The Self As Onwardness: Reading Emerson's Self-Reliance And
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The Politics of Poverty: Elites, Citizens and States
The Politics of Poverty: Elites, Citizens and States Findings from ten years of DFID-funded research on Governance and Fragile States 2001–2010 A Synthesis Paper Acknowledgements This paper was written by DFID Research and Evidence Division Staff, with help and advice from Graeme Ramshaw of IDS and from the directors and staff of the four Re search centres. Disclaimer: This synthesis presents some key findings of DFID-funded research and the resulting policy recommendations of the researchers: it does not necessarily reflect DFID policy. Cover Photo: Justice and Peace Commissioners, Masisi, DR Congo. © Sarah MacGregor / DFID The Politics of Poverty: Elites, Citizens, and States EXECUTIVE SUMMARY Executive Summary Evidence shows that in order to deliver sustainable international development we must be able to understand and work with its politics. Governance describes the way countries and societies manage their affairs politically and the way power and authority are exercised. For the poorest and most vulnerable, the difference that good, or particularly bad, governance, makes to their lives is profound: the inability of government institutions to prevent conflict, provide basic security, or basic services can have life-or-death consequences; lack of opportunity can prevent generations of poor families from lifting themselves out of poverty; and the inability to grow economically and collect taxes can keep countries trapped in a cycle of aid-dependency. Understanding governance, therefore, is central to achieving development and ending conflict. During the 1990s donors came to realise that development required better ‘governance’, and DFID recognised early on the need to work with the research community to identify ways of improving governance for better development outcomes. -
California State University, Northridge the World As
- .... -~-·· ---- -~-~-. -· --. -· ·------ - -~- -----~-·--~-~-*-·----~----~----·····"'·-.-·-~·-·--·---~---- ---~-··i ' CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE WORLD AS ILLUSION \\ EMERSON'S AMERICANIZATION ·oF MAYA A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in English by Rose Marian Shade [. I I May, 1975 The thesis of Rose Marian Shade 1s approved: California State University, Northridge May, 1975 ii _,---- ~---'"·--------------- -------- -~-------- ---·· .... -· - ... ------------ ---······. -·- -·-----··- ··- --------------------·--···---··-·-··---- ------------------------: CONTENTS Contents iii Abstract iv Chapter I THE BACKGROUND 1 II INDIAN FASCINATION--HARVARD DAYS 5 III ONE OF THE WORLD'S OLDEST RELIGIONS 12 IV THE EDUCATION OF AN ORIENTALIST 20 v THE USES OF ILLUSION 25 Essays Nature 25 History 28 The Over-Soul 29 Experience 30 Plato 32 Fate 37 Illusions 40 Works and Days 47 Poems Hamatreya 49 Brahma 54 Maia 59 VI THE WORLD AS ILLUSION: YANKEE STYLE 60 VII ILLUSION AS A WAY OF LIFE 63 NOTES 70 BIBLIOGRAPHY 77 iii I I ABSTRACT THE WORLD AS ILLUSION EMERSON'S AMERICANIZATION OF MAYA by Rose Marian Shade Master of Arts in English May, 1975 One of the most important concepts that Ralph Waldo Emerson passed on to America's new philosophies and religions was borrowed from one of the world's oldest systems of thought--Hinduism. This was the Oriental view of the phenomenal world as Maya or Illusion concealing the unity of Brahman under a variety of names and forms. This thesis describes Emerson's introduction to Hindu thought and literature during his college days, reviews the_concept of Maya found in Hindu scriptures, and details Emerson's deepened interest and wide reading in Hindu philosophy in later life. -
Stanley Cavell's Method of Reading Literature1
Estetyka The Polish Journal i Krytyka of Aesthetics 43 (4/2016), DOI: 10.19205/43.16.3 Magdalena Filipczuk* “Epistemological Reading”: Stanley Cavell’s Method of Reading Literature1 Abstract Not many readers will recognize Disowning Knowledge: Seven Plays of Shakespeare by Stanley Cavell as either a piece of philosophical writing or literary criticism, so it may be useful to ask what method Cavell uses to read literature, what are the main features of his approach, and whether he has a coherent view on what reading lit‑ erature means. I examine Cavell’s interdisciplinary eclecticism, the feature which makes his work so original, and I describe his moving away from the British and American analytic tradition in which he was trained to other sources of inspiration, especially Thoreau. I also stress the important fact that Cavell does not avoid auto‑ biographical motifs in his writings, the style of which derives to some extent from the Jewish tradition of storytelling. In his writings Cavell declares his adherence to an ahistorical approach, maintaining that in a sense philosophy is trans‑histor‑ ical. In many of his books the central issue is the challenge that skepticism poses, and he endeavors to make a convincing case against it. Although Cavell’s work cov‑ ers a broad range of interests, including tragedy and literature, as well as Roman‑ tic poetry, Shakespeare, Henry James and Samuel Beckett, I try to answer the ques‑ tion of why his analyses of skepticism in literature focus especially on the works of Shakespeare. Key words Stanley Cavell, method of reading literature, literature, skepticism, literary criticism, analytic philosophy * InstituteEmail: [email protected] of Philosophy Jesuit University Ignatianum in Kraków, Poland ‑ 1 This article is a modified version of my paper delivered during the Interna tional Congress on Hermeneutics Today: Philosophers on Literature, April 20–22, 2016, Granada (Spain). -
Transcendentalism: a Critique of Today's World Through the Eyes Of
Transcendentalism: A Critique of Today’s World Through the Eyes of a Nineteenth Century Transcendentalist Throughout history, human thought has shaped the processes and actions that make up the world we live in today. It has been at the root of every war as well as every treaty and negotiation. Human thought has fueled hatred and acceptance, wrath and peace, and it has endured through history despite each attempt to repress it. There have been intellectual movements throughout history in which human thought has influenced society’s culture and how it approaches its members and problems. Two such time periods were the Enlightenment and the Second Great Awakening, the latter of which being when Transcendentalism first came to the forefront of human thought. Transcendentalism was a spiritual and philosophical movement that developed in the 1820s and 1830s with roots in Kantian philosophy and German Romanticism.1 This philosophy argued for individualism and each person’s ability to make sense of the Universe through their own Spirit and Reason. In today’s world, Transcendentalist thought is often overlooked and is rarely taught or practiced. Regardless, modern society reflects the one in which Transcendentalists lived in the sense that they have both been marked by technological revolutions and the current societal issues are products of those that Transcendentalists once fought against. It is for this reason that we must look at what Transcendentalism is and how Transcendentalists responded to their society and its problems so that we may begin to do the same within our own society. To do this, it is necessary to look at Ralph Waldo Emerson’s 1 History.com Editors, “Transcendentalism,” HISTORY, August 21, 2018, www.history.com/topics/19th-century/transcendentalism. -
Self-Actualization: Transcendentalist Discourse in the Work of Stuart Saunders Smith
SELF-ACTUALIZATION: TRANSCENDENTALIST DISCOURSE IN THE WORK OF STUART SAUNDERS SMITH José Augusto Duarte Lacerda A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS December 2015 Committee: Roger Schupp, Advisor Timothy Messer-Kruse Graduate Faculty Representative Marilyn Shrude Robert Wallace Thomas Rosenkranz © 2015 José Augusto Duarte Lacerda All Rights Reserved iii ABSTRACT Roger Schupp, Advisor Born and raised in Maine, composer Stuart Saunders Smith (1948) grew up immersed in a milieu that still echoed the influence of the nineteenth-century literary movement known as Transcendentalism. The work of key Transcendentalist figures, such as Ralph Waldo Emerson and Henry David Thoreau, show the movement’s emphasis on autonomy, intuition, pacifism, and social justice. But Transcendentalism also maintains a spiritual focus: a claim that each person is part of a single universal spirit—“Oneness.” However, this “Oneness” does not equate to homogeneity of ideas and individual voices. Rather, each person’s divine worth grants them autonomy of thought and agency. Both the social and spiritual ideas of Transcendentalism have informed Smith’s music, his writings on music compositional process, and his personal life. Amongst the Transcendentalist notions displayed in Smith’s music, pacifism and anti- technologism appear in his use of intricate rhythms. A Thoreauvian anti-materialism can be found in Smith’s limited use of instrumentation and in his concept of “percussion ecology.” Moreover, the Transcendentalist non-teleological stance is reflected in Smith’s tendency to write evening-length pieces that disregard form, his recurring references to New England imagery, and his use of non-sequiturs. -
Book Review: Stanley Cavell. <Em>
Early Theatre 8.1 (2005) Book Reviews Stanley Cavell. Disowning Knowledge in Seven Plays by Shakespeare. Updated edition. Cambridge: Cambridge University Press, 2003. Pp 250. The first essay in this collection, ‘Disowning Knowledge in King Lear,’ was written in 1967 and published in 1969 as the culminating exemplification of the philosophical argument of Stanley Cavell’s Must We Mean What We Say?1 It was subsequently republished in 1987, as the first essay of the original edition of Disowning Knowledge, Cavell’s magisterial reading of Shakespeare’s tragic drama. 1967, 1987, 2003. These dates tell the story of an extraordinary philosopher and critic whose work has never been part of mainstream Shakes- peare scholarship, but which exposes the blind spots and evasions of that criticism while at the same time anticipating many of its fruitful directions. Amongst scholars of literature the pioneering essay on King Lear is probably Cavell’s best known work. It most clearly sets the stage for Cavell’s abiding, some might say obsessive, interest in the equally alluring and incapacitating role of scepticism in human beings’ relations to each other and the world in which they live. For Cavell, Shakespeare’s tragedies are the most complete working out, in all its cunning subtleties and alluring perversities, of the sceptical alienation from the world and from the love of others. The sceptic – who can be anybody – demands certainty beyond the human capacity or condition to provide it. He thereby loses or rejects the world, which appears to lie beyond his fastidious requirement for absolute knowledge. (I use the masculine pronoun deliberately, for Cavell’s later essays suggests that scepti- cism may be gender specific.) Cavell argues, via Shakespeare’s tragedies, that scepticism with regard to our possible knowledge of objects in the world takes a peculiarly debilitating form when it inhabits human relationships. -
The Stoics on Identity and Individuation Author(S): Eric Lewis Source: Phronesis, Vol
The Stoics on Identity and Individuation Author(s): Eric Lewis Source: Phronesis, Vol. 40, No. 1 (1995), pp. 89-108 Published by: Brill Stable URL: http://www.jstor.org/stable/4182488 Accessed: 27-02-2017 20:30 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Brill is collaborating with JSTOR to digitize, preserve and extend access to Phronesis This content downloaded from 140.105.48.199 on Mon, 27 Feb 2017 20:30:04 UTC All use subject to http://about.jstor.org/terms The Stoics on Identity and Individuation ERIC LEWIS Gisela Striker opens her artful "Antipater, or the art of living" with the statement that "In reading the doxographical reports on Stoic philosophy, one gets the impression that the Stoics had a singular, and often irritating, predilection for identity statements."' She goes on to claim "that some of the arguments that have been handed down to us from the second-century controversy about the Stoic definitions of the goal of life depend on the improper use of identity-statements, which however the Stoics, by their predilection for such propositions, seem practically to invite."2 I agree with her that much confusion arises due to statements by Stoics which look like (and may in fact be) identity statements. -
A Higher Sphere of Thought”
“A HIGHER SPHERE OF THOUGHT”: EMERSON’S USE OF THE EXEMPLUM AND EXEMPLUM FIDEI By CHARLA DAWN MAJOR Master of Arts Oklahoma State University Stillwater, Oklahoma 1995 Bachelor of Arts The University of Texas at Dallas Richardson, Texas 1990 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2005 “A HIGHER SPHERE OF THOUGHT”: EMERSON’S USE OF THE EXEMPLUM AND EXEMPLUM FIDEI Dissertation Approved: _______________Jeffrey Walker________________ Dissertation Adviser _____________William M. Decker_______________ _______________Edward Jones________________ ________________L. G. Moses_________________ ______________A. Gordon Emslie_______________ Dean of the Graduate College ii ACKNOWLEDGEMENTS I wish to express my sincere appreciation to my advisor, Dr. Jeffrey Walker, for his guidance, support, and friendship, not only during the considerable duration of this work but throughout the entire course of my graduate studies here at Oklahoma State University. No one could ask for a better teacher, advisor, mentor, and friend, and I have gained immeasurably from this long association. I consider myself extremely fortunate and blessed. My gratitude extends to my committee members. Dr. William Decker has been a continual source of guidance and resources and has consistently perpetuated my interest in both this subject and literary period. Dr. Edward Jones, who has been there from the very beginning, has been a great source of guidance, assistance, encouragement, and friendship and has demonstrated a welcome propensity for being available to me at critical points in my education. And Dr. L. G. Moses, my most recent acquaintance, has offered a unique intelligence and wit that made this dissertation a truly enjoyable learning experience. -
Stanley Cavell's Wittgenstein
WITTGENSTEIN Stanley Cavell’s Wittgenstein By James Conant HE AIM OF THIS PAPER IS TO PROVIDE AN OVERVIEW OF ONE ASPECT OF Stanley Cavell’s reading of Wittgenstein: his interpretation of Wittgenstein’s teaching concerning the relation between meaning Tand use. After furnishing a rough overview of this aspect of Cavell’s reading of Wittgenstein, I shall attempt to bring into focus what is most distinctive and elusive about it by illustrating, by means of some examples drawn from commentators on Cavell’s work, how easy it can be to miss Cavell’s and— if Cavell is right about who Wittgenstein is—Wittgenstein’s point. Now Wittgenstein has become quite famous in recent years for putting forward something that gets called a “use-theory of meaning.” Wittgenstein writes: For a large class of cases—though not for all—in which we employ the word “meaning” it can be defined thus: the meaning of a word is its use in the language.1 If you look at commentaries on Wittgenstein’s work, you will find that commentators have wildly different understandings of what Wittgenstein is saying in this passage. Here is what Cavell says: “The meaning is the use” calls attention to the fact that what an expression means is a function of what it is used to mean or to say on specific occasions by human beings. [T]o trace the intellectual history of philosophy’s concentration on the meaning of particular words and sentences, in isolation from a systematic attention to their concrete uses would be a worthwhile undertaking. -
Aesthetic Interpretation and the Claim to Community in Cavell
CONVERSATIONS 5 Seeing Selves and Imagining Others: Aesthetic Interpretation and the Claim to Community in Cavell JON NAJARIAN Politics is aesthetic in principle. JACQUES RANCIÈRE From his early childhood, Stanley Cavell learned to tread carefully the intervening space between twin pillars: of aesthetic sensibility on the one hand, and political be- longing on the other. Early in his memoir Little Did I Know, Cavell establishes a set of differences between his mother and father that far exceed both gender and age (his father was ten years older than his mother), as he notes the starkly contrasting dis- pensations of their respective families: The artistic temperament of my mother’s family, the Segals, left them on the whole, with the exception of my mother and her baby brother, Mendel, doubt- fully suited to an orderly, successful existence in the new world; the orthodox, religious sensibility of my father’s family, the Goldsteins, produced a second generation—some twenty-two first cousins of mine—whose solidarity and se- verity of expectation produced successful dentists, lawyers, and doctors, pillars of the Jewish community, and almost without exception attaining local, some of them national, some even a certain international, prominence.1 From his mother’s family, Cavell would inherit the musical sensibility that, had he not ventured into the world of academic philosophy, might have led him towards a career as a musician or in music. In his father’s family Cavell observes a religious belonging that, in the decades in which Cavell is raised, becomes morally inseparable from politi- $1. Cavell, Little Did I Know: Excerpts from Memory (Stanford: Stanford University Press, 2010), 3. -
Ralph Waldo Emerson: from Buddhism to Transcendentalism
Jue 1 Ralph Waldo Emerson: From Buddhism to Transcendentalism, the Beginning of an American Literary Tradition A Senior Project presented to the Faculty of the English California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree English, Bachelor of Arts by Irene Jue May 2013 © 2013 Irene Jue Jue 2 INTRODUCTION Ralph Waldo Emerson was a key figure in the American literary tradition. He was an extraordinary and revolutionary thinker who helped found a new philosophical, social and literary movement in the United States during the early 19 th century. The movement was created as a way to protest against the general state of society at the time. Transcendentalism grew to be more than just a rebellious act against conformity, however; it became a way of life. Early in his life, Emerson identified as a Calvinist and then later a Unitarian, even becoming a Unitarian minister. However, after the death of his first wife, he renounced his Unitarian beliefs and gave up the observance of any specific kind of religion, instead adopting many different philosophies and epistemologies. Although Emerson was a great thinker, many of his ideas were influenced by other intellectual figures and philosophies, such as Buddhism, Hinduism, the theories of Immanuel Kant, and many more. One of the most significant influences on Emerson’s transcendental ideals was Buddhism. Although there is evidence of Emerson studying Indian Buddhism, many of his philosophies seem to parallel with the school of Zen Buddhism. FUNDAMENTALS OF BUDDHISM Buddhism originated in India, but it is now practiced throughout the world. -
Mary Moody Emerson
MARY MOODY EMERSON GAVE HIGH COUNSELS. IT WAS THE PRIVILEGE OF CERTAIN BOYS TO HAVE THIS IMMEASURABLY HIGH STANDARD INDICATED TO THEIR CHILDHOOD; A BLESSING WHICH NOTHING ELSE IN 1 EDUCATION COULD SUPPLY. 1. This description was created by Elizabeth Hoar and would appear on Miss Mary Moody Emerson’s tombstone. HDT WHAT? INDEX T N A M U R Y A A M I T A 2 MISS MARY “POLLY” MOODY EMERSON WALDO’S RELATIVES “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY 2. “Tnamurya” and “Amita” were names used by Waldo Emerson to mask or minimize the influence upon him of his Aunt Mary. HDT WHAT? INDEX A M I T A T N A M U R Y A Table of Altitudes Yoda 2 ' 0 '' Lavinia Warren 2 ' 8 '' Tom Thumb, Jr. 3 ' 4 '' Lucy (Australopithecus Afarensis) 3 ' 8 '' Hervé Villechaize (“Fantasy Island”) 3 ' 11'' Charles Proteus Steinmetz 4 ' 0 '' Mary Moody Emerson per FBS (1) 4 ' 3 '' Alexander Pope 4 ' 6 '' Benjamin Lay 4 ' 7 '' Dr. Ruth Westheimer 4 ' 7 '' Gary Coleman (“Arnold Jackson”) 4 ' 8 '' Edith Piaf 4 ' 8 '' Queen Victoria with osteoporosis 4 ' 8 '' Linda Hunt 4 ' 9 '' Queen Victoria as adult 4 ' 10 '' Mother Teresa 4 ' 10 '' Margaret Mitchell 4 ' 10 '' length of newer military musket 4 ' 10'' Charlotte Brontë 4 ' 10-11'' Tammy Faye Bakker 4 ' 11'' Soviet gymnast Olga Korbut 4 ' 11'' jockey Willie Shoemaker 4 ' 11'' Henri de Toulouse-Lautrec 4 ' 11'' Joan of Arc 4 ' 11'' Bonnie Parker of “Bonnie & Clyde” 4 ' 11'' Harriet Beecher Stowe 4 ' 11'' Laura Ingalls Wilder 4 ' 11'' a rather tall adult Pygmy male 4 ' 11'' Gloria Swanson 4 ' 11''1/2 Clara Barton 5 ' 0 '' Isambard Kingdom Brunel 5 ' 0 '' Andrew Carnegie 5 ' 0 '' Thomas de Quincey 5 ' 0 '' Stephen A.