J]Crj)TIJIRNAJ1 • C())IF TJEJE • ~~~ All]]) ~({J)(Ciiiety
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Final Thesis
UNIVERSITY OF WINCHESTER Narrative, Object, Witness: The Story of the Holocaust as Told by the Imperial War Museum, London Emily-Jayne Stiles Doctor of Philosophy May 2016 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester Declaration No portion of the work referred to in the Thesis has been submitted in support of an application for another degree or qualification of this or any other university of institute of learning. I confirm that this Thesis is entirely my own work. Copyright © 2016 Emily-Jayne Stiles This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. Copies (by any process) either in full, or of extracts, may be made only in accordance with instructions given by the author. Details may be obtained from the RKE Centre, University of Winchester. This page must form part of any such copies made. Further copies (by any process) of copies made in accordance with such instructions may not be made without the permission (in writing) of the author. No profit may be made from selling, copying or licensing the author’s work without further agreement. 1 Acknowledgements The research presented within this thesis is indebted to a number of people who have offered practical, emotional and academic support and advice throughout the process. Firstly I acknowledge the recent passing of Professor David Cesarani, whose tireless efforts in dislodging the Holocaust from the confines of academia have provided both source and inspiration for this study on public engagement with Holocaust narratives in Britain. -
MS 311/1 A993 Small Jewish and Interfaith Collections
1 MS 311/1 A993 Small Jewish and interfaith collections: Hackney Boys' Club bulletin Bound volume of copies of The Tower News: a bulletin issued by the Hackney Boys' Club, Jan-Dec 1944, edited by Harold Newblatt. The volume is inscribed with the message `Presented to Sergeant Marcus Carr: this bound copy of the news sheets for 1944 completed my third successive year as editor, Harold Newblatt' 2 MS 311/2 A995 Small Jewish and interfaith collections: order of service Order of service of thanksgiving following the admission of the Right Honourable the Lord Mayor Lord Levene of Portsoken at the Spanish and Portuguese Synagogue, Bevis Marks, London, 13 Nov 1998 3 MS 311/3 A996 Small Jewish and interfaith collections: photograph album Album of black and white photographs of Bergen-Belsen concentration camp, including the work of Red Cross personnel, of mass graves and of child survivors; entry pass for the camp 4 MS 311/4 A1004 Small Jewish and interfaith collections: London Conference on Nazi Gold Conference papers of the London Conference on Nazi Gold, Lancaster House, London, 2-4 Dec 1997 5 MS 311/5 A1005 Small Jewish and interfaith collections: photograph Photograph of the front of West Hartlepool Synagogue 6 MS 311/6 A1006 Small Jewish and interfaith collections: First Lodge of England of the B'nai B'rith The intellectual level of Anglo-Jewish life: being papers read before an open meeting by the First Lodge of England of the Independent Order of B'nai B'rith, 15 Jan 1928 7 MS 311/7 A1007 Small Jewish and interfaith collections: letter -
Looking Back on 1999
AJ R In Jo rma tio n Volume LIV No. 12 December 1999 £3 (to non-members) King-sized burgher Looking back on 1999 ayors of s end-of-decade years go the current one rent German legislation). capital compares in importance with 1989, which The Anglo-American complement to Holocaust M cities often ,saw the collapse of the Berlin wall and the denial is isolationist revisionism. This school of send out messages A end of the Cold War. 1999 in its turn witnessed the 'thought' contends that since Hitler had no hostile that resonate expiry of the convention according to which a designs on Britain or America, Churchill and beyond municipal government's ill-treatment of its own subjects was Roosevelt alike were warmongers who dragged boundaries. The viewed as legitimate exercise of national sovereignty. their respective countries into a ruinous conflict in antisemitic Kosovo and East Timor (in their different ways) which no vital national interest was at stake. Burgomaster exemplify the cost of enforcing the startlingly new In the UK isolationist revisionists like AN Wilson Lueger, darling of notion that universal human rights override national and Prof. J Charmley disseminate their toxin from the Viennese, governments' scope for villainy within the territory the citadels of Canary Wharf and the groves of aca undermined under their jurisdiction. Decisive UN action in Timor deme. Their US counterpart, Pat Buchanan, is Emperor Franz has already had a salutary knock-on effect on Indo considerably more upfront: he has taken to the hus Josefs humane nesia itself. By contrast NATO's earlier and tings with his America-first message yet again. -
Humor and the Holocaust in Australia
Making Out in Anne Frank’s Attic: Humor and the Holocaust in Australia David Slucki (COLLEGE OF CHARLESTON) Until the 1990s, the Holocaust did not feature prominently in Australian life. To be sure, Holocaust commemoration was a pressing concern within Australia’s Jewish communities, which had received a large influx of survivors in the late 1940s and 1950s, but it was largely an internal affair, conducted mainly in the Jewish communi- ties of Melbourne and Sydney. A number of factors brought the Holocaust into the wider public sphere in the 1990s, perhaps most importantly the exposure it received in the wake of Steven Spielberg’s acclaimed film, Schindler’s List (1993). Since then, it has become more salient in public discourse and in popular culture, with televi- sion, film, radio, and the popular press taking a keen interest in individual stories of survival. Along with this shift from marginality to center stage is the advent of Holocaust- related humor, ranging from the work of local Jewish comedians and artists to com- ments by the prime minister in the federal parliament. Since the 1990s, the use of humorous devices in artistic expression related to Holocaust memory has become a part, however minor, of Holocaust representation in the United States, Israel, and Europe. This essay will examine the growing body of Holocaust humor in Australian popular culture in the past1 decade and how it is produced, received, and ultimately regulated in various local media. By looking at case studies including television series, radio broadcasts, videos, and political cartoons, this essay will demonstrate that Holocaust humor and its reception tell us much about how the Holocaust is remembered—and misremembered—in Australian life. -
SEPTEMBER 2021 JOURNAL the Association of Jewish Refugees
VOLUME 21 NO.9 SEPTEMBER 2021 JOURNAL The Association of Jewish Refugees HAPPY NEW YEAR Every aspect of We wish all our readers Shana Tovah and well over the fast. May it be a good new year for you all. British life Because so many of the yom tovim fall on weekdays our regular Zoom The literary critic George Steiner once said, “When you come programme looks a little thinner this to a house as a guest, you must try and leave the house a little month but we are looking forward to seeing many of you during our nicer than you found it.” This mirrors the impact that Jewish very special online tea party on 12 Refugees have had on modern British culture, as this article September. during when we will be celebrating 80 years of the AJR. – the first in a four-part series that helps mark the AJR’s 80th anniversary year – explains. Meanwhile we have lots of interesting articles to keep you entertained and as always would welcome any feedback. News ............................................................ 3 80 Trees for 80 Years .................................... 4 Letter from Israel .......................................... 5 Letters to the Editor & Looking For ...........6-7 Art Notes...................................................... 8 The Gestapo's Who's Who of anti-Nazis ..... 9 Decades of Anglo-Austrian Co-operation .. 10 Major Museums revamp ............................ 11 Picture These .............................................. 12 The majestic Messels .................................. 13 The role of rescue organisations ................. 14 The secret Jewish commandos ................... 15 Reviews .................................................16-17 Obituaries .............................................18-19 Events ........................................................ 20 The 1960 film Saturday Night and Sunday Morning, directed by the Czech-born Karel Reisz, is widely acclaimed as one of the best films depicting Britain's 'Angry Young Men' Please note that the views expressed throughout this publication are not necessarily the views of the AJR. -
Communicating Witnesses to History As Didactic Tools
Chapter 5 Communicating Witnesses to History as Didactic Tools Figure 5.1. The mirror-image in one of the steles with video testimonies at the Museo Diffuso © Steffi de Jong The Visitor’s Mirror Image During one of my visits to the Museo Diffuso, I took a picture that shows a reflection of me in one of the steles with the video testimonies. Apart from myself, the stele also mirrors a sepia-brown photograph of a street view (see Figure 5.1). My head is not as well reflected as the rest of my "The Witness as Object" by Steffi de Jong is available open access under a CC BY-NC-ND 4.0 license. This edition is supported by Knowledge Unlatched. OA ISBN: 978-1-78533-644-7. Not for resale. 182 The Witness as Object body. It is at the height of the video testimony and it is covered by the head of the witness to history on the testimony. The picture illustrates the way in which the Museo Diffuso wishes its video testimonies to be received by visitors. The exhibition makers talk of a ‘morphing effect’ between the visitor and the witness to history (Bosi interview 2010). The term ‘morphing’ usually describes the digitally programmed changeover of one portrait into another, made famous by the video clip for the Michael Jackson song ‘Black or White’. In the Museo Diffuso the exhibition makers have tried to create an effect in which the visitors visually merge with the witnesses to history. When the visitors look into the mirror of the black stele, they see their body with a face that has partly become that of the witness to history. -
Acta Universitatis Carolinae Studia Territorialia Xi – 2008
ACTA UNIVERSITATIS CAROLINAE STUDIA TERRITORIALIA XI – 2008 ACTA UNIVERSITATIS CAROLINAE STUDIA TERRITORIALIA XI – 2008 Na zlomu dějin. Studie k německým a rakouským dějinám po roce 1945 SBORNÍK PRACÍ KATEDRY NĚMECKÝCH A RAKOUSKÝCH STUDIÍ IMS FSV UK UNIVERZITA KARLOVA V PRAZE NAKLADATELSTVÍ KAROLINUM 2009 Editor: PhDr. Jan Ryjáček, Ph.D. Recenzovali: PhDr. Ota Konrád, Ph.D. PhDr. Miroslav Kunštát, Ph.D. © Univerzita Karlova v Praze – Nakladatelství Karolinum, Praha 2009 ISSN 1213-4449 Obsah Editorial J AN RYJÁČEK ................................................................. 7 Denacifikační proces v Rakousku v prvním poválečném roce MARKÉTA NĚMCOVÁ ......................................................... 9 Mezi politikou a nezávislostí: vztahy Spolkového ústavního soudu a exekutivy v letech 1951–1957 PETR MLSNA .................................................................. 113 Odškodnění nuceně nasazených. Nucená práce pro německé hospodářství za 2. světové války a cesta k její kompenzaci: východiska – jednání – výsledky T OMÁŠ JELÍNEK .............................................................. 223 Autoři ............................................................................ 369 5 2008 ACTA UNIVERSITATIS CAROLINAE – PAG. 7–8 STUDIA TERRITORALIA XI EDITORIAL J AN RYJÁČEK Sborník „Na zlomu dějin. Studie k německým a rakouským dějinám po roce 1945“ shrnuje tři studie k dějinám Spolkové republiky Německo a Rakouska; tři studie různých autorů, zabývajících se různými problémy v různých časech. Společná jim je souvislost s rokem