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Asian Contemporary Art Week Monday, May 18, 2009

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Asian Contemporary Art Week Monday, May 18, 2009 Sunday, May 10 – Asian Contemporary Art Week Monday, May 18, 2009 ACAW Participation Details & Benefits Ro Lee, mer P Xin ed ro n, G e o r g ia n C n ar yn a Eli z R ab o e b th e K r t o s o c h n E s t e r l i Cao, Jonath n lex an e A G , o C o d a m l e a b n E , elissa s M C t , h e D h iu r l s i , n o L e a h ee v G z i u d a n A S A h o m l o n, X a ha ia C om d m in y ia g ill Z h W a n g hris Mao, A C i W e iw e i, R i c M h ino a ru r Y d a s G u d o a l u , b M i w a k o T e z u k a , Y u t a k a M i n o Photos from ACAW 2008 Opening Reception at Sotheby’s by Julie Beers www.acaw.net Event Scope The mission for Asian Contemporary Art Week is to create a broad alliance of curators, museum directors, gallery owners, educators and collectors who come together to promote awareness and appreciation of Asian contemporary art in the United States. ACAW highlight the broad spectrum of artworks produced by Asian contemporary artists working in their home countries and abroad. Plans for ACAW 2009 are to once again spotlight the artists through a specially organized program entitled: “Open Portfolios”, a series of conversations, project presentations, and screenings by emerging and estab- lished artists at select participating venues. ACAW Director Leeza Ahmady, will work closely with the ACAC (the organizing committee for ACAW) to review nominations by experts in the field and to select 15 to 20 finalists to present their works in an informal social setting across participating venues open to curators, critics, press, collectors, and the general public. Akram Zaatari, Perfect Timing 1, 2002. (MoMA, ACAW 2008) Participation in ACAW can be formatted in the following ways: (A) Participating venues are invited to schedule and promote a solo or a group exhibi- tion featuring Asian or Asian American artist/ artists of their choice. Take advantage of ACAW and highlight/choose an exhibition/program that best represents your mission/ interests and public profile! (B) Participating venues are invited to schedule a public program such as an artist conversation/project/screening, of their choice featuring Asian or Asian American artist/ artists. (C) Participating venues are highly encouraged to host one of the events of the ACAW Open Portfolios series in their respective venues in conjunction to their own planned exhibitions/programs. You may choose to participate in one or more ways proposed above. You can choose option A, B, or C or a combination of the three. All Venues are asked to coordinate and schedule their exhibitions/opening receptions and public programs in accordance to the designated ACAW program! ACAW 2009 Sample Schedule Asian Contemporary Art Week will take place in different areas each evening including Uptown, Tribeca, SoHo, Chelsea, Queens and Brooklyn. Below is a sample schedule of ACAW 2009. Please schedule your opening reception/exhibi- tion/program in respect to this schedule. We encourage you to hold your exhibition/ receptions during the week according to the schedule below. Past experiences have demonstrated that maximum exposure for all participants is gained through a consolidation of events in specific districts each evening. *Sunday, May 10 Opening Event Monday, May 11 Various Tuesday, May 12 Uptown Wednesday, May 13 Midtown Thursday, May 14 Chelsea Friday, May 15 Downtown (Tribeca, SoHo) Sat, Sun, May 16, 17 The Boroughs (Queens & Brooklyn) Monday, May 18 Closing Event (place and content to be announced) *This is a tentative schedule, and subject to slight change! Contact ACAW to help select/ coordinate the best date/time for your program! Advantages of Participation Align with a Cutting-Edge Event Now in its sixth year ACAW continues to attract leading New York City galleries and Participation in ACAW can be formatted in the following ways: museums in a citywide event comprising of exhibitions, receptions, lectures, performances, and public programs. The list of ACAW participating artists is expanding every year. In 2008, the week covered artists from China, Japan, Korea, Taiwan, Vietnam, Thailand, India, Pakistan, Indonesia, Iran, Afghanistan, Uzbekistan, Tajikistan, Kyrgyzstan and Kazakhstan, and for the first time, the Middle East: Lebanon, Palestine and Israel. We have received local and international acclaim and are now perceived to be a major annual event not only in New York City but nationally and internationally. By joining ACAW, your institution aligns with a prominent collective force in this ever- expanding field. Networking As the most important event dedicated to Asian contemporary art, ACAW connects with every member in the community. By joining the ACAW, your gallery/institution immediately expands its association and networking capacity with other curators, artists, critics, galleries, museums, as well as collectors in the field. Intensive Media Exposure Each year ACAW receives both national and international media coverage, while information about the week reaches thousands in advertising, magazines, newspapers, website promotion, website/blogs, newsletters and bulk gallery mail-outs. Among other publications, the week has been reviewed by The New York Times, NY1 News, Art in America, Time Out, Art Review, Artnet.com, Art Asia Pacific, Orientations Magazine and more. ACAW coordinates a comprehensive marketing campaign, which includes the following efforts: 1. Advertisements in major arts publications. Design and distribution of Posters, Save the Date Cards, Program Brochures, and Invitations Cards both in digital and print formats. We also conduct outreach through regular E-mail Blasts. Past programs have accompanied catalogue and brochure publications. 2. Public Relations Out-Reach to domestic and international press agents, critics, and publications through a consolidated list of contents in the media. 3. Continued campaign to enhance our website to better represent the enormous activity that the week generates in the field each year. We will be adding more exciting features that would allow the site to be an on-going, dynamic, engaging, and informative resource for all individuals active and interested in Asian Contemporary Lin Yilin, Forever Happy Building, Art. This means more exclusive representation of our 2000. (China Institute, ACAW 2008) participants’ activities and programs not just during the week, but also on a regular basis. Desirable Demographics In addition to art, design and fashion professionals, ACAW attracts a diverse group of audiences. The advantage of being associated with a collector base that is savvy, ambitious, affluent, and highly educated is clearly apparent. Asian Ameri- cans are America’s fastest-growing ethnic consumers. Their buying power may reach $528 billion by 2009, according to the Selig Center for Economic Growth at the University of Georgia. What’s more, they’re prime art collectors, coming from countries known for their fine craftsmanship and age-old appreciation of art. The opportunity to attract this group and many others sets ACAW events apart. Your Partnership We request your partnership to continue our efforts in this ever-expanding field. Involvement in Asian Contemporary Art Week gives you the opportunity to exhibit Asian artists at a time when interest in their work is high. Furthermore, it builds a growing base of collectors and audiences. Please submit the registration form and participation fee before February 1, 2009. For questions and more information, please do not hesitate to contact ACAW via e-mail or by telephone.Thanks for your time and consideration. ACAW Participants Asian Contemporary Art Consortium Melissa Chiu and Miwako Tezuka, Asia Society and Museum Ethan Cohen, Ethan Cohen Fine Arts Joe Earle, Japan Society Esa Epstein, Sepia International | The Alkazi Collection Michael Goedhuis, Goedhuis Contemporary Philippe Koutouzis, Marlborough Gallery Alexandra Munroe and Sandhini Poddar, Solomon R. Guggenheim Museum Steve Pacia and Shumita Bose, Bose Pacia Gallery France Pepper, China Institute Jung Lee Sanders, Art Projects International Jack & Susy Wadsworth, Collectors Past ACAW Participants American Folk Art Museum Gallery 456 / Chinese- The Museum of Modern Art Arario Gallery American Arts Council M.Y. Art Prospects The Armory Show Gallery Korea New Museum of Art in General Gary Snyder Art Project Contemporary Art Bronx Museum Space New York University Brooklyn Museum Grey Art Gallery Onishi Gallery Chambers Fine Art Ise Cultural Foundation Plum Blossoms Gallery Chappell Gallery Island Weiss Gallery Queens Museum of Art Ch’i Contemporary Fine Art James Cohan Gallery Rubin Museum of Art ChinaSquare Kim Foster Gallery Sikkema Jenkins & Co. China Avant-Garde Kips Gallery Sotheby’s China 2000 Fine Art The Korea Society Sundaram Tagore Gallery Chinese Contemporary Location One Taipei Cultural Center Columbia University Long March Foundation Tamarind Art TCNJ Art Gallery Lower East Side Printshop Thomas Erben Gallery Courtyard Gallery Mary Ryan Gallery Tilton Gallery Crossing Art Max Lang Walsh Gallery 88 Conversations Max Protetch Gallery Whitney Museum of American Art Eli Klein Fine Art Moti Hasson Gallery Winkleman Gallery Elizabeth Wang Gallery Museum of Chinese WPS1 Art Radio envoy in America The Gabarron Foundation and others... Asian Contemporary Art Week Registration Info Sunday, May 10 - Monday, May 18, 2009 Levels of Participation 1. Principal Participant: $2,500 As a Principal Participant, your institution will benefit maximum exposure. You will be included in all ACAW marketing and PR efforts such as: a) Print Media: As a Principal Participant you will be included in all ACAW advertising and PR efforts, both print and digital. You will be acknowledged in all ACAW advertise- ments generally in publications such as Art Asia Pacific, Art Forum, Village Voice, Time Out, and more.
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