PAUL LAFFOLEY (B
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POÉTICA VISIONÁRIA-PSICODÉLICA – Confrontações
POÉTICA VISIONÁRIA-PSICODÉLICA – ConfrontAÇÕES VISIONARY-PSYCHEDELIC POETICS – ConfrontACTIONS José Eliézer Mikosz / UNESPAR RESUMO Este trabalho traz uma retrospectiva sucinta de minha poética, aproveitando o mote das ConfrontAÇÕES, que se manifestou em meus trabalhos como forma contínua de “táticas de resistência”, tal como disposto na apresentação do tema no Edital de Abertura do 27º Encontro Nacional da ANPAP. Evidencio aqui uma busca por um imaginário e simbólico anterior ao meu ingresso na Faculdade de Belas Artes, os preconceitos encontrados nessa altura e, mais tarde, minha investigação das poéticas visionárias durante o doutoramento, concluindo com um retorno simbólico a esse imaginário anterior, através de uma pintura realizada no pós doutoramento em Lisboa, inspirado em um desenho meu realizado aos 15 anos de idade. PALAVRAS-CHAVE: poéticas visionárias; pintura; psicodélico; surrealismo; imaginário. ABSTRACT This paper presents a brief retrospective of my poetics, taking advantage of the motto of Confrontations, which manifested itself in my work as a continuous form of "resistance tactics", as set forth in the presentation of the theme in the Opening Announcement of the 27th ANPAP National Meeting. Here I seek a search for an imaginary and symbolic before my entrance to the Faculty of Fine Arts, the prejudices found at that time, and later, my investigation of the visionary poetics during the doctorate, concluding with a symbolic return to my previous imaginary, through a painting done in postdoctoral studies in Lisbon, inspired by a drawing of mine at the age of 15. KEYWORDS: visionary poetics; painting; psychedelic; surrealism; imaginary. Desde o doutoramento (2005-2009) busco realizar investigações interdisciplinares dentro da produção de representações visuais inspiradas em Estados Não Ordinários de Consciência (ENOC). -
Laffoley Boston Visionary Cell
PaulThe Boston Laffoley Visionary Cell 1 PaulThe Boston Laffoley Visionary Cell PaulThe Boston Laffoley Visionary Cell Prepared on the ocasion of the exhibition The Boston Visionary Cell January 4 — March 9 2013, at Kent Fine Art Copyright © 2012 Kent Fine Art LLC and Paul Laffoley KENT FINE ART LLC 210 Eleventh Avenue, New York, NY 10001 212.365.9500 | [email protected] All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer who may quote passages in a review. ISBN: 978-1-878607-29-4 Book design by Asja Gleeson Cover photograph by Abelardo Morell TEX TS BY PAUL LAFFOLEY EDITED BY JEANNE MARIE WASILIK 5 The Boston Visionary Cell (BVC), which is based upon the model of an artist’s guild, is a community-wide association composed of Neo-Platonic visual artists and additional non-artists, who come from a wide range of disciplines and professions and who collaborate with and act as consultants and adherents to the visual artists. The primary purpose of the BVC is to develop and advance visionary art for the sake of the appreciation of the local area, the world, and the universe. It is the belief of the BVC that visionary art, which traces its roots to the Neolithic cave paintings of Western Europe, is art of an eternal genre, which has elements of the sacred, the magical and the mystical woven into themes that are by their nature timeless, universal and transcendental. -
Psychedelic: Optical and Visionary Art Since the 1960S
Public Relations Office · 500 University Avenue · Rochester, NY 14607-1484 585.276.8900 · 585.473.6266 fax · mag.rochester.edu NEWS September 30, 2010 EXHIBITION FACT SHEET Title: Psychedelic: Optical and Visionary Art Since the 1960s When: October 17, 2010–January 2, 2011 Description: From Op Art in the 1960s to the current explosion of dazzling George Cisneros, Cascades of Jubilation, (1978/1986). abstraction, this nationally touring exhibition traces the development Video installation. Courtesy of a “psychedelic sensibility” in the art of the past 40 years. of the artist. Organized by the San Antonio Museum of Art, Psychedelic showcases figurative and abstract works characterized by intense color and vivid imagery. The artists include such modern masters as Frank Stella, Deborah Remington, Robert Williams, Fred Tomaselli, Victor Vasarely and Ray Rapp. Alex Rubio, Burro Land Credits: This exhibition is organized by the San Antonio Museum of Art with (1997). Mixed media on paper. Collection Henry generous support from SAMA Contemporaries, Jerry Gore, and the Toby Muñoz, San Antonio. Devan Lewis Philanthropic Fund of The Jewish Community Federation of Cleveland. In Rochester, it is made possible by Richard F. Brush, with additional support from the George D. and Freida B. Abraham Foundation, the Philipson Group, and ESL Federal Credit Union. Special events: These include an Exhibition Party (October 16), concert by Big Brother & The Holding Company (October 17); two lectures (October 28 and December 9), a collectors’ Show and Tell (November 14), and an Michael Velliquette, educators’ inservice (October 27). For details, see attached. Breakthrough (2007). Cut card stock and glue on paper. -
Inner Visions: Sacred Plants, Art and Spirituality
AM 9:31 2 12/10/14 2 224926_Covers_DEC10.indd INNER VISIONS: SACRED PLANTS, ART AND SPIRITUALITY Brauer Museum of Art • Valparaiso University Vision 12: Three Types of Sorcerers Gouache on paper, 12 x 16 inches. 1989 Pablo Amaringo 224926_Covers_DEC10.indd 3 12/10/14 9:31 AM 3 224926_Text_Dec12.indd 3 12/12/14 11:42 AM Inner Visions: Sacred Plants, Art and Spirituality • An Exhibition of Art Presented by the Brauer Museum • Curated by Luis Eduardo Luna 4 224926_Text.indd 4 12/9/14 10:00 PM Contents 6 From the Director Gregg Hertzlieb 9 Introduction Robert Sirko 13 Inner Visions: Sacred Plants, Art and Spirituality Luis Eduardo Luna 29 Encountering Other Worlds, Amazonian and Biblical Richard E. DeMaris 35 The Artist and the Shaman: Seen and Unseen Worlds Robert Sirko 73 Exhibition Listing 5 224926_Text.indd 5 12/9/14 10:00 PM From the Director In this Brauer Museum of Art exhibition and accompanying other than earthly existence. Additionally, while some objects publication, expertly curated by the noted scholar Luis Eduardo may be culture specific in their references and nature, they are Luna, we explore the complex and enigmatic topic of the also broadly influential on many levels to, say, contemporary ritual use of sacred plants to achieve visionary states of mind. American and European subcultures, as well as to contemporary Working as a team, Luna, Valparaiso University Associate artistic practices in general. Professor of Art Robert Sirko, Valparaiso University Professor We at the Brauer Museum of Art wish to thank the Richard E. DeMaris and the Brauer Museum staff present following individuals and agencies for making this exhibition our efforts of examining visual products arising from the possible: the Brauer Museum of Art’s Brauer Endowment, ingestion of these sacred plants and brews such as ayahuasca. -
51ST ANNUAL CONVENTION March 5–8, 2020 Boston, MA
Northeast Modern Language Association 51ST ANNUAL CONVENTION March 5–8, 2020 Boston, MA Local Host: Boston University Administrative Sponsor: University at Buffalo SUNY 1 BOARD OF DIRECTORS President Carole Salmon | University of Massachusetts Lowell First Vice President Brandi So | Department of Online Learning, Touro College and University System Second Vice President Bernadette Wegenstein | Johns Hopkins University Past President Simona Wright | The College of New Jersey American and Anglophone Studies Director Benjamin Railton | Fitchburg State University British and Anglophone Studies Director Elaine Savory | The New School Comparative Literature Director Katherine Sugg | Central Connecticut State University Creative Writing, Publishing, and Editing Director Abby Bardi | Prince George’s Community College Cultural Studies and Media Studies Director Maria Matz | University of Massachusetts Lowell French and Francophone Studies Director Olivier Le Blond | University of North Georgia German Studies Director Alexander Pichugin | Rutgers, State University of New Jersey Italian Studies Director Emanuela Pecchioli | University at Buffalo, SUNY Pedagogy and Professionalism Director Maria Plochocki | City University of New York Spanish and Portuguese Studies Director Victoria L. Ketz | La Salle University CAITY Caucus President and Representative Francisco Delgado | Borough of Manhattan Community College, CUNY Diversity Caucus Representative Susmita Roye | Delaware State University Graduate Student Caucus Representative Christian Ylagan | University -
Full Programme As
Notes Contents Contents 1 Abstracts (Alphabetically by Presenter) 4-20 Programme (Friday) 22-24 Programme (Saturday) 25-28 Programme (Sunday) 29-32 Underdog - THE AFTER PARTY - All Days 33 Films 34-35 Performers 37 Speaker Bios 38-46 Artists Bios 47-48 Sponsors 52 Contributors 53 Media Partners 53 Acknowledgements 50-51 University Map 55 Venue Map 56 General Info 57 Notes 57-60 Break Times Friday Saturday & Sunday 11:00 - 11:30 Break 11:00 - 11:30 Break 13:30 - 14:30 Lunch 13:00 - 14:30 Lunch Artwork: maze & brain logos by Blue Firth, front cover by Judith Way, inside back cover 16:30 - 17:00 Break 16:30 - 17:00 Break by Cameron Adams, back cover background by Dave King, booklet design and layout Giorgos Mitropapas Programme Design by Giorgos Mitropapas - www.gmitropapas.com 60 1 Notes 2 59 General Info Transport There is transport info on the website http://breakingconvention.co.uk/location/ and London transport info is available from http://www.t! .gov.uk Catering Regrettably there are no refreshments available in the conference centre during the weekend but you can bring your own and there are numerous cafés around outside the university within easy walking distance (5-10 mins) and we have reasonably long breaks. The university refectory is also open in the adjacent building (Queen Mary) and is serving cold snacks/meals and hot/cold drinks, but on Saturday & Sunday only! If you are a tea or co" ee addict, like me, you might consider bringing a ! ask of the black stu" to keep your blood-ca" eine levels high or be prepared for a small stroll to get your # x. -
An Inquiry Into Surrealism in The
LANDSCAPES OF REVELATION: AN INQUIRY INTO SURREALISM IN THE LANDSCAPE by MICAH S. LIPSCOMB (Under the Direction of Judith Wasserman) ABSTRACT This thesis explores landscapes in which visitors can become emotionally and perceptually disoriented and imagine they are in a dream-like space. The surreal landscapes discussed range from an Italian Renaissance garden, to contemporary landscapes designed by professionals, to environments created by visionary artists. These diverse landscapes share elements of the art and literary movement of surrealism, especially their goal of eliciting revelations. The purpose of this thesis is three-fold: first, to analyze the techniques and forms that help create a surreal landscape; second, to elucidate the relationship between surrealism and landscape architecture; and third, to demonstrate the relevance of some of the ideas of surrealism to contemporary landscape architecture. INDEX WORDS: Surrealism, Landscape Architecture, Visionary Art Environments, Labyrinths, Grottoes, Walled Gardens, Andre Breton, Martha Schwartz, Geoffrey Jellicoe LANDSCAPES OF REVELATION: AN INQUIRY INTO SURREALISM IN THE LANDSCAPE by MICAH S. LIPSCOMB B.A., Eckerd College, 1997 A Thesis Submitted to The University of Georgia Graduate Faculty in Partial Fulfillment of the Requirements for the Degree MASTERS OF LANDSCAPE ARCHITECTURE ATHENS, GEORGIA 2003 ©2003 Micah S. Lipscomb All Rights Reserved LANDSCAPES OF REVELATION: AN INQUIRY INTO SURREALISM IN THE LANDSCAPE by MICAH S. LIPSCOMB B.A., Eckerd College, 1997 Major Professor: Judith Wasserman Committee: Ian Firth Henry Parker Art Rosenbaum Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2003 DEDICATION To my wife, Suzannah, for her love and unwavering support during my education. -
PAUL LAFFOLEY (B
PAUL LAFFOLEY (b. 1940, Cambridge, Massachusetts) EDUCATION 1962 B.A., Classics and Art History, Brown University, Providence, Rhode Island 1962-63 School of Architecture, Harvard Graduate School of Design, Cambridge, Massachusetts Sculpture apprenticeship, Mirko Basaldella, Harvard University Art Students League, New York Sculpture apprenticeship, Frederick J. Kiesler, New York 1964-65 School of Architecture, Massachusetts Institute of Technology, Cambridge, Massachusetts 1967-69 Boston Architectural Center 1990 Architect’s License, State of Massachusetts, 19 October, license no. 8361 AWARDS 2010 Wynn Newhouse Award 2009 John Simon Guggenheim Fellowship 2004 Artist in Residence, California State University Fullerton Grand Central Art Center, Santa Ana 2002 Pollock-Krasner Foundation Grant 1997 Adolph and Esther Gottlieb Foundation Grant 1991 Marie Walsh Sharpe Art Foundation Space Program Award 1989 Massachusetts Cultural Council Artist Fellowship in Painting 1986 Engelhard Award, Institute of Contemporary Art, Boston SOLO EXHIBITIONS 2013 Paul Laffoley: Premonitions of the Bauharoque, Henry Art Gallery, Seattle, April– September. Curated by Luis Croquer The Boston Visionary Cell, Kent Fine Art, New York, January–March 2011 Secret Universe, Nationalgalerie im Hamburger Bahnhof, Museum für Gergenwart, Berlin. Curated by Udo Kittelmann and Claudia Dichter 2009 Chasing Napoleon, Palais de Tokyo, Paris Paul Laffoley, Ars Libri, Boston The Sixties, Kent Gallery, New York 2008 The Sixties, Meta Gallery, Toronto 2007 Mind Physics, Kent Gallery, -
MEMORIAL ART GALLERY PRESENTS the Surreal Visions of Josephine Tota
NEWS 500 University Ave., Rochester, NY 14607-1484 585.276.8900 • mag.rochester.edu MAG Contact: Rachael Unger, Director of Marketing and Engagement: 585.276-8937; [email protected] MEMORIAL ART GALLERY PRESENTS The Surreal Visions of Josephine Tota July 15–September 9, 2018 Rochester, NY, May 23, 2018 — The Memorial Art Gallery of the University of Rochester (MAG) is pleased to announce The Surreal Visions of Josephine Tota. The exhibition will be on view at MAG from July 15 through September 9, 2018. With this exhibition and its accompanying catalog, The Memorial Art Gallery forges new territory in the introduction and exploration of a little-known and unconventional artist of significant talent. Josephine Tota (1910–1996) was a seamstress and amateur artist who lived a conventional life among the Italian immigrant community in Rochester, New York. In her seventies, she spent countless hours painting in the privacy of her home, where she imbued over 90 small jewel-like paintings with the richness of her strange imagination. Themes of metamorphosis, family bonds, physical pain, human frailty, the natural world, loss, and tragedy dominate Tota’s obsessive and otherworldly depictions. Despite her relative isolation in producing this body of work, Tota was profoundly influenced by years of amateur art classes at MAG’s community art school, the Creative Workshop, and her personal interest in medieval and modern art. It is this powerful body of work—dozens of intense paintings in egg tempera and gilding on board, completed at the end of her life—that The Surreal Visions of Josephine Tota explores and advocates for inclusion into the canon of self-taught, visionary art. -
Paul Laffoley
The Apocalypse Art of Paul Laffoley http://web.archive.org/web/20050514143156/http://www.geocities.com/b... Paul Laffoley Like many harbingers of doom, Paul Laffoley has spent a lot of his life within mental institutions. However, they did find an unexplainable metal object in his brain, which he believes is a probe planted by aliens. His artwork is frighteningly crisp and detailed (my copies cannot do it justice), and full of detailed pseudo-scientific information, which unfortunately you can't read here; but you get the idea I hope. As usual, click on these versions to see them bigger, then close the separate window to return. Mind Physics - the Burning of Samsara Mind Physics - The Burning of Samsara, 1987 The Black - White Hole, 1976 1 of 2 12/15/2012 2:26 PM The Apocalypse Art of Paul Laffoley http://web.archive.org/web/20050514143156/http://www.geocities.com/b... Dimensionality - THe Manifestation of Fate, 1992 The Writings of Jesus Christ The Writings of Jesus Christ, The Mysterious Words Jesus Wrote as the Cosmic Task, 1997 back to the exhibition go to the sanguine arts network 2 of 2 12/15/2012 2:26 PM quazgaa klaatu; and the syntheke, page 1 http://www.abovetopsecret.com/forum/thread554040/pg1 HOME TOP TOPICS + NEW TOPICS + ABOUT + GET ATS FORUMS RECENT POSTS CREATE ATS ACCOUNT SEARCH LOG IN Is Video www.Cadillac.com/Lexus The All-New Cadillac ATS. Explore The Standard Of The World Today. 0 quazgaa klaatu; and the syntheke, page 1 privacy Pages: ATS Members have flagged this thread 5 times Topic started on 22-3-2010 @ 12:27 AM by tgidkp New Crop Circle Hackpen Hill Cube Paul Laffoley claims to have been visited by a hermaphrodite reptilian being Posted 16 days ago with 92 member flags named Quazgaa Klaatu. -
Psychedelics and the Popular Arts
MULTIDISCIPLINARY ASSOCIATION FOR PSYCHEDELIC STUDIES BULLETIN SPECIAL EDITION Psychedelics and the Popular Arts VOLUME XXII NUMBER 1 MULTIDISCIPLINARY ASSOCIATION FOR PSYCHEDELIC STUDIES Images: Android Jones / Obscura Digital On March 20, 2011, San Francisco-based multimedia Android Jones (www.androidjones.com) is at the forefront of the vision- design lab Obscura Digital and digital alchemist ary art movement, a wave of artists who emphasize creativity as the Android Jones collaborated on a breathtaking foundation of consciousness and an agent of social change. Android project at the intersection of 21st century symphony builds on the technical developments of past centuries in art history while pushing the boundaries of the imagination with new technologies orchestra, visionary art, and cutting-edge digital and media forms. Android’s art encourages others to explore the poten- technology. tial interfaces of mind and machine, bears witness to realities accessible Performing that night was the YouTube Symphony through heightened states of consciousness, and engenders heightened Orchestra, whose 101 musicians from 33 countries awareness through artistic creation and audience interaction. auditioned by submitting YouTube clips, conducted From mapping video onto nearly any surface to building large-scale, by Michael Tilson Thomas of the San Francisco multi-touch displays, Obscura Digital (www.obscuradigital.com) deliv- Symphony. ers groundbreaking immersive and interactive experiences. Part technol- ogy lab and part creative agency, Obscura -
{Download PDF} Sacred Mirrors: the Visionary Art of Alex Grey
SACRED MIRRORS: THE VISIONARY ART OF ALEX GREY PDF, EPUB, EBOOK Alexander Grey,Ken Wilber,Carlo McCormick,Alex Grey | 96 pages | 20 Jan 2000 | Inner Traditions Bear and Company | 9780892813148 | English | Rochester, United States Sacred Mirrors: The Visionary Art of Alex Grey PDF Book ALEX The first compositional elements of the painting "Transfigurations" came to me in a dream in Sep 05, Dimi Tsioumbris rated it it was amazing Shelves: my-books , artbooks. I hope you don't mind but I did some sketches of you while you played. The Chapel of Sacred Mirrors offers full moon ceremonies, solstice and equinox celebrations, workshops and spiritual cultural offerings. Everyone is a tool for something. In the dream, I opened a garbage can and saw myself naked in a fetal position with half my hair shaved. Countless friends, artists and artisans are co-creating this spiritual center. Great book at a great price! He later signed on as a research technologist with mind-body medicine pioneers Dr. Later, in a DMT experience, I became the figure in the dream painting. I got the book right away, and while not as mind-blowing as the art in person of course , it still captures it well. Top Stories. I was always attracted to artists that engage the shadow in their craft. Escape the Present with These 24 Historical Romances. Twelve thousand square feet of exhibition space will display key works of the CoSM permanent collection and select iconic originals of the global visionary art movement," says Allyson. ALEX The process on each album has been unique.