DOCSLIB.ORG

Rudy Ray Moore Rings N Thangs Mp3 Free Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rudy Ray Moore Rings N Thangs Mp3 Free Download rudy ray moore rings n thangs mp3 free download Rudy Ray Moore - Disco Godfather (Original Motion Picture Soundtrack) (2016) Artist : Rudy Ray Moore Title : Disco Godfather (Original Motion Picture Soundtrack) Year Of Release : 2019 Label : Warrior Records Genre : Soundtrack; Disco; Funk; Soul Quality : FLAC (tracks) Total Time : 1:11:49 Total Size : 357 MB WebSite : Album Preview. In 1979, inspired by the massive success of both Saturday Night Fever and The Godfather movies, shock comedian Rudy Ray Moore created Disco Godfather, as a black-POV parody of the disco phenomenon. Disco Godfather is a classic Blaxploitation movie about an ex-cop, with a talent for both martial arts and jive, who sets out to fight the PCP epidemic taking over his neighbourhood. Directed by J. Robert Wagoner, the film stars Rudy Ray Moore (who also co-produced the film) and established genre actress Carol Speed. Already a legendary X-rated comedy star by the 1970’s, Rudy Ray Moore later transitioned into movies. With the money he earned performing in clubs he financed Dolemite (1975) which would turn out to be his most iconic and successful film. Moore returned to performing stand-up during the '80s and '90s and gained a new fan base when rappers like Snoop Dogg and Busta Rhymes began sampling his records and hailing him as “the Godfather of Rap” for his use of rhymes in dialogue. In 2018 (10 years after Moore’s death), it was announced that Craig Brewer (Hustle and Flow) would direct the upcoming biographical-dramedy “Dolemite Is My Name “about Rudy Ray Moore. The Netflix film will star Eddie Murphy as Rudy, other cast members will include Wesley Snipes and Chris Rock. Every cool film needs a cool soundtrack, so the movie’s producers turned to the band Juice People Unlimited to crank out a funky disco flavour bomb. This studio band consisted of many noted musicians, including legendary drummer James Gadsen (one of the most recorded drummers in R&B music, having played on hundreds of hit records); bass player David Shields (Smokey Robinson, Patti Labelle, Gloria Gaynor); guitarist Paul Jackson Jr. (The Temptations, The Pointer Sisters, Bobby Womack); guitarist Wali Ali (Rick James, Marvin Gaye) & percussionist Melvin Webb (The Gap Band, Janet Jackson). The funky tunes on this album were written and arranged by the legendary Ernie Fields Jr., recognised for his baritone sax work with such iconic artists as Marvin Gaye, Rick James and Freddie Hubbard. Fields’ other credits include working as a session musician for (as well as touring with) Fred Wesley in the 1990s … and more recently his involvement as a music contractor for American Idol, The Voice and X Factor. Delivering four lengthy tracks (including trippy sound effects and slurry nasally vocals), the band succeeds in capturing the essence of the movies’ message and concept perfectly. With distinct nods to the drug hallucination sequences depicted in the film, the repetitive funky disco groove reflects a state of trance that fits the imagery on the film like a glove. The original (and never before reissued) 1979 vinyl soundtrack has become a highly sought-after album due to its incredibly high caliber of respected studio performers and collaborators. Strange Disc Records now proudly presents a deluxe vinyl reissue (1000 copies) containing an insert with unseen pictures and extensive and exclusive liner notes. Tracklist: 01. Rudy Ray Moore - Disco Godfather (11:12) 02. Rudy Ray Moore - Shermanizing/One Way Ticket To Hell (5:45) 03. Rudy Ray Moore - I Never Wanted To Say Goodbye (8:54) 04. Rudy Ray Moore - Spaced Out (9:01) 05. Rudy Ray Moore - Disco Godfather Audio Trailer (0:57) 06. Rudy Ray Moore - On Set Audio From The Film Shoot (Part 1) (14:24) 07. Rudy Ray Moore - On Set Audio From The Film Shoot (Part 2) (8:58) 08. Rudy Ray Moore - On Set Audio From The Film Shoot (Part 3) (12:38) Rudy Ray Moore. If Redd Foxx was the king of the party record during the '50s and '60s, then certainly Rudy Ray Moore upped the ante during the '70s with a succession of triple-X-rated platters that were so hot most stores could only sell them under the counter, even during the height of the sexual revolution. His best routines, usually spoken in rhyme, presaged the rap revolution in music by a good 20 years, while his acting roles, starring in such classics as Dolemite, The Human Tornado, and Petey Wheatstraw, remain some of the great blaxploitation movies of that decade. Among his releases were 1970's Eat Out More Often, 1971's Dirty Dozens, and 1996's This Ain't No White Christmas. Greatest Hits. An X-rated comedian who has used jazz and R&B accompaniment when delivering his raunchy rhymes, Rudy Ray Moore has been called the Godfather of Rap (a title that has also been used to describe sociopolitical soulster Gil Scott-Heron). Among non-Black audiences, Moore was never as well known as Richard Pryor, Eddie Murphy or Redd Foxx, but he has commanded a loyal cult following in the Black community and has influenced hip-hoppers ranging from the 2 Live Crew to Ice-T to Big Daddy Kane (who hired him as a guest on his 1990 recording "Big Daddy Vs. Dolemite"), not to mention Blowfly. A perfect introduction to Moore's 1970s work, this 1997 CD boasts such outrageously funny cult classics as "Dolemite," "Signifying Monkey" and "Hurricane Annie." Moore doesn't hesitate to be sexually explicit, and many of his characters were pimps, players, hustlers and prostitutes. Admittedly, Moore isn't for everyone. But those who aren't offended by the profane and the sexually explicit shouldn't miss these classic recordings, which are both historically important and incredibly entertaining. Rudy ray moore rings n thangs mp3 free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67d34f6c38c8848c • Your IP : 188.246.226.140 • Performance & security by Cloudflare. BlackRadioIsBack.com Mixtapes of the Week #15. This is our weekly section where BlackRadioIsBack.com hits up the people some more some free promotional mixtapes and mixtape podcasts for download that are pretty on point - not just from the FuseBox Radio/BlackRadioIsBack.com crew, but from all over the place. To all of my peoples who hit me with hard copies or e-mails of mixtape and mixshow submissions, suggestions, websites and bootleg men (yes, for real, those "hit up so and so for the hot s***" info dropped on me) of various mixtape releases, I thank y'all a lot for supporting this venture. So your blank CDs ready for these ten joints and support the local mixtape bootleg man/mom and pop store, DJ, website, etc. For my DJs, if you do good mixtapes of Hip-Hop, Soul, Rock, House, Reggae, Classics or are a music artist with your mixtape album out you don't mind having posted as promo on the web, feel free to hit the BlackRadioIsBack.com family up at [email protected] with a link to your mixtape with cover and tracklisting - hopefully, we'll put your joint up on here in the future. PLEASE don't send me no B.S. with folks: A. Yelling loud as hell over the song on some fake DJ Clue/DJ Kay Slay/DJ Khaled/Funkmaster Flex ish and I can't hear the damned song but 10 seconds of it (mics have volume control. thanks) B. Mixtape "exclusives" that are on the radio - if its dope its dope, don't need the fake labeling. C. Overall wackness. * NOTE - These mixtapes are dirty versions, no radio edits! * 1. Intro 2. Diamond D - Sally Got A One Track Mind 3. Blackmoon - Who Got The Props 4. Public Enemy - Don't Believe The Hype 5. Jeru The Damaja - Statik 6. Showbiz & AG - Next Level RMX 7. Nas - Life's A B*tch 8. Common - I Used To Love H.E.R. 9. A Tribe Called Quest - Verses From The Abstract 10. Gangstarr - Words That I Manifest 11. MC Shan - The Bridge 12. BDP - The Bridge Is Over 13. Notorious Big - Unbelieveable 14. The Roots & Bahamadia - Proceed Pt. 3 15. Kool G Rap - Ill St. Blues 16. Audio Two - Top Billin 17. LL Cool J - Rock The Bells (OG) 18. Eric B & Rakim - Paid In Full 19. Geto Boys - Scarface 20. EPMD - Your A Customer 21. BDP - My Philosophy 22. Queen Latifah - Wrath Of My Madness 23. The D.O.C - The Formula 24. Big L - MVP RMX 25. Redman - Hardcore 26. Biz Markie - Nobody 27. Lords Of The Underground - Chief Rocka 28. Pete Rock & CL Smooth - T.R.O.Y. 29. Souls Of Mischef - 93 Till Infinity 30. Steady B - Serious RMX 31. Tha Alkaholiks - Damn 32. Marley Marl, Big Daddy Kane, Masta Ace, Craig G & Kool G Rap - The Symphony RMX 33. Conscious Daughters - Funky Expedition 34. Cash Money & Marvelous - Ugly People Be Quiet 35. N.W.A - Gangsta Gangsta 36.
Load more

Recommended publications
  • Farmers Market Returns To
    University of South Carolina Scholar Commons October 2008 10-22-2008 The aiD ly Gamecock, WEDNESDAY, OCTOBER 22, 2008 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2008_oct Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, WEDNESDAY, OCTOBER 22, 2008" (2008). October. 8. https://scholarcommons.sc.edu/gamecock_2008_oct/8 This Newspaper is brought to you by the 2008 at Scholar Commons. It has been accepted for inclusion in October by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Mix The Mix Women’s rugby “Appaloosa” brings the prepares for its new Western genre back to sesaon. See page 9 the screen. See page 7 dailygamecock.com UNIVERSITY OF SOUTH CAROLINA WEDNESDAY, OCTOBER 22, 2008 VOL. 102, NO. 50 ● SINCE 1908 USC provost chosen fi nalist in GSU quest for president Administrator one of two candidates left Special to THE DAILY GAMECOCK in search to fi ll vacancy USC Provost Mark Becker may be GSU’s next president. Kyle Moores THE DAILY GAMECOCK other institutions including the University of Florida, USC Provost Mark University of Michigan and Becker has been selected as Cornell University. one of two finalists to fill As provost, Becker is the vacancy as president of the chief academic officer Georgia State University. of USC. He oversees the Becker has served as the schools and colleges of the vice president of academic USC-Columbia campus as Christine Galligan / THE DAILY GAMECOCK affairs and the provost at well as the school’s regional USC students and staff members wait outside of Russell House for about 10 mintues after being evacuated Tuesday.
    [Show full text]
  • Wszystkie 2012
    30/12/2012 [ Radio RAM ] === MOONDOG / Bird's Lament [DJAZZ (12")] QUANTIC SOUL ORCHESTRA / Get A Move On [Ubiquity (LP)] GENE HARRIS w/ The Three Sounds / Eleanor Rigby [Blue Note/Dusty Groove (LP)] EDDIE JEFFERSON / Thank You Falletinme Be Mice Elf Again [Muse (LP)] WAR / Freight Train Jam [Far Out Productions (LP)] JESTOFUNK f/ Ce Ce Rogets & Fred Wesley / The Ghetto [Irma (EP)] ROLF KUEHN GROUP / 66 Park Avenue [Sonorama (7")] TIM, GARY & ROMEO / Sex Machine (Getting' Up And Doin' Out Thang) [777/Funk Night (7")] TIM, GARY & ROMEO / 777 [777/Funk Night (7")] DOKKERMAN & THE TURKEING FELLAZ / Broken [Budabeats/Tramp (7")] DOKKERMAN & THE TURKEING FELLAZ / Plan B [Budabeats/Tramp (7")] WISDOM & SLIME f/ Werd / Empty Handed (instrumental + vocal) [Goalgetter Austria (EP)] BIZARRE TRIBE / Tour Guide [Gummy Soul (LP)] BIZARRE TRIBE / Runnin' [Gummy Soul (LP)] BIZARRE TRIBE / Ya mama and stuff [Gummy Soul (LP)] BIZARRE TRIBE / Soul Flower (We've Got) [Gummy Soul (LP)] BIZARRE TRIBE / Bonita Keeps On Passin' Me By [Gummy Soul (LP)] BIZARRE TRIBE / Otha Otha Fish [Gummy Soul (LP)] BIZARRE TRIBE / 4 Better Or 4 Worse [Gummy Soul (LP)] BIZARRE TRIBE / Award Tour Guide [Gummy Soul (LP)] BIZARRE TRIBE / Trust, Pt. II [Gummy Soul (LP)] BIZARRE TRIBE / It Ain't Nothing Like [feat. Kriminul] [Gummy Soul (LP)] BIZARRE TRIBE / Lyrics To Let It Go [Gummy Soul (LP)] BIZARRE TRIBE / Doin' Time [feat. Sublime w/ The Pharcyde] [Gummy Soul (LP)] BIZARRE TRIBE / Pharcyde Of The Moon [feat. Bizarre Tribe w/ Black Moon] [Gummy Soul (LP)] FELA SOUL / Stakes
    [Show full text]
  • Dolemite Is My Name
    DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number.
    [Show full text]
  • Rap in the Context of African-American Cultural Memory Levern G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to
    [Show full text]
  • Faculty Rally for Sick-Leave Bank Megan Alter Hopes to Promote Racial, Social Equity in Iowa City
    The Daily Iowan WEDNESDAY, OCTOBER 30, 2019 THE INDEPENDENT NEWSPAPER OF THE UNIVERSITY OF IOWA COMMUNITY SINCE 1868 DAILYIOWAN.COM 50¢ Financial troubles potentially motivated Browning murder Court records filed Tuesday cast light on a potential financial motive behind Roy Browning Jr.'s alleged murder of his wife, UI Health Care Director of Operating Budgets JoEllen Browning. BY MARISSA PAYNE million bond. If convicted, he fac- multiple times on the front and back of her torso policy worth more than $2 million. [email protected] es mandatory life imprisonment and on her left hand. Her death was ruled a homi- According to the criminal complaint, there without the possibility of parole. cide by sharp-force injuries. Investigators found were numerous discrepancies between apparent University of Iowa Health Care budget official He called 911 the morning of no signs of forced entry into the home and they documents of banking records. In one photo- JoEllen Browning questioned her husband about April 5 to report that he found did not find the alleged murder weapon. graphed record, there was a listing of a nonexis- discrepancies in their financial records days be- his wife unresponsive in their Information revealed in the court records tent account. Another discrepancy showed a bal- fore he allegedly stabbed her to death in April, au- residence at 114 Green Mountain casts light on a potential financial motive for Jo- ance of $97,830.17 in an apparent photographed thorities alleged in court records filed Tuesday. R. Browning Drive. Law-enforcement officials Ellen Browning's homicide. A review of the cou- statement of a joint account dated Dec.
    [Show full text]
  • Open My Dissertation.Pdf
    The Pennsylvania State University The Graduate School College of the Liberal Arts FROM TRICKSTER TO BADMAN TO “GANGSTA”: GLOBALIZING THE BADMAN MYTHOFORM IN HIP-HOP MUSIC A Dissertation in Comparative Literature by Mich Yonah Nyawalo © 2012 Mich Yonah Nyawalo Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2012 The dissertation of Mich Nyawalo was reviewed and approved* by the following: Thomas A. Hale Edwin Erle Sparks Professor of African, French, and Comparative Literature Dissertation Adviser Chair of Committee Sophia A. McClennen Professor of Comparative Literature, Spanish and Women’s Studies Jonathan P. Eburne Associate Professor of Comparative Literature and English Jennifer Boittin Associate Professor of French, Francophone Studies, and History Gabeba Baderoon Associate Professor of Women’s Studies and African Studies Aaron L. Rosenberg Research Professor Centro de Estudios de Asia y África El Colegio de México Special Member Caroline D. Eckhardt Professor of Comparative Literature and English Head of the Department of Comparative Literature *Signatures are on file in the Graduate School. ii Abstract While a vast amount of hip-hop scholarship has focused on the proliferation of rap music within contemporary national contexts, little research has been conducted on the ways in which rappers have capitalized transnationally on each other’s national histories and folklore in their music. As a counterpoint to this dominating presentism in current hip-hop scholarship, my project analyzes how the mythological figures of the trickster and the badman, key characters in numerous African-American traditional narratives, have dramatically influenced the modes through which authenticity and notions of communal agency have shaped hip-hop in the United States, France, and Kenya.
    [Show full text]
  • The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics
    THE BEAUTIFUL STRUGGLE: AN ANALYSIS OF HIP-HOP ICONS, ARCHETYPES AND AESTHETICS ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ by William Edward Boone August, 2008 ii © William Edward Boone 2008 All Rights Reserved iii ABSTRACT The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics William Edward Boone Doctor of Philosophy Temple University, 2008 Doctoral Advisory Committee Chair: Nathaniel Norment, Ph.D. Hip hop reached its thirty-fifth year of existence in 2008. Hip hop has indeed evolved into a global phenomenon. This dissertation is grounded in Afro-modern, Afrocentric and African-centered theory and utilizes textual and content analysis. This dissertation offers a panoramic view of pre-hip hop era and hip hop era icons, iconology, archetypes and aesthetics and teases out their influence on hip hop aesthetics. I identify specific figures, movements and events within the context of African American and American folk and popular culture traditions and link them to developments within hip hop culture, iconography, and aesthetics. Chapter 1 provides an introduction, which includes a definition of terms, statement of the problem and literature review. It also offers a perfunctory discussion of hip hop
    [Show full text]
  • The Coolest Music Book Ever Made Aka the MC 500 Vol. 1 Marcus Chapman Presents… the Coolest Music Book Ever Made Aka the MC 500 Vol
    The Coolest Music Book Ever Made aka The MC 500 Vol. 1 Marcus Chapman presents… The Coolest Music Book Ever Made aka The MC 500 Vol. 1 k Celebrating 40 Years of Sounds, Life, and Culture Through an All-Star Team of Songs Marcus Chapman For everyone who knows the joy of spending time shopping in a record store, and for the kids of the present and future who will never have that experience… Copyright © 2015 Marcus Chapman All rights reserved. ISBN: 1511780126 ISBN 13: 9781511780124 Contents Intro: What is The MC 500 and What Makes This Book So Cool? BONUS SONG: #501 Ooh . Roy Ayers 500 to 401 500 You Don’t Know How It Feels . Tom Pett y 499 Diggin’ On You. TLC 498 Here I Go Again . Whitesnake 497 Blame It . Jamie Foxx featuring T-Pain 496 Just Shopping (Not Buying Anything) . The Dramatics 495 Girls Dem Sugar . Beenie Man featuring Mya 494 My Heart Belongs To U . Jodeci 493 What’s My Name? . Rihanna featuring Drake 492 Feel the Need . Chocolate Milk 491 Midnight Flight . Jake Jacobson 490 The Big Payback . EPMD 489 Still Talkin’ . Eazy-E 488 Too Hot Ta Trot . Commodores 487 Who Dat . JT Money featuring Solé 486 Dark Vader . Instant Funk 485 Flow On (Move Me No Mountain). Above the Law 484 Fantasy . Earth, Wind & Fire 483 Payback Is a Dog . The Stylistics 452 Life Can Be Happy . Slave 482 Double Vision . Foreigner 451 I’ll Take Your Man . Salt ‘N Pepa 481 Soliloquy of Chaos . Gang Starr 480 Spirit of the Boogie .
    [Show full text]
  • JANUARY 2020 SACSCOC Fully Reaffirms KENTUCKY STATE UNIVERSITY’S ACCREDITATION For1 Years
    GOOD NEWS JANUARY 2020 SACSCOC fully reaffirms KENTUCKY STATE UNIVERSITY’S ACCREDITATION for1 Years The Southern Association of Colleges and Schools Commission As the major accrediting body for public and private on Colleges (SACSCOC) reaffirmed Kentucky State University’s institutions of higher education in the 11 southernmost states, accreditation for the next 10 years. SACSCOC made the official SACSCOC accredits more than 780 universities and colleges in announcement during its annual meeting recently in Houston. Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, Virginia, as Kentucky State received the best possible review, with the well as Latin America. committee finding the University in full compliance and offering no recommendations or requests for continued Kentucky State University’s reaffirmation was the result of monitoring. a multiyear review process that included internal studies involving hundreds of people on campus and culminating “Today’s accreditation decision is a strong signal of institutional in a March 2019 site visit by a peer review committee from health at Kentucky State University,” said University President SACSCOC. SACSCOC has 84 standards with which institutions Dr. M. Christopher Brown II. “As a former SACSCOC must comply in order to gain or maintain accreditation. board member, I know firsthand the valuation that regional accreditation attests about the quality of our faculty, staff, and As part of the reaffirmation process, Kentucky State developed students.” a Quality Enhancement Plan, or QEP — a comprehensive plan for institutional improvement. Kentucky State’s QEP, “Learning President Brown added, “In order to achieve this distinction, that Works,” is a University-wide initiative to teach students an institution must meet specific standards of excellence skills that will aid them in career readiness and advancement.
    [Show full text]
  • The Echo: May 14, 2020; Eddie Murphy Returns to the Spotlight As
    5/14/2020, 9:00AM Eddie Murphy returns to the spotlight as Rudy Ray Moore “Dolemite is My Name” highlights an inyuential icon and era By ETHAN RICE Rudy Ray Moore (Eddie Murphy) struggles to xnd his place in the white-dominated movie industry in “Dolemite is My Name” On the streets of 1970’s Los Angeles, one comedy legend steps into the shoes of another as Eddie Murphy takes on the true story of struggling-artist-turned- unlikely-superstar Rudy Ray Moore. A little known but hugely inyuential artistic xgure, Moore was a struggling comic and musician who crafted stories from street poets and African heritage into a character act telling profane tales of outrageous exploits. Moore would go on to produce and star in multiple movies based on his characters, most famously a martial arts-wielding pimp named Dolemite. Directed by Craig Brewer, the 2019 Netyix-original biopic “Dolemite is My Name” (R) follows Moore’s journey from the invention of the Dolemite character to the 1975 release of the original movie. Murphy plays Moore as an earnest man deeply immersed in the culture of African American art and caught up in the thrall of Hollywood. Moore just can’t seem to catch a break, however. Already existing on the outskirts of industries dominated by powerful white men, he’s too broke, too fat and too out of date, stuck working a day job at the famous Dolphin’s of Hollywood record store to get by. He spends his days trying to get the store’s resident DJ, Roj (Snoop Dogg), to play his records and his nights delivering lame jokes as a club’s M.C., opening for his friend Ben (Craig Robinson) and his band.
    [Show full text]
  • 2X GRAMMY Winning Legend, Blues Hall of Famer, Six-Time Grammy
    2x GRAMMY winning legend, Blues Hall of Famer, six-time Grammy nominee, and 13-time Blues Music Award winner, with cameo in the Netflix original Dolemite Is My Name starring Eddie Murphy, and autobiography on its way Bobby Rush has been making records for nearly 70 years and has more than 400 recordings, 75 career releases, and now 27 studio albums to his name. He’s finally telling his story in his autobiography I Ain’t Studdin’ Ya: My American Blues Story currently available for pre-order and due out June 22 via Hachette Books who have published Keith Richards, Buddy Guy, and Tina Fey to name a few. After earning a Grammy Award for Best Traditional Blues Album and a Blues Music Award for Album of the Year for his studio recording Porcupine Meat in 2017, he spent a year writing his follow-up. In 2019, at age 85, he released Sitting on Top of the Blues with 11 originals, earning him another Blues Music Award and Grammy Award nomination. Rush is one of the last Black bluesmen from the class to emerge out of and triumph in the 1950s, ’60s, and ’70s. He has recorded for more than 20 labels, from Checker/Chess and ABC to Philly Int’l and Rounder/Concord. To cap off 2019 he had a cameo in the Golden Globe-nominated Netflix original film Dolemite Is My Name, the Rudy Ray Moore biopic featuring Eddie Murphy as Moore. Rush kicked off 2020 with the release of “Dolemite Kid,” a single inspired by his nine years on tour with Moore, his day working with Murphy, and the hit film itself.
    [Show full text]
  • MUS 17 -- Week 15, Apr 29 Note: Paper #2 Is Due May 6 at Noon, Submit Via Tritoned
    MUS 17 -- Week 15, Apr 29 Note: Paper #2 is due May 6 at noon, submit via TritonEd. Guidelines Writing Center at Teaching and Learning Commons in Geisel ... Remember to keep up to date with listening IDs. ... There will be another in-section writing assignment this week. ... My office hours: Mondays 4:30 - 5:30 at the Art of Espresso Cafe. ... Jeff Chang May 13 -- FREE LIGHT REFRESHMENTS To Do, Apr 29 1. Go over quiz #4. Review last lecture. Listen to some of the classic Gangsta tracks. 2. Obscenity issues: 2 Live Crew, Geto Boys and PMRC. 3. IP law and Hip Hop 4. Listening ◦ Ice Cube's solo stuff, ublicP Enemy, Snoop Dogg's Gin and Juice Quiz #4 review: 1. What kind of police chief was Daryl Gates? 2. Who is Freeway Rick Ross? 3. Apartheid is ... ? 4. What happened in the Iran-Contra scandal? 5. Native Tongues is ... ? Listening ID practice ?? Toward Obscenity DJ Quick, Jus Lyke Compton, 1992 • Quick is from Compton, but the song is all about leaving Compton and finding all the same stuff in other cities. • Signature evil laugh. • Commodification/export of gangsta aesthetic? • "They need to stop watching that Colors (1988) and Boys in the Hood (1991)" ◦ NB, John Singleton died today. Too Short, the Ghetto, 1990 • Local rapper from Oakland, rapping about that place in a similar way to NWA's relationship to LA. • Samples Donny Hathaway, the Ghetto Snoop Dogg, Deep Cover, 1992 • One of Snoop's first big ecorr dings • Dr. Dre's first solo effort teraf the breakup of NWA • Recorded for the 1992 film of the same name, directed by Bill Duke • Note the emphasis on police corruption rather than just gang violence • Fat Joe and Big Pun 'cover' this song in 1998 Geto Boys Scarface, Bushwick Bill and Willie D.
    [Show full text]