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Genre Artist Album Electronica DJ Koze DJ Kicks 50 Electronica Dj Vadim Grow Slow Jazz David Benoit 2 in Love Pop Calvin Love Super Future Pop Catey Shaw Rumble in the Park Pop Hilary Duff Breathe In. Breathe Out. Reggae Carlos Jones & The Cleveland Beat PLUS Band Active Child Mercy Adam Lambert The Original High Alpine Yuck AraabMuzik Dream World Bad Cop Bad Cop Not Sorry Barnett & Coloccia Weld Beauvoir-Free American Trash Ben Browning Turns Black Knights The Almighty Bob Schneider King Kong Vol II Brian Landrus Trio The Deep Below Bright Light Bright Light Life is Hard Remixes Christopher Paul Labor Against Waste Stelling Crookers Sixteen Chapel Cult Leader Useless Animal Czarface Every Hero Needs A Villain Dave Monks All Signs Point To Yes Dog Party Vol 4 Donald Cumming Out Calls Only Empty Flowers Four Evan Caminiti Meridian Fucked Up Year of the Hare Giorgio Moroder Deja Vu Good Weather Forecast We Glow Greyhounds Heaven on Earth Heartless Bastards Restless Ones High on Fire Luminiferous Holly Waxwing Peach Winks Hudson Mohawke Lantern Hundredth Free Ike Reilly Born On Fire iwrestledabearonce Hail Mary Jaakko Eino Kalevi Jaakko Eino Kalevi James Taylor Before This World Jay-Jay Johanson Opium Kanaku Quema Quema Quema KEN Mode Success Kinto Sol Protegiendo El Penacho Left Lane Cruiser Dirty Spliff Blues Lenka The Bright Side Little Racer Foreign Tongues Lucifer Lucifer I Ma Jolie Jetpack Mailman Mackintosh Braun Arcadia Mates of State You’re Going To Make It mewithoutyou Pale Horses Mika No Place In Heaven Monotony Fields Shape of Despair Nate Ruess Grand Romantic Nick Diamonds City of Quartz Novalima Planetario Outﬁt Slowness Part Time Virgo’s Maze PartyMonsta SL179 Pat Thomas Pat Thomas & Kwashibu Area Band Purple Silence & Remorse Quindar Twin-Pole Sunshade Randy Scott Serenity Ratatat Abrasive Ryn Weaver The Fool Sarah Cracknell Red Kite Sarah Cracknell Nothing Left To Talk About/Miles Apart Shiny Objects The Velvet Slide Slum Village Yes! Sorority Noise Joy, Departed Teengirl Fantasy Thermal Remixed The Expanders Hustling Culture The Lonesome Trio The Lonesome Trio The Ongoing Concept Homemade The Silver Lake Chorus The Silver Lake Chorus The Twilight Sad It Never Was The Same/There’s A Girl in the Corner Third Eye Blind Dopamine Tim O’Brien Keith In A Palm Tree Vattnet Viskar Settler Vicktor Taiwò June EP Vilod Safe in Harbour Walk Off The Earth Sing It All Away Yonder Mountain String Black Sheep Band Yukon Blonde On Blonde.

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Music, Corporate Power, and Unending War
03Scherzinger.qxd 5/20/2005 1:43 PM Page 23 MUSIC, CORPORATE POWER, AND UNENDING WAR Martin Scherzinger The triumph of advertising in the culture industry is that consumers feel compelled to buy and use its products even though they see through it. —Max Horkheimer and Theodor W. Adorno INTRODUCTION: IN QUEST OF A NEWER MUSICOLOGY Sixty years after its original publication, Max Horkheimer and Theo- dor W. Adorno’s Dialektic der Aufklärung resonates uncannily with our times. The central motifs of their bleak and horrifying diagnosis of the culture industry ring as true today as ever. While contemporary critics mostly regard Horkheimer and Adorno’s analysis of audience demand and reception dynamics as antiquated, this essay argues for the continued relevance of their indictment of culture under the (oppressive) authority of monopoly capital. In particular, the essay traces an emergent Schulterschluss between commercial and political power, with a special interest in the involvement of the music indus- try and the media conglomerates. This is not to say that contem- porary America operates under identical rules and constraints as the America of the 1940s. It does not. Nor is it to argue that capitalist America essentially approximates fascism, as Horkheimer and Adorno sometimes imply. The opening arguments of “The Culture Industry: Enlightenment as Mass Deception,” for example, are predicated on this fundamental similarity: “Even the aesthetic activities of political opposites are one in their enthusiastic obedience to the rhythm of the iron system. The decorative industrial management of buildings and exhibition centers in authoritarian countries are much the same as anywhere else” (1997, 120).
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Collective Community Chicago Who We Are
Collective Community Chicago Who We Are .. Them Flavors connects curious and open mined creatures with new and progressive forms of art, music, and creation - Giving individuals an inviting environment to reflect, examine and grow one’s perspectives and personalities. … What we do them Flavors is a full-production event collective, both producing and promoting on the rise musicians and artists with club nights, underground parties, record releases, and community involvement. ’ve Been .. Where We As a Chicago-based collective, we pride ourselves on what motivates and moves our fellow beings in the midwest region, but are also mindful of the art and movements of other regions of the great planet we all share as one. Chicago Them flavors were early responders to the footwork movement - the offspring of the native genre, juke. we stay rooted in chicago house music and celebrate its legacy in almost every Event we promote. Detroit we pay homage to our sister, Detroit often with promoting techno music and underground parties. In May 2016, we collaborated with Detroit-local hip hop promoters 777 Renegade , and paired their programming with a bit of chicago footwork, Producing a cross-region and cross - genre function. Texas Marfa, Frontiers red bull Each guest was a result of a thoughtful and hand picked curation process led by t he team at Red Bull to identify those powerful agents of change who are emerging as the disruptors and innovators in their respective cities. Each day was a series of conversations with sciences, academics, and professionals in a variety of disciplines to push innovation and creative thinking, wth the goal of catalyzing new ideas and opportunities in nightlife.
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Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine
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Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
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Higher Ground Tnght Download
Higher ground tnght download LINK TO DOWNLOAD Stream TNGHT - Higher Ground by renuzap.podarokideal.ru from desktop or your mobile device. TNGHT - Higher Ground (Sl8r Refix) FREE DOWNLOAD by Sl8r published on TZ Think we could all do with some cheering up in these dark times so I'm giving this away for free, just click the buy link to download. TZ Buy TNGHT - HIGHER GROUND (REAPER REMIX) Users who like TNGHT - HIGHER GROUND (REAPER REMIX) Users who reposted TNGHT - HIGHER GROUND (REAPER REMIX) Playlists containing TNGHT - HIGHER GROUND (REAPER REMIX) More tracks like TNGHT - HIGHER GROUND (REAPER REMIX) License: cc-by-nc-sa. TNGHT Higher Ground Lyrics (Reaching for higher) (Reaching for higher) Oh, oh, oh (Reaching for higher) check amazon for Higher Ground mp3 download these lyrics are submitted by itunes3 browse other artists under T:T2 T3 T4 T5 T6 Songwriter(s): Lunice, Hudson Mohawke/10(7). TNGHT - Samples, Covers and Remixes on WhoSampled. Discover all TNGHT's music connections, watch videos, listen to music, discuss and download. Download Now on Beatport. Download Now on Beatport. Download Now on Beatport. Genres. Afro House; Bass House; Big Room; Higher Ground Original Mix. $ Link: Embed: Artists TNGHT (Hudson Mohawke x Lunice) Release; $ Length ; TNGHT (Hudson Mohawke x Lunice) $ Top Floor Original Mix. TNGHT (Hudson Mohawke x Lunice). Higher Ground WAV / FLAC. $ Create Gift Voucher Add to Cart MP3. $ TNGHT Shirt + Download Label Warp / LuckyMe Release Date November 21, 0 Clips Bundle Artist TNGHT ReleaseProduct TNGHT Hat + Download Label Warp Release Date. 11/18/ · With their eye-watering bass and surgical drum programming, TNGHT classics like “Goooo” and “Higher Ground” set a new watermark for such obnoxious, body-shaking tracks.
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Album Reviews
Country’s Best Frenemy Musgraves’ new album is sharper — and more Nashville-friendly — than her first. THE SOUTHERN ADAGE “DON’T GET for my britches,” she sings in “Dime Store trace back to “Merry Go ’Round,” while the above your raisin’,” memorialized as a Cowgirl,” a plain account of her last two be-yourself motifs of first single “Biscuits” song title by Lester Flatt & Earl Scruggs in years. To prove her fealty to Nashville, she and the pro- promiscuity, pro-divorce “Cup 1951, has long been a guideline for country mentions Willie Nelson, the rodeo, “my of Tea” reinforces “Follow Your Arrow.” artists. It even dictates their choices in hometown” — it’s just a pickup truck shy of Musgraves does have a weakness for pronouns: always the humble “we,” never being bro country. For anyone who loved bumper-sticker platitudes (“You can’t sail the immodest “I.” And like many things in her for being disruptive, it feels like her first if your anchor’s down”), so it helps that life, it’s more strictly enforced on female dishonest step, an apology to the industry she finds new corners of her tender voice, artists. But Kacey Musgraves’ 2013 major- she had blown raspberries at. while large doses of banjo and steel guitar label debut, Same Trailer Different Park, was But everywhere else, this is an even better balance music that tilts toward the folk side gloriously provocative. On the album’s two album than her last, with more consistency of country. Although the social- commentary best songs, “Merry Go ’Round” and “Follow and variety.
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Finesse Mp3 Download Free Bruno Mars & Cardi B: "Finesse" (Remix) Free MP3 Download
finesse mp3 download free Bruno Mars & Cardi B: "Finesse" (Remix) Free MP3 Download. Bruno Mars is a well-acknowledged American single-songwriter, perfoming a wide variety of musical genres - pop, rock, R&B, hip hop and etc, and famous for a great many top-charting songs, such as “Just the Way You Are” & “Grenade” in his first album “Doo-Wops & Hooligans” , “Treasure” & “When I Was Your Man” in his second album “Unorthodox Jukebox” and the single “Uptown Funk” released afterwards. “Finesse” is originally a solo song in Bruno Mars’ third album “24K Magic” . But what makes it more popular is the remix version with Cardi B , which made the song surge to No. 3 from its’ 35 debut on US Billboard Hot 100. "Finesse" (Remix) is Bruno Mars’ and Cardi B’ second No. 1 on Streaming Songs, being available on both of the leading streaming music services – Spotify and Apple Music, as well as in iTunes Store. The following is a step-by-step tutorial on how to download Bruno Mars and Cardi B’s “Finesse” from Spotify Free to MP3 , without costing you a penny. Note: If you are an Apple Music subscriber, please refer to How to Download Songs from Apple Music to MP3 for more details. Tool Required: Free Spotify Music to MP3 Downloader. Spotify is a streaming music service offering three types of subscription: Spotify Free ($0.00 per month), Spotify Premium ($9.99 per month) and Spotify Family ($14.99 per month), and all the songs on Spotify are protected in DRM, for which we are limited to enjoy them with Spotify App.
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Transitions Into Art School 20/21 ENTRY
Transitions into Art School 20/21 ENTRY ALT CITY GUIDE GSA LIVE MAP OPEN DAYS Discover the Glasgow scene Tour GSA’s global creative networks Register for events and live chat page 2 page 10 page 22 1 Contents Welcome ALT CITY GUIDE TO GLASGOW page 2 GSA LIVE MAP page 10 TRANSITIONS IN TO ART SCHOOL page 14 GSA SINGAPORE page 18 THE GSA HUB page 20 PhD STUDY page 21 OPEN DAYS page 22 DEGREE SHOW page 24 preview 2019 Show Degree GSA PROGRAMMES, HOW TO APPLY AND MORE INFO page 30 Live map: Stow map: Live Follow us @GSofA @glasgowschoolart /glasgowschoolofart /glasgowschoolofart /glasgowschoolart [ ] GSA Live map The GSA Live Map is a Google Map-based guide to CONTENTS GSA’s global Creative Network, connections, locations • Creative Network and to the city at our heart, Glasgow. Throughout this • Alt City Guide to Glasgow guide you will see yellow highlights over text. These • vOpen Day highlights show that the place, business or person is featured on the Live Map and shows a map reference. Discover the GSA Live Map at: gsa.ac.uk/livemap The GSA is ranked 3rd in UK, 5th in Welcome Europe and 8th in the world for Art and Design in the QS World University Rankings 2019. 3 A network of indie galleries, clubs, restaurants and bars has created a robust creative scene in Scotland’s largest city, where talent is allowed time to flourish. The Alt City Guide to Glasgow The Alt City Poetry Club, image courtesy SWG3 image courtesy Club, Poetry Photographer Photographer Live map: Poetry Club Poetry map: Live Guide to James Anderson by Tony Naylor Glasgow originally published in The Guardian 5 Optimo 20 Live map: SWG3 map: Live Photographer Brian Sweeney Silvia Ziranek.
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Adam Lambert Powered by Optus
MEDIA RELEASE Wednesday January 27, 2016 KIIS PRESENTS IHEARTRADIO LIVE WITH ADAM LAMBERT POWERED BY OPTUS International superstar Adam Lambert will kick off Australia’s iHeartRadio LIVE series for 2016 with a special, intimate performance at a secret Melbourne venue on February 5. KIIS Presents iHeartRadio LIVE with Adam Lambert - Powered by Optus will give fans unprecedented access to the multi-platinum-selling singer/songwriter and the only way to score a ticket to this coveted event is to win your way in. Tune in to Melbourne’s Matt & Meshel in the Morning on KIIS 101.1 and keep listening throughout the day for more chances to win. iHeartRadio Australia Content Director Brett “Nozz” Nossiter said he was excited to be able to give fans the unique opportunity to see Lambert perform in an intimate setting. “We are set for a huge year of music events with Australia’s iHeartRadio LIVE Series and I am thrilled to have Adam Lambert kicking off 2016 with a very special performance for fans. We are always looking for the best ways to give our audiences the opportunity to get up close to their favourite artists in unique and special venues. In partnership with Optus, the iHeartRadio LIVE series delivers music experiences and events like no other and this is going to be a performance not to be missed,” he said. AUSTRALIAN RADIO NETWORK WWW.ARN.COM.AU Head of iHeartRadio Australia Geraint Davies adds, “iHeartRadio Australia continues to go from strength to strength, iheart.com is the place to go to get a customised listening experience with all your favourite artists and genres.
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Manual of Analogue Sound Restoration Techniques
MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland The British Library Analogue Sound Restoration Techniques MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland This manual is dedicated to the memory of Patrick Saul who founded the British Institute of Recorded Sound,* and was its director from 1953 to 1978, thereby setting the scene which made this manual possible. Published September 2008 by The British Library 96 Euston Road, London NW1 2DB Copyright 2008, The British Library Board www.bl.uk * renamed the British Library Sound Archive in 1983. ii Analogue Sound Restoration Techniques CONTENTS Preface ................................................................................................................................................................1 Acknowledgements .............................................................................................................................................2 1 Introduction ..............................................................................................................................................3 1.1 The organisation of this manual ...........................................................................................................3 1.2 The target audience for this manual .....................................................................................................4 1.3 The original sound................................................................................................................................6
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Musical Women and Identity-Building in Early Independent Mexico (1821-1854)
Musical Women and Identity-Building in Early Independent Mexico (1821-1854) Yael Bitrán Goren Thesis submitted for the degree of PhD Music Department, Royal Holloway, University of London 2012 1 Declaration of Authorship I, Yael Bitrán Goren, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: 13 April 2012 Abstract This thesis investigates music in Mexico City, with an emphasis on women's relationship to Romanticism, education, consumption, domestic music-making and public performance. During the first decades after independence in 1821, Mexicans began the process of constructing an identity, which musically speaking meant an expansion of the secular musical world. Such construction involved the development of internal activity alongside a conditional receptivity to external influence in the form of the visits of Italian opera companies such as those of Manuel García and Max Maretzek, and travelling virtuosi such as pianist virtuoso Henri Herz, who brought new repertoire and performance practices to Mexican theatres and homes. As consumers and as musicians, women were at the centre of such developments. In Mexico, both European music and that of local musicians was disseminated by means of ladies’ journals and imported and locally-printed sheet music by foreign and Mexican composers, in order to supply a growing home market for amateurs. Abundant surviving repertoire for the home, the widespread availability of musical instruction as revealed through advertisements, and witness accounts of soirées and concerts in the theatre reveal a budding musical world that has hitherto been overlooked and which occurred during a period generally deemed of little importance in Mexican musical history.
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Tricerasoft Song Book Creator
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