 75% strongly prefer their smartphone to other devices and the average Gen Z’er spends 10 and a half hours online daily. They spend 23 hours a week online watching video content, and prefer short- form content on TikTok or YouTube. Feeling the pressure to be perfect on Instagram, Gen Z are looking for other ways to connect online, leading to younger audiences on networks like TikTok and Snapchat. -
Tiktok and Wechat Curating and Controlling Global Information Flows
TikTok and WeChat Curating and controlling global information flows Fergus Ryan, Audrey Fritz and Daria Impiombato Policy Brief Report No. 37/2020 About the authors Fergus Ryan is an Analyst working with the International Cyber Policy Centre at ASPI. Audrey Fritz is a Researcher working with the International Cyber Policy Centre at ASPI. Daria Impiombato is an Intern working with the International Cyber Policy Centre at ASPI. Acknowledgements We would like to thank Danielle Cave and Fergus Hanson for their work on this project. We would also like to thank Michael Shoebridge, Dr Samantha Hoffman, Jordan Schneider, Elliott Zaagman and Greg Walton for their feedback on this report as well as Ed Moore for his invaluable help and advice. We would also like to thank anonymous technically-focused peer reviewers. This project began in 2019 and in early 2020 ASPI was awarded a research grant from the US State Department for US$250k, which was used towards this report. The work of ICPC would not be possible without the financial support of our partners and sponsors across governments, industry and civil society. What is ASPI? The Australian Strategic Policy Institute was formed in 2001 as an independent, non-partisan think tank. Its core aim is to provide the Australian Government with fresh ideas on Australia’s defence, security and strategic policy choices. ASPI is responsible for informing the public on a range of strategic issues, generating new thinking for government and harnessing strategic thinking internationally. ASPI’s sources of funding are identified in our Annual Report, online at www.aspi.org.au and in the acknowledgements section of individual publications. -
Tiktok Free Folowers Twitter
Tiktok Free Folowers Twitter Tiktok Free Folowers Twitter CLICK HERE TO ACCESS TIKTOK GENERATOR get tiktok fans free freerpro get more followers on tiktok free tiktok free views #tiktoktutorial #tiktok #tiktokvideo. How to use tik tok musically app in hindi |tik tok app kaise use kare kaise video banaye. free tiktok downloader without watermark Tik Tok for Windows has a speedy load-up time so that you can get stuck into some entertaining content straight away. Keep teens safe with parental locks. This option is available on the mobile version as well, but it works better on the desktop version because you can use Windows' built-in locks, too. Email TikTok customer service help at this email address that they respond most quickly to- also advice on what to send in your message to get the Customers recently wanted to email TikTok about the following: I'm ** year old ok and titkok is keep banning my accounts and I want it back now coz or... TikTok, known in China as Douyin (Chinese: 抖音; pinyin: Dǒuyīn), is a video-sharing social networking service owned by Chinese company ByteDance. free sticker paper tiktok get free fans on tiktok without downloading apps LIVE GEHEN auf TIKTOK UNTER 1000 FANS! Tik Tok Free Fans - How to Get Free Tik Tok Followers for Android & iOS Tik Tok Free Fans Account Profile for you to check is on ... tik tok gratis Verified account: Comparatively, it’s more difficult to get verified TikTok accounts as they are mostly given to celebrities and major organizations. Popular creator: Getting popular creator TikTok badge is a little easier to get.As for the criteria, it’s typically offered to those who are active, have a ton of followers, abide by the guidelines, and more significantly get plenty of .. -
Social Media: Reaching Your Residents, Staying in Bounds
AUGUST 13, 2021 FLORIDA LEAGUE OF CITIES SOCIAL MEDIA REACHING RESIDENTS & STAYING IN BOUNDS RANDY D. MORA, ESQ., B.C.S. 1001 South Fort Harrison Ave., Ste. 201 Clearwater, Florida 33756 PUBLIC RECORDS LAW • 2003: debuts TECHNOLOGICAL TIMELINE • 2004: debuts to college students • 2005: is founded; launches • 2006: (originally Twttr) debuts; acquires ; profitable • 2007: debuts in marketplace • 2009: debuts Recent Newcomers Fallen from relevance or existence • 2010: debuts Caffeine LiveJournal (1999 - ???) • 2011: debuts; debuts; debuts Clubhouse StumbleUpon (2001 – 2018) Houseparty Friendster (2002 -2015) • 2012: acquires Instagram Reels MySpace (2003 - ???) Parler Digg (2004 – 2012) • 2014: acquires Twitter Spaces Google+ (2011- 2019) Triller • 2015: launches to public Vine (2012 – 2016) Musical.ly (2014 – 2017) Meerkat (2015 – 2016) 2016: launches YikYak (2013-2017) ISSUES CREATED BY SOCIAL MEDIA GENERALLY PUBLIC RECORDS • IS IT A PUBLIC RECORD? WHO IS THE CUSTODIAN? HOW LONG DO YOU KEEP IT? SUNSHINE LAW • ARE YOU HAVING A MEETING? CIVIL LAW EXPOSURE • ACCESS TO GOVERNMENT, FREEDOM OF SPEECH, CONSTITUTIONAL CONCERNS, DEFAMATION Tradition ◆ Values ◆ Service ISSUES CREATED BY SOCIAL MEDIA PUBLIC RECORDS LAW Is it a public record? • “Public records” means all documents . regardless of the physical form- Section 119.011 (12), Fla. Stat. Definitions • As each agency increases its use of and dependence on electronic recordkeeping, each agency must provide reasonable public access to records electronically maintained and must ensure that exempt or confidential records are not disclosed except as otherwise permitted by law. - Section 119.01 (2) (a), Fla. Stat., General State Policy on Public Records “[A]ny material prepared in connection with official agency business which is intended to perpetuate, communicate, or formalize knowledge of some type.” Shevin v. -
TOP TIPS and BEST PRACTICES Using Instagram and Tiktok for HIV Prevention and Sexual Health Education DATED April 16, 2020
TOP TIPS and BEST PRACTICES Using Instagram and TikTok for HIV Prevention and Sexual Health Education DATED April 16, 2020 INSTAGRAM OVERVIEW: According to Piper Jaffray’s 2019 Taking Stock With Teens consumer insights survey, 85% of teens say Instagram is their preferred social network (followed shortly by Snapchat). This is a massive jump from 2017 when a mere 24% said they preferred the site. And, 67% of 18 to 29 year olds use Instagram. Instagram content is high-res, polished; focused on storytelling; uses photo and video; both Gen Z and Millennials; tagline: This is Who I Am. Best Practices *Include a LINK in your bio; shout it out, “Link in bio” in your feed posts. *Be generous with your likes and mentions to gain followers. *Upgrade your account for free to use the platform analytics to measure impact. *Curate your feed with long-term content that shows who your organization is and what you stand for. Cross-promote your agency/organization’s programs in your feed. Keep the look-and- feel consistent: Logo, colors, font. *Curate stories with shorter-term content; use the Highlights feature for stories you want to showcase. Make sure your stories are engaging and have a Call to Action. Always use your campaign hashtag (#) in your posts. TIKTOK OVERVIEW: As of January 2020, users in their teens accounted for 37.2 percent of TikTok's active user accounts in the United States. According to App Ape, users aged 20 to 29 years were the second-largest user group, accounting for 26.3 percent of the video sharing app's user base on the Android platform. -
A Study of the Behaviors, Practices, and Motivations of Tiktok Social Activists
“It’s Viral!” - A study of the behaviors, practices, and motivations of TikTok Social Activists Daniel Le Compte Human-Computer Interaction Institute, Carnegie Mellon University, [email protected] Daniel Klug Institute for Software Research, Carnegie Mellon University, [email protected] Social media platforms such as Facebook and Twitter are used for social activism purposes, and TikTok is no different. We conducted 9 qualitative semi-structured interviews with social activists who recently posted their videos on TikTok to understand. This study presents an initial look into why TikTok is used by social activists, and what processes they use to carry out this work. The interviews revealed the following main patterns: (1) content creation practices are typical and expected, (2) motivation and inspiration for posting social activist content comes from a wide range of personal sources, (3) social activism has communities on TikTok that provides encouragement and discussion, (4) engagement and interaction with other activists and viewers is a crucial part of content creation as well as social activism, and (5) the main driving force behind picking TikTok over other platforms is the ability to spread messages much farther with less effort. These findings provide insight into the unique factors that TikTok brings for social activists and corroborates previous findings in understanding how social activists use social media for their purposes. 1 INTRODUCTION Social media platforms serve as “networked publics”, where there is a blend of technology, people, and practice, forming a unique space to allow people to gather for social, cultural, and civic purposes that have special affordances that other “publics” do not offer (boyd, 2010). -
Case 6:21-Cv-00504 Document 1 Filed 05/18/21 Page 1 of 18
Case 6:21-cv-00504 Document 1 Filed 05/18/21 Page 1 of 18 IN THE UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF TEXAS WACO DIVISION BEIJING MEISHE NETWORK TECHNOLOGY CO., LTD., Case No. 6:21-CV-504 Plaintiff, JURY TRIAL DEMANDED v. TIKTOK INC., TIKTOK PTE. LTD., BYTEDANCE LTD., and BYTEDANCE INC., Defendants. ORIGINAL COMPLAINT Plaintiff Beijing Meishe Network Technology Co., Ltd. (“Meishe”), by and through counsel of record, asserts the following claims of copyright infringement against Defendants TikTok Inc. (“TikTok Inc.”), TikTok Pte. Ltd. (“TikTok Pte. Ltd.”), ByteDance Ltd. (“BL”), and ByteDance Inc. (“BI”) (collectively, “Defendants”). SUMMARY OF THE ACTION 1. This is an action for copyright infringement of Meishe’s software copyrighted and registered with the Copyright Protection Centre of China (CPCC). Plaintiff Meishe is, and at all material times hereto, has been the owner of the copyright of Copyright Registration Nos. 2015SR227927, 2018SR037751, 2018SR037747, 2018SR038324, 2018SR218096, 2018SR218287, 2019SR0901188, 2019SR0901198, 2019SR0901209, 2019SR0899912, 2019SR0899814, 2019SR0899799, 2019SR0901175, 2019SR0901166, 2020SR0291426, 2020SR0575533, 2020SR0572713, 2020SR0572704 (“Copyrighted Work”). 2. Meishe’s Copyrighted Work is a foreign work as defined by the Copyright Act and a copyright registration is not necessary to bring a claim of copyright infringement under 17 U.S.C. 1 Case 6:21-cv-00504 Document 1 Filed 05/18/21 Page 2 of 18 § 101 and 17 U.S.C. § 104(b)(2). 3. Meishe is a smart video and audio total solution service provider that has been focusing on the development of the video and audio field for 20 years. Meishe’s service content includes intelligent processing, recognition and deep learning of mobile video and audio images, covering customers in various industries such as mobile APP, smart phones, smart hardware, radio and television, and communication operators. -
Analysis of Bytedance with a Close Look on Douyin / Tiktok ——————————————————
—————————————————— Analysis of ByteDance with a close look on Douyin / TikTok —————————————————— Author: Xiaoye SHI Supervisor: Prof. Dr. Didier SORNETTE A thesis submitted to the Department of Management, Technology and Economics (D-MTEC) of the Swiss Federal Institute of Technology Zurich (ETHZ) in partial fulfilment of the requirements for the degree of Master of Science in Management, Technology and Economics June 2019 Acknowledgements I would like to thank my supervisor Prof. Dr. Didier Sornette, who has kindly given me countless guidance and advice throughout the Master thesis. I appreciate the opportunity to work on this interesting topic under the Chair of Entrepreneurial Risks and is deeply grateful for all the help received along the process. I also want to express my deepest gratitude to my parents, who have been supportive and encouraging under all circumstances. Without them, I would not be able to become the person I am today. - 2 - Abstract In 2018, ByteDance, a young Internet company with only 6 years of history, broke out on various news headlines as the highest valued unicorn. With the acquisitions of musical.ly and Flipgram, the company’s flagship product Douyin strikes to develop its global presence under the name TikTok. This thesis analyzed Douyin’s historical growth and revenue model. As a main revenue driver, future user growth is predicted and calibrated by extending the methodology proposed in earlier studies by Cauwels and Sornette. We considered three growth scenarios – base, high and extreme, and estimated Douyin as well as ByteDance’s value based on comparable company analysis. ByteDance’s key performance metrics and multiples were compared with four other firms in the similar industry, Facebook, Weibo, Momo and iQIYI. -
Changing Role of INFLUENCERS
SOCIAL LIKEMEDIA NEVER BEFORE: HOW BRANDS CAN NAVIGATE 2021 INTRO “You don’t need us to tell you this year’s been like no other. It will have lasting implications on all our futures, and social media has played a key role. It’s never been more instrumental in keeping us in touch, entertained and able to buy what we need (or want) and as a result of consumer behaviour changes and ultrafast platform developments, the world of social media has exploded. To say it’s a new world is wrong; it’s a new universe; comprising new cultures, new languages, and new players from political activists to gamers. With the wrong pilot you will crash and burn. For brands, this can be daunting, but the temptation to either run blindly away from 2020 or to attempt some version of 2019’s business of usual must be avoided. Social will mean something very different to your target consumers next year, but it’s never been a more important channel with which to reach them.” Danielle Smith, Managing Director, Communicator SOCIAL EVOLUTIONS GAMING: THE NEW SOCIAL MEDIA CONNECTING & DISCONNECTING CHANGING ROLE OF INFLUENCERS ACTION AND INFORMATION RISE OF SOCIAL COMMERCE Social EVOLUTIONS The 87% of FACTS TIKTOK USERS think Instagram Reels is ‘basically the same’ but Social is constantly evolving, which can mean constantly that doesn’t mean it’s enough to make them switch contradicting itself. For example, you could say this has been a big year for sound-on content. Audio drives trends on TikTok, Image source : Clubhouse-social-chat voice notes launched on Twitter and Clubhouse, an audio- based discussion app, lets users spontaneously join voice chat rooms.