The Fine Art Sale - Day Two Thursday 28 November 2013 11:00

Cheffins Clifton House 1 and 2 Clifton Road Cambridge CB1 7EA Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com

Lot: 357 Manner of Jean Petitot (French, 1607-1691) A pair of oval Toms, after Egbert van Heemskerk (Dutch, born circa 1634- enamel miniatures of Madame de Montespan and the Marquise 1704) Behold a Quack Physicians Hall, Adorn'd with Beasts like de Maintenon, the former wearing a blue dress with frilled edge, Butcher's Stall, The various Figures which you see, Shew her blonde curled hair adorned with strings of pearls; the latter Mankind in Epitmoe, Where Ignorance instead of Art, Supplys wears a blue dress with central jewelled clasp, her hair worn in the Place of True Desert, How hard the Fate of Humankind, ringlets with drop pearl earrings and necklace, both gilt metal When Blind Men only lead the Blind drawn by Egbert van mounted, inset into oval orange enamelled bordered frames, Heemskerck - engraved circa 1730 by Toms, but printed circa the glazed reverse to reveal black fabric (a pair) enamel 1800. copper engraving. A satire about a dissection, with the miniatures 6.30 x 6.90cm (2 x 3in). The enamel borders have characters with animal heads. The original composition was chips. The colours of the images are quite clear and good. painted by Egbert van Heemskerck II (c.1674 - 1744.) Estimate: £200.00 - £300.00 Unframed. Edges torn at the bottom edge. Estimate: £100.00 - £200.00 Lot: 368 Jacques Savella (French, 19th century) An oval portait Lot: 358 miniature of Mademoiselle de Rumlingen, wearing a black English School (19th century) Portraits of Lieutenant General dress with pale pink frilled fichu knotted at the centre, her brown Sir Thomas Picton; and Lieutenant General Lord Linedock, both hair worn centrally parted then braided into three plaits that are on horseback London, published by Richard Evans, White's then looped and fastened behind her ears, the remaining hair is Row, Spitalfields, 1816 prints (2) 23 x 38cm (9 x 15in). Both braided to the top of her head, oval, 114mm high signed and under glass, browned and discoloured. Beetle damaged. dated 'Yves (?) Savella 1837' watercolour on paper, gilt metal Tears along the top. frame 10 x 8cm (4 x 3in). Under glass - creases to the paper at Estimate: £100.00 - £200.00 the bottom edge. Some scuffing around the edges and a littgle discolouration.. Estimate: £400.00 - £600.00 Lot: 359 Barnett Freedman, CBE (British, 1901-1958) Window box signed within the print "Barnett Freedman 1954" lithograph, Lot: 369 1954 71 x 97cm (28 x 38in). Condition is fine. John Smart (British, 1742/3-1811) A portrait miniature of a Estimate: £300.00 - £400.00 Gentleman, wearing a pale grey coat, blue waistcoat with trim and tied white stock and ruff, his powdered hair worn en queue with black ribbon bow, silver frame with gold back (formerly part of a bracelet) oval signed with initials 'J.S' and dated 1778 Lot: 360 watercolour on ivory 4.70 x 3cm (2 x 1in). Condition appears Blair Hughes Stanton (British, 1902- 1981) Mahama signed fine. Background is brown at the top and grey at the bottom. lower right "Blair HS '31" wood engraving 16 x 12cm (6 x 5in). Estimate: £1,000.00 - £2,000.00 From the series of 29 illustrations to the book "Erewhon" by Samuel Butler (Greygynog Press, 1932), the head piece for Chapter 14. A little browning and crinkling of the paper. Estimate: £100.00 - £150.00 Lot: 370 Circle of Richard Cosway, RA (British, 1742-1821) A portrait miniature of a Lady in white dress with frilled collar and blue ribbon waistband, her powdered hair under a wide brimmed hat Lot: 361 with blue trim, decorated with blue ribbon and white ostrich Jolan Williams (Austrian, 1908-1988) Illustration for Cobbe's feathers, tied under her chin with fine blue cord, gold frame, the Rural Rides signed lower right "Jolan Williams 1937" and reverse with engraved monogram 'AS' and motto 'Le Coeur. Le numbered 6/50 wood engraving 16 x 12cm (6 x 5in). One Donne', oval, 71mm high; along with Circle of George Chinnery brown discolouration lower right-hand corner. (English 1774-1852), A portrait of a Lady in white dress with Estimate: £70.00 - £100.00 orange sash, her hair worn parted and up her short curled hair framing her face, in gilt metal frame, back lacking, oval, 81mm high watercolour on ivory (two). Lot: 363 Estimate: £400.00 - £600.00 Margaret Souttar (British, 1914) Cambridge Capriccio with central image of the Trinity Hall coat of arms signed lower right "Souttar" and numbered 7/50 lithograph 74 x 54cm (29 x 21in). Lot: 371 A little browning and loss of colour. French School (18th century) A portrait miniature of George, Estimate: £200.00 - £300.00 Comte de Stacpoole (1736-1824), wearing a dark blue coat with gold buttons, white undershirt and white cravat, his powdered hair worn en queue tied with black ribbon, in an Lot: 366 ornate gilt metal frame, back lacking, inscribed on paper on English School Portrait of a Gentleman, a ship beyond signed verso 'Georges C.te de Stacpoole, 1736-1824', oval indistinctly centre right "Thirl (?)" egg tempera on ivory 10 x watercolour on ivory, 6cm high. Literature: George Stacpoole 7cm (4 x 3in). Colours are quite good - indistinctly signed centre was created a Count by Louis XVIII King of France on 21 July right. Perhaps a little surface dirt but fine. 1818 because of his wealth George, Count Stacpoole of Violet Estimate: £300.00 - £500.00 Hill, County Dublin; Cragbrien Castle, County Clare; Grosvenor Place, London; and later of ChÃ¢teau Montigny Lencoup and the HÃ´tel Stacpoole, Paris, was High Sheriff of County Clare in Lot: 367 1763, ennobled with the title of Count on establishment of a majorat by King Louis XVIII (Letters Patent dated 21 Jul 1818).

1 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com

He was born on 26 August 1736, the second son of Francis lived and worked in Trinidad for some time - he is today Stacpoole. He was educated at Christ Church, Oxford, admitted remembered by scholars and collectors for his West India to the Middle Temple on 20 December 1754, had natural issue Scenery of 1836, an album of lithographs. The present by Catherine, daughter of Captain Gingell, R.N - Richard watercolours come from his Ploughing in the Campagna di Fitzgeorge, 1st Duc de Stacpoole, a Papal title. Catherine died Roma, Sketches Illustrative of the Manners and Costumes of on 28 October 1809, aged 37, at Sidmouth and George de France, Switzerland and Italy (pub. London, 1821). Richard Stacpoole died 25 March 1824. He was grandson of Nt Hicks Bridgens was a sculptor, designer and architect. He Stacpoole (b. 1627), who was transplanted from Co. Limerick to attempted to set up an architectural practice in Birmingham in Co. Clare in 1653 and Elizabeth (m. 1652), daughter of Mahon 1819 which he closed in 1825 when he moved to Trinidad MacMahon of Dune, Co. Kerry The eldest son was John where his wife had inherited a sugar plantation. In 1836 he Stacpoole, J.P., of Cragbrien Castle, Co. Clare, b. circa 1674, printed West India Scenery, with illustrations of the process of admitted to the Middle Temple on 16 Apr 1703, m. Barbara, making sugar, etc. from sketches taken during a voyage to, and fourth daughter of Simon Purdon, M.P., of Tinerana, Co. Clare. residence of seven years in, the Island of Trinidad. Bridgens' He died 18 Apr 1771, aged 97, and was succeeded by his work is an early record of life in Trinidad. Bridgens became the nephew George Stacpoole (see below). The second son was Superintendent of Public Works in Port of Spain and was Francis Stacpoole, merchant, of Cork, m. 1725, Catherine, responsible for the design of the first Government Offices on daughter of Joseph Ronayne of Cork and his wife Katherine, the site now occupied by the Red House. He died in Trinidad in younger daughter of Thomas Coppinger of France, where he 1846. Unframed, all are stuck down and with some had retired after being outlawed from Ballyvolane, Co. Cork. discolouration and browning. We are grateful to Dr Joachim Whaley for his help with the Estimate: £400.00 - £600.00 catalogue entry. Loose in the gilt frame, a little spotting to the background and a white mark on his chin. Estimate: £400.00 - £600.00 Lot: 377 Thomas Smythe (British, 1825-1906) A boy and his dog crossing a river; and A girl watching ducks on a pond signed Lot: 372 lower left "Thomas Smythe" watercolour in maple frames (a Andrew Plimer (British, 1763-1837) A portrait miniature of a pair) 28 x 44cm (11 x 17in). Perhaps a little loss of colour but Gentleman, he wears a green coat with brass buttons and black not too bad. Nice maple frames. velvet collar and white tied stock, gilt metal mounted, inset to a Estimate: £600.00 - £800.00 rectangular black wooden frame, oval, 106mm high Watercolour on ivory 9 x 7cm (4 x 3in). Under glass and with dirt on the glass but generally conditon appears fine. Lot: 378 Estimate: £1,500.00 - £2,500.00 Attributed to William Joy (Great Yarmouth 1803-1867 Chichester) and John Cantiloe Joy (Great Yarmouth 1806-1866 London) British warships departing from anchorage at Spithead Lot: 373 pen, ink and watercolour 21 x 29cm (8 x 11in). Provenance: English School (18th century) A portrait miniature of a Henry Sotheran Ltd., Sackville Street, Piccadilly, London. W1. gentleman, in red waistcoat and blue jacket, miniature Some loss of colour. watercolour on ivory 7 x 5cm (3 x 2in). Condition appears fine. Estimate: £500.00 - £800.00 Estimate: £300.00 - £500.00

Lot: 379 Lot: 374 Walter Thomas Whitehead (1874-1956) Portrait of Admiral A framed group of ten early 19th century portrait miniatures, Alexander Hood, 1st Viscount Bridport signed lower left "W depicting Mr. Robert and Mrs. Theodosia Anderson and their Whitehead 1910" pencil 20 x 14cm (8 x 5in). Condition is fine. eight children, each painted on an oval ivory panel contained Estimate: £100.00 - £150.00 within a glazed and crossbanded mahogany case. Estimate: £300.00 - £500.00 Lot: 380 Lieutenant Frederick White (British, 19th century) The Golden Lot: 375 Island, China watercolour 17 x 24cm (7 x 9in). Frederick White English School (late 18th century) A View of Greenwich was an Army artist. The present watercolour depicts the Hospital from the Isle of Dogs with the Royal Observatory Pavilion of the famous King Shar, at Golden Island near Chun beyond the paper bearing watermark "Floyd & Co" (Eynsford Kiangfu on the Yangste River. Some browning and loss of paper mill, Kent) watercolour 24 x 37cm (9 x 14in). A similar colour. watermark, dated 1804, can be seen in a manuscript by Jane Estimate: £200.00 - £300.00 Austen in the Morgan Museum and Library Collection. A little discolouration to the clouds but otherwise fine. Estimate: £200.00 - £400.00 Lot: 381 American School (19th century) On the Hudson River watercolour 20 x 28cm (8 x 11in). Unframed - and stuck to card. Lot: 376 Estimate: £100.00 - £200.00 Richard Hicks Bridgens (British, 1785-1846) Ploughing in the Campagna in Rome, Italian Costume designs - Preparatory studies for a costume book published by Baldwin in 1821 Lot: 382 watercolour, 25 x 20cm (10 x 8in), 25 x 20cm (10 x 8in), 25 x Follower of John Russell (British, 1745-1806) Portrait of Henry 20cm (10 x 8in) and 20 x 25cm (10 x 8in) (4). Richard Bridgens Butterworth Esq, an army officer, possibly a General, wearing

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Peninsular War sash and medals pastel on paper laid down 72 browning to the sky with foxing spots and a water damage spot x 52cm (28 x 20in). The sitter is wearing on the right: The to the right-hand corner. Military General Service Medal 1793-1814, this medal Estimate: £200.00 - £300.00 commemorates the British Army's campaigns between 1801 and 1814, mainly the Peninsula War, as well as campaigns in the West Indies, Egypt, Java and North America. The Medal Lot: 389 was awarded in 1847, 34 years after the last battle to veterans Indian School (19th century) A Maharajah receiving Gifts; and who applied for it, veteran's next of kin could not claim it unless Gods in a Tree watercolour and gilt leaf (a pair) 21 x 33cm (8 x the veteran had lodged a prior claim for it, and therefore not 13in). Both under glass and both have various chips and losses many were issued. Twenty-nine bars were issued Medal on to the edges. Colours are good. the left: The Waterloo Medal, awarded in 1816-17 to any Estimate: £300.00 - £500.00 soldier who took part in the Battle of Ligny, the Battle of Quatre Bras or the Battle of Waterloo. Quite dirty and with a lot of dirt under the glass - in original untouched condition. Sptting all over the lower quarter of the painting. The old gilt frame has Lot: 390 Circle of Richard Bankes Harraden (British, 1778-1862) View of numerous chips. Grantchester Church, Cambridge signed lower right indistinctly Estimate: £300.00 - £400.00 with initials and title, and dated 20 June 1867 watercolour 28 x 46cm (11 x 18in). Unframed and with some loss of colour, a little browning and slight foxing in the sky. Lot: 383 Estimate: £150.00 - £250.00 Briton Riviere (British, 1846-1920) Study of Polar Bears signed lower left with initials "BR" pencil 17 x 11cm (7 x 4in). Condition is fine. Lovely mount. Estimate: £300.00 - £500.00 Lot: 391 Fred Pegram (British, 1870-1937) Resting by the fire signed lower left "Fred Pegram" watercolour on buff paper 39 x 29cm (15 x 11in). Some loss of colour. Lot: 384 Estimate: £400.00 - £600.00 Averil Mary Burleigh (British, 1883-1949) Summer inscribed with title and signed lower left with initials "AMB" watercolour, in an original giltwood tabernacle frame 21 x 14cm (8 x 5in). One watermark by the inscription "Summer". A little foxing along the Lot: 392 George Goodwin Kilburne (British, 1839-1924) River Meadows, top edge. Gilt frame has some chips. signed, watercolour, 22 x 33cm (9 x 13in); On the Thames, Estimate: £200.00 - £400.00 watercolour, 24 x 30cm (9 x 12in) ; and Garden Borders, watercolour, 18 x 26cm (7 x 10in) (3) signed "G G Kilburne" watercolour (3). The Thames one is faded, the other two are Lot: 385 fine. Georgina M de L'Aubiniere (British, 1860-1920) Sunset with Estimate: £400.00 - £600.00 Sailing Ships, signed lower left "L'Aubiniere", watercolour, 17 x 23cm (7 x 9in); and Poplars in the Mist, signed lower left "G M De L'Aubiniere", watercolour, 35 x 24cm (14 x 9in) (2). Both appear fine. Lot: 393 Douglas Alexander (Irish, 1871-1945) Evening, Achill Island Estimate: £200.00 - £300.00 signed lower right "Douglas Alexander" watercolour 13 x 18cm (5 x 7in). Colours are good - needs a new mount. Estimate: £200.00 - £300.00 Lot: 386 William Kay Blacklock (British, 1872-1922) Welcome Hour signed lower left "W K Blacklock" watercolour 31 x 26cm (12 x 10in). Under glass and condition appears fine. Lot: 394 Jaubert (French, 1850-1913) Arab market street scenes signed Estimate: £300.00 - £500.00 "Jaubert" watercolour (2) 18 x 26cm (7 x 10in). Under glass and colours are good. Estimate: £300.00 - £500.00 Lot: 387 William Kay Blacklock, ARCA (British, 1872-1922) A Shepherd and his Dog watercolour 22 x 30cm (9 x 12in). Some browning and loss of colour. Lot: 395 Frederick Davis (British, 1862-1919) A small child playing with Estimate: £300.00 - £500.00 her dolls and her small black and tan dog watercolour 18 x 16cm (7 x 6in). Perhaps a little loss of colour. Estimate: £200.00 - £300.00 Lot: 388 English School (19th century) The Steamship Caerloch watercolour 46 x 70cm (18 x 27in). SS Caerloch (A Coaster) Built by J. Priestman & Co., Sunderland (#2); 658 grt, 391 nrt, Lot: 396 James Baker Pyne (British, 1800-1870) On the Rhine signed 870 dwt.; 180.2 x 30.2 x 13.0; 2-cyl. compound engine lower left "J B Pyne" watercolour 20 x 28cm (8 x 11in). Colours (Wigham Richardson & Co., Newcastle), 100 nhp, 440 ihp. On are good. One tiny foxing spot to the sky. October 22nd, 1916, the Norwegian steamer SS Caerloch, on a Estimate: £200.00 - £400.00 voyage from GÃ¶teborg to the Tyne with a cargo of railway sleepers, was sunk by SM UB-22 (Kaiserliche Marine). Some

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Lot: 397 damage spotting lower left hand corner. George Drummond-Fish (British, 1876-1938) Crowlin Islands, Estimate: £300.00 - £500.00 off the Isle of Skye signed lower right "G Drummond-Fish" watercolour 27 x 39cm (11 x 15in). Provenance: Walker's Galleries Ltd, 138 New Bond Street, London, W1. Colours are Lot: 404 good. Bernard W Evans (British, 1848-1922) Auribeau near Cannes, Estimate: £200.00 - £300.00 south of France signed lower left "Bernard W Evans" and with title watercolour 38 x 54cm (15 x 21in). Condition appears fine. Estimate: £200.00 - £300.00 Lot: 398 Sir David Young Cameron (Scottish, 1865-1945) Sailing ships in a Scottish harbour signed lower right "D Y Cameron" Lot: 405 watercolour on buff paper 25 x 36cm (10 x 14in) Some foxing to Giuseppe Carelli (Italian, 1858-1921) The Bay of Naples signed the sky.. lower right "Giuseppe Carelli" watercolour 15 x 29cm (6 x 11in). Estimate: £200.00 - £300.00 Colours are good - a little rubbed in the clouds on the right- hand side. Frame needs changing. Estimate: £400.00 - £600.00 Lot: 399 Richard Westall, RA (British, 1766-1836) The Lady in the Lake - A Man with a Falcon and a Dog; A Youth Reclining; and Lot: 407 Children talking to an Old Lady inscribed in the artist's hand to Â§ Leon de Smet (Belgian, 1881-1966) Portrait of Madame the reverse watercolour, 12 x 8cm (5 x 3in) , 12 x 8cm (5 x 3in) Blanche Lillian Sauter (1864-1924) inscribed upper left "Tres and 9 x 7cm (4 x 3in) (3). The present watercolours are respectuesement au cher maitre G Sauter, Leon de Smet illustrations by Westall for Sir Walter Scott's poem "The Lady in 6.7.16" red and brown crayon with charcoal 52 x 37cm (20 x the Lake". This poem was first published in 1810 to great 14in). The Belgian artist Leon de Smet worked mainly as a critical and public acclaim and had an immense impact on 19th portraitist and painter of still-lives. The sitter of this moving Century culture. Set in the Trossachs region, with much of the portrait is Blanche Lillian Sauter (1864-1924), sister of the action on and around Loch Katrine, Scott's poeticised rendering renowned author John Galsworthy (awarded the Nobel Prize for of romantic love, clan war, feuding and rivalry went through six literature in 1922 and most famous for 'The Forsythe Saga') editions and sold 25,000 copies in less than a year, setting new who was a close friend of the artist. Lillian was married to the heights for the popularity of poetry. New editions followed Bavarian born artist Georg Sauter (1866-1937), a friend of de steadily throughout the century and the poem is credited with Smet who had emigrated to England in 1889. After the having inspired the Highland revival, and what grew into the outbreak of the First World War, Sauter, having never become Victorian love affair with a mythical vision of Scotland. These a fully naturalized British citizen, was - in spite of protests and watercolours, signed and inscribed by Westall - who provided petitions from his circle of friends - interned in December 1915 drawings for the first illustrated edition of 1810 - appear to be along with his son Rudolph. Galsworthy petitioned the proposals that were not finally selected for publication. Some Government for Sauter's release, wrote many letters, and browning and loss of colour. personally called on cabinet ministers to no avail. This portrait, Estimate: £600.00 - £800.00 drawn in July 1916, catches the immense sadness of Lillian after the internment of her husband and son. She is depicted in a sombre mourning dress, her wedding ring as a poignant Lot: 400 reminder of her commitment to her absent husband with her Albert George Petherbridge (British, 1882-1934) Ponies in the gaze vacant, directed inward more than out. Whether Sauter, to New Forest signed lower right "A G Petherbridge" watercolour whom this portrait is dedicated, ever saw this portrait is 32 x 48cm (12 x 19in). Albert George Petherbridge lived in uncertain. He was repatriated to Germany in early 1917 and Brockenhurst in the New Forest. Condition is fine. was left with such a hatred for England that he refused to return Estimate: £200.00 - £400.00 to his wife in London. Lilian's heart was broken and she died in 1924. Late Impressionist and Symbolist influences are clearly visible in this haunting portrait, which sums up Lillian's grief and reflects upon the immensely difficult situation she endured with Lot: 401 solemn dignity. Furthermore, it is a striking document of Anglo- E Lewis (British, 19th century) Farmhouse with Villagers on a German relations during WWI. The artist, who lived and worked Track signed lower right "E Lewis" watercolour 25 x 35cm (10 x in England between 1914 and 1918, is much acclaimed and his 14in). Colours are good. works achieve high prices on the art market. In his native Estimate: £100.00 - £200.00 Belgium a small museum is dedicated solely to his works. Belgian art of this period, long neglected, is now a very fashionable and popular field in the art market these days, Lot: 402 especially the contemporary of Le Smet, Ensor. The present Samuel Henry Baker (British, 1824-1909) Salmon River in the portrait is very typical of Belgian late Symbolist portraiture. Leon Highlands signed lower right "S H Baker" watercolour 28 x de Smet is an outstandingly good painter. His portraits of 39cm (11 x 15in). Colours are good. women are his best works, besides his beautiful still lifes. Under Estimate: £100.00 - £200.00 glass and the paper is crinkling. There is some bloom but this appears to be on the glass. Estimate: £1,500.00 - £2,500.00 Lot: 403 Thomas Hartley Cromek (British, 1809-1873) On the Road to Thebes watercolour 17 x 32cm (7 x 12in). A lot of thunderflies Lot: 408 under the glass and in the sky. Colours are quite good. A little English School (19th century) A Frigate in a Calm watercolour

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46 x 66cm (18 x 26in). Unframed and fine. Earle of Strafford, Lord Lieutenant of Ireland" oil on canvas 131 Estimate: £200.00 - £300.00 x 142cm (51 x 55in). Van Dyck's orignal was painted circa 1639â€“1640. Lord Strafford was Secretary of State and Sir Philip Mainwaring was his Private Secretary. Painted at Lot: 409 Wentworth with a background of the house. On rough canvas, a William Foster (British, 1853-1924) On the Rhine signed lower line of wear along the bottom edge, a line of creasing running left with monogram "F" watercolour 24 x 35cm (9 x 14in). horizontally, the sitter's nose is flaking and another two areas of William Foster was the son of Myles Birket Foster. Perhaps a flaking to the left of his face. Quite dirty. little loss of colour but fine. Under glass. Estimate: £1,500.00 - £2,500.00 Estimate: £150.00 - £250.00 Lot: 421 Lot: 410 Manner of David Teniers A Woman reading a letter to a After William-Adolphe Bouguereau (French, 1825-1905) Guitarist in a Tavern oil on copper 20 x 16cm (8 x 6in). L'Amour et Psyche pencil 36 x 20cm (14 x 8in). Unframed and Provenance: From a Norfolk country house. Perhaps a little with a line of browning right across the middle. dirty. Some surface spotting. Estimate: £200.00 - £300.00 Estimate: £300.00 - £500.00

Lot: 411 Lot: 422 Shirley Stockdale Harrison (British, 1876-1961), Proposed New Dutch School (19th century) A Lacemaker being offered a Infirmary etc Evington, Leicester three pen and ink architect's chicken by a maidservant through a window oil on copper 20 x drawings, with some colour, mounted, each with 2nd prize 16cm (8 x 6in). Provenance: From a Norfolk country house. ("premium") sticker, c.65 x 96cm; together with two plans for Cleaned at some stage but appears fine. Belgrave Church, Leicester by Howard Thomson, Halford Estimate: £300.00 - £500.00 Chambers, 1907 (5) 68 x 94cm (27 x 37in). Estimate: £100.00 - £200.00 Lot: 423 English School (18th century) Portrait of a Lady oil on board, in Lot: 412 a giltwood frame 54 x 44cm (21 x 17in). Some surface dirt. George Ayling (British, 1887-1960) Fishermen with a cart and Pretty giltwood frame has splits on either side. horse on the seashore signed lower left "Geo. Ayling" Estimate: £400.00 - £600.00 watercolour on buff paper 30 x 50cm (12 x 20in). Perhaps some loss of colour. Estimate: £100.00 - £200.00 Lot: 424 Manner of Jean-Baptiste Monnoyer (French, 1636-1699) Still life of roses, lilies, carnations, honeysuckle in a terracotta urn Lot: 413 upon a stone ledge with a butterfly oil on canvas, in a carved Winifred Sands (British, 20th century) St Ives, signed lower and giltwood 18th century frame 88 x 68cm (34 x 27in). right "W Sands", 10 x 17cm (4 x 7in) ; and St Ives, 7 x 12cm (3 Provenance: Willoughby Firth of Sheffield and by descent. Oil x 5in) watercolour (a pair). Both are fine. on canvas, lined. Paint layer in a good condition but very worn Estimate: £100.00 - £150.00 in many areas, especially the background which is heavily retouched. Old retouchings along lines of craquelure have discoloured and darkened. Varnish is even, clear and glossy which a few matte patched which appears to be surface dirt. Lot: 415 Appearance is generally good. Leonard Squirrell (British, 1893-1979) Old Cottages of Stoke- Estimate: £1,500.00 - £2,500.00 Hill Yard, Ipswich signed lower right "L Squirrell, 1913" pencil and wash on buff paper 32 x 43cm (12 x 17in). Some discolouration and browning. Estimate: £300.00 - £500.00 Lot: 425 Manner of Pieter Casteels III (Flemish, 1684-1749) Still life of carnations and roses in a stone urn on a ledge oil on canvas, in a carved and giltwood 18th century frame 74 x 54cm (29 x Lot: 419 21in). Provenance: Willoughby Firth of Sheffield and by Dutch School (19th century) after Gerrit Dou (Dutch, 1613- descent. Oil on canvas, unlined. Very slack on stretcher with 1675) An elderly woman reading indistinctly signed lower right prominent stretcher bar marks. A few scattered losses to the oil on panel 34 x 26cm (13 x 10in). Provenance: From a Suffolk paint layer, (one tiny one in the centre), otherwise the paint country house. Panel has been cradled. Panel has old splits in layer is generally in a good condition. Varnish is slightly three places - repairs can be seen. Highly polished varnish uneven and matter. Surface dirt present. The old gilt frame layer. Unframed has woodworm. Old Christie's stencil - 631 TT. Estimate: £400.00 - £600.00 Estimate: £1,000.00 - £1,500.00

Lot: 420 Lot: 426 After Sir Anthony van Dyck (Flemish, 1599-1641) Portrait of Russian School (early 19th century) The Virgin of all Joy, an Thomas Wentworth, 1st Earl of Strafford, with his secretary, Sir Icon egg tempera and gold leaf on panel 31 x 26cm (12 x 10in). Philip Mainwaring inscribed along the top "Thomas Wentworth, In the upper corners are the sun and moon, and at the top God

5 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com the Father. The top row has a female Martyr saint, the Guardian Provenance: From the Durr Collection, Sale, Christie's, London, Angel and Saints Cosmos and Damian. Some scattered 4 July 1996, lot 82. Murillo's original is in the Museo de Arte de scuffings, particulary to the painted edge. Circa 1840. Ponce, Puerto Rico. A bit scrubbed and with craquelure overall. Estimate: £1,200.00 - £1,500.00 Estimate: £700.00 - £1,000.00

Lot: 427 Lot: 434 Russian School (17th-18th century) Tikhvin Mother of God, an Attributed to George Philipp Rugendas the Younger (German, Icon egg tempera with gold leaf on panel 29 x 24cm (11 x 9in). 1707-1774) Soldiers begging for mercy from Cossack riders oil Many miracles were attributed to the Virgin of Tikhvin. on canvas 31 x 42cm (12 x 16in). Provenance: From a Norfolk Condition appears quite good. country house. Relined. Quite shiny varnish and craquelure. Estimate: £800.00 - £1,000.00 Estimate: £400.00 - £600.00

Lot: 428 Lot: 435 Russian School (late 18th century) The Virgin of Sign, an Icon English School (early 19th century) Figures disembarking from the insription in Cyrillic at the top reads "Holy Image of Mother a rowing boat oil on canvas 34 x 44cm (13 x 17in). Provenance: of God of the Sign" egg tempera and gesso over gold leaf on The Rowley Gallery, 115 Kensington Church Street, London, panel 27 x 22cm (11 x 9in). Some discolouration, crazing and W8. Old stretcher bar marks can be seen from the front. Some yellowing of the paint. Unframed. One largish chip along the rippling of the paint surface. bottom edge, approx 1in. long. Circa 1750. Estimate: £700.00 - £1,000.00 Estimate: £300.00 - £500.00

Lot: 436 Lot: 429 Dutch School (early 19th century) Evening Tide oil on panel 34 Russian School (early 19th century) The Seven Sleepers of x 44cm (13 x 17in). Perhaps a little dirty and with craquelure Ephesus, an Icon egg tempera and gesso on wood panel 18 x overall. Pretty frame. 14cm (7 x 5in). Some scuffing. Unframed. Estimate: £200.00 - £300.00 Estimate: £300.00 - £500.00

Lot: 437 Lot: 430 English School (late 17th Century) Portrait of Miss Anne Hume, Russian School (19th Century) Saint Nicholas the Miracle in pearls and a red dress inscribed lower left "Miss Anne Hume, Worker, an Icon egg tempera and gesso on wood panel 28 x daughter of Sir Pat. Hume and Lady Christian Hamilton 1683" 22cm (11 x 9in). Panel is split in three sections. Top edge has oil on canvas 75 x 62cm (29 x 24in). Provenance: From a losses and damages. Some yellowing and discolouration. Suffolk country house. Anne Hume was the 2nd and younger Unframed. daughter of Sir Patrick Hume, 1st Baronet, by his wife, Estimate: £400.00 - £600.00 Christian, daughter of Sir Alexander Hamilton of Innerweek. Their elder son, her brother - also Patrick - was created firstly Lord Polwarth , and then 1st Earl of Marchmont of Berwick-on- Lot: 431 Tweed and Redbraes. This Anne married her distant cousin Circle of Joseph Wright of Derby (British, 1734-1797) Portrait of Alexander Hume, son of John Hume of Manderston, also in a Peeress, three-quarter length, standing in a wood oil on Berwickshire. Inscribed No. 10 to the reverse. Relined. Two canvas 110 x 87cm (43 x 34in). Provenance: From a Suffolk lines of dirt (caustic ?) running vertically from top to bottom. country house. Oil on canvas - has been lined. A few small Horrible brown frame needs replacing. Old stretcher bar marks tears around the tacking margin. To the left of the sitter is an can be seen from the front. Condition report - The painting is old tear in the original canvas which has been mended and executed on oil on a canvas support. The original canvas has retouched. Old damage above sitter's head which has been been lined onto a secondary canvas support, the tacking retouched. A few other scattered retouchings across the margins have been removed during this process which was surface. Old, matte and uneven varnish layer. typical for 19th century linings. The canvas is attached to a Estimate: £1,500.00 - £2,000.00 wooden stretcher with a horizontal cross bar with all keys present. The canvas has good tension and both the original and lining canvases appear in good condition although it was not possible to examine the tacking margins due to the frame. Lot: 432 There are two paper labels attached to the reverse of the After Bartolome Esteban Murillo (Spanish, 1617-1682) The stretcher which are both hand written. One reads 'Sister of Virgin and Child with a Rosary oil on canvas 107 x 89cm (42 x Patrick: Earl of archmont; and the second reads 'Varnished in 35in). Provenance: Shillington Bury, Hertfordshire, and by February 1956 with Dammar resin in M turpentine'. The paint descent. Bartolome Esteban Murillo's original of "The Virgin layer appears in a good condition with no obvious areas of and Child with a Rosary" is in the Wallace Collection, London, damage or loss. There is a thick layer of varnish which possibly and is circa 1673. Unframed. Two holes in the left-hand corner. consists of more than one layer. The varnish has discoloured Dirty. and has collected in the interstices of the canvas giving lighter Estimate: £1,000.00 - £1,500.00 areas of the painting a slightly grubby appearance, most noticeably in the flesh. Examination with ultraviolet light revealed no modern areas of retouching sitting on top of the Lot: 433 varnish layer. It was difficult to determine if there was older Bartolome Esteban Murillo (Spanish, 1617-1682) The retouching beneath the varnish although the painting does not Immaculate Conception oil on canvas 80 x 59cm (31 x 23in). have the appearance of being extensively overpainted. The

6 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com varnish is dull with an uneven gloss and is slightly smeary with Lot: 442 a thick layer of surface dirt. There are two rip marks running H Baker (English Primitive School, late 19th Century) A View of vertically along the length of the painting. These drips are likely Sonning Bridge with Thames river craft and figures signed to have d been caused by water which has degraded the lower left "H Baker '91" oil on board, in a fine burrwood frame varnish layer causing it to become opaque. There is an 24 x 34cm (9 x 13in). Under glass and with one area of wear inscription on the painting at the lower left corner which reads running vertically to the side of the houses. 'Ms Anne Hume, Daughter of Sr Pat: Hume and D. Christine Estimate: £200.00 - £300.00 Hamilton 1683'. The inscription lies beneath the varnish layers and has aging cracks which follow those of the paint layer below. Although it cannot be confirmed whether the inscription is original it was certainly applied either at he time of painting or Lot: 443 soon after. The style of the handwriting and the appearance of Ferdinand E Grone, RBA (British, 1845-1920) River Landscape the paint would suggest that this is not a 19th century addition with a Shepherdess and Sheep signed lower left "F E Grone, Estimate: £700.00 - £1,000.00 RBA" oil on board 28 x 37cm (11 x 14in). Under glass and perhaps a little dirty (tobacco ?). Old frame has chips. Estimate: £200.00 - £300.00 Lot: 438 Follower of Thomas Buttersworth (British, 1768-1842) An English Frigate going down in stormy seas oil on canvas 43 x Lot: 444 70cm (17 x 27in). Provenance: Private collection, Holland Park, William Augustus Knell (British, 1802-1875) The Coast off London. Craquelure overall, one scratch in the water, some Jersey signed lower left oil on board 23 x 43cm (9 x 17in). scuffing around the edges. Oil on canvas which appears to Provenance: From a Norfolk country house. Under glass - have been lined. Patch on reverse mending small tear - some debris under the glass and a little spotting to the sky corresponding retouching on front. Other small retouchings on Estimate: £400.00 - £600.00 areas of craquelure. Frame is in good condition. Old disruption to the paint layer at centre of bottom edge. Scuffs and scratches to the varnish. Old tear at bottom centre whcih has Lot: 445 been refilled and retouched. Paint layer generally in a good Rein Miedema (Dutch, 1835-1912) Sailing ships at night signed condition. Some raised craquelure whcih is stable. Scattered lower right "R Miedema" oil on canvas, in an Arts and Crafts retouchings across the surface. A few scuffs and scratches in frame 48 x 77cm (19 x 30in). Condition appears fine - unlined. the varnish layer. Estimate: £500.00 - £800.00 Estimate: £600.00 - £800.00 Lot: 446 Lot: 439 French School (19th century) Village on the Nile at Sunset oil John Thomas Serres (British, 1759-1825) Off the Balearic on canvas, in a giltwood frame 26 x 38cm (10 x 15in). Maison Islands, with Men-of-War signed and dated lower left "J T Valle, Hofter Freres, Paris, canvas. One old repaired tear at Serres 1814" oil on canvas 59 x 90cm (23 x 35in). Provenance: the top, to the right of the palm tree, and a small hole/bump Private collection, Cambridge. John Thomas Serres was court lower right-hand corner. Some surface dirt. Canvas loose in painter to King George III. The present painting depicts Spanish frame, taped in men-of-war which were defending the Balearic Islands against Estimate: £200.00 - £300.00 French invasion and control, after France turned against Spain in the Peninsular War (1807-1814) during the Napoleonic Wars. The Balearic Islands were previously under British control from Lot: 447 1798-1802 whereby control was returned to the Spanish after Edward Robert Smythe (British, 1810-1899) The Blacksmith's the French Revolution. Despite this, British naval power Shop, with a Chestnut Hunter and a Grey Pony signed lower remained on the islands. Oil on canvas. Lined - paint layer in a right "E R Smythe" oil on canvas 30 x 40cm (12 x 16in). Relined good, stable condition. Evidence of old damage and wear in the and cleaned. sky. Surface dirt, slightly old and yellowed varnish layer and Estimate: £1,500.00 - £2,500.00 surface dirt. Dirt spotting in the sky. Estimate: £5,000.00 - £7,000.00 Lot: 448 Miles Edmund Cotman (British, 1810-1858) A Dutch Galliot Lot: 440 running into Port oil on canvas 35 x 46cm (14 x 18in). Circle of John Hoppner, RA (British, 1758-1810) Portrait of Miss Provenance: J Fairhust, The Flint House Art Gallery, 34 Elm Jane Brierley, half length, seated, in a mob cap oil on canvas Hill, Norwich, Exhibition 1964, No.44. Relined. Perhaps a little 73 x 64cm (28 x 25in). Under glass and quite dirty - old gilt dirty. frame has several chips. Damage to her right sleeve, and a Estimate: £2,000.00 - £3,000.00 hole along the bottom edge Estimate: £400.00 - £600.00 Lot: 449 Austrian School (19th Century) Austrian Landscape with Lot: 441 Herdsmen and a Cart on a Track signed lower left indistinctly oil Circle of Arthur Joseph Meadows (British, 1843-1907) on canvas 37 x 54cm (14 x 21in). A little dirty but fine. Fishermen in Rowing boats and Sailing Ships in a Calm oil on Estimate: £200.00 - £300.00 panel 21 x 48cm (8 x 19in). Label - A G Gardner on the reverse ? Very dirty and with yellowed varnish. Estimate: £200.00 - £300.00

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Lot: 450 Estimate: £800.00 - £1,200.00 Henry Chaplin (British, 19th Century) In the Country signed on the reverse "Henry Chaplin, Worcester, 1865" oil on canvas 30 x 36cm (12 x 14in). Exhibited: The Art Union of Great Britain, Lot: 458 June Drawing, 1865 (label refers). Old stretcher bar marks can J H Eversen Portrait of a Seafarer signed lower right "J H be seen from the front, resulting in a line of damage. Very Eversen" oil on canvas 39 x 30cm (15 x 12in). Under glass and loose in the frame. condition appears fine. Estimate: £200.00 - £300.00 Estimate: £400.00 - £600.00

Lot: 451 Lot: 459 Attributed to Henry (Harry) Andrews (British, 19th century) The William Edwin Pimm (British, 1863-1952) Two Tabby Kittens Card Players or The Garden Card School oil on canvas 74 x with cards on a table signed lower left "W E Pimm" oil on 62cm (29 x 24in). Relined and cleaned. canvas 38 x 50cm (15 x 20in). An area of craquelure visible Estimate: £1,000.00 - £1,200.00 above the pack of cards. Estimate: £300.00 - £500.00

Lot: 452 Adelsteen Normann (Norwegian, 1848-1918) Norwegian Lake Lot: 460 Scene with Fishing Boat signed lower right "A Normann Dsp New Zealand School (19th-20th century) Portrait of a Maori '76" oil on canvas 36 x 56cm (14 x 22in). Adelsteen Normann Chieftain with Ta Moko, holding a Patu and Staff oil on board (1848-1918) was a Norwegian painter who worked in Berlin. He 25 x 17cm (10 x 7in). Rakau Maori (Maori weaponry) was was a noted painter of landscapes of Norway. Normann was designed for hand-to-hand combat. In battle it was common for the artist who invited Edvard Munch to Berlin, where he painted toa (warriors) to take a long handled weapon such as a taiaha The Scream. Normann was living and painting in Berlin when (long-handled fighting staff) and a short weapon such as a patu he saw Munch's work. Normann wrote to Munch asking if he (club) tucked into a belt. Maori wore little into battle apart from a would exhibit his work in Berlin. Munch was so overcome that maro (kilt) or a tatua (belt). In some cases a tapahu (dogskin he packed up his exhibition on 20 October 1892 and went to war cloak) or a cloak to shield pauku (spear thrusts) was worn. Berlin where Normann, true to his word, befriended him. Maori did not use bows and arrows, so fighting was almost Munch's work was placed in an exhibition which caused such a entirely hand-to-hand. Famous weapons were given names and stir that the painters in Berlin split into two societies. Dirty and handed down from generation to generation Under glass, with craquelure overall. Unlined. colours are good. Estimate: £800.00 - £1,200.00 Estimate: £400.00 - £600.00

Lot: 453 Lot: 461 Sarah Louise Kilpack (British, circa 1840-1909) Villagers English School (early 19th century) Portrait of a Lady in a waving a steamship on its way signed on the reverse "L green dress and coral earrings oil on canvas 90 x 70cm (35 x Kilpack" oil on card 10 x 14cm (4 x 5in). Under glass and a little 27in). Provenance: From a Norfolk country house. Condition dirty. appears fine. Estimate: £100.00 - £150.00 Estimate: £200.00 - £400.00

Lot: 454 Lot: 462 Attributed to Theodore Rousseau (French, 1812-1867) Stormy Federico Andreotti (Italian, 1847-1930) Serenade signed lower Landscape with Figures signed lower left with monogram "THR" right "F Andreotti" oil on canvas 65 x 48cm (25 x 19in). oil on chamfered mahogany panel 10 x 17cm (4 x 7in). Provenance: By the descent within the vendor's family since the Provenance: M Alexandre Mari (1877-1932), Mayor of Nice, to late 19th Century. Condition appears fine. his grand-daughter, Madame Eliane Mari-Fontana, Mayor of Estimate: £15,000.00 - £20,000.00 Coaraze, and by descent. A little dirty and the old gilt frame has chips Estimate: £800.00 - £1,200.00 Lot: 463 John Lockhead, RBA (British, 1866-1921) Tallis House, Hemingford Grey, Huntingdon, on the river signed lower left Lot: 455 "John Lockhead RBA" oil on canvas 49 x 60cm (19 x 23in). Claude Soulary (French, 19th century) Rowers on the Rhine, a Cleaned at some stage - condition appears fine. town beyond signed lower left "Soulary 1862" oil on board 40 x Estimate: £300.00 - £500.00 32cm (16 x 12in). Perhaps a little dirty and with a paint loss just below the signature. Estimate: £400.00 - £600.00 Lot: 464 Grace Baldry (British, 19th-20th century) Portrait of a young girl signed upper left "Grace Baldry, September 30th 1896" oil on Lot: 456 canvas, in a hand-carved frame 54 x 50cm (21 x 20in). Grace Joseph Coomans (Belgian, 1816-1889) Odalisque signed upper Baldry was a noted portrait painter, and exhibited a work left "Joseph Coomans Paris 1886" oil on canvas laid down on entitled "Judith" at the Royal Academy in 1897. She lived in board 30 x 22cm (12 x 9in). Provenance: Private collection, Bayswater, London, and a portrait by the artist of Dame Ellen Kent. Cleaned and with some restoration. Terry as Portia hangs in the Garrick Club, London. Old

8 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com stretcher bar marks can be seen from the front. Lovely old small child and a deerhound signed lower left "J Salter 1898" oil frame has several chips. on canvas laid to board 126 x 100cm (49 x 39in). Craquelure Estimate: £700.00 - £800.00 around the gentleman's face and with some over paint. Canvas has been laid to rather stiff board. Estimate: £300.00 - £600.00 Lot: 465 H Ethel Rose (British, fl.1874-1890) The Letter signed lower right "H E Rose" oil on canvas 67 x 48cm (26 x 19in). H Ethel Lot: 473 Rose was known for figure paintings, portraits and genre Edwin Loder of Bath (British, 1827-1885) Study of a black-and- scenes. She exhibited at the Royal Academy, and various other tan setter signed lower right "E Loder 1885" oil on canvas, in a galleries. Relined and cleaned. maple frame 44 x 58cm (17 x 23in). Two old repaired tears. Estimate: £400.00 - £600.00 Old stretcher bar marks can be seen from the front. Estimate: £300.00 - £500.00

Lot: 466 Prudence Turner (British, 19th century) Highland Cattle on Lot: 474 Rannoch Moor signed lower right "Prudence Turner" oil on James Clarke (British, 1858-1943) Sheep and hens in a stable canvas 49 x 100cm (19 x 39in). Somewhjat yellowed varnish, signed lower right with initials "JC" oil on canvas 29 x 39cm (11 and the modern gilt frame needs replacing. x 15in). Provenance: Private collection, Suffolk. Condition Estimate: £600.00 - £800.00 appears fine. Estimate: £800.00 - £1,200.00

Lot: 467 Ferdinand E Grone, RBA (British, 1845-1920) Gypsy Travellers Lot: 475 in a Landscape signed lower left "F E Grone, RBA" oil on Felice Auguste Rezia (Italian, 1835-1907) Cathedral Interior canvas 24 x 34cm (9 x 13in). Under glass and with perhaps a signed lower left "F A Rezia 1888" oil on canvas 39 x 29cm (15 little discolouration to the sky. x 11in). Provenance: From a Warwickshire country house. Estimate: £200.00 - £300.00 Under glass and condition appears fine. Estimate: £700.00 - £1,000.00

Lot: 468 German School (19th century) Portrait of two small girls with Lot: 476 their dachshund oil on canvas 48 x 58cm (19 x 23in). Felice Auguste Rezia (Italian, 1835-1907) Continental market Provenance: The family of Karl Scharnow, Harvel, Germany, scene with a cathedral signed lower left "F A Rezia" oil on and by descent. Old stretcher bar marks can be seen from the canvas 39 x 29cm (15 x 11in). Provenance: From a front. Scattered paint loss to the right-hand side. One small old Warwickshire country house. Under glass and colours are good repaired tear by the left-hand girl's plaits. Craquelure overall. Estimate: £700.00 - £1,000.00 Old gilt frame has been painted. Estimate: £300.00 - £500.00 Lot: 477 Campbell Mellon, ROI, RBA (British, 1878-1955) Gorleston - Lot: 469 High Summer signed lower right "C A Mellon" oil on canvas 29 Edwin Cooper (British, 1785-1833) A Dark Bay Hunter and a x 39cm (11 x 15in). Provenance: From a Norfolk country house. King Charles Spaniel before Acle Church, Norfolk signed lower Condition is fine. right "Edwin Cooper pinxit" oil on canvas 50 x 60cm (20 x 23in). Estimate: £4,000.00 - £6,000.00 Relined and cleaned. Somewhat flattened in appearance. Estimate: £1,000.00 - £1,500.00 Lot: 478 Campbell Mellon, ROI, RBA (British, 1878-1955) Gorleston Lot: 470 Sands signed lower left "C A Mellon" oil on board 22 x 30cm (9 English School (19th century) Cattle watering at a River oil on x 12in). Provenance: From a Norfolk country house. Exhibited: canvas 37 x 50cm (14 x 20in). Provenance: Shillington Bury, The Royal Institute of Oil Painters, 195 Piccadilly, London, Hertfordshire, and by descent. Under glass and quite dirty. SW1, No.4 (exhibition label refers). Perhaps a little dirty. Estimate: £200.00 - £300.00 Estimate: £4,000.00 - £6,000.00

Lot: 471 Lot: 479 Norwich School (19th century) Mother and child on a track Zoltan Veressz (Hungarian, 1868-1935) Tree in Winter signed passing a cottage oil on mahogany panel 23 x 15cm (9 x 6in). lower left "Veressz" and inscribed on the reverse with title, Provenance: Shillington Bury, Hertfordshire, and by descent. dated 1926 oil on board 32 x 23cm (12 x 9in). Quite dirty - old Condition is fine. gilt quite pretty frame is chipped. Estimate: £200.00 - £300.00 Estimate: £100.00 - £200.00

Lot: 472 Lot: 480 J Salter (British, 19th Century) Portrait of a Gentleman with a R L Harvey (British, 20th century) The 150th Meet of the

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Coaching Club - 11th June 1959 signed lower right "R L planned to go to art college there. Pottinger's plans were Harvey" oil on canvas 49 x 60cm (19 x 23in). Presented to Mr R interrupted by the outbreak of World War II in 1939. He served A Brown, Secretary of the Coaching Club since 1931, to in the British Army throughout North Africa and Italy and ended commemorate the 150th Meet of the Coaching Club, 11 June his service in Palestine in 1946. After he was demobilized, 1959. Craquelure overall particularly in the sky. Under glass Pottinger returned to his art studies in Edinburgh. In 1947 he and a little dirty. won the Chalmer's Prize from the Royal Scottish Academy. He Estimate: £700.00 - £1,000.00 was an expert on heraldry and wrote Simple Heraldry, Cheerfully Illustrated with Sir Iain Moncreiffe. One area of craquelure to the right of her face. Lot: 481 Estimate: £300.00 - £600.00 Konstantin Lomykin (Ukrainian, 1924-1993) From the Market, Winter signed lower right oil on board 49 x 69cm (19 x 27in). Condition is fine. Lot: 491 Estimate: £1,500.00 - £2,000.00 After Snaffles (Charles Johnson Payne) The Stone faced narrer- back, colour print highlighted in body colour, laid down on support sheet with vignette, published by Messrs Fores, 41 Lot: 482 Piccadilly, London 49 x 67cm (19 x 26in). good colour and Ivan Komissarov (Russian, b.1928) Winter, Russia signed lower clean support sheet right in Cyrillic oil on board 49 x 69cm (19 x 27in). Condition is Estimate: £200.00 - £300.00 fine. Estimate: £800.00 - £1,200.00 Lot: 492 Winifred Marie Louise Austen, RI, RE (British, 1876-1964) The Lot: 483 Decoy Pool, etching, signed lower right 19 x 26Â½cm (7 x 10in). Eileen Meagher (20th century) Connemara Landscapes signed Provenance: Arthur Greatorex Ltd label verso lower left "Eileen Meagher" oil on canvas (a pair) 19 x 24cm (7 Estimate: £100.00 - £200.00 x 9in). Condition is fine. Estimate: £600.00 - £800.00 Lot: 493 Â§ Terance James Bond (British, b.1946) Study of a Greenfinch Lot: 484 signed and dated lower right "Terance James Bond '73" Thalia Westcott Malcolm (American, 1878-1938) A woman watercolour 31Â½ x 21Â½cm (12 x 8in). Provenance: From a private reading in a drawing room, summer signed lower right "Thalia collection, Norfolk Terrence James Bond was born in Suffolk in Westcott Malcolm" oil on canvas 60 x 50cm (23 x 20in). Loose 1946, and has remained there throughout his forty year career in the frame. A little dirty. Thre small holes - lower centre along as an artist. He has become one of the most respected wildlife the bottom edge, and a small one to the left by the window, and artists in Britain, having started his career with a sell out a tiny one by the table. Grey painted frame has several chips. exhibition at the Haste Gallery, Ipswich. He has also illustrated Estimate: £300.00 - £500.00 for the RSPB, as well as being highly sought after by individual galleries. Condition appears to be fine. Frame has some wear and tear. Lot: 485 Estimate: £400.00 - £600.00 Edmund Joseph Sullivan, RWS, RE (British, 1869-1933) The Adoration or The Angelus signed and dated 1927 watercolour and bodycolour 54 x 77cm (21 x 30in). Provenance: The Baillie Lot: 494 Gallery, 13 Bruton Street, London, W1. Sotheby's, London, 27 Â§ Terance James Bond (British, b.1946) Study of a cock October 1999, lot 1022 (sold for Â£800). Exhibited: Exposition bullfinch signed and dated lower right "Terance James Bond Internationale de Arte Barcelona, 1927 (old label refers). '74" watercolour 31 x 22cm (12 x 9in). Provenance: From a Edmund Joseph Sullivan is best known for his illustrations for private collection, Norfolk Framed. Condition appears fine newspapers, magazines and books. His work may be found in Estimate: £400.00 - £600.00 the British Museum, the Victoria and Albert Museum and elsewhere. The present painting is a modern interpretation of the Adoration, set in a Kent landscape, and was exhibited at Lot: 495 the Exposition Internationale de Arte Barcelona. An image of a Â§ Terance James Bond (British, b. 1946) Study of a goldfinch smiling skeleton with a crown of roses drawn by the artist for signed and dated lower left "Terance James Bond '74" the Rubaiyat of Omar Khayyam was used by American rock watercolour 32 x 22cm (12 x 9in). Provenance: From a private band, The Grateful Dead, and became one of the most collection, Norfolk Framed. Condition appears fine recognised icons of the band. The present painting was a Estimate: £400.00 - £600.00 decorative panel for Sullivan's The Angelus. Under glass and colours are good. Estimate: £800.00 - £1,000.00 Lot: 496 Â§ Terance James Bond (British, b.1946) Study of a wren signed and dated lower right "Terance James Bond 74" watercolour 17 Lot: 487 x 24Â½cm (7 x 9in). Provenance: From a private collection, John Inglis Drever (Don) Pottinger (Scottish, 1919â€“1986) Norfolk Framed. Condition appears fine Portrait of a Lady signed on the reverse "Don Pottinger" oil on Estimate: £300.00 - £500.00 canvas 111 x 90cm (43 x 35in). Don Pottinger was born in Carnoustie, Angus, in 1919, was educated in Edinburgh and

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Lot: 497 board, signed lower left 21 x 26cm (8 x 10in). Provenance: Â§ Terance James Bond (British, b. 1946) Study of a nuthatch Rowland Ward label verso signed and dated lower right "Terance James Bond 73" Estimate: £200.00 - £400.00 watercolour 32 x 22cm (12 x 9in). Provenance: From a private collection, Norfolk Framed. Condition appears fine Estimate: £300.00 - £500.00 Lot: 505 William E Barrington-Browne (British, 1908 - 1985) Salmon Fishing from a small boat, Norway, signed lower left, oil on Lot: 498 canvas, a pair (2) 46 x 61cm (18 x 24in). Provenance: Letter to Â§ Terance James Bond (British, b. 1946) Study of three reed the artist from Capt. Fane, describing the catch and landing of warblers signed and dated lower right "Terance James Bond the fish at the time of commissioning these paintings. '74" watercolour 50 x 33cm (20 x 13in). Provenance: Fome a Estimate: £400.00 - £800.00 private collection, Norfolk Framed. Condition appears fine Estimate: £600.00 - £800.00 Lot: 506 Sir Peter Scott (British, 1909-1989) Ducks returning to the Lot: 499 decoy at daybreak, signed lower left 1947, oil on canvas 64 x Philip Rickman (British, 1891-1982) Pintail over the flats, signed 76Â½cm (25 x 30in). Provenance: Captain Gerard Fane lower right, watercolour, 13cm x 18cm (5 x 7in), V R Balfour- Exhibited: Arthur Ackermann & Son Ltd 1948 Exhibition, no. 39 Browne, The evening flight, signed lower left, 1931, Quite dirty. Old white painted frame has a few bumps. watercolour, Fine Art Society, London, label verso,17cm x Estimate: £3,000.00 - £5,000.00 25cm (7 x 10in) and J C Harrison, Duck Decoy, signed lower right, watercolour 23cm x 32cm (9 x 13in) (3). Estimate: £200.00 - £300.00 Lot: 507 William E Barrington-Browne (British, 1908 - 1985) Bothy Pool, River Gruinard, oil on board 21 x 26cm (8 x 10in). Lot: 500 Estimate: £200.00 - £400.00 John Cyril Harrison (British, 1898-1985) Grouse Drive, signed lower right, watercolour, Rowland Ward gallery label verso 33 x 47cm (13 x 18in). The colours are very good, there are no Lot: 508 marks or foxing. This was hung in a dark corner and not been Juliet McLeod, (British, 1917-1982) Big Game, study of a faded by the sun stallion in a railed paddock, signed lower left, dated 1951, oil on Estimate: £200.00 - £400.00 canvas, in swept gilt frame 56 x 68cm (22 x 27in). Juliet McLeod was tutor of artist Mchael Jeffery. Big Game (1939- 1963). Bred by the National Stud and leased for his racing Lot: 501 career to King George VI, he won 8 races between 1941-42, Philip Rickman (British, 1891-1982) A series of eight studies of including the 2000 Guineas. His stud career was at the National Game and Garden birds, Golden Plover, Redstart, Wheatear, Stud, then based in Sussex. Goldcrest, Dartford Warbler, Brent Geese, Gargany and Cock Estimate: £800.00 - £1,200.00 Pheasant signed lower right, pencil (8) two 21cm x 34cm (8 x 13in) and six 27cm x 20cm (11 x 8in). Provenance: The Tryon Gallery Ltd, London, labels verso Worm damage to back Lot: 509 boards and paper of Golden Plover , though not the image Barbara Waller, ARCA (b. 1923, fl. 1955-1975) Jack Webb, Tryon Gallery labels verso study for a presentation portrait, commissioned on his Estimate: £300.00 - £500.00 retirement as Chairman of the Thurlow & Newmarket Foxhounds, (1948-1967), signed lower right and dated 1947, oil on panel 34 x 44cm (13 x 17in). Literature: Horse & Hound, Lot: 502 January 12th 1979, with feature article reporting on Mr Jack A E Wyatt (British, 19th century) New Forest Ponies signed Webb's day with the Newmarket and Thurlow on his 80th lower left "A E Wyatt" watercolour 31 x 50cm (12 x 20in). Birthday, the meet at his home at Streetly Hall and dinner the Condition appears fine - colours are good. following Saturday at Thurlow Village Hall in his honour, Estimate: £200.00 - £300.00 together with an accompanying letter from Jack Webb to the vendor, dated Jan 26th '79 Estimate: £300.00 - £500.00 Lot: 503 Cuthbert Bradley (British, 1861-1943) The Cambridge University Steeplechase at Huntingdon - Open Race Two Miles Lot: 510 - November 28th 1905 signed lower right "Cuthbert Bradley Â§ Pip McGarry (British, b.1955) Zebras drinking, Masai Mara 1905" watercolour 24 x 34cm (9 x 13in). One black spot to the signed lower right "Pip McGarry 2013" oil on canvas 45 x 60cm left of the tent, otherwise fine. (18 x 23in). Condition is good. Estimate: £200.00 - £400.00 Estimate: £2,000.00 - £3,000.00

Lot: 504 Lot: 511 William E Barrington-Browne (British, 1908 - 1985) 'He was 39 Â§ Pip McGarry (British, b.1955) Reclining Leopard signed lower 1/2 lbs', River Wye, with fisherman and ghillie oil on canvas right "Pip McGarry 2011" oil on canvas 60 x 90cm (23 x 35in). Condition is good.

11 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com

Estimate: £3,000.00 - £5,000.00 Lot: 518 Michael Jeffery (1941-2013) Zarkava, HH The Aga Khan's colours on rug over manger, signed lower right 2009, oil on Lot: 512 canvas, stretchered but not framed 51 x 61cm (20 x 24in). Michael Jeffery (1941-2013) Champion Steeplechasers: Kauto ZARKAVA, bay mare foaled 2005. Unbeaten winner of 7 races Star, signed lower right 2012, oil on paper with pencil including 2008 Prix de l'Arc de Triomphe. Trained in France by annotations, 44cm x 56cm (17.5in x 22in) and a similar study of Alain Royer Dupre for her owner and breeder HH The Aga Denman, oil on paper, signed 2012 43cm x 56cm (17in x 22in), Khan. Retired to stud in 2009. The painting is in good condition unframed (2). KAUTO STAR, bay gelding 2000. Champion bar one very minor bruise. There is no paint loss chaser, bred in France by Mme Henri Aubert, owned by Clive D Estimate: £400.00 - £500.00 Smith, trained by Paul Nicholls. Winner of 23 races including King George VI Chase, Sandown (a record 5 times) and Cheltenham Gold Cup (twice). Widely considered one of the Lot: 519 greatest steeplechasers of all time. DENMAN, chestnut gelding Michael Jeffery (1941-2013) Shirocco, the horse being held by 2000, owned by Paul Barber, trained by Paul Nicholls, winner of the stable lad, unsigned, oil on canvas, stretchered only, 77cm 14 races, including the Cheltenham Gold Cup and Hennesey x 86cm (30 x 34in) an unstretchered study, 75cm x 83cm (29.5 Gold Cup. A great rival of Kauto Star and from the same x 33in) and a preparatory pencil study on paper, 44cm x training stable. 50.5cm (17 x 20in) (3). SHIROCCO (Ger). Bay 2001; owned by Estimate: £300.00 - £600.00 Baron G Von Ullmann, trained by A Fabre in France. Four Group 1 wins inc Breeders' Cup Turf; rated the best in the world on retirement; stands at Dalham Hall Stud, Newmarket. Lot: 513 Estimate: £200.00 - £400.00 Michael Jeffery (1941-2013) Best Mate, study of a Racehorse, unsigned, oil on paper and another similar study, Persian Punch, 46cm x 61cm (18in x 24in) and Arkle, head and neck Lot: 520 study, pencil on paper 31cm x 40.5cm (12in x 16in) unframed Michael Jeffery (1941-2013) Galileo, unsigned, oil on canvas, (3) 50 x 61cm (20 x 24in). BEST MATE, bay gelding 1995: stretchered only 41 x 50cm (16 x 20in). Other Notes: GALILEO Owned by Jim Lewis, trained by Henrietta Knight, winner of 14 (bay, foaled 1998). Owned by Mrs J Magnier & M Tabor, races, including the Cheltenham Gold Cup three times. trained by Aidan O'Brien. Champion racehorse, winner of 6 PERSIAN PUNCH, Chestnut gelding 1993: Owned by J C races including Epsom Derby, Irish Derby, King George VI & Smith, trained by David Elsworth, winner of 20 races. Queen Elizabeth Diamond Stakes. Retired to Coolmore Stud. Estimate: £300.00 - £600.00 Champion sire of numerous Group 1 winners including Frankel. The painting is unmarked, stretchered, but unframed and inscribed verso 'Galileo' Lot: 514 Estimate: £200.00 - £400.00 Michael Jeffery (1941-2013) Park Top, signed lower right, 2007, oil on paper, 39.5cm x 50cm (15.5in x 19.5in) another similar, Precocious, oil on paper, Guilded, 57.5cm x 77cm (22.5cm x Lot: 521 30.25in) and Resless Kara, 51cm x 60.5cm,(20in x 24in) Michael Jeffery (1941-2013) Manduro, unsigned, oil on canvas, unframed (4). unstretchered and unfinished and another similar study (2) 70 x Estimate: £300.00 - £600.00 86cm (27 x 34in). MANDURO, foaled 2002 in Germany, Multiple Group 1 winner; Horse of the Year and World Champion of 2007. Lot: 515 Estimate: £150.00 - £250.00 Michael Jeffery (1941-2013) Sea The Stars, Derby Winner 2009, signed lower right , 2010, oil on paper with pencil annotations 54 x 69cm (21 x 27in). SEA THE STARS, Lot: 522 champion racehorse. Owned by Christopher Tsui, trained by Michael Jeffery (1941-2013) Shirocco, unsigned, oil on canvas, John Oxx, winner of eight races inc 2000 Guineas, Epsom unfinished and unstretchered, 75cm x 85cm (29.5 x 33in) and Derby, Eclipse Stakes etc and Prix de l'Arc de Triomphe in another similar study, together with a study on paper of four 2009. Retired to the Aga Khan's Gilltown Stud, Ireland. views of the horses' heads 40cm x 51cm (16 x 20in) (3). Estimate: £200.00 - £400.00 Estimate: £150.00 - £250.00

Lot: 516 Lot: 523 Michael Jeffery (1941-2013) A folio of working sketches on Michael Jeffery (1941-2013) Coming down Warren Hill, paper including; Galileo, Denman, Neptune Collonges, Nacarat, unfinished study, 33cm x 72cm (13 x 28in), The Start at Rakti and others unnamed, unframed (10). Laytown Races, 61cm x 126cm (24 x 50in) another Alexander Estimate: £100.00 - £200.00 Goldrun, unfinished and a further small equine study (4). Estimate: £150.00 - £250.00 Lot: 517 Michael Jeffery (1941-2013) A folio of working sketches on Lot: 524 paper including; Sea The Stars, Soviet Song, Indis Rose, Michael Jeffery (1941-2013) Galileo, Derby Winner, held by the Hurricane Run, Watney and other unnamed studies, unframed trainer Aidan O'Brien, unsigned, oil on canvas, inscribed title in (21). the margin, unstretchered and unframed, 77cm x 87cm (30in x Estimate: £150.00 - £250.00 34in) two further unfinished studies and a pencil sketch 46cm x

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55cm (18in x 21.5in) (4). GALILEO (bay horse, foaled 1998). Lot: 535 Owned by Mrs J Magnier & M Tabor, trained by Aidan O'Brien. Tiger (Panthera Tigris), a skin rug with full head mount by Van Champion racehorse, winner of 6 races including Epsom Ingen & Van Ingen, canvas lined with a felt border 257cm Derby, Irish Derby, King George VI & Queen Elizabeth (100in). worn and reduced hind legs Diamond Stakes. Retired to Coolmore Stud. Champion sire of Estimate: £1,000.00 - £1,500.00 numerous Group 1 winners including Frankel. Estimate: £300.00 - £600.00 Lot: 536 Four 19th century 'Black Forest' limewood carvings of dead Lot: 525 game, including pheasants and woodcock carved hanging. Michael Jeffery (1941-2013) Galileo, and The Start verso, Estimate: £1,000.00 - £1,500.00 unsigned, oil on canvas, unfinished, 76cm x 86cm (30in x 34in). Estimate: £100.00 - £200.00 Lot: 537 Three 20th century carved wood pigeon decoys, each Lot: 526 naturalistically painted (3). Two have had their heads re-glued, Michael Jeffery (1941-2013) Oath, unsigned, oil on canvas, the third has replacement screws for eyes. 50cm x 61cm (19.5in x 24in) another of a Chestnut and an Estimate: £100.00 - £200.00 unfinished study of a Bay, 50cm x 61cm (19.5in x 24in), all unframed (3). OATH, bay colt foaled 1996. Winner of the Epsom Derby 1999, trained by Henry Cecil. Estimate: £200.00 - £400.00 Lot: 538 A Sage graphite IV15ft four piece Salmon rod, cased with travelling cylinder. Estimate: £100.00 - £200.00 Lot: 527 Michael Jeffery (1941-2013) Papillon, Grand National Winner 2000, with Ruby Walsh up, unsigned, oil on canvas, stretchered, 30cm x 40.5cm (12in x 17.5in) and another similar Lot: 540 study, unfinished and unframed, a study of Shirocco in a stable, An Edwardian silver Hunting horn, by the Army and Navy Co- 40cm x 51cm (16in x 20in) and an unstretched study of a horse operative Society Ltd, London 1904, of traditional plain conical and jockey, 33cm x 41cm (13in x 16in) (4). form with moulded rim and mouthpiece, inscribed to the base of Estimate: £200.00 - £400.00 the horn S.A. Fane 1st May 1905, 23cm (9in) long, 3.8oz. Crush damage to the base of the trumpet and other minor bruises Estimate: £200.00 - £400.00 Lot: 528 Michael Jeffery (1941-2013) Papillon with Jockey up, Grand National Winner 2000, with Ruby Walsh up, signed and dated 2000, with trainer Ted Walsh, oil on canvas, 92cm x 111cm and Lot: 541 another unsigned without trainer (2). The Suffolk Hunt - The Masters Cup 1948, A silver two handled Estimate: £300.00 - £600.00 trophy cup by Walker and Hall, Sheffield 1905, the bowl is floral and foliate engraved around the inscription, the knopped stem with beaded foot, 25.5cm (10in) high, 21.2oz (including the permanently fixed steel mounting screw) on an ebonised plinth.. Lot: 529 In good condition Michael Jeffery (1941-2013) Mares & Foals, Widden Stud, New Estimate: £300.00 - £500.00 South Wales, Australia, signed lower right 1993, oil on canvas, in swept frame, 66cm x 81cm (26 x 32in). Estimate: £200.00 - £400.00 Lot: 542 Pike, a full mount by W. F. Homer, in gilt lined bow fronted case, bearing paper taxidermist label, gilt lettering to glass Lot: 530 reads 'Pike (Esox Lucius) 23lbs caught on March 3rd 1957 in A collection of small studies of Racehorses, and Jockeys, oil on Southwater Works Clay Pit by Mr Jack Eames, Works panel, 'Bosra Sham', a circular table of breeding by Rue Manager, silver medalist of the Sussex Brick Co. Ltd.' 44 x Cashmore, pen ink and wash on paper, unframed, 38cm x 125Â½cm (17 x 49in). 57cm (15in x 22.5in) and two framed prints, various sizes (14). Estimate: £1,000.00 - £1,500.00 BOSRA SHAM. Champion race mare trained by Henry Cecil. Winner of 6 Group 1 races from 1995-97 including the 1000 Guineas, Queen Elizabeth II, Eclipse and Champion Stakes. Estimate: £200.00 - £400.00 Lot: 543 Ptarmigan, a full mount by Peter Spicer, dated 1928, in glazed display case, mounted on 'rocks' with painted background, paper trade label verso and signed pebble to inside of case 49 Lot: 531 x 48cm (19 x 19in). Michael Jeffery (1941-2013) The residual studio works Estimate: £1,500.00 - £2,000.00 including; landscape and portrait subjects, on paper, canvas and panel (18). Estimate: £50.00 - £100.00 Lot: 544 English Partridge, a brace, full mount, set amidst foliage

13 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com beneath a glazed display dome 33cm (13in). after a sculpture by Robert Donaldson, by Camelot Silverware Estimate: £300.00 - £400.00 Ltd, Sheffield 2004, the horse clearing a hurdle, base 23cm long, 19cm high, loaded. In good condition Estimate: £400.00 - £600.00 Lot: 545 A Perch, Rudd & a Ruff, full mounts witihin a flat fronted case, possibly by Peter Spicer, set amidst foliage, paper label Lot: 554 internally reads '3lbs Perch, Porton Water, with Rudd + Ruff, Tiger (Panthera Tigris), A large skin rug with full head mount, 7th Jun '08', indistinct pencil markings to pebble in bottom of Shot by Colonel Eugene St. John Birnie 'Bill' Birnie was case 34 x 64cm (13 x 25in). transport officer of the 1933 expedition, having helped Smythe Estimate: £500.00 - £700.00 to his 1931 ascent of Kamet. In the annals of Everest he is largely remembered for a vehement disagreement with Wyn- Harris, which cost two days in establishing Camp V at 25,500 Lot: 546 feet (7770 m) and, possibly, the success of the expedition. Pike, a full mount by J. Cooper, set amidst foliage with Cooper Birnie was a career soldier who fought in the Third Afghan War trade label and another which reads 'Pike, Taken by (1919) and served in India, the Middle East, and Italy. He H.A.Chappell at Bickton, March 10th 1908, Weight 11 1/4lbs' enjoyed both polo and tiger hunting and during one such within a gilt lined flat fronted case 39 x 97cm (15 x 38in). expedition he was badly mauled by a tiger and had to sit in a Estimate: £700.00 - £1,000.00 tree all night to save his life (not this one) 304cm (119in). Estimate: £400.00 - £600.00

Lot: 547 Barbel, a full mount in the manner of Cooper, set amidst foliage Lot: 558 within a gilt lined bow front case, label internally reads 'Barbel, An Egyptian bronze statue of Osiris, second half of the Third 4 1/2lbs 6th July Old boys day, Hereford (Wye)' 36 x 76cm (14 Intermediate Period 800-664 BC or Late Period 664-342 BC, x 30in). the body with traces of gilt and enamelling to the eyes, snapped Estimate: £800.00 - £1,200.00 at the knees, on a late 19th century material covered stand 16Â½cm (6in). Provenance: A School boy purchase whilst at Eton College, the vendor is thought to have purchased it from a small antique shop in the town. Literature: Osiris is usually Lot: 548 identified as the god of the after life, the underworld and the Perch, a full mount by J. Cooper, set amidst foliage within a gilt dead, and was considered the oldest son of the earth god, Geb lined bow fronted case, J. Cooper paper trade label and and the sea goddess Nut, as well as being the brother and another stating 'Purton House Lake, 7th June '89' 29 x 46cm husband of Isis. Classically depicted as a green skinned man (11 x 18in). (which lends itself to bronze) with a Pharoaoh's beard, partially Estimate: £600.00 - £800.00 mummy wrapped legs and wearing a crown with two ostrich feathers either side and holding the symbolic crook & flail Estimate: £2,000.00 - £4,000.00 Lot: 549 Gudgeon, full mount, set amidst foliage within a gilt lined bow front case, paper label inside case reads 'Gudgeon, Caught at Lot: 559 Bury by Mr. Read' 18Â½ x 18Â½cm (7 x 7in). A large Egyptian steatite scarab, probably Second intermediate Estimate: £300.00 - £600.00 Period. 1786-1567 BC, 4.5cm (2in) together with two faience amulets or Anubis (both with damage) 688-332 BC, a Late Period amulet, another of Isis nursing Horus and a gold and Lot: 550 white enamel amulet of a wrapped mummy (6). Lion Skin, a felt backed rug, with flat head and lacking claws, Estimate: £200.00 - £300.00 full mane 240cm (94in). Estimate: £200.00 - £300.00 Lot: 560 Two Egyptian green glazed composition shabti, Third Lot: 551 Intermediate Period, 22nd-23rd dynasty circa 945-715 BC, both Lloyd Le Blanc (American, b.1940), Mountain Gorilla scull, circa detailed in black holding two hoes, and fronts with hieroglyphs 1988, two-piece bronze, signed 24cm (9in). In very good (2) 9Â½cm (4in). condition. Estimate: £200.00 - £400.00 Estimate: £300.00 - £500.00

Lot: 561 Lot: 552 An Egyptian faience winged scarab and seated cat amulet A carved and painted wood Salmon trophy inscribed and dated necklace, possibly Third Intermediate Period 1069 BC - 664 1910, 37lbs, caught by H Macmillan, possibly by Malloch's of BC, together with a plain faience necklace. Perth in a bow fronted wall display case 130cm (51in). Estimate: £150.00 - £250.00 Estimate: £2,000.00 - £3,000.00

Lot: 562 Lot: 553 A Hellenistic core formed glass amphoriskos, 1st century BC, A modern filled silver model of a steeplechaser and jockey, the body wound with yellow, white and blue, the neck with spiral

14 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com banding and green glass applied handles 14.5cm (6in) Estimate: £600.00 - £800.00 (restored) together with a small squat jug. Estimate: £200.00 - £400.00 Lot: 569 A 19th century mahogany tea caddy, of rectangular form with Lot: 563 brass handles to either end, the hinged cover opening to reveal Four Egyptian green glazed composition shabtis, Late Period two Chinese pewter canisters and covers within, decorated with circa 600-550 BC, 12cm (5in) the tallest to 9cm (3.5in); together panels of foliage and figures at play 19 x 30 x 19cm (7 x 12 x with a pottery fragment of a lady, a plaster fragment and a 7in). One canister has been presumably dropped, and thus the bronze figural mount. shoulder has slightly caved on one side. Otherwise, condition Estimate: £500.00 - £800.00 is generally good. Estimate: £300.00 - £500.00

Lot: 564 A 19th century 'Grand Tour' souvenir gilt metal jewellery casket, Lot: 570 with chased accanthus scroll decoration and set with shell A 19th century East Indian hardwood, ivory and bone inlaid cameo and malachite classical scenes and portrait heads 7 x vanity box, profusely and finely inlaid throughout with intricate 10Â½ x 5Â½cm (3 x 4 x 2in). There is a small chip to the left hand arabesques and ebony chequer and chevron banding, the malachite roundel to the front, otherwise, condition is generally inside of the lid fitted with a central mirror and two good. compartments 13 x 31 x 22cm (5 x 12 x 9in). Estimate: £300.00 - £500.00 Estimate: £600.00 - £800.00

Lot: 565 Lot: 571 An 18th century marble relief depicting the Annunciation, the A late 18th/early 19th century Goan kingwood, bone and figures framed within laurel leaves,now in fifteen pieces, but tortoiseshell inlaid table box, the fall front revealing an possibly removed from a tomb or altar piece Found in several arrangement of six small drawers within, the carrying handles to pieces hidden beneath a large stone in the internal wheelhouse each side and the paw feet of brass, 27cm (10.5 in) wide. Some section of a watermill in Scotland in 2004, it is believed that of the light brown line inlay is missing from the back left top 18th century Missionaries may have brought this piece across corner. to Scotland from Europe 46 x 40cm (18 x 16in). Estimate: £500.00 - £800.00 Estimate: £500.00 - £800.00

Lot: 572 Lot: 566 A set of four 20th century ormolu wall lights, each with two A 17th century Swedish oak winged mythical beast, carved in branches backed by sunflowers on scrolled stems, the foliage leaping position, its mouth open in a roar, the body drilled back plates with ribbon tied tops, 32cm (12.5 in) high (4). One through possibly to use as a gargoyle, the front paws of the sunflower scrolls has been glued back emanating from further mouths, 60cm (23.5 in.) wide The Estimate: £200.00 - £400.00 vendor bought this piece from Csaky's in 1992. One wing is chipped and two eye teeth are missing. It bears traces of colour. Besides the horizonatl hole through it vertical holes Lot: 573 have also been drilled - presumably to hold it in its original An 18th century shallow brass bowl, of circular form with position everted folded rim 46cm (18in). Estimate: £800.00 - £1,200.00 Estimate: £150.00 - £250.00

Lot: 567 Lot: 574 Three 19th century tole shaded adjustable candlestick lamps, A 19th century carved bone travelling chess set, contained two French with brass nozzles and green shades, one four light within bone box with a hinged chess board top, the sides with and the other three, both shades and lights adjustable on fret work panels of foliage. square columns, the third light with two nozzles and with the Estimate: £200.00 - £300.00 red shades only adjustable (3). Estimate: £150.00 - £250.00 Lot: 575 A mid 19th century 48-key rosewood concertina by Simpson, Lot: 568 serial number 278, with paper trade label, contained within a A late 18th century Kholmogory, Archangelsk bone casket, the rosewood box. rectangular box with hinged, beveled lid with raised rectangular Estimate: £200.00 - £300.00 panel and opening to reveal the once blue silk-lined interior, pierced fretwork panels and carved veneers with red and green stained engraved borders, raised on four bracket feet 14 x 22 x 19cm (5 x 9 x 7in) Boxes of this sort were traditional in the Lot: 576 A late 17th/18th century Spanish or colonial oyster veneered Archangelsk region on the White Sea, most notably in the town strongbox, the brass strapwork and corners engraved with of Kholmogory, renowned for its bone and marine ivory carving. foliage, the rectangular lid opening to release a fall front These boxes were presented to new brides and contained silks, revealing drawers and an ebony lined interior compartment, sewing and dresser items for her new home..

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43.5cm (16.75 in) wide. There are some losses to the oyster Estimate: £400.00 - £600.00 veneering and the compartment within the lid has lost its fixing and thus the removable box to go in it is loose within. Some of the exterior brass strapwork is lacking Lot: 584 Estimate: £1,000.00 - £1,500.00 A late 19th century bronze figure of the Venus de Milo, signed 'A. Parlanti', mounted on a marble socle and fluted column base 64cm (25in). Lot: 577 Estimate: £300.00 - £500.00 A 19th century ivory and stag's horn cup, the metal lined flattened oval section bowl carved with stags and does in a glade on the exterior above horn gadrooning, the socle and Lot: 585 oval horn foot, 23.5cm (9.25 in) high. The metal lining looks to After Isaak Duchemin, a 19th century bronze of a dancing faun, be nickel and has some denting to the rim dark brown patina, signed 'Duchemin' and mounted on a Estimate: £250.00 - £350.00 marble socle and fluted column base 57cm (22in). Estimate: £300.00 - £500.00 Lot: 578 Five late 19th/early 20th century Indian miniatures on marble, Lot: 586 four painted with intimate couples in interiors and the fifth with a An antique marble figure of Diana the Huntress, with a Stag at lady holding a green bird, each 15 x 10cm (6 x 4 in) all in paper her side - possibly Roman - weathered and restored 65cm folders (5). One has a corner chip glued back (25in). the head has been re fixed and the figure is weathered Estimate: £300.00 - £500.00 with loss of some definition Estimate: £250.00 - £350.00 Lot: 579 A mid 19th century papier mache tea caddy, the serpentine Lot: 587 front lid and sides painted with flowers, the interior with two An Edwardian silkwork panel, dated 1909, worked with floral lidded compartments, 22cm (8.75 in) wide. Good roundels alternating with cornucopia within peacock feather Estimate: £150.00 - £250.00 border banding on a white ground, a lable to one end inscribed 'Miss Edith Drummond, Kensington Palace ...', 207 x 27cm (81.5 x 10.5 in). Good Lot: 580 Estimate: £100.00 - £200.00 A machete, possibly American, and a sword, possibly north African, the wood handle to the former mounted with brass pommel and quillons. the single edged blade of scimitar shape, Lot: 588 51cm (20 in.) long, the latter with leaf shaped double edged A late 19th/early 20th century Maori Patu, the flattened paddle point to the slender blade bound with leather covered wire to with carved stylised mask handle with mother of pearl eyes, form the handle, 78cm (30.75 in) long (2). 40cm (16in). Estimate: £150.00 - £250.00 Estimate: £300.00 - £400.00

Lot: 581 Lot: 589 An early 19th century canvas clad cordite box baring Royal coat A 19th century papier mache and gilt metal snuff box and of arms, the cylindrical box in mustard coloured canvas with another agate, the rectangular front of the first bearing gilt metal hinged cover, painted with insignia to both top and front with label initialled GLG and dated May 1927 on the simulated brown leather strap handle, together with a 20th century tortoiseshell ground, 9cm (3.5 in) wide, the oval red mottled needlework cushion embroidered with a variant of the insignia stone of the latter within gilt metal mounts, 6.5cm (2.5 in) (2). 32 x 33cm (12 x 13in) (2) 32 x 33cm (12 x 13in). The coat of Some wear and discolouration to the mounts and to the arms on the cushion is for George III, the version used from material of the first 1816. Estimate: £100.00 - £150.00 Estimate: £150.00 - £250.00

Lot: 590 Lot: 582 A pair of 19th century bronze Bacchic cherubs, each garlanded An Indonesian or Cameroonian wood standing figure, his head in grape vines and seated on red marble columns with two with protruding eyes and open mouth, his naked body with beaded bands applied to the feet, one child raises a glass and overall chip carved decoration, 113cm (43.5 in.) high. Some the other a ewer, 43cm (17 in) high (2). Good wear to the dark brown patination other wise good. Estimate: £300.00 - £500.00 Estimate: £150.00 - £250.00

Lot: 591 Lot: 583 A George III mahogany table top box of eight drawers, each A New Hebrides battle club, the oval section shaft with tall oak lined, opening to either side of the rectangular top and with mushroom cap pommel at one end, the other curved into a flat central metal knobs, 48.5cm (19.25 in) wide. One drawer knob hook shape, 101cm (39.75 in) long Ex collection of Count is lacking Wernher D. Schack (1922-2004) of Schackenborg Castle, Estimate: £200.00 - £300.00 South Jutland..

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Lot: 592 metal labels, the box 24cm (9.5 in) wide. One decanter is An early 19th century poker worked satin wood box, the oval stapled together and there is an old split in the lid portrait to one side possibly depicting Robbie Burns with his Estimate: £400.00 - £600.00 cottage on the opposite side, the rectangular lid worked with a castle view within ebony line inlay on the corners, 39cm (15.25 in) wide. Good Lot: 600 Estimate: £150.00 - £250.00 A set of 20th century brass tobacco scales by Manaus, Braga, Portugal, the beam supported by a holding ring suspended from a bulls-head finial, solid turned column supported on a shaped Lot: 593 base containing nine graduated weights 90cm (35in). A George V Scottish Highland 1831 pattern Officer's sword, the Estimate: £200.00 - £300.00 straight double-edged blade with central fuller, etched with a reverse entwined GR Cypher, panels of thistles, and the initials T.M.F., with 'Made in England' along the top edge, steel basket Lot: 601 guard with pierced heart panel design enclosing a shagreen A late 18th/early 19th century silver mounted Shamshir, the grip with twist wire binding, scarlet faced lining to buff and gold single edged 80cm (31.5in) curved blade with iron hilt and tassels, within its original brown leather scabbard. embossed metal clad handle. Estimate: £200.00 - £300.00 Estimate: £150.00 - £250.00

Lot: 594 Lot: 602 A 19th century Nicole Freres rosewood cased musical box, A collection of seventy-one diecast figures representing the numbered 23444, with 27cm (10.75in) cylinder playing six airs, cavalry of the Napoleonic Wars by delPrado, together with their the comb marked 'Nicole'. corresponding illustrated booklets contained in three albums, Estimate: £1,000.00 - £1,500.00 and a glazed mahogany display cabinet (75). Estimate: £300.00 - £500.00

Lot: 595 A pair of early 20th century brass five light candelabra, each Lot: 603 with branches scrolling from swagged urn shapes on tall socles Two 18th Century Italian bronze portrait busts after the Antique, resting on draped cylindrical columns and stepped hexagonal the male and female heads darkly patinated, on later Sienna feet, 54cm (21.25 in) high (2). The lacquering has degraded in marble socle bases, both 21.5cm (8.5in) high (excluding bases) places causing some corrosion to the metal below (2). Estimate: £300.00 - £600.00 Estimate: £3,000.00 - £4,000.00

Lot: 596 Lot: 604 Two 19th century African spears, probably Zulu, and an A late 19th century Swiss musical box, the three bells in sight elephant hide circular shield, one spear with hide clad shaft, the struck by coloured butterflies and held in place by flower nuts, other turned and carved, the domed circular shield with four the comb playing eight airs on a 15.5cm (6 in) cylinder, the raised brass bosses (3). rosewood crossed banded lid printed with central quiver, the Estimate: £100.00 - £200.00 box 48cm (18.75 in) wide. Wear shows the age of the piece which is in good condition generally Estimate: £500.00 - £700.00 Lot: 597 A French 1822 pattern cavalry sword, serial no. 299, with curved 36" fullered blade, the back with additional narrow fuller Lot: 605 for the centre section, brass three-bar hilt with integral boat- An 18th century Norwegian birch wood lion peg tankard, the shaped guard, brass pommel-cap and wire-bound leather hinged lid with lion thumbpiece, relief roundel on the lid and the covered grip-piece, etched "Mre d'Armes de Chat't Mai 1895 cylindrical body flaring to four reclining lion feet, 15.5cm (10 in) Cav'rie L're M'le 1822", complete with its iron scabbard with high. There are three splits by three of the feet which have single loose suspension ring. been filled. There is also old filler by the lion's tail on the lid and Estimate: £200.00 - £300.00 to part of the frond stem on which that lion rests Estimate: £500.00 - £700.00

Lot: 598 An early 20th century bronze of a dog by Bergman, modelled Lot: 606 standing in the American taste with cropped ears and up-curled Approximately 330 microscope slides in two boxes, the tail, urn mark to underside 18 x 16cm (7 x 6in). mahogany stained case of fourteen drawers, the pine box with Estimate: £150.00 - £250.00 twelve trays, the slides to include: diatoms, butterfly wings, polyzoa, amphibia, botany and embryology, mainly student prepared but other by Gerrard, Biddolph, Flatters and Garnett, Lot: 599 Darlaston and others. The slides are largely in good condition A mid 19th century Toulmin and Gale coromandel wood Estimate: £400.00 - £600.00 decanter box, the corners and flush handles of brass the interior with four spirit decanters and stoppers, three with white

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Lot: 607 Lot: 614 An early 19th century mahogany miniature tea caddy, the An 18th century Italian flintlock musketoon, possibly Brescia, rectangular hinged lid opening to reveal two lidded with 22in barrel, gently flared at the muzzle, stud-operated compartment flaking a moulded glass mixing bowl, the box, brass mounted folding stock and brass mounted ramrod below. 14cm (5.5 in) wide. Good Estimate: £1,000.00 - £1,500.00 Estimate: £100.00 - £200.00

Lot: 618 Lot: 608 J.Barker, Birmingham, a 19th century mahogany and banded A late 19th century 'Company' miniature painting of the Taj longcase clock, the hood with swanneck pediment and turned Mahal, the oval scene painted on ivory within metal slip and columns, the trunk with quarter reeded columns and canted foliate carved wood frame once with easel back, the miniature base on bracket feet, the 35.5cm (14in) arched painted dial with 7.5 x 12cm (3 x 4.75 in). Some fading otherwise good eight day movement, figural female spandrels, moonphase Estimate: £150.00 - £250.00 disc, the cheeks later strengthened and replaced seatboard, 229cm (90in) high. Estimate: £400.00 - £600.00 Lot: 609 A 19th century bronze Bacchic youth, modelled standing with grapes in one hand hand, the other raised, presumably once Lot: 619 holding a goblet, mounted on a turned marble base 57cm (22in). Patt Boylan, Dublin, a George III and adapted Irish mahogany Estimate: £300.00 - £500.00 chiming longcase clock, the carved hood with swanneck pediment, the trunk with shaped top door flanked by quarter reeded columns, the panel base with canted corners (feet Lot: 610 loose), the 34cm (13.5in) brass dial with separate arch and later A 19th century Elkington's 'Art Gold Bronze' urn, the gadrooned added quarter chiming train on eight bells, mask spandrels, rim above a frieze of Bacchic figures, two handles, fluted socle engraved silvered centre, seconds dial and calendar aperture, and square foot, labelled within the foot, 23.5cm (9.25 in) high. 236.5cm (93in) high. Good Estimate: £1,500.00 - £2,500.00 Estimate: £200.00 - £300.00 Lot: 620 Lot: 611 A Regency mahogany dome top bracket clock, the enamel dial An 18th century Russian marine ivory profile of George III, the inscribed 'James McCabe, Royal Exchange, London', Roman king facing dexter, wearing a cloak over his armour, mounted numerals and shaped hands, the twin fusee movement with on red velvet in an oval frame, the ivory 3.5cm (1.25 in) high engraved backplate, the case with arched brass side frets and The inscription on the back of the frame suggests that this was glazed rear door, all on ball feet, 39cm (15.5in) high. one foot carved from a print owned by a Mrs Alsop by a Russian master loose. side handles also a little loose. from a village near Archangel. The present profile might be Estimate: £1,000.00 - £1,500.00 attributed to Osip Kristoforovich Dudin (1714-80) who lived in Kholmogory near Archangel. He moved to St Petersburg in 1757. The Hermitage has a tankard carved by Dudin with Lot: 621 portrait busts of Russian Princes and Tsars up to his patron A 19th century mahogany bracket clock, the shaped top case Catherine the Great. The carvers of the Kholmogory school with brass inlay to the front, the 20cm enamel dial (crazed) tended to use seal, walrus and sperm whale bone and ivory.. marked 'Elliott London', with twin fusee movement and border- Estimate: £300.00 - £500.00 engraved backplate and pendulum bob, brass side fret panels and glazed rear door, all on ball feet, 52cm (20.5in) high. Estimate: £300.00 - £500.00 Lot: 612 An 1866 silk patchwork quilt, the central black patch embroidered E B above the date within a circle of green Lot: 622 patches on a white ground within a mauve hexagon on the A mahogany cased fusee mantel clock, the glazed case with cube patchwork ground, the whole with corded border and blue folding brass top handle, the 14cm (5.5in) silvered dial marked reverse, 252 x 212cm (99 x 83.5 in). Some losses of silk 'Donne & Son, Cornhill, London', with winding aperture below, patches but the overall condition is worth 7 or 8 out of ten with single fusee bell striking movement, alterations to Estimate: £200.00 - £400.00 movement and case, 32cm (12.5in) high. Estimate: £200.00 - £400.00

Lot: 613 An early 18th century 16 bore cannon barrelled flintlock pistol, Lot: 623 with 5.25in turn-off barrel and London proof marks under the Sam Robson, North Shields, a George III oak longcase clock, trigger guard, silver grotesque mask butt cap, escutcheon and the break arch hood with fluted columns, the trunk with reeded acanthus scroll side plate. In generally good condition, it has canted corners, the brass 33.5cm (13.25in) dial signed to the obviously been restored at some point, there is a visible, arch, with Rococo spandrels, engraved seconds dial and although very fine, crack running right throught the butt to both centre, date aperture, with eight day four pillar movement, the sides. No visible makers marks, traces of proof marks only. case possibly associated, 221cm (87in) high. Estimate: £1,000.00 - £1,500.00 Estimate: £400.00 - £600.00

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Lot: 624 Lot: 635 A 19th century mahogany drop dial timepiece, the case with A near pair of 17th century oak joint stools, 57cm high (22.5in) brass stringing and star inlay, the 30cm (12in) painted dial and 53cm (21in) high respectively (2). Evidence of old worm (retouched) with shaped hands and moulded surround, the and some small areas of timber loss The top is split single fusee movement with shaped plates, restorations, 73cm Estimate: £1,000.00 - £1,500.00 (28.75in) high. Estimate: £200.00 - £400.00 Lot: 636 A 17th century Italian walnut cassonne, marquetry inlaid with Lot: 625 gadroon moulded base, leaf carved corner brackets and on lion Simson, Hertford, an 18th century oak 30 hour longcase clock, paw carved feet 61 x 173 x 59cm (24 x 67 x 23in). Worm the rectangular hood with blind fret frieze to the cornice and damage to the feet and good colour and patina overall Re reeded columns, the 28cm (11in) square dial with Rococo hinged with signs of old repair to the top, with a stained oak spandrels and engraved centre, the brass open frame inner frame to strengthen the cleated ends. The top appears to movement with outside countwheel, 194cm (76.5in) high. be the right one, just repaired Some worm in the marquetry Estimate: £200.00 - £300.00 panels Estimate: £2,000.00 - £3,000.00

Lot: 626 A French brass repeating carriage clock circa 1900, the enamel Lot: 637 dial with Roman numerals and moon hands, with platform lever A 17th century oak panelled coffer, carved front panels and escapement, 14.5cm (5.75in) high. lacquer finish very worn to rails on stile feet 60 x 107 x 47cm (23 x 42 x 18in). Later top, platform lever escapement (probably original). untested. rounded off corners to the top replacement knob to rear door Estimate: £200.00 - £400.00 Estimate: £150.00 - £200.00

Lot: 638 Lot: 627 A 17th century oak joint stool, plain moulded rails on column A 19th century French alabaster and mounted mantel clock, the legs and stretchers 52 x 43 x 28cm (20 x 17 x 11in). Two urn topped case above floral painted dial with bell striking drum stretcher rails are replacements movement, on lion paw front feet, 44cm (17.5in) high, with gilt Estimate: £300.00 - £600.00 wood stand and glass dome cover. Estimate: £150.00 - £250.00 Lot: 639 An old reproduction walnut bureau bookcase, in the Queen Lot: 628 Anne style with double dome top with mirrored doors, bureau A late Victorian mahogany cased three train chiming mantel and drawers below on bracket feet 199 x 86 x 56cm (78 x 34 x clock, the moulded arched case with gilt dial having three 22in). Minor veneer losses subsidiaries above for chime/silent, regulation and eight bell or Estimate: £700.00 - £1,000.00 gong chiming (Westminster), the substantial fusee movement signed to the backplate 'Stephen Davall 1894', 56cm (22in) high. Lot: 640 Estimate: £800.00 - £1,200.00 A George I walnut chest, canted reeded sides fitted two small and three long drawers, on square bracket feet - formerly the base to a chest on chest, inset burr walnut panel top 101 x 102 Lot: 629 x 52cm (39 x 40 x 20in). Later added burr walnut panel, A 19th century French ormolu champleve mantle clock by Estimate: £300.00 - £600.00 Dufaud or Henry, Paris, the urn topped case with 6cm (2.5in) dial with Roman numerals and gong striking balance-wheel movement, the signed backplate marked for both Dufaud and Lot: 641 Henry, all supported on a rectangular plith flanked by amorini, A George I provincial walnut chest on chest, canted fluted sides upon a shaped base and peg feet, 28.5cm (11.25in) high. few and with further line inlaid border decoration, on bracket feet tiny chips to enamel; slight age wear to gilt. Untested movement 178 x 102 x 53cm (69 x 40 x 21in). Unevenly sun faded and Estimate: £400.00 - £600.00 with small hole to one drawer front One side moilding with evidence of old worm Estimate: £1,000.00 - £1,500.00 Lot: 631 Joseph Davis, London, an 18th century walnut longcase clock, the rectangular hood with break arch dial and turned columns, Lot: 642 the 30.5cm (12in) brass dial signed to a boss in the arch, mask A George I walnut lowboy, crossbanded border decoration, spandrels, seconds dial and date aperture, five pillar eight day fitted three small drawers, on column legs and pad feet 69 x 75 movement, the case (possibly associated) with old repairs and x 51cm (27 x 29 x 20in). Evidence of old worm and very faded, restorations and with label for S & J Jewell, London, raised on a later replaced handles rectangular plinth, 221cm (87in) high. Estimate: £300.00 - £600.00 Estimate: £3,000.00 - £5,000.00

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Lot: 643 A late 17th century oak cupboard, with arched panel doors and A George I walnut chest of drawers, fitted two short and three applied mouldings, later fitted end drawers and with alterations long drawers, crossbanded and line inlaid decoration, brass 102 x 90 x 58cm (40 x 35 x 23in). Hinge changes and unusual handles on square bracket feet 104 x 100 x 48cm (41 x 39 x side drawers, the moulded decoration is possibly later 19in). Evidence of timber shrinkage to the side panels and Estimate: £300.00 - £600.00 repolished top Estimate: £400.00 - £800.00 Lot: 652 An oak framed Orkney chair, rush woven back and drop in Lot: 644 string seat 101 x 49cm (39 x 19in). The condition is good, A late 18th century oak side table, fitted long drawer, with subsequently noted that the right hand upright is broken at the moulded frieze, on tapering square chamfered legs 73 x 103 x arm joint, not visibly, but there is significant movement. 59cm (28 x 40 x 23in). One leg restored, country house Estimate: £500.00 - £700.00 condition Estimate: £200.00 - £400.00 Lot: 653 A late 17th century Japanese lacquer cabinet on a giltwood Lot: 645 stand, The cabinet doors decorated with Quail and flowers, A 17th century oak settle, a panelled back and with later elm mounted with ornate chased copper metal lock plate, hinges boarded seat, on stretchered supports - with alterations 97 x and corner brackets, the late17th century carved giltwood stand 135 x 65cm (38 x 53 x 25in). Replaced stretchers and panels in decorated with putto, vines and leaf scrolls 132 x 69 x 41Â½cm the seat added to replace a string and squab seat arrangement. (51 x 27 x 16in). Provenance: Lot 10. Sotheby's, Benacre Hall, Signs in the back of reused earlier timbers, possibly from Suffolk, 9th, 10th and 11th May 2000 Lacquer damage to the wainscoting top and small chips the the door edges Estimate: £200.00 - £400.00 Estimate: £2,000.00 - £3,000.00

Lot: 646 Lot: 654 A 19th century oak and iron bound strong box, with end drawer A late 17th century bead work framed mirror, silk stumpwork to base 47 x 75 x 47cm (18 x 29 x 18in). Evidence of historic floral blooms plate size 40cm x 30cm (15.75in x 11.75in) 69 x worm damage to the base 56cm (27 x 22in). Provenance: Ex Colln. C K Binns, Cold Estimate: £200.00 - £400.00 Overton Hall, Rutland, sale. Faded along the top panel of the frame Estimate: £3,000.00 - £5,000.00 Lot: 647 A late 17th century oak chest, with moulded drawer fronts, brass drop handles, on later bracket feet 90 x 91 x 57cm (35 x Lot: 655 35 x 22in). Small timber losses to the side panel and evidence A 17th century Flemish oak and marquetry inlaid chest, frieze of re polishing, on later feet drawer with applied geometric mouldings, the deep drawer Estimate: £300.00 - £500.00 below inlaid with initial W M I and date1668, above three further drawers enclosed by panelled doors, chequer inlaid apron and on bun feet 122 x 122 x 53cm (48 x 48 x 21in). Lot: 648 Estimate: £600.00 - £800.00 A 17th century oak chest of drawers, four long drawers with moulded drawer fronts, later brasses, on bracket feet 89 x 102 x 51cm (35 x 40 x 20in). Country house condition and with later Lot: 656 handles An 18th century oak Normandy dresser, later top, with drawers Estimate: £300.00 - £500.00 and moulded panel doors, on stile legs 98 x 134 x 62cm (38 x 52 x 24in). A later top and split to one door Estimate: £300.00 - £500.00 Lot: 649 A George III oak table, fitted one long drawer and two small end drawers, on square chamfered legs 69 x 78 x 47cm (27 x 30 x Lot: 657 18in). Signs of alterations, with unusual side drawers and patch A 18th century walnut chest on chest, circa 1730 feather to the front. It is possible that the top was once hinged with a banded border decoration, later brasses on bracket feet 171 x lock 104 x 54cm (67 x 41 x 21in). Repolished and with replaced Estimate: £100.00 - £200.00 brasses, some minor moulding and veneer losses and old restortaions to the drawer edges and banded inlays Estimate: £1,500.00 - £2,000.00 Lot: 650 A late 17th century oak mule chest, geometric moulded panel front, fitted two short drawers with brass drop handles and on Lot: 658 stile feet 77 x 130 x 53cm (30 x 51 x 21in). Good colour and in A small George I burr walnut bureau, circa 1720 feather banded country house condition decoration with later brasses and replaced bracket feet 99 x 67 Estimate: £300.00 - £600.00 x 44cm (39 x 26 x 17in). Restored veneered crossbanding to the fall, replaced handles, escutchoen and feet Minoe veneer Lot: 651 loss by one loper

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Estimate: £1,000.00 - £2,000.00 frame with carved and pierced scrolls and foliate spray 102 x 66cm (40 x 26in). Old breaks in the frame, but no losses Estimate: £200.00 - £400.00 Lot: 659 An 18th century gilt framed wall mirror, shell cresting with leaf scroll and rocaille work decoration - later plate 108 x 64cm (42 Lot: 667 x 25in). Small losses to the frame A mahogany twin pedestal dining table, in the George III style, Estimate: £200.00 - £400.00 extending to accommodate two additional leaves, on turned columns and splayed legs with cast brass casters - period timber top sections 76 x 115 x 310cm (30 x 45 x 121in). A good Lot: 660 colour to the period timber top - reproduction pedestals No A George III mahogany gentleman's writing desk, circa 1780 damages with brass galleried top fitted five drawers and half foldover Estimate: £1,000.00 - £2,000.00 writing surface, side drawers and cupboards below, on champered square legs, 80 x 90 x 51cm (31 x 35 x 20in). Top faded, staining overall, both doors cracked, leather writing Lot: 668 surface replaced A pair of George III mahogany chests on stands, the stands Estimate: £500.00 - £800.00 decorated with blind fret, on square chamfered legs and spade feet 84 x 107 x 55cm (33 x 42 x 21in) (2) 84 x 107 x 55cm (33 x 42 x 21in). Later brass plate handles, damages to the fret leg Lot: 661 brackets A George III mahogany two door press cupboard, enclosing two Estimate: £1,000.00 - £1,500.00 sliding shelves and two drawers below, on bracket feet 87 x 121 x 57cm (34 x 47 x 22in). Veneer chips to the top Estimate: £200.00 - £400.00 Lot: 669 A set of four Hepplewhite mahogany dining chairs, the crest rails carved with anthemion, drop in seats, two upholstered in Lot: 662 needlepoint 95 x 51cm (37 x 20in) (4) 95 x 51cm (37 x 20in). A George II mahogany serpentine card table, fold over action Dirty and need polishing, two seats are not needlepoint with green baize lining and counter wells, on cabriole legs and Estimate: £200.00 - £400.00 pad feet 68Â½ x 83 x 41cm (27 x 32 x 16in). The top has been repolished Estimate: £700.00 - £1,000.00 Lot: 670 A George III mahogany chest on chest, blind fret, greek key and dentil moulded cornice, brushing slide, on bracket feet 183 Lot: 663 x 105 x 55cm (71 x 41 x 21in). Expected wear and slightly faded A Gainsborough mahogany library chair, 19th century Estimate: £400.00 - £800.00 upholstered in yellow damask with carved outswept arms, shell and acanthus leaf carved show wood, on scroll carved cabriole legs 93 x 64cm (36 x 25in). We are unable to remove the Lot: 671 webbing and springs to reveal the rails The chair has been An 18th century Dutch oak bombe commode, the serpentine stripped to the frame and joints reglued, re-sprung seat and re top above four long graduated drawers, on angled scroll upholstered. There are bruises to the carved show wood moulded feet 86 x 92 x 60cm (34 x 36 x 23in). Sun faded and Estimate: £1,500.00 - £2,000.00 dulled wax, but basically sound Estimate: £500.00 - £700.00

Lot: 664 A George III style mahogany bookcase, the upper half fitted Lot: 672 astragal glazed doors, with panelled doors to the base, on A George III mahogany 'Gainsborough' chair, 96 x 69 x 66cm square bracket feet - with period elements 200 x 98 x 33cm (78 (37 x 27 x 26in). Re upholstered seat and webbing, but fabric x 38 x 13in). Scratches to the door panels, the piece has been is very dirty and worn Frame is sound altered Estimate: £500.00 - £800.00 Estimate: £500.00 - £700.00

Lot: 673 Lot: 665 A George III mahogany tripod table, with birdcage support on A Sheraton mahogany demi-lune card table, circa 1790 baize baluster column and tripod base 72 x 67cm (28 x 26in). The lined surface and crossbanded in rosewood, further decorated feet have all been re fixed with shells to the leg capitals on tapering square legs and Estimate: £150.00 - £250.00 spade feet 73 x 93 x 41cm (28 x 36 x 16in). Ring mark to the top and some small marks Estimate: £300.00 - £600.00 Lot: 674 A George III oak and mahogany crossbanded dresser, later brasses on cabriole legs 83 x 188 x 49cm (32 x 73 x 19in). Lot: 666 Good colour, losses to cross banding and corners of the A carved gilt framed oval wall mirror, 19th century the elaborate drawers have some small losses and damages

21 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com

Estimate: £1,000.00 - £1,500.00 A William IV rosewood Davenport desk, circa 1830 with a brass gallery back , leather lined writing slope, pen drawer, candle slides to both sides, open columns and drawers to the pedestal Lot: 675 base, on turned feet and enclosed casters 88 x 50 x 45cm (34 x A late 18th century French gilt console table, faux marble 20 x 18in). Very clean condition rectangular top above a gesso moulded frieze with two blind Estimate: £300.00 - £600.00 drawers, decorated with Romayne heads and florette, on tapering square column legs with further husk mouldings 87 x 214 x 48cm (34 x 83 x 19in). Provenance: Purchased from Lot: 683 John Profumo, The Dower House, Buntingford in 1978, as part A William IV rosewood library bergere, leather squab seat and of the house purchase. The gilding has been refreshed, there upholstered arm rests, on turned legs and brass casters 87 x are some losses to the faux marble top 54cm (34 x 21in). New seat and leather arm rests, the cane is Estimate: £2,000.00 - £3,000.00 in good condition Estimate: £1,000.00 - £1,500.00

Lot: 676 A mahogany centre table of mid 18th century design, by S & H Lot: 684 Jewell. 131-2 High Holborn, WC1, the top with re entrant A Victorian blonde oak gothic library chair, trefoil carved arched corners and carved with ribbons and rosettes, the frieze centred back, green leather upholstered, on ceramic casters 108 x by a foliate clasp on foliate carved cabriole legs and hairy claw 48cm (42 x 19in). Expected wear and marks to the show wood and ball feet Note: Christie's sale, Distillers, October 1997 77 x Estimate: £200.00 - £400.00 115 x 76cm (30 x 45 x 30in). Faded, but otherwise in good condition, with ivorine makers label to the underside Estimate: £1,000.00 - £1,500.00 Lot: 685 A 19th century mahogany library bergere, circa 1880 loose cushion squab seat, on turned legs and casters 94 x 53cm (37 Lot: 677 x 21in). Cane seat beginning to fail A George III oak dresser, raised plate rack above an enclosed Estimate: £200.00 - £400.00 base with small drawers flanked by cupboards, on bracket feet 190 x 140 x 50cm (74 x 55 x 20in). Expected wear, and marks Estimate: £1,000.00 - £2,000.00 Lot: 686 A George IV mahogany library bergere, loose cushion squab seat, on gadroon moulded legs and brass casters 94 x 60cm Lot: 678 (37 x 23in). Repair to seat frame A George III style mahogany console table, 19th century with a Estimate: £400.00 - £600.00 faux marble top, flame figured veneer frieze, shaped leg brackets and on tapering square legs with satinwood stringing and block feet 77 x 152 x 75cm (30 x 59 x 29in). There are no Lot: 687 apparent damages A Regency mahogany Butler's tray, three quarter gallery with Estimate: £300.00 - £600.00 pierced handles on a folding stand 66 x 51cm (26 x 20in). Small loss to the low gallery at one end Estimate: £200.00 - £400.00 Lot: 679 A set of four William IV rosewood dining chairs, scroll carved backs in sabre legs with lion paw carved feet 85 x 46cm (33 x Lot: 688 18in) (4) 85 x 46cm (33 x 18in). These chairs have been A Hepplewhite period mahogany framed leather tub chair, repolished and the frames are sound brass studded border decoration and scroll carved arm Estimate: £300.00 - £400.00 terminals, squab seat cushion on square tapering legs 95 x 54cm (37 x 21in). The frame is sound and the leather is not holed Lot: 680 Estimate: £700.00 - £1,000.00 A Regency gilt frame overmantle mirror, the frame decorated with a ball moulded frieze and corinthian column moulded sides 86 x 164 x 16cm (34 x 64 x 6in). One small square moulding Lot: 689 lost from the base of one column A Sheraton mahogany dressing table mirror, shield shape Estimate: £200.00 - £400.00 mirror with a bow front base fitted three drawers, on ogee bracket feet 62 x 44 x 21cm (24 x 17 x 8in). No damages, expected marks and wear Lot: 681 Estimate: £150.00 - £200.00 A late Regency gilt framed convex mirror, with eagle cresting and foliate carved apron 92cm (36in). An old crack and small loss to the cresting Lot: 690 Estimate: £300.00 - £600.00 A Regency mahogany side table, fitted two small drawers, on slender ring turned legs 76 x 99 x 53cm (30 x 39 x 21in). Faint ring marks and some smaller stains, but basically sound Lot: 682 Estimate: £200.00 - £400.00

22 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com

Lot: 691 Lot: 697 A Pair of mahogany pedestals - mid 19th century each with A pair of Ceylonese ebony pedestal tables, hexagonal tops pagoda tops with open column tier below and enclosed panel inset with satinwood panels, on twist carved columns and five bases, applied border moulding, on plinth bases 92 x 44cm (36 scroll carved legs 67 x 49cm (26 x 19in) (2) 67 x 49cm (26 x x 17in) (2) 92 x 44cm (36 x 17in). Provenance: Shillington Bury, 19in). One table top has a split Hertfordshire, and by descent, believed to have been made by Estimate: £1,500.00 - £2,500.00 a Mr G Moose of Tottenham Court Road, London, who worked for John Loughborough Pearson, the Victorian architect . One pedestal is coming unglued at the joints and the polish surfaces Lot: 698 are poor. Losses of applied mouldings to the side panels A Regency mahogany library bergere, caned back, sides and Estimate: £700.00 - £1,000.00 seat with red buttoned leather cushions, on tapering square legs and casters 89 x 54cm (35 x 21in). One small hole in the back cane panel, expected wear to the mahogany frame The Lot: 692 total internal width of the seat; ie. between the sides is 54cm An early 19th Century mahogany bergere chair, the arms with The seat cushions are newly covered in red leather gadrooned support moulding and on gadroon legs 101 x 60cm Estimate: £400.00 - £600.00 (39 x 23in). Considered to be Colonial, seat cane has an old repair where it joins the side rail General wear and marks Estimate: £400.00 - £800.00 Lot: 699 A George IV mahogany writing table, with dark claret leather lined top, fitted end drawers on turned legs and brass casters Lot: 693 72 x 110 x 90cm (28 x 43 x 35in). Recently re lined leather top A Regency rosewood pedestal breakfast table, rectangular top Estimate: £500.00 - £700.00 with brass line inlaid decoration, on leaf carved hipped and swept legs with brass paw casters 75 x 110 x 145cm (29 x 43 x 57in). A barn find and generally dirty but sound, one bearer is Lot: 700 mising from the underside of the top There is a ring mark from A late Regency mahogany library table, standard end supports something hot and small sections of veneer loss from the with lapit moulded decoration 77 x 90 x 56cm (30 x 35 x 22in). border. There are no splits in the top and only one very small One section of corner moulding loss piece of brass inlay that has lifted Estimate: £400.00 - £800.00 Estimate: £500.00 - £1,000.00

Lot: 701 Lot: 694 A George III Hepplewhite mahogany serpentine commode, A Regency rosewood circular breakfast table, on a triform circa 1790, in the French taste, fitted three long drawers, column base and carved wood lion paw feet 81 x 138cm (32 x serpentine corners and swept feet 92 x 122 x 55cm (36 x 48 x 54in). A barn find and generally dirty but sound one section of 21in). Literature: Note: Pictorial Dictionary of British 18th frieze border beading is off, but is present No evidence of worm century Furniture Design, plate 10, figure 4, page 185, a plate damage Feet are knocked, but not repaired or showing any from Hepplewhite's ''The Cabinet-Maker's London book of major losses All egg moulding is present to the base prices', 1st edition 1788 A very original piece with a few minor Estimate: £500.00 - £1,000.00 veneer losses between the drawers and handle changes Estimate: £2,000.00 - £4,000.00 Lot: 695 A Regency mahogany bow front press, greek key moulded Lot: 702 decoration, enclosing slides, above two small and two long A pair of Regency parcel gilt elbow dining chairs, greek key drawers, ivory escutcheon, brass handles, on swept bracket decorated bar backs, cane seats on sabre legs 84 x 46cm (33 x feet 228 x 127 x 61cm (89 x 50 x 24in). Slightly faded, but 18in). Later cane seats, one damaged, loose surface paint and complete with slides The doors remain true with no warping, gilt handles are loose and may well have replaced turned wood Estimate: £400.00 - £600.00 handles. There is one section os moulding loss and cock beading from the lower drawer as well as a small split in the drawer front. some veneer losses to the bracket feet and a veneer chip to one side Lot: 703 A Regency mahogany press, circa 1820 architectural pediment Estimate: £600.00 - £800.00 , fitted slides enclosed by panel doors, above two long drawers and on swept bracket feet 189 x 120 x 53cm (74 x 47 x 21in). Generally sound Lot: 696 Estimate: £400.00 - £800.00 A George IV mahogany secretaire bookcase, with astragal glazed doors to the top, above a fitted writing drawer with neo classical inlaid cupboard and letter columns, above three further long drawers, ivory escutcheon and swept bracket feet Lot: 704 A George IV rosewood library table, circa 1820 inset gilt tooled 217 x 110 x 57cm (85 x 43 x 22in). The feet have been reduced leather top, fitted two frieze drawers on standard end supports and there are some small veneer losses and applied scroll mouldings 72 x 120 x 64cm (28 x 47 x 25in). Estimate: £250.00 - £350.00 The condition is good Estimate: £400.00 - £800.00

23 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com

Lot: 705 Lot: 714 A Regency mahogany breakfast table, flame figured mirrored A William IV mahogany cellarette of sarcophagus form, lacking veneers, on hipped and swept legs 72 x 123cm (28 x 48in). The liner, Bramah lock, on heavy splayed feet 53 x 82 x 52cm (21 x condition is good 32 x 20in). Split timber and one hinge fixing Estimate: £1,000.00 - £1,500.00 Estimate: £300.00 - £600.00

Lot: 706 Lot: 715 A Victorian gilt wood large overmantle mirror, with repeating A painted ironwork club fender, with upholstered seat rail 240 x leaf and leaf moulded frame, lacking wreath cresting 193 x 57cm (94 x 22in). Condition is good 156cm (75 x 61in). Part of the wreath cresting has been lost Estimate: £300.00 - £500.00 Estimate: £800.00 - £1,200.00

Lot: 716 Lot: 707 A pair of Thebes Stools, 20th century string seats to a A Monumental marble refectory table, inset pink marble traditional design 39 x 38cm (15.25 x 15in) (2) 39 x 38cm (15 x reserves on standard end supports and united by a brass rail 15in). The condition is good stretcher 73 x 92 x 197cm (28 x 36 x 77in). There is some Estimate: £100.00 - £200.00 staining in the marble by the stretcher fixings Estimate: £1,000.00 - £1,500.00 Lot: 717 A pair of 19th century continental gilt framed girandole, the Lot: 708 cartouche outline frames with single branch iron work candle A Venetian carved wood and silvered frame easel mirror, 81 x holders and foliate scroll moulded crestings 80 x 41cm (31 x 54cm (32 x 21in). Expected wear, no apparent losses 16in) (2) 80 x 41cm (31 x 16in). One with some refixed cresting Estimate: £150.00 - £200.00 and degredation to the mirror plate Estimate: £200.00 - £400.00

Lot: 709 An Italian alabaster and gilt wood framed wall mirror, column Lot: 718 moulded sides 98 x 74cm (38 x 29in). No apparent damages, A Black Forest lime wood hall stand, carved as a tree with a but degredation to the mirror plate standing Bear and climbing cub aloft 220cm (86in). The Estimate: £300.00 - £400.00 condition is good Estimate: £1,500.00 - £2,500.00

Lot: 710 An Edwardian mahogany partner's pedestal desk, with red Lot: 719 leather lined top, fitted drawers on a plinth base 72 x 137 x A pair of French neo-gothic walnut chairs, late 19th century 90cm (28 x 53 x 35in). Wear to the top and kneehole, but signed Aimour. The condition is good basically sound Estimate: £300.00 - £500.00 Estimate: £800.00 - £1,200.00

Lot: 720 Lot: 711 An early 19th Century mahogany dining table, with central drop A large five fold painted leather screen, decorated with fifteen leaf section and two D-ends extending to accommodate two fÃªte champÃªtre to a brass nailed border 211 x 270cm (82 x additional leaves - variations in leg style to the central section. 105in). Old repairs to the leather, 72 x 137 x 497cm (28 x 53 x 194in). The condition is good Estimate: £5,000.00 - £7,000.00 Estimate: £2,000.00 - £4,000.00

Lot: 712 Lot: 721 A late 19th century walnut pedestal partners desk, in the Gothic A mid Victorian burr oak pedestal desk , stamped A.Bain, revival taste, leather lined, one end overhung with carved lion Liverpool, with three quarter rounded corners, barley twist mask brackets, canted corners and quatrefoil carved frieze, on column sides and breakfront centre, applied mouldings to the pedestals with linenfold panels and drawers, on plinth bases 75 panel doors enclosing drawers, on a plinth base - some x 155 x 107cm (29 x 60 x 42in). Sound and the leather with only damages 76 x 163 x 63cm (30 x 64 x 25in). Restoration is small marks required Estimate: £1,000.00 - £2,000.00 Estimate: £1,000.00 - £2,000.00

Lot: 713 Lot: 722 An oval gilt framed mirror, neo classical urn and swag cresting A Napoleon III, second French Empire mahogany bureau a 100 x 100cm (39 x 39in). One cresting slightly bent forward cylindre, circa 1860 grey marble top above a raised bank of Estimate: £200.00 - £400.00 three drawers, fitted interior of small drawers and compartments, drawer out leather lined writing surface, end slides, above five further small drawers and on turned tapering

24 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com legs, ormolu mounts and escutcheon, on brass casters 115 x Lot: 735 127 x 65cm (45 x 50 x 25in). Loose ormolu mounts, but all A Sultanabad carpet, late 19th century 555 x 413cm (216 x present and otherwise sound 161in). The carpet has been 'cut and Shut' with seams to the Estimate: £1,500.00 - £2,000.00 borders. Some areas of low pile, old moth damage and the shadow of stain to right hand corner Estimate: £3,000.00 - £4,000.00 Lot: 723 A large brass hexagonal hall lantern, 20th century fitted internally with six lights 70cm (27in). There is no apparent Lot: 736 damage A Soumak rug, early 20th century 207 x 324cm (81 x 126in). Estimate: £300.00 - £600.00 Weak structure, probably from sun degredation, with some failed warps and wefts Estimate: £200.00 - £400.00 Lot: 724 A Continental leaded glass 'globe' ceiling light, 19th century 40cm (16in). Lot: 737 Estimate: £100.00 - £200.00 A Saruok rug 141 x 193cm (55 x 75in). End border losses and colour dye variations Estimate: £1,500.00 - £2,500.00 Lot: 725 An 18th century style brass six light chandelier, decorated with applied swags and leaf cast branches 60cm (23in). Lot: 738 Estimate: £150.00 - £250.00 A Serabend Rug, decorated with repeated boteh motif on a brick red ground 135 x 213cm (53 x 83in). The condition is considered to be good, with even wear to the pile and though Lot: 726 slightly faded, the colours remain strong A brass hexagonal lantern, 20th century 72cm (28in). Estimate: £1,000.00 - £1,500.00 Estimate: £200.00 - £300.00

Lot: 739 Lot: 729 A Kazak rug 200 x 140cm (78 x 55in). End border losses and A Persian Meshed rug 345 x 290cm (135 x 113in). Good colour one area of pile loss following a crease line and no apparant stains Estimate: £600.00 - £800.00 Estimate: £400.00 - £600.00

Lot: 740 Lot: 730 A Shirvan akstasa runner, decorated with stylised birds to a A Caucasian wool runner, 505 x 105cm (197 x 41in). Pile levels blue and red geometric repeated pattern 288 x 120cm (112 x are good and colours remain strong 47in). Slightly faded, even wear to the pile and with evidence of Estimate: £200.00 - £400.00 minor repairs, but no border losses Estimate: £1,000.00 - £1,500.00 Lot: 731 A Kashan rug, 140 x 212cm (55 x 83in). Low pile levels and Lot: 741 faded colours A Serabend Runner, repeated boteh decoration on a yellow Estimate: £200.00 - £400.00 ground 126 x 301.45cm (49 x 118in). Variations in dye, and even overall wear to the pile Estimate: £1,200.00 - £1,800.00 Lot: 732 A Caucasian Daghestan prayer rug, 140 x 100cm (55 x 39in). Slightly faded with even overall pile levels. Lot: 742 Estimate: £200.00 - £400.00 A Shirvan runner 103 x 275cm (40 x 107in). Low pile in black dye areas Estimate: £800.00 - £1,200.00 Lot: 733 Four Yomut tent band panels, One complete length and three reduced sections (4) 151cm x 30cm (59.5in x 12in) (2) 158cm Lot: 743 x 30cm (62in x 12in) 230cm X 30cm (90.5in x 12in). The A Heriz carpet 379 x 284 x 284cm (148 x 111 x 111in). The condition of the sections of the band is good colours remain strong, expected wear, but good levels of pile Estimate: £200.00 - £400.00 remain Estimate: £600.00 - £1,000.00 Lot: 734 A Caucasian rug 114 x 175cm (44 x 68in). Dye variations and Lot: 744 low piles, but even A Sarouk rug 345 x 276cm (135 x 108in). Coloyurs remain Estimate: £200.00 - £400.00 strong and pile levels are good and even.

25 of 26 Cheffins (The Fine Art Sale - Day Two) Catalogue - Downloaded from UKAuctioneers.com

Estimate: £500.00 - £800.00

Lot: 745 An Isfahan carpet, 376 x 260cm (147 x 101in). Excellent condition with good levels of pile and bright colours Estimate: £300.00 - £600.00

Lot: 746 A Tekke Turkoman prayer rug 131 x 92cm (51 x 36in). Clean with muted colours and expected wear Estimate: £100.00 - £200.00

Lot: 747 A Kashan carpet 391 x 297cm (152 x 116in). The pile levels are good and colours strong Estimate: £250.00 - £350.00

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