Jonathan Strange & Mr Norrell, the Magic of Sociality, and Radical Fantasy
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PARSEC Meeting Schedule Geis on R.O.D. Davin on Popularity Ferrier on Books
PARSEC Meeting Schedule April 2005 Date: April 9th 2005 - 2 PM Topic: Dr. Eric Davin presents "WEIRD SISTERS: Women and Weird Tales Magazine, 1923-1954." Location: Allegheny Branch of Carnegie Library The Newsletter of PARSEC • April 2005 • Issue 229 May 2005 Geis on R.O.D. Ferrier on Books Date: May 14th 2005 - 2 PM Topic: TBA Davin on Popularity Location: TBA SIGMA June 2005 Date: June 11th 2005 - 2 PM Topic: TBA Location: TBA The Carnegie Library. Allegheny Regional is approximately 1 mile north of Downtown Pittsburgh. Situated in Allegheny Center in the Central North Side neighborhood, Allegheny Regional lies just behind Allegheny Center immediately beside the old Buhl Planetarium. For Directions please refer to the Parsec web site: http://www.parsec-sff.org/meet.html PARSEC The Pittsburgh Area’s Premiere Science-Fiction Organization P.O. Box 3681, Pittsburgh, PA 15230-3681 President - Kevin Geiselman Vice President - Sarah Wade-Smith Treasurer - Greg Armstrong Secretary - Joan Fisher Commentator - Ann Cecil Website: http://www.parsec-sff.org Meetings - Second Saturday of every month. Dues: $10 full member, $2 Supporting member Sigma is edited by David Brody Send article submissions to: [email protected] View From the Top Filk News The President’s Column - Kevin Geiselman Randy Hoffman will be performing in the Acoustic Last week I received a call from CMU concerning Songwriters Showcase at the Starlite Lounge in Blawnox on the a help desk job. Hoody-hoo! An opportunity to leave evening of Saturday, May 7. the underpaid, dead-end job I happen to be in right Confluence regular Pete Grubbs will be one of the acts per- now. -
Fantasy & Science Fiction
Alphabetical list of Authors Clonmel Library Douglas Adams Kazuo Ishiguro Clonmel Library Issac Asimov PD James Ray Bradbury Robert Jordan Terry Brooks Kate Jacoby RecommendedRecommended Trudi Canavan Ursala K. Le Guin Arthur C Clarke George Orwell Susanna Clarke Anne McCaffery ReadingReading Philip K. Dick George RR Martin David Eddings Mervyn Peake Raymond E. Feist Terry Pratchett American Gods Philip Pullman Neil Gaiman Brandon Sanderson David Gemmell JRR Tolkein Terry Goodkind Jules Verne Robert A. HeinLein Kurt Vonnegut FantasyFantasy && Frank Herbert T.H. White Robin Hobb Aldous Huxley Clonmel Library ScienceScience FictionFiction Opening Hours & Contact Details Monday: 9.30 am – 5.30 pm Tuesday: 9.30 am – 5.30 pm Wednesday: 9.30 am – 8.00 pm Thursday: 9.30 am – 5.30 pm Friday: 9.30 am – 1pm & 2pm - 5pm Saturday: 10.00 am – 1pm & 2pm-5pm Phone: (052) 6124545 E-Mail: [email protected] Website: www.tipperarylibraries.ie/clonmel 11 Twenty Thousand Leagues Under the Sea AnAn IntroductionIntroduction Jules Verne First published 1869 toto FantasyFantasy French naturalist Dr. Aronnax embarks on an expedition to hunt down a sea monster, only to discover instead the && ScienceScience FictionFiction Nautilus, a remarkable submarine built by the enigmatic Captain Nemo. Together Nemo and Aronnax explore the antasy is a genre that uses magic and other supernatural forms underwater marvels, undergo a transcendent experience as a primary element of plot, theme, and/or setting. Fantasy is amongst the ruins of Atlantis, and plant a -
Magical Objects in Victorian Literature: Enchantment, Narrative Imagination, and the Power of Things
Magical Objects in Victorian Literature: Enchantment, Narrative Imagination, and the Power of Things By Dan Fang Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2015 Nashville, Tennessee Approved: Jay Clayton, Ph.D. Rachel Teukolsky, Ph.D. Jonathan Lamb, Ph.D. Carolyn Dever, Ph.D. Elaine Freedgood, Ph.D. For lao-ye, who taught me how to learn ACKNOWLEDGMENTS This dissertation would not have been possible without the Martha Rivers Ingram Fellowship, which funded my last year of dissertation writing. My thanks go to Mark Wollaeger, Dana Nelson, the English Department, and the Graduates School for the Fellowship and other generous grants. My ideas were shaped by each and every professor with whom I have ever taken a class—in particular, Jonathan Lamb who was a large part of the inception of a project about things and who remained an unending font of knowledge through its completion. I want to thank Carolyn Dever for making me reflect upon my writing process and my mental state, not just the words on the page, and Elaine Freedgood for being an amazingly generous reader who never gave up on pushing me to be more rigorous. Most of all, my gratitude goes to Rachel Teukolsky and Jay Clayton for being the best dissertation directors I could ever imagine having. Rachel has molded both my arguments and my prose from the very first piece on Aladdin’s lamp, in addition to providing thoughtful advice about the experience of being in graduate school and beyond. -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
February 2021
F e b r u a r y 2 0 2 1 V o l u m e 1 2 I s s u e 2 BETWEEN THE PAGES Huntsville Public Library Monthly Newsletter Learn a New Language with the Pronunciator App! BY JOSH SABO, IT SERVICES COORDINATOR According to Business Insider, 80% of people fail to keep their New Year’s resolutions by the second week in February. If you are one of the lucky few who make it further, congratulations! However, if you are like most of us who have already lost the battle of self-improvement, do not fret! Learning a new language is an excellent way to fulfill your resolution. The Huntsville Public Library offers free access to a language learning tool called Pronunciator! The app offers courses for over 163 different languages and users can personalize it to fit their needs. There are several different daily lessons, a main course, and learning guides. It's very user-friendly and can be accessed at the library or from home on any device with an internet connection. Here's how: 1) Go to www.myhuntsvillelibrary.com and scroll down to near the bottom of the homepage. Click the Pronunciator link below the Pronunciator icon. 2) Next, you can either register for an account to track your progress or simply click ‘instant access’ to use Pronunciator without saving or tracking your progress. 3) If you want to register an account, enter a valid email address to use as your username. 1219 13th Street Then choose a password. Huntsville, TX 77340 @huntsvillelib (936) 291-5472 4) Now you can access Pronunciator! Monday-Friday Huntsville_Public_Library 10 a.m. -
Reception and Adaptation: Magic Tricks, Mysteries, Con Games
Reception and Adaptation: Magic Tricks, Mysteries, Con Games by Joseph Daniel Culpepper A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Comparative Literature University of Toronto © Copyright by Joseph Daniel Culpepper 2014 Reception and Adaptation: Magic Tricks, Mysteries, Con Games Joseph Daniel Culpepper Doctor of Philosophy Centre for Comparative Literature University of Toronto 2014 Abstract This study of the reception and adaptation of magic tricks, murder mysteries, and con games calls for magic adaptations that create critical imaginative geographies (Said) and writerly (Barthes) spectators. Its argument begins in the cave of the magician, Alicandre, where a mystical incantation is heard: "Not in this life, but in the next." These words, and the scene from which they come in Tony Kushner's The Illusion, provide the guiding metaphor for the conceptual journey of this dissertation: the process of reincarnation. The first chapter investigates the deaths of powerful concepts in reader-response theory, rediscovers their existence in other fields such as speech-act theory, and then applies them in modified forms to the emergent field of performance studies. Chapter two analyzes the author as a magician who employs principles of deception by reading vertiginous short stories written by Jorge Luis Borges. I argue that his techniques for manipulating the willing suspension of disbelief (Coleridge) and for creating ineffable oggetti mediatori (impossible objects of proof) suggest that fantastic literature (not magical realism) is the nearest literary equivalent to experiencing magic performed live. With this Borgesian quality of magic's reality-slippage in mind, cross-cultural and cross-media comparisons of murder mysteries and con games are made in chapter three. -
Rare Posters
Public Auction #009 Rare Posters Conjuring, Circus, and Allied Arts For sale at public auction March 26 2011 at 11:00 am Exhibition March 22 - 25 Potter & Potter Auctions, Inc. 3729 N. Ravenswood Ave. -Suite 116- Chicago, IL 60613 Thank you for downloading the digital edition of this catalog. Hard copies can be purhased at our website, www.potterauctions.com. To view detailed, color images of each lot and to place bids online for items in this catalog, please visit our partner website, www.liveauctioneers.com. Introduction Magic is the oldest of the theatrical arts. Its earliest origins was frequently shown with diminutive red devils or imps were in Shamanism and the priesthood. By the time of ancient perched on his shoulder or whispering (presumably arcane Egypt, clever conjurors were using many of the same tricks secrets) in his ear. Some of these portraits include a background performed by magicians today to convince the masses of their which suggests that the person pictured is a magician or the supernatural power. In the thousands of years since its earliest portrait itself is stylized in such a manner as to suggest that recorded beginnings, magic moved from the temples of ancient the person is a mystery worker or, at the very least, an exotic times to the street corners and fairs of the Middle Ages, then personality. Notable in this regard are the portrait lithographs into taverns and drawing rooms and, finally, onto the stage and of Chung Ling Soo, Alexander, and Cater. Also in this category television. are some posters which only vaguely suggest an illusion being When the art of conjuring split from its religious and performed, such as the poster for The Great Rameses. -
Akata Witch and Akata Warrior by Nnedi Okorafor
MALIBU HIGH SCHOOL – ENGLISH DEPARTMENT SUMMER READING SUGGESTIONS (SUMMER OF 2020) Considering the unique circumstances we find ourselves in during these challenging times, English teachers did not see a viable way to address all of our students’ needs in the usual manner in terms of summer reading assignments. That being said, this summer there will be no formal reading assignments and these “suggestions” will not be tied to any academic grade or assignment when we get back to school in the fall. Instead, we encourage students to explore these purely optional selections as selected with thought and care by the individual teachers in our department. We release these suggestions in good faith and hope that our academic community might benefit in the joy of reading. - READ ON! - The Malibu High School English Department Bonnie Thoreson Summer Reading Recommendations Akata Witch and Akata Warrior by Nnedi Okorafor. I recently discovered Okorafor, a Nigerian-American fantasy and science fiction author, and I LOVE her writing. The Akata Witch series (she is currently writing the third book) features a 12 year old girl whose sense of not fitting in is turned on its head when she discovers a parallel magical world in which one’s supposed disabilities are actually the source of personal power. If you love Harry Potter, these books pose a very interesting contrast to Rowling’s magical universe. His Majesty’s Dragon (Temeraire series) by Naomi Novik. These books reimagine the Napoleonic wars with dragons as the airforce. The dragon Temeraire is extremely intelligent, stubborn and fiercely bonded to his human companion. -
The Christian Mythology of CS Lewis and JRR Tolkien
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects 2010 Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien Laura Anne Hess Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Philosophy Commons, and the Religion Commons Recommended Citation Hess, Laura Anne, "Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien" (2010). Honors College Capstone Experience/Thesis Projects. Paper 237. http://digitalcommons.wku.edu/stu_hon_theses/237 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Copyright by Laura Ann Hess 2010 ABSTRACT The purpose of this thesis is to analyze how C.S. Lewis and J.R.R. Tolkien created mythology that is fundamentally Christian but in vastly different ways. This task will be accomplished by examining the childhood and early adult life of both Lewis and Tolkien, as well as the effect their close friendship had on their writing, and by performing a detailed literary analysis of some of their mythological works. After an introduction, the second and third chapters will scrutinize the elements of their childhood and adolescence that shaped their later mythology. The next chapter will look at the importance of their Christian faith in their writing process, with special attention to Tolkien’s writing philosophy as explained in “On Fairy-Stories.” The fifth chapter analyzes the effect that Lewis and Tolkien’s friendship had on their writing, in conjunction with the effect of their literary club, the Inklings. -
Retold Stories Book Suggestions
Online Anytime Book Club: July 2018 Retold Stories Book Suggestions Well-known stories retold with a twist, such as fairy tale retellings, alternate histories, and adaptations of famous books TWICE-TOLD TALES (adaptations of famous FAIRY TALE RETELLINGS ALTERNATE HISTORIES books) • Bitter Greens by Kate Forsyth: retelling of Rapunzel set in • And I Darken by Kiersten White: imagines Vlad Tepes • Wide Sargasso Sea by Jean Rhys: a prequel to the novel Renaissance Italy [FIC Forsyth, Kate] (the real-life inspiration for Count Dracula) as a teenage Jane Eyre, told from the perspective of Mr. Rochester’s girl [YA White, Kiersten] first wife Bertha [ADULT CLASSIC FIC Rhys, Jean] • Unbury Carol by Josh Malerman: horror/western retelling of Sleeping Beauty [NEW FIC Malerman, • The Man in the High Castle by Philip K. Dick: what if the • Nelly Dean: A Return to Wuthering Heights by Alison Josh] Nazis won WWII? [ADULT CLASSIC FIC Dick, Philip] Case: Wuthering Heights told from the perspective of Cathy and Heathcliff’s maid Nelly Dean [FIC Case, • Mirror, Mirror by Gregory Maguire: retelling of Snow • The Yiddish Policeman’s Union by Michael Chabon: Alison] White [FIC Maguire, Gregory] imagines what the present-day would be like if the US created a colony in Alaska to save Jews from the • Pride and Prejudice and Zombies by Seth Grahame- • Boy, Snow, Bird by Helen Oyeyemi: literary retelling of Holocaust [FIC Chabon, Michael] Smith: Pride and Prejudice—but with zombies [FIC Snow White [FIC Oyeyemi, Helen] Grahame-Smith, Seth] • Jonathan Strange & -
A Study on Susanna Clarke's Jonathan Strange & Mr Norrell
Function of Footnotes: A Study on Susanna Clarke’s Jonathan Strange & Mr Norrell Liisa Lehtiö Pro Gradu thesis University of Tampere English Philology Spring 2008 Tampereen yliopisto Englantilainen filologia Kielitieteiden laitos LEHTIÖ, LIISA: Function of Footnotes – A Study on Susanna Clarke’s Jonathan Strange & Mr Norrell. Pro gradu –tutkielma, 79 sivua Toukokuu 2008 TIIVISTELMÄ Tutkielmani aiheena on alaviitteiden merkitys kerronnassa Susanna Clarken romaanissa Jonathan Strange & Mr Norrell . Tutkittavana oli pääasiassa alaviitteiden rooli: mitä tarkoitusta ne kirjassa palvelevat, kuinka ne voidaan luokitella ja lisäävätkö ne tarinan kerrontaan enemmän todellisuudentuntua vai sadunomaisuutta. Romaanin lajia määriteltäessä on pohdittu myös postmodernismin ja fantasian käsitteitä. Tutkimuksen alkuvaiheessa piti ensimmäiseksi pohtia, pitäisikö alaviitteitä ylipäänsä yrittää luokitella, erityisesti ottaen huomioon Clarken lähes kaksisataa erityylistä ja monilajista alaviitettä, joilla kaikilla oli vaihteleva merkitys tarinankerronnassa. Fiktion ja faktan jaottelua on myös tarkasteltu muun muassa Borgesin ja Pynchonin teorioiden valossa. Alaviitteiden luokittelussa on tässä tutkielmassa käytetty postmodernismin, fabuloinnin, metafiktion ja historiografian käsitteitä. Terminologian valinta oli paikoin ongelmallista, joten tutkielmani tarpeisiin on käytetty Hutcheonin ajatuksia postmodernista, Scholesin käsitystä fabuloinnista, Waugh’n metafiktion käsitettä sekä Graftonin määretelmää historiografiasta. Olen lisäksi käyttänyt Genetten intertekstuaalisuuden