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06-2020-4.Pdf Teoretičeskaâ i prikladnaâ nauka Theoretical & Applied Science 06 (86) 2020 International Scientific Journal Theoretical & Applied Science Founder: International Academy of Theoretical & Applied Sciences Published since 2013 year. Issued Monthly. International scientific journal «Theoretical & Applied Science», registered in France, and indexed more than 45 international scientific bases. Editorial office: http://T-Science.org Phone: +777727-606-81 E-mail: [email protected] Editor-in Chief: Hirsch index: Alexandr Shevtsov h Index RISC = 1 (78) Editorial Board: 1 Prof. Vladimir Kestelman USA h Index Scopus = 3 (38) 2 Prof. Arne Jönsson Sweden h Index Scopus = 10 (33) 3 Prof. Sagat Zhunisbekov KZ - 4 Assistant of Prof. Boselin Prabhu India - 5 Lecturer Denis Chemezov Russia h Index RISC = 2 (61) 6 Senior specialist Elnur Hasanov Azerbaijan h Index Scopus = 7 (11) 7 Associate Prof. Christo Ananth India h Index Scopus = - (1) 8 Prof. Shafa Aliyev Azerbaijan h Index Scopus = - (1) 9 Associate Prof. Ramesh Kumar India h Index Scopus = - (2) 10 Associate Prof. S. Sathish India h Index Scopus = 2 (13) 11 Researcher Rohit Kumar Verma India - 12 Prof. Kerem Shixaliyev Azerbaijan - 13 Associate Prof. Ananeva Elena Pavlovna Russia h Index RISC = 1 (19) 14 Associate Prof. Muhammad Hussein Noure Elahi Iran - 15 Assistant of Prof. Tamar Shiukashvili Georgia - 16 Prof. Said Abdullaevich Salekhov Russia - 17 Prof. Vladimir Timofeevich Prokhorov Russia - 18 Researcher Bobir Ortikmirzayevich Uzbekistan - Tursunov 19 Associate Prof. Victor Aleksandrovich Melent'ev Russia - 20 Prof. Manuchar Shishinashvili Georgia - ISSN 2308-4944 0 6 © Сollective of Authors 9 7 7 2 3 0 8 4 9 4 2 0 1 © «Theoretical & Applied Science» International Scientific Journal Theoretical & Applied Science Editorial Board: Hirsch index: 21 Prof. Konstantin Kurpayanidi Uzbekistan h Index RISC = 8 (67) 22 Prof. Shoumarov G'ayrat Bahramovich Uzbekistan - 23 Associate Prof. Saidvali Yusupov Uzbekistan - International Scientific Journal Theoretical & Applied Science ISJ Theoretical & Applied Science, 06 (86), 790. Philadelphia, USA Impact Factor ICV = 6.630 Impact Factor ISI = 0.829 based on International Citation Report (ICR) The percentage of rejected articles: ISSN 2308-4944 0 6 9 7 7 2 3 0 8 4 9 4 2 0 1 ISRA (India) = 4.971 SIS (USA) = 0.912 ICV (Poland) = 6.630 ISI (Dubai, UAE) = 0.829 РИНЦ (Russia) = 0.126 PIF (India) = 1.940 Impact Factor: GIF (Australia) = 0.564 ESJI (KZ) = 8.997 IBI (India) = 4.260 JIF = 1.500 SJIF (Morocco) = 5.667 OAJI (USA) = 0.350 QR – Issue QR – Article SOI: 1.1/TAS DOI: 10.15863/TAS International Scientific Journal Theoretical & Applied Science p-ISSN: 2308-4944 (print) e-ISSN: 2409-0085 (online) Year: 2020 Issue: 06 Volume: 86 Published: 22.06.2020 http://T-Science.org Gulnoz Khamrayevna Irnazarova Tashkent SUULL after Alisher Navai Candidate of Philology Sciences, assistant professor, Self-researcher Karshi city, Republic of Uzbekistan [email protected] PECULIARITIES OF MEDITATIVE LYRICISM OF UZBEK CLASSICAL POETRY Abstract: The article deals with the problems of meditative poetry. The main peculiarities of Modern Uzbek meditative poetry is that it is appeared before centuries and it has its stages as an artistic phenomenon. The poems of well-known poets as Yusuf Khos Khojib and Akhmad Yassavy are analyzed as examples. Key words: meditative poetry, phenomenon, lyrics, social and cultural, dynamic peculiarities, lyrical genres, criteria, interpretation, systematic study. Language: English Citation: Irnazarova, G. K. (2020). Peculiarities of meditative lyricism of Uzbek classical poetry. ISJ Theoretical & Applied Science, 06 (86), 301-305. Soi: http://s-o-i.org/1.1/TAS-06-86-57 Doi: https://dx.doi.org/10.15863/TAS.2020.06.86.57 Scopus ASCC: 1208. Introduction Literature of the ХIХth century the term of “meditative Modern Uzbek meditative poetry is not a random lyrics” was applied in ironic meaning [17]. For literary phenomenon that appeared within the nearest instance, V. G. Belinskiy applies this term towards ten or even hundred years or assimilated from the Lamartin’s poems which are away from the realistic literature of other nations. Its artistic-historical, poetry and mostly full of idle sighs”, - writes the spiritual-educational roots are very deep. It has some scholar about this [17: 204]. Such kind of notes and important stages as an artistic phenomenon. In order to confirmations besides blurring our imaginations about develop a clear idea about these stages first of all it is the nature of meditative lyrics, puts its relation with expedient to come to a certain point about aspects of social events and real life under doubt. But in the meditative lyricism related to the social period and process of systematic study of meditative lyrics cultural environment, its historical forms that can be examples we came to such a conclusion that, every found in the world poetry, evolutional and dynamic kind of work belonging to this type of lyric peculiarities, lyrical genres in which it appears as a interpretation cannot be absolutely free from sociality. formal-semantic property, in short, poetic criteria Poet’s feelings affected by social situations, realities of peculiar to meditative lyricism. Such kind of life and his sensitive-emotional reaction to them theoretical combination, complex interpretation become a factor for occurrence of meditative poetry. V. besides being usable in the study of the Uzbek Belinskiy was known not only as a literary critic in the meditative lyricism on the base of scientific foundation Russian society, but he was a faithful patriot, a give the opportunity of determining the proper propagandist of socio-political ideas, a supporter of the peculiarities of this phenomenon in our national poetry. attempts to renew the Russian life and modernize it and A number of researches, terminological he was the one who always kept his position all his life. dictionaries show that the Russian critic V. Belinsky He could not be fully satisfied by the sensitiveness criticized examples of meditative lyrics, especially the characteristic to meditative lyrics and expression of poetry of the outstanding representative of meditative social problems given on the background of the image lyrics Lamartin [7]. In L. Yudkevich’s interpretation of inner evolution and dynamics. It must be naturally such an attitude has directly ironic essence. “In the and legally accepted that Belinskiy preferred the poetry Philadelphia, USA 301 ISRA (India) = 4.971 SIS (USA) = 0.912 ICV (Poland) = 6.630 ISI (Dubai, UAE) = 0.829 РИНЦ (Russia) = 0.126 PIF (India) = 1.940 Impact Factor: GIF (Australia) = 0.564 ESJI (KZ) = 8.997 IBI (India) = 4.260 JIF = 1.500 SJIF (Morocco) = 5.667 OAJI (USA) = 0.350 directed to an exact social purpose to the poetry portrait in the epos. Of course, it is difficult to refuse intimated to a certain sense. such a description of a mild difference in colour in the DISCUSSION: It should be separately text. But in the same time the associative world of a emphasized that meditative lyrics is directly related to reader accepts the connection of the elements of three social age and cultural environment. In other words, worlds existing in sky (moon, pheasant), land (rich every age presents their own examples of meditative man, owner of thousand sheep) and earth (bent bow) poetry within their own cultural environment. We can through their sensitive emotional; in this way the trust observe this case not only in the old, classic or modern of the immortality of the spirit of the nation is revealed. written poetry, but firstly in folk samples. Meditative Abdurauf Fitrat gathered all the passages of the lyricism samples obviously appear in dastans, songs song existed in separate form under the title and other genres of Uzbek folk creation. In the songs “Specimens of the oldest Turkic literature”. The song belonging to season and ceremony forms it appears in “Ode to the courageous hero Tunga” placed in the first dense artistic vividness. It appears in completely pages of “Specimens of the oldest Turkic literature” is different colors in lyrical songs. For instance, a bright example of meditative lyrics. Not only the I went asking for an apple, descriptions of death of the courageous hero Tunga are I could only get a cherry. rendered in the Oda, but there is a philosophy of Death Wanting to be with the loving one, and Life is dominating. The main point is given to the Remained only with a bad one... un-eternality of the life: Expressiveness in the song, means of natural Did the courageous hero Tunga die things (apple, cherry) via the lyric hero tries to express Was he left without soul. the emotion of his inner world show that this quatrain Did the enemy revenge him represents the signs of meditative lyrics. The hero who Now our hearts will tear… intended to get the apple grown high in the tree was According to Fitrat’s interpretation: able to get the cherry from the low, feels regret not only Did the courageous hero Tunga die about the fruit. He bitterly cries as the fate gifted him Was the bad world left not the one he admires but vice verse the one he does Did the epoch revenge him not love. The tragedy of this regret is that the event has Our hearts are tearing now of this event…[14:15] already happened and now the lyric hero cannot be In spite of being given as a specimen of folk-lore with his beloved. Deep artistic basis of tragedy and the character of the author, his speech, his attitude to regretful cry are in this. the reality is seen in the ode. In reality the death of In the Uzbek folk epic poem “Alpomish” this Tunga is exact. But the author began the ode with a aspect works to present internal and external world of question in the first line: “Did the courageous hero the hero and to point out virtues of him as a human Tunga die” and did not put an interrogative mark at the being and a hero.
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