On the Relationship of Art History and Art Theory: Towards the Possibility of a Fundamental System of Concepts for a Science of Art Author(s): By Erwin Panofsky Reviewed work(s): Source: Critical Inquiry, Vol. 35, No. 1 (Autumn 2008), pp. 43-71 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/595628 . Accessed: 24/05/2012 14:27 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org On the Relationship of Art History and Art Theory: Towards the Possibility of a Fundamental System of Concepts for a Science of Art Erwin Panofsky Translated by Katharina Lorenz and Jas’ Elsner In a study published some years ago,1 I attempted to define a concept used frequently in contemporary art history, but not always classified cor- rectly; that concept is Kunstwollen,2 which after the work of Alois Riegl has come to define the sum or unity of creative powers manifested in any given artistic phenomenon.3 I tried to show that for Kunstwollen to have a mean- This essay was originally published as Erwin Panofsky, “U¨ ber das Verha¨ltnis der Kunstgeschichte zur Kunsttheorie,” Zeitschrift fu¨r A¨sthetik und allgemeine Kunstwissenschaft 18 (1925): 129–61.