Winter/Spring 2004 ● Issue No.7
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Artathon List of Artworks
ARTATHON Artathon is a map that LIST OF ARTWORKS provides routes around Ipswich’s public sculptures at a range of different distances. The sculptures represent Ipswich’s maritime, industrial and sporting heritage both through the artwork and the landscape that is walked through. The trail offers a variety of environments to enjoy, including Christchurch Park, the regenerated riverside development and the town centre. The map has five rings linked loosely to the five Olympic rings to tie into London 2012. Routes are designed to be walked, jogged, run or cycled. GILES FAMILY 1993 Queens Street Miles Robinson 1 Fibre-glass resin Express Group Newspaper This statue shows “Grandma” and various other characters from his well-known cartoon strip. Is there a local connection? Well yes, because for many years he used a first floor office that looked down on the area where the statue is now. Robinson was approached by the Ipswich Promotion Bureau to design and make the ‘Giles Family’ sculpture which was sponsored by Express Groups Newspapers. It was unveiled in September 1993 by comedian Warren Mitchell in the presence of Johnny Speight and Carl Giles himself. Born in Ipswich in 1952, Miles Robinson studied at Ipswich School of Art and at Bournemouth and Poole College of Art. He then ran a studio in Dorset for two years before returning to Ipswich, taking classes at Suffolk College and teaching sculpture privately from his own studio near Ipswich. MADONNA 1990 Lady Lane 2 Robert Mellamphy Bronze This bronze on the wall in Lady Lane closely resembles the oaken statue which was once in the pilgrim chapel of Our Lady of Grace on this site in medieval times. -
Wider. Bigger. Greater
WIDER. BIGGER. GREATER. Neo-Palladian Country Houses as Representations of Power Struggle, Globalization and “Britishness” in the United Kingdom of the 1750s Stefanie Leitner s1782088 - [email protected] Supervisor: Dr. J.G. Roding Second reader: Dr. E. den Hartog MA Arts and Culture 2016/2017 Specialization: Architecture TABLE OF CONTENT 1. Introduction ................................................................................................. 1 1.1. Theoretical Framework ......................................................................... 2 1.2. Literature Review ................................................................................. 4 2. Node I – Architecture .................................................................................. 8 2.1. General developments compared to the 1720s .................................... 8 2.2. Introduction of the Case Studies .......................................................... 9 2.2.1. Holkham Hall (1734-1764) ........................................................... 11 2.2.2. Hagley Hall (1754-1760)............................................................... 20 2.2.3. Kedleston Hall (1759) ................................................................... 28 3. Node II – Globalization ............................................................................. 38 3.1. Colonization and the British Empire ................................................. 38 3.2. Connection with continental Europe .................................................. 39 3.3. -
The Lookout Our New Visitor Facility on the Holkham National Nature Reserve First Words
Holkham Gazette Issue 28 Autumn 2018 The Lookout Our new visitor facility on the Holkham National Nature Reserve First words Caring for the Holkham collection Maria de Peverelli is executive chairman of Stonehage Fleming Art Management, serving a client base that includes The Lookout, the new facility on Lady individuals, family offices, foundations, Anne’s Drive on the Holkham trusts and estates. She has recently taken up National Nature Reserve, is well the role of consultant on the collection at worth a visit. The interesting, very Holkham where she will oversee the informative and interactive conservation and preservation, and educational boards and media screens supervise the loan, of items from Holkham’s reward those who take time to study world-famous collection to other art them, offering new insights as to how galleries and museums around the world. the reserve’s precious and precarious Maria is also a Trustee of the Yorkshire landscape is managed and what Sculpture Park and of the Estorick visitors can do to help. Its exciting Collection and serves as a member of the design seems destined for board of Advisers of the Fondazione Palazzo commendation by architects from Strozzi, Florence. She established OmniArt in 2005 and prior to that, Maria was around the country and the ‘green’ gallery director of the Villa Favorita in Lugano (Thyssen-Bornemisza message is very thoughtfully and collection). She has organised exhibitions for the Museum of Applied Arts in effectively conveyed. All that and Frankfurt and taught museum management at the University of Genoa. lavatories too – go and see! Sara Phillips, Editor Contents First words ........................................................ -
Job Description
Job Description Title PA to The Countess of Leicester – maternity cover Location: Holkham Hall, Wells-next-the-Sea, Norfolk Reporting to The Countess of Leicester Lateral relationships PA to The Earl of Leicester, Hall team, PA to the Managing Director The Holkham Estate The Holkham Estate extends over 25,000 acres and has an annual turnover of over £19m. The land and property-based enterprises include residential lettings, commercial lettings, property maintenance and development, farming, forestry, country sports, an inn, a holiday park, beach and car parks. The operations centred on Holkham Hall include day visitors, catering, filming, corporate indoor and outdoor events and concerts. See www.holkham.co.uk for more information. Estate Policy Our vision is to see Holkham as the UK’s leading rural estate against which others will measure their own success. Our purpose is to manage Holkham as a progressive commercial operation set within a thriving local community where rural values are upheld. The aim is to ensure the long-term prosperity of the Estate and of those who live and work on it. Overall Job Purpose The role of the Personal Assistant to Lady Leicester is to enable Lord and Lady Leicester and their family to maintain a happy and balanced family life within the context of a home that is open to visitors, in the middle of a thriving collection of rural businesses. The purpose of this role is to provide flexible, timely and focused support to Lady Leicester so that she can effectively balance the varied and intense demands of her involvement in various local charities and family life while maintaining her preferred level of control and privacy. -
Benedetto Luti
BENEDETTO LUTI (Florence 1666 - Rome 1724) Portrait of a Young Girl oil on canvas 41 x 31.8 cm (16¼ x 12½ in) HIS DELIGHTFUL PORTRAIT SHOWS A YOUNG GIRL gazing outside the picture plane to her right. Her porcelain skin is creamy and radiant and her cheeks shimmer with a hint of pink. She wears a simple blue and ochre gown, accessorised with a delicate gold chain necklace and a single drop earring, while Ther hair is loosely tied in a chignon. There is a great sense of simplicity and charm in Benedetto Luti’s Portrait of a Young Girl. The artist has evidently taken great enjoyment in capturing the innocence and youth of this pretty young girl whose attentions are directed elsewhere. Luti was a master of suave portraiture. He was one of the greatest colourists in eighteenth-century Rome and his chalk and pastel studies of single heads, bust-length apostles, saints, angels and children are charming in their polished freshness and elegance. An excellent example of Luti’s refined portraiture is held in theH ermitage (fig. 1).A Boy with a Flute shows a young boy in almost exactly the same pose as the girl in the present work. In his hand he holds a flute though he appears Benedetto to have been distracted by something unknown to the viewer. As in the Luti, present portrait, Luti has applied skilful colouring and flowing brushwork Head of a Girl, to achieve a subtle luminosity that is particularly lustrous in the boy’s curled Holkham Hall, hair and rosy cheeks. -
Winter/Spring 2005 ● Issue No.9
Winter/Spring 2005 ● Issue No.9 HOLKHAM NEWSLETTER HERE might be a perception that all the changes we have seen at Holkham have taken place only in the last five or six years.This process might have been more rapid in that time, but that only Treflects the speed of change in the world in general. Change has always been with us. Mick Thompson, recently retired from the Hall, recalls how he helped to modernise four milking parlours on the Estate.Well, how many have we now? None: this is change brought on by economic circumstances. I started farming at Burnham Norton, 36 years ago, with 11 men. By the time the Holkham Farming Company took over, that was down to only three, again a reflection of changed economic circumstances, and a necessary adaptation to new farming practices. Now, seven men look after 5,000 acres. A good example of adaptation is the transformation of the 18th century Triumphal Arch into a chic annexe of The Victoria Hotel, thus turning a long-standing liability to economic advantage, and moreover, making use of a perfectly sound building. I never see the point of new build if existing buildings can be satisfactorily adapted without compromising their character. But with change, it is important to retain and value the best of the past. Nicholas Hills writes about the restoration of the family monuments at Tittleshall Church, to which the Estate contributed a large part of the £70,000 costs.We could have saved our money, but then part of the history of this great Estate would have been lost. -
The 5Th Earl of Leicester
Looking back at the Leicesters he Earls of Leicester have lived in SO MANY LEICESTERS! Holkham Hall since the middle of he earldom of Leicester was first Tcreated in 1107, but whenever an the 18th century. Thomas Coke, earl dies without a son to inherit the T title it lapses and can then be granted who built the hall and created the park, is to an entirely unrelated family. Over the starting point for this exhibition, which the centuries this happened three times before Thomas was created earl in illustrates succeeding generations as far as the 1744. Previous Earls of Leicester had 7th and present Earl of Leicester. included Simon de Montfort, champion of the barons against the crown in the Their story would not exist, however, without the 13th century, and Queen Elizabeth I’s century of family ambition that paved the way for favourite, Robert Dudley. Thomas Coke’s achievements. The Coke family has no connection with any of these earlier Earls of Leicester. fortune made in the law. Sir Edward Coke, Attorney homas Coke’s only son died before AGeneral and Chief Justice under Queen Elizabeth Thim so the peerage once again fell and James I, used his wealth to endow all his sons with into abeyance when he died in 1759. The hall and estate passed to his great-nephew, property. He bought one of three manors at Holkham in 1609 a commoner, who was always known as in order to bequeath it to his fourth son, John. ‘Coke of Norfolk’. In 1837, when he was 83, the title was re-created for him. -
Weddings YOUR PERFECT WEDDING
Weddings YOUR PERFECT WEDDING Holkham Hall on the north Norfolk coast, home to the Earls of Leicester, is one of the grandest and most beautiful wedding venues in the country. This fine Palladian house, surrounded by a romantic deer park with a lake, temple and woodland, could be yours for the day. Our friendly and experienced team will help you plan your special day, offering flexibility, support and guidance. We know the best suppliers to help you find stunning marquees, delicious food, perfect flowers and memorable photography. You are free to design your day as you wish, safe in the knowledge that we will be there to provide the support you need. TO HAVE Four of the state rooms in the hall are perfect for civil ceremonies and partnerships. With its breathtaking ceiling, inspired by the Pantheon in Rome, the Marble Hall rises to a height of over fifty feet. One of the grandest entrance halls in Europe, it can comfortably seat 142 people on the ground floor and 170 people if the side balconies are used. The opulent Saloon can accommodate up to 80 seated guests for a wedding ceremony. The North State Dining Room offers a classical and beautiful space for a wedding ceremony with up to 50 guests. The Statue Gallery contains perhaps the most complete collection of classical statuary in a private home in Britain and can seat up to 100 people. TO HOLD In the park you can have a civil ceremony at the Temple or a traditional service at St Withburga’s church. The Temple is tucked away in the woods within Holkham park, giving it a very special intimacy. -
Paper Palaces: the Topham Collection As a Source for British Neo-Classicism
Paper Palaces: the Topham Collection as a source for British Neo-Classicism Adriano Aymonino with Lucy Gwynn and Mirco Modolo Front cover image: Francesco Bartoli, Drawing of decorative mosaics in the vaulting of S. Costanza, c. 1720-25 (see cat. no. 25) Inside cover image: Francesco Bartoli, Drawing of an ancient ceiling from the Palatine, 1721 (see cat. no. 15) Paper Palaces: the Topham Collection as a source for British Neo-Classicism The Verey Gallery, Eton College May - November 2013 Curated by Lucy Gwynn & Adriano Aymonino Accompanied by the Conference: A Window on Antiquity: the Topham Collection at Eton College, 17th May 2013 Catalogue written by Adriano Aymonino with Lucy Gwynn and Mirco Modolo This catalogue is dedicated to the memory of Louisa M. Connor Bulman Contents Many people have given their support to the production of both the exhibition Foreword 4 Section 2 16 and this catalogue, and we would like in particular to thank: Lord Waldegrave of North Hill Robert Adam and his antiquarian sources The Tavolozza Foundation The Humanities Research Institute, the University of Buckingham Introduction 5 Section 3 22 the rationale for the exhibition Robert Adam, the Topham Collection and Country Life Magazine Francesco Bartoli Sir Francis Dashwood Richard Topham & Eton 6 by Lucy Gwynn The National Trust Section 4 40 The Topham Collection’s broader influence: Savills (UK) Limited Catalogue Charles Cameron and other Neo-Classical architects and decorators The authors would also like to thank Frances Sands for the fruitful discussion on the different hands in the Adam drawings; Jeremy Howard and Eleanor Davey for their Cataloguing Notes 8 help and support; Charlotte Villiers and Dennis Wallis for their patience and exquisite Notes 47 contribution in photography and design, Charlotte Villiers for the coordination of the exhibition, Pat McNeaney for his inexhaustible enthusiasm and skill, the Eton College Section 1 10 Buildings Department and Vario Press. -
Summer/Autumn 2005 ● Issue No.10
Summer/Autumn 2005 ● Issue No.10 HOLKHAM NEWSLETTER S I contemplated our professional advisers the sixth and most telling me to sell houses Arecent Festing when they became vacant, portrait, reported on in this because in the days of rent issue, and now hanging in control when rents were as the Old Kitchen, I turned to low as £1 a week and the view the very first staff house cost £2 a week to portrait — that of the maintain, it made sense. Heads of Department, Perhaps I was just too idle to painted in 1993. get around to it. All eight of those men In the early 1970s every had been with me since farm in the country was More than 1,500 schoolchildren visited Holkham in May profitable, except Park Farm. 1973 — or soon after — to learn about the countryside and how it’s managed. which was when I assumed Everything on the farm was the responsibility of looking subordinate to the shooting, after Holkham.Three of them retired in 1993, and whatever so no weed control or ploughing were allowed from harvest had been achieved on the Estate in those first 20 years was until February, with consequent dire results to the farm’s due to them, their colleagues and their departmental teams. balance sheet. But even in those days we realised that a So, before the departure of three of the original team, it successful shoot and profitable farming are perfectly compatible seemed fitting that I should commission a group portrait and within a very short time Park Farm had been turned as a tribute to all that they had accomplished. -
Palladio, a Model for the Architecture of Classical Europe
Architectural Styles Palladio, a model for the architecture of classical Europe Jean POTEL ABSTRACT Beginning in the sixteenth century, European architecture—in the same manner as painting, sculpture, and more broadly all forms of artistic expression—fell into tune with an Italian art that had already been renewing itself for nearly a century on ancient models. While the Rome of Julius II (pontiff from 1503 to 1513) and his successors drew the attention of the majority of nations, such as the Holy Roman Empire and Spain, others such as England, the United Provinces, and more discreetly France were enthusiastic about the work of the Vicentine Andrea Palladio (1508-1580). While the productions of this contemporary of the painter Veronese were mostly limited to the secondary artistic centers of the continental territories of the Republic of Venice (modern-day Veneto), they were behind an architectural movement unique to the Old World, one that took its creator’s name and thereby attesting to the incredible success of his manner: Palladianism. Jacob van Campen (1595-1657), home of count Jean-Maurice de Nassau-Siegen, known as Mauritshuis, The Hague (the Netherlands), 1633-1644. Source : Wikimedia Commons. The Origins of Palladianism Born in Padua and long active in Vicenza, two cities dominated by Venice, Pietro della Gondola (1508-1580) had an exceptional career. A mason by formation, he befriended the humanists Giorgio Trissino (1478-1550), who renamed him Palladio, and Daniele Barbaro (1514-70), whom he assisted in the latter’s commented translation of Vitruvius’s treatise on Latin architecture (1556), two encounters that were behind the extraordinary esthetic and conceptual revolution of his art. -
Where the Sky Meets the Sea
Where the sky meets the sea www.holkham.co.uk Photographs © Alan Silfen, Fisheye Images, Harry Cory Wright, Holkham Estate, Ian Watts, Katherine Ashdown, Matthew Usher, Sandstorm Photography. WHERE THE SKY MEETS THE SEA Holkham is an exceptional place, rich in history, architecture and wildlife but probably best defined by its epic landscape. The combination of coast and countryside makes for a spectacular destination which we are privileged to protect and preserve for future generations. At the heart of the estate is the magnificent Palladian hall, the inspiration of one man, my forebear, Thomas Coke. The story of his six year Grand Tour of Europe in the early 18th century is highlighted in our exhibition: ‘Treasures and Trophies – the Making of a Gentleman and a Great House’. Three hundred years on, we invite you to step back to this pivotal time for Coke, as we bring to life his dream to see an Italian villa on the north Norfolk coast, built to house the unique collection he amassed on his tour. Beyond the walls, the hall is surrounded by a lyrical landscape, part designed by the great English landscape designer, Humphry Repton. 2018 sees the national celebration to mark the bicentenary of Repton’s death. In the famous ‘Red Book’ he produced for Holkham to set out his plans, he described the parkland as “a vast expanse of lawn, an immense sheet of water and woods…too large for painting to express.” The park and its panoramic beauty are enjoyed by many and is still the same inspiring place today.