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Current Auctions Navigation All Archives - Search Category: ALL Archive: BIDDING CLOSED! Over 150 Silver Age Comic Books by DC, Marvel, Gold Key, Dell, More! North (167 records) Lima, OH - WEDNESDAY, November 25th, 2020 Begins closing at 6:30pm at 2 items per minute Item Description Price ITEM Description 500 1966 DC Batman #183 Aug. "Holy Emergency" 10.00 501 1966 DC Batman #186 Nov. "The Jokers Original Robberies" 13.00 502 1966 DC Batman #188 Dec. "The Ten Best Dressed Corpses in Gotham City" 7.50 503 1966 DC Batman #190 Mar. "The Penguin and his Weapon-Umbrella Army against Batman and Robin" 10.00 504 1967 DC Batman #192 June. "The Crystal Ball that Betrayed Batman" 4.50 505 1967 DC Batman #195 Sept. "The Spark-Spangled See-Through Man" 4.50 506 1967 DC Batman #197 Dec. "Catwoman sets her Claws for Batman" 37.00 507 1967 DC Batman #193 Aug. 80pg Giant G37 "6 Suspense Filled Thrillers" 8.00 508 1967 DC Batman #198 Feb. 80pg Giant G43 "Remember? This is the Moment that Changed My Life!" 8.50 509 1967 Marvel Comics Group Fantastic Four #69 Dec. "By Ben Betrayed!" 6.50 510 1967 Marvel Comics Group Fantastic Four #66 Dec. "What Lurks Behind the Beehive?" 41.50 511 1967 Marvel Comics Group The Mighty Thor #143 Aug. "Balder the Brave!" 6.50 512 1967 Marvel Comics Group The Mighty Thor #144 Sept. "This Battleground Earth!" 5.50 513 1967 Marvel Comics Group The Mighty Thor #146 Nov. "...If the Thunder Be Gone!" 5.50 514 1969 Marvel Comics Group The Mighty Thor #166 July. -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities. -
Backup Series Issue! 0 8 Green Lantern • Green Arrow & Black Canary 2 6 7 7
0 4 No.64 May 201 3 $ 8 . 9 5 1 82658 27762 8 METAMORPHO • GOODWIN & SIMONSON’S MANHUNTER GREEN LANTERN • GREEN ARROW & BLACK CANARY COMiCs PASKO & GIFFEN’S DR. FATE & more! , WHATEVER HAPPENED TO…? BACKUP SERIES ISSUE! bROnzE AGE AnD bEYOnD i . Volume 1, Number 64 May 2013 Celebrating the Best Comics of Comics’ Bronze Age and Beyond! the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Mike Grell and Josef Rubinstein COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg BACK SEAT DRIVER: Editorial by Michael Eury . .2 PROOFREADER Rob Smentek FLASHBACK: The Emerald Backups . .3 Green Lantern’s demotion to a Flash backup and gradual return to his own title SPECIAL THANKS Jack Abramowitz Robert Greenberger FLASHBACK: The Ballad of Ollie and Dinah . .10 Marc Andreyko Karl Heitmueller Green Arrow and Black Canary’s Bronze Age romance and adventures Roger Ash Heritage Comics Jason Bard Auctions INTERVIEW: John Calnan discusses Metamorpho in Action Comics . .22 Mike W. Barr James Kingman The Fab Freak of 1001-and-1 Changes returns! With loads of Calnan art Cary Bates Paul Levitz BEYOND CAPES: A Rose by Any Other Name … Would be Thorn . .28 Alex Boney Alan Light In the back pages of Lois Lane—of all places!—sprang the inventive Rose and the Thorn Kelly Borkert Elliot S! Maggin Rich Buckler Donna Olmstead FLASHBACK: Seven Soldiers of Victory: Lost in Time Again . .33 Cary Burkett Dennis O’Neil This Bronze Age backup serial was written during the Golden Age Mike Burkey John Ostrander John Calnan Mike Royer BEYOND CAPES: The Master Crime-File of Jason Bard . -
Arrow: Fatal Legacies Ebook
ARROW: FATAL LEGACIES PDF, EPUB, EBOOK Marc Guggenheim | 384 pages | 06 Feb 2018 | Titan Books Ltd | 9781783295210 | English | London, United Kingdom Arrow: Fatal Legacies PDF Book Titan Books. The Parenting Book Guide. Books will be free of page markings. Shuzo Oshimi. Arrowverse 4 books. See details for additional description. Download Hi Res. Good stuff, Maynard. Aggiungi al carrello. More Details The Flash: Season Zero. Arrow Ser. Thanks for reading Katie. Sensitively and carefully as if the character is fragile- which she is. Malcolm Merlyn. Sometimes, I wondered if Tuck knew what the words he was writing actually meant. We are made by history. Sailor Moon Eternal Edition 7. Works can belong to more than one series. But personally I love Arrow, even through it's low points. It was almost a 2. Yao Fei. In this one, Annie is a toddler who is starting to develop her spider powers much to the dismay of her parents. Hope William will be okay. CherCher rated it liked it Apr 14, I will continue to look for Titan Books, this just wasn't a favorite. It did a really great job of filling in the missing six months between the end of season 5 and the beginning of season 6. Good action book Action, I would like that had a little more interaction between Oliver and William. Be the first to write a review About this product. Nyssa al Ghul. Return to Book Page. Uh-oh, it looks like your Internet Explorer is out of date. I read the 3 books in the Deacon Chalk series and found each one tougher to read than the last. -
Flash Season Zero Pdf, Epub, Ebook
FLASH SEASON ZERO PDF, EPUB, EBOOK Phil Hester,Marcus To,Andrew Kreisberg | 264 pages | 29 Sep 2015 | DC Comics | 9781401257712 | English | United States Flash Season Zero PDF Book With the commencement of production on the series' second season, former Arrow and Ugly Betty writer Gabrielle Stanton was promoted to executive producer and showrunner; after having served as consulting producer and writer on the first season's finale "Fast Enough". He believes he dreamt the whole experience, until he finds the bullet that shot him on the ground. Retrieved June 22, June 26, The Flash's team-up with the Arrow came in the midst of a story that saw King Shark becoming a reluctant member of the Arrowverse's Suicide Squad. Jan 18, Angel Gutierrez rated it really liked it. Javascript is not enabled in your browser. Nordyke, Kimberly; Forstadt, Jillian March 23, Black Star - 10 Pages 5. Kreisberg stated, "Barry will [already] be the Flash, he will have his team, everyone will be in that world, and we'll [ sic ] introducing a new set of villains that we won't be seeing on the TV show. Archived from the original on August 29, Archived from the original on January 1, It was because he was introduced in this comic, and again they actually took the time to show character development which I loved! Retrieved August 26, Retrieved April 30, Characters Seasons 1 2 3 Episodes. Retrieved October 20, There was nothing in this book I did not like. Further information: List of The Flash episodes. Production website. Retrieved February 9, Business Insider. -
Glee, Flash Mobs, and the Creation of Heightened Realities
Mississippi State University Scholars Junction University Libraries Publications and Scholarship University Libraries 9-20-2016 Glee, Flash Mobs, and the Creation of Heightened Realities Elizabeth Downey Mississippi State University, [email protected] Follow this and additional works at: https://scholarsjunction.msstate.edu/ul-publications Recommended Citation Downey, Elizabeth M. "Glee, Flash Mobs, and the Creation of Heightened Realities." Journal of Popular Film & Television, vol. 44, no. 3, Jul-Sep2016, pp. 128-138. EBSCOhost, doi:10.1080/ 01956051.2016.1142419. This Article is brought to you for free and open access by the University Libraries at Scholars Junction. It has been accepted for inclusion in University Libraries Publications and Scholarship by an authorized administrator of Scholars Junction. For more information, please contact [email protected]. Glee and Flash Mobs 1 Glee, Flash Mobs, and the Creation of Heightened Realities In May of 2009 the television series Glee (Fox, 2009-2015) made its debut on the Fox network, in the coveted post-American Idol (2002-present) timeslot. Glee was already facing an uphill battle due to its musical theatre genre; the few attempts at a musical television series in the medium’s history, Cop Rock (ABC, 1990) and Viva Laughlin (CBS, 2007) among them, had been overall failures. Yet Glee managed to defeat the odds, earning high ratings in its first two seasons and lasting a total of six. Critics early on attributed Glee’s success to the popularity of the Disney Channel’s television movie High School Musical (2006) and its subsequent sequels, concerts and soundtracks. That alone cannot account for the long-term sensation that Glee became, when one acknowledges that High School Musical was a stand-alone movie (sequels notwithstanding). -
Ebook Download Worlds Finest Vol. 2
WORLDS FINEST VOL. 2 (THE NEW 52) PDF, EPUB, EBOOK Paul Levitz | 160 pages | 26 Nov 2013 | DC Comics | 9781401242763 | English | United States Worlds Finest Vol. 2 (The New 52) PDF Book Batarang Magnet Set Need to hang a reminder on your fridge or hang up some work on a metal service? And ends with a nice cliffhanger so I will be buying the next edition also. Delivery times may vary, especially during peak periods. They make it look like you flung it straight at whatever you're hanging. Green Lantern Snapback Hat Keep the sun out of your eyes - even in brightest days - with this exclusive snapback hat, featuring a vintage Green Lantern logo. This World's Finest: the Collection box is packed full of nefariously exclusive items featuring some of your favorite DC villains! Cancel Insert. Clear Pull-String Bag. I'll be reading the next Volume to finish that story arc, but the book really needs to bring more "heavy-hitters" to the title for brief crossovers. Because Huntress is completely incapable of being hidden or escaping independently at all. This item will be posted through the Global Shipping Program and includes international tracking. This mug is based off of Batman's original appearance, black and white with pointed ears. Superman is here to save the day! Button Down Shirt. So when I saw this series I had to get it, Power Girl and Huntress are 2 of my favorite supporting characters that help out the big 3 Superman, Barman, Wonder Woman , from time to time. See, he wrote this review for Power Girl, Vol. -
CRISIS CHARACTER CARDS Original Text
CRISIS CHARACTER CARDS Original Text ©2011 WIZKIDS/NECA, LLC TM & © DC Comics. (s11) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. ©2011 WIZKIDS/NECA, LLC TM & © DC Comics. (s11) 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2011 WIZKIDS/NECA, LLC TM & © DC Comics. (s11) TABLE OF CONTENTS Accomplished Perfect Captain Marvel, Jr., 56 Physician, 50 Chief, 42 Ace, 22 Darkseid, 54 Anti-Monitor, 79 Dawnstar, 28 Anti-Monitor, Guardian Deathstroke, 34 of Fear, 80–81 Donna Troy, 72 Aqualad, 10 Dr. Sivana, 26 Batgirl, 20 The Flash, 63 Batman, 76 Forerunner, 46 Batwoman, 25 Garth, 73 Black Adam, 59 Gold, 15 Blue Beetle, 36 Green Arrow, 32 Boy Wonder, 68 ©2011 WIZKIDS/NECA, LLC TM & © DC Comics. (s11) Green Lantern, 29 Mercury, 14 Harbinger, 45 Monarch, 49 Hawk and Dove, 38 Monitor, 66 Iron, 21 Mordru, 48 Jack and Ten, 31 Nightwing, 35 Jericho, 13 Nightwing and Starfire, 64 Karate Kid, 30 Psimon, 39 Kid Flash, 8 Psycho-Pirate, 58 King and Queen, 57 Red Arrow, 24 Klarion, 17 Red Hood, 23 Kyle Rayner, 43 Rip Hunter, 27 Lead and Tin, 40 Robin (Dick Grayson), 7 Liberty Belle, 16 Robin (Tim Drake), 19 Mammoth, 37 Roy Harper, 74 Mary Marvel, 47 Shadow Demon, 78 ©2011 WIZKIDS/NECA, LLC TM & © DC Comics. -
Lost Vs Arrow: Transmedia Strategies to Create a Connected Audience
Lost vs Arrow: transmedia strategies to create a connected audience MA Thesis Television and Cross-Media Culture Michella Wessels, 10003156 Jonckerhof 4, Nijmegen 0622900630 [email protected] First Reader: Toni Pape Second Reader: Sudeep Dasgupta 25-6-’15, Universiteit van Amsterdam 22.691 words Index 1. Introduction_________________________________________________________________3 2. Strategies to create an connected audience________________________________________6 2.1. The connected audience_______________________________________________ 8 2.2. Transmedia strategies_________________________________________________12 2.3. Social media strategies as transmedia strategies____________________________16 3. Lost: the narrative strategies for fan engagement___________________________________22 3.1. Narrative mysteries and gaps___________________________________________24 3.2. Non-chronological narration___________________________________________ 28 3.3. Cliffhangers_________________________________________________________32 3.4. Parallel realities and possible worlds_____________________________________ 33 4. Arrow: the (online) strategies for fan engagement __________________________________37 4.1. The narrative strategies _______________________________________________ 37 4.2. The online strategies _________________________________________________ 41 4.3. Connected through Facebook___________________________________________43 4.3.1. Activating fan creativity__________________________________________ 44 4.3.2. Connecting with the -
Eobard Thawne: a Study Case of Main Villains in the Flash Series Season 1
UGM Digital Press Proceeding of ASIC 2018 2 Social Sciences and Humanities (2018) : 59-64 American Studies International Conference (ASIC) 2018 Eobard Thawne: A Study Case of Main Villains in the Flash Series Season 1 I Komang Sumaryana Putra English Department, Faculty of Arts, Udayana University, Indonesia e-mail: [email protected] Abstract The Flash Every superhero needs a villain. is an American superhero television series developed by Greg Berlanti, Andrew Kreisberg, and Geoff Johns, airing on The CW. It is based onThe the FlashDC Comics character Barry Allen / The Flash, a costumed superhero crime-fighter with the power to move at superhuman speeds. In TV series Season 1, Eobard Thawne is introduced as a scientist from the future; he duplicated the reaction behind Barry Allen/The Flash's powers and learned he would become his own hero's arch-enemy: the Reverse- Flash. This study is aimed to identify the methods of characterization used in introducing Eobard Thawne as the main villain, and also analyzing the intrinsic and extrinsic motivations that the main villain character develops. In collecting the data, this study used library research and the data itself was analyzed qualitatively. Finally, the methods of characterization of the main villain character as well as the character’s motivations are explained. The character may be seen as simple at first glance, but Eobard Thawne has the components that describe him as evil character; from his characterization in his introduction to the motivations that guide him through each step of the story. Indeed, it is absolute reverse. Keywords superhero, main villain character, intrinsic motivation, extrinsic motivation, characterization 1 Introduction As the villain character, Eobard Thawne is presented on The Flash television series in Season 1. -
[.THECW.] the Flash Season 7 Episode 1 Online Full Episodes
[.THECW.] The Flash Season 7 Episode 1 Online Full Episodes 15 sec ago Don’t miss!~NITFLIX~! Where to The Flash Season 7 Episode 1 (2021) Online Free? *DVD- ENGLISH] The Flash Season 7 Episode 1 (2021) Full Movie Watch online free HQ [DvdRip-USA eng subs ]] The Flash Season 7 Episode 1 ! (2021) Full Movie Watch The Flash Season 7 Episode 1 online free 123 Movies Online !! The Flash Season 7 Episode 1 (2021) | The Flash Season 7 Episode 1 Online (2021) Full Movie Free HD.720Px|The Flash Season 7 Episode 1 Online (2021) Full MovieS Free HD Google Drive!! The Flash Season 7 Episode 1 (2021) with English Subtitles ready for download,The Flash Season 7 Episode 1 (2021) 720p, 1080p, BrRip, DvdRip, High Quality. The Flash Season 7 Episode 1 Google Drives Online Free HD Title: The Flash Season 7 Episode 1 Release Date: Feb 19, 2021 Genres: Drama, Romance Production Company: Quiddity Films, The Bureau, BBC Films, BFI Film Fund Production Countries: United Kingdom Casts: Colin Firth, Stanley Tucci, James Dreyfus, Pippa Haywood, Sarah Woodward Overview : Sam and Tusker, partners of 20 years, are traveling across EngThe Flash Season 7 Episode 1 in their old RV visiting friends, family and places from their past. Since Tusker was diagnosed with early- onset dementia two years ago, their time together is the most important thing they have. As the trip progresses, however, their ideas for the future clash, secrets come out, and their love for each other is tested as never before. Ultimately, they must confront the question of what it means to love one another in the face of Tusker’s illness. -
SUPERHEROINES and STEREOTYPES a QUEER POSTFEMINIST RESEARCH INTO the SERIES of ARROWVERSE Word Count: 24 078
SUPERHEROINES AND STEREOTYPES A QUEER POSTFEMINIST RESEARCH INTO THE SERIES OF ARROWVERSE Word count: 24 078 Maxine De Wulf Helskens Student number: 01606502 Supervisor(s): Prof. Dr. Frederik Dhaenens Co-Supervisor: Jessica Morton A dissertation submitted to Ghent University in partial fulfilment of the requirements for the degree of Master of Communication Academic year: 2019 – 2020 Table of contents TABLE OF CONTENTS 3 ABSTRACT 5 1. INTRODUCTION 6 2. LITERATURE REVIEW 8 2.1 THEORETICAL FRAMEWORK 8 2.1.1 SITUATING FEMINIST MEDIA STUDIES 8 2.1.2 QUEER POSTFEMINISM 10 2.2 SUPERHEROINES AND STEREOTYPES 17 2.2.1 ROLES, PHYSICAL APPEARANCE AND CLOTHING 18 2.2.2 BEHAVIOUR, ROMANTIC RELATIONSHIPS AND SUPERPOWERS 19 2.2.3 THE PROTECTION NARRATIVE 20 2.3 AN INTERSECTIONAL PERSPECTIVE 21 2.3.1 LGBTQ MINORITIES (WITHIN THE SUPERHERO GENRE) 21 2.3.2 WOMEN OF COLOUR (WITHIN THE SUPERHERO GENRE) 22 2.4 CONCLUSION 23 3. RESEARCH DESIGN 25 3.1 RESEARCH QUESTIONS AND RESEARCH METHOD 25 3.2 RESEARCH GRID AND STRATEGY OF ANALYSIS 26 3.3 SELECTION OF CASES 27 3.4 RELIABILITY AND VALIDITY 29 4. RESULTS 30 4.1 THE ARROWVERSE 30 4.2 FASHION, POWER AND COSTUMES 31 4.3 TO SAVE OR NOT TO SAVE 39 4.4 BENDING STEEL AND GENDER 52 4.5 INTERSECTIONS 56 5. CONCLUSION 62 3 6. DISCUSSION 66 7. REFERENCES 67 8. ATTACHMENTS 74 8.1 RESEARCH GRID 74 8.2 OVERVIEW OF AUTHOR CONTRIBUTIONS 78 8.3 SELECTION OF CASES 79 8.4 DUTCH SUMMARY OF RESEARCH PAPER 82 4 Abstract Since the new millennium, there has been an enormous increase in audio-visual adaptations of superhero comic books (Garcia-Escriva, 2018).