DOCSLIB.ORG

The Nerds of Comedy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Nerds of Comedy I wrote about my dad a year ago. I was very the miracle-working office manager at Key- proud of him for what he had accomplished, stone Area Education Agency, she’s used to and as time passes I find I’m exponentially juggling many things at once. I imagine this more proud. You might know him, or per- curveball has given her a special challenge, haps you read about him in the TH recently. but as of this writing, she’s maintained her Most know Robert Parks now as Marine Bob, sanity and there are just a few days left in Dubuque’s Toys for Tots coordinator. Over the collection season. The whole family is three years since taking on the duties, the coming together over the weekend with retired insurance and investment broker and truck to make the finally collection rounds former Marine has taken the collection from in the Dubuque area. Many thousands of 3000 toys for local kids to over 20,000 toys toys have already come in, been sorted and serving children in four counties, having add- gone back out to agencies and volunteers ed Grant County, Jo Daviess County and Jack- helping to cover such a broad area. son County to Dubuque. Through all the adversity, The article about him in the tag-team effort con- the TH lat week was very tinues to work wonders, nice, though they painted turning thousands of dol- him as being near death. lars in cash into tens of In truth, he’s getting much thousands of dollars in better everyday. Tim, our toys while coordinating editor at 365ink, likens partners and volunteers dad to Keith Richards or across a network Marine Al Davis: “That man can- Bob has created through not be killed by conven- three states. And Mom tional weapons,” he says. even made her treasure Dad has shrugged off trove of Christmas cookies cancer twice before. The somewhere in the middle. second time was last year in-between Toys seasons Dad called today. His when a bad cold was the precursor to a very voice is raspy, but no longer just air. He early case of lung cancer. Following surgery, asked me to pick up the Toys banner from he was back at it without missing a beat. This Five Flags where they had a teddy bear toss year, his third cancer affected his neck and in conjunction with the Thunderbirds hock- came with bad timing, as if there is ever good ey game over the weekend. He’s starting to timing to find cancer. He has just finished his take in tiny bits of soft food that don’t have to chemotherapy treatments and, as many of you come in through a feeding tube, but his tem- have experienced, is very tired. He also has porarily ravaged taste buds are not making it been unable to speak. While normally, the taste very good. But he’s a marine. I’m sure family might think this a blessing, it is most he’s had bad food before. I’m quite looking inconvenient to a man organizing the efforts forward to buying him a big juicy cheese- of volunteers across four counties. How does burger as soon as he’s ready to tackle it. he still do it all. The answer? Mom. Toys for Tots is nearing the frenzied final While we’ve all found ourselves this year days. I’ll bet nothing would make Dad hap- meeting early morning semi trucks at ware- pier than if we all would make these final house docks unloading toys and books to collections ... so much exhausting work be- donated storage space by great people like cause we’ve overfilled the toy boxes spread Restoration Warehouse, Tim McNamara across the Tri-States. And if you are reading and Quick Stop, it is Mom who has become this too late, a cash donation for next year Dubuque’s Mrs. Claus. Her recent retire- will, I’m sure, help Dad get ready for next ment should have left her with time to, uh year. I have no doubt he will begin that pro- ... help out at 365. But perhaps by some un- cess sometime in January. seen grace, her free time came just in time to care for her own mother, as Alzheimer’s People often ask where we get the consis- has placed a quick grasp on her. And, as if tent energy to do all the stuff we do in the to test her malability, Dad was diagnosed community at 365. Well, now you know. once again. And the holidays were looming We had pretty good role models growing in the future. Having spent many years as up. Merry Christmas, Mom and Dad. The 365ink crew... faces you already know! Tim Brechlin Mike Ironside Tanya Graves Ellen Goodmann Tim Trenkle Ralph Kluseman Joie Borland Matt Booth Joe Tower Nick Klenske L.A. Hammer Chris Wand In This Issue of 365ink... ISSUE # 19 Dec.14- 27, 2006 Hitting the Slopes: 4 Community Events: 5 - 8 Jetsetters: 8 Arts: 9-10 TV Town: 11 Live Music Focus: 12 - 15 Budweiser True Music Live Music Calendar: 16& 17 Wando’s Movie Reviews: 18 Oscar Season Ahead: 19 Mayor Roy Buol: 20 Book Reviews: 21 Mattitude: 23 Tim’s Final Bender: 24 Dear Trixie: 25 Dr. Skrap’s: 25 365 Tips for Your Home: Crossword / Sudoku: 2726 Galena: 28-29 Platteville: 30 365 News: 31 The Inkwell Publisher: Bryce Parks ([email protected]) Editor: Tim Brechlin ([email protected]) Advertising: Joie Borland ([email protected]) 563-543-4274 Ralph Kluseman ([email protected]) 563-599-9436 Ad Design: Tanya Graves ([email protected]) Photography: Joey Wallis, Ron TIgges, Mike Ironside, Bryce Parks Writers & Content: Mike Ironside, Tim Brechlin, Ellen Goodmann, Joe Tower Bryce Parks, L.A. Hammer, Chris Wand, Gary Olsen, Mayor Roy Buol, Matt Booth, Robert Gelms, Angela Koppes,, Tim Trenkle, Nick Klenske Graphic Design & Layout: Bryce Parks, Mike Ironside, Tim Brechlin, Gary Olsen Distribution Coordinators: Robert Parks, Kay Kluseman. Special thank you to: Jim Heckmann, Fran Parks, Kay Kluseman, Brad Parks, Bob Johnson, Todd Locher, Dave Blake, Everett Buckardt, Julie Steffen, Sheila Castaneda, Tom Miller, Renae Gabrielson, Christy Monk, Katy Rosko, Jon Schmitz, Ron & Jennifer Tigges and all the 365 friends and advertisers for all your support. You are all 365. Dubuque365 • 210 West 1st Street, Dubuque, IA, 52001 Office Phone or Music/Events/Movie Hotline 365 @(563) 588-4365 We welcome all submission of articles& photos to the address above or by e-mail. Roy Buol Gary Olsen Robert Gelms Ron Tigges Angela Koppes Joey Wallis We’ve hidden 365’s WANDO somewhere in this issue of Dubuque365ink. Can you find the master of movies buried within these pag es? Hint: He’s tiny and could be anywhere ! Good Luck! Winners get a free warm fuzzy! - 4 DUBUQUE365ink • Don’t get eaten by the Abominable Snowman. He’s grouchy today. • DUBUQUE365.COM Now, for those of you who aren’t trying to set world re- cords for number of flips on a single jump and are instead just trying to breeze down the slopes, it’s not like Sundown is leaving you out in the cold. The entire park boasts, in total, 21 downhill trails with a 475- foot vertical drop. (In other words, really frickin’ high.) All the trails are lit, and the lifts can by Tim Brechlin -- you know, making sure that you can actually move 9,000 people an hour. And make it down those hills! And it’s German-made, there are trails set for all difficulty Let’s face it: There’s a little thrill-seeker in all of SUNDOWN SPECIAL so you know that Sundown’s going to be totally levels, with four degrees ranging us. (In some cases, there’s a big one. Not in mine, EVENTS rocking the hills this year. The PistenBully 300 from “easiest” to “most difficult.” • Every Friday - Fabulous Friday - open though. I’m a pansy.) And while we can go to Six features retractable forks that are used for moving ‘til midnight, special events Flags and ride rollercoasters ‘til the sun goes down, rails and terrain features in the terrain park ... en- And don’t worry, the kids are a • Dec. 24 - Slopes open 9 a.m. - 4 p.m., or try base-jumping from the Clock Tower (not en- suring unique experiences every time you decide huge part of Sundown’s winter offer- $25 adult lift tickets ($15 youth) dorsed by 365ink, in case anyone decides to go for to wander over to that part of Sundown. ings. Every weekend and during the it), what could possibly be more thrill-seek-ey than holidays, Sundown hosts Kids Park • Dec. 26 - 30 - Holiday rates apply strapping on a few skis and roaring down a hill? Oh, what’s a terrain park, you ask? Well, it’s pret- sessions — 10 a.m. to noon, or 1 (I’d personally take an evening watching movies, ty much exactly what the name suggests ... it’s an to 3 p.m. It’s open for children ages • Jan. 5 - All Night Ski for Youth Groups, 11 p.m. - 4 a.m. $20 lift tickets, $35 lift/ but as we’ve established before, I’m a pansy. And I outdoor area that’s essentially for allowing snow- 4 -12, and the sessions are aimed lesson/ski rental. Groups of 15 or more. have no balance, even when I’m sober.) boarders and skiers to do any number of tricks. A at teaching kids how to both ski bunch of different jumps, a 300-foot competition and how to be safe while doing • Jan.
Load more

Recommended publications
  • August 2012 Newsletter
    August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th.
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • “Take a Whiff on Me”: Leadbelly‟S Library of Congress Recordings 1933-1942 — an Assessment
    CORE Metadata, citation and similar papers at core.ac.uk Provided by SAS-SPACE Blues & Rhythm, No. 59, March-April 1991, pp. 16-20; No. 60, May 1991, pp. 18-21 revised with factual corrections, annotations and additions, with details regarding relevant ancillary CDs, and tables identifying germane CD and LP releases of Leadbelly‘s recordings for the Library of Congress; and those for the American Record Corporation in 1935 “Take A Whiff On Me”: Leadbelly‟s Library of Congress Recordings 1933-1942 — An Assessment John Cowley From the mid-1960s, a small trickle of long-playing records appeared featuring black music from the holdings of the Archive of Folk Culture (formerly Archive of Folk Song) at the Library of Congress, in Washington, D.C. A few were produced by the Archive itself but, more often than not, arrangement with record companies was the principal method by which this material became available. One of the earliest collections of this type was a three-album boxed set drawn from the recordings made for the Archive by Huddie Ledbetter — Leadbelly — issued by Elektra in 1966. Edited by Lawrence Cohn, this compilation included a very useful booklet, with transcriptions of the songs and monologues contained in the albums, a résumé of Leadbelly‘s career, and a selection of important historical photographs. The remainder of Leadbelly‘s considerable body of recordings for the Archive, however, was generally unavailable, unless auditioned in Washington, D.C. In the history of vernacular black music in the U.S., Leadbelly‘s controversial role as a leading performer in white ‗folk‘ music circles has, for some, set him aside from other similar performers of his generation.
    [Show full text]
  • Prison Culture: Using Music As Data
    PRISON CULTURE: USING MUSIC AS DATA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Marianne Fisher-Gior1ando, B.A., M.A. * * * * * The Ohio State University 1987 Dissertation Committee: Approved by Simon Dinitz, Advisor Alfred C. Clarke Advisor Department of Socio10 Clyde W. Franklin II Copyright by Marianne Fisher-Gior1ando 1987 To My Parents, My Children, and My Granddaughter ii ACKNOWLEDGMENTS I express sincere appreciation to Dr. Simon Dinitz for his guidance and insight throughout this research. I am also grateful to Dr. Alfred Clarke and Dr. Clyde W. Franklin II, who served on my reading committee. Each of these professors have generously given me their time and support during my graduate studies here at The Ohio State university. During the time it took to conduct this study, many people helped me in various ways. First of all, I thank all the inmates who so generously contributed their musical creations to this project. Without their cooperation, this work could not have been completed. Anyone who has conducted research in prisons knows that the work cannot be accomplished without the help of many prison employees. -I thank them all, from the members of the Research Review Committee of the Ohio Department of Rehabilitation and Corrections, who approved this research project, to the many educational personnel and correctional officers of the Ohio and Tennessee Prison Systems. iii Hundreds of other people have also assisted me during the past three and a half years. I especially thank Jody Coe, Dr.
    [Show full text]
  • “Take a Whiff on Me”: Leadbelly‟S Library of Congress Recordings 1933-1942 — an Assessment
    Blues & Rhythm, No. 59, March-April 1991, pp. 16-20; No. 60, May 1991, pp. 18-21 revised with factual corrections, annotations and additions, with details regarding relevant ancillary CDs, and tables identifying germane CD and LP releases of Leadbelly‘s recordings for the Library of Congress; and those for the American Record Corporation in 1935 “Take A Whiff On Me”: Leadbelly‟s Library of Congress Recordings 1933-1942 — An Assessment John Cowley From the mid-1960s, a small trickle of long-playing records appeared featuring black music from the holdings of the Archive of Folk Culture (formerly Archive of Folk Song) at the Library of Congress, in Washington, D.C. A few were produced by the Archive itself but, more often than not, arrangement with record companies was the principal method by which this material became available. One of the earliest collections of this type was a three-album boxed set drawn from the recordings made for the Archive by Huddie Ledbetter — Leadbelly — issued by Elektra in 1966. Edited by Lawrence Cohn, this compilation included a very useful booklet, with transcriptions of the songs and monologues contained in the albums, a résumé of Leadbelly‘s career, and a selection of important historical photographs. The remainder of Leadbelly‘s considerable body of recordings for the Archive, however, was generally unavailable, unless auditioned in Washington, D.C. In the history of vernacular black music in the U.S., Leadbelly‘s controversial role as a leading performer in white ‗folk‘ music circles has, for some, set him aside from other similar performers of his generation.
    [Show full text]
  • BEAR Tips / STAFF SELECTIONS . 114 DEUTSCHE OLDIES
    1 COUNTRY .......................2 BEAT, 60s/70s ..................136 AMERICANA/ROOTS/ALT. .............54 SURF .............................140 TEXAS MUSIC SPECIAL ................60 CLASSIC ROCK/BIKER/SOUTHERN... .....141 OUTLAWS/SINGER-SONGWRITER .......60 WESTERN .......................74 REVIVAL/NEO ROCKABILLY .....142 WESTERN SWING....................78 PSYCHOBILLY ......................146 TRUCKS & TRAINS ...................80 BRITISH R&R ........................146 C&W SOUNDTRACKS.................81 SKIFFLE ...........................147 C&W SPECIAL COLLECTIONS...........83 AUSTRALIAN R&R ....................148 COUNTRY CANADA..................84 INSTRUMENTAL R&R/BEAT .............148 COUNTRY AUSTRALIA/NEW ZEALAND....85 COUNTRY DEUTSCHLAND/EUROPE......87 BLUEGRASS.....................89 POP VOCAL .....................148 NEWGRASS ........................97 POP INSTRUMENTAL .................154 INSTRUMENTAL .....................99 POP COMEDY & SPECIAL INTEREST ......157 OLDTIME ..........................102 LATIN ............................157 HAWAII ...........................106 JAZZ .............................158 CAJUN/ZYDECO ....................106 SOUNDTRACKS .....................159 TEX-MEX ..........................108 FOLK .............................108 WORLD ...........................112 BEAR TIPs / STAFF SELECTIONS . 114 DEUTSCHE OLDIES ..............159 KLEINKUNST / KABARETT ..............161 ROCK & ROLL ...................116 DEUTSCHLAND - SPECIAL INTEREST .....161 REGIONAL R&R .....................122 OPER/OPERETTE/MUSICAL.............162
    [Show full text]
  • Willie, Waylon, and Me: Mythopoetic Narratives in Outlaw Country Music
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2005 Willie, Waylon, and Me: Mythopoetic Narratives in Outlaw Country Music Charles Robert Wurl University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the History Commons Recommended Citation Wurl, Charles Robert, "Willie, Waylon, and Me: Mythopoetic Narratives in Outlaw Country Music. " Master's Thesis, University of Tennessee, 2005. https://trace.tennessee.edu/utk_gradthes/4598 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Charles Robert Wurl entitled "Willie, Waylon, and Me: Mythopoetic Narratives in Outlaw Country Music." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in History. Janis Appier, Major Professor We have read this thesis and recommend its acceptance: Lorri Glover, George White Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by CharlesRobert Wurl entitled "Willie, Waylon, and Me: Mythopoetic Narrativesin Outlaw CountryMusic." I have examined the finalpaper copy of this thesis for form and content and recommend that it be accepted in partial fulfillmentof the requirement forthe degree of Master of Arts, with a major in History.
    [Show full text]
  • November December 2006
    november/december 2006 issue 288 free jazz now in our 32nd year &blues report www.jazz-blues.com Peter White A Christmas Concert at Playhouse Square Rick Braun Mindi Abair PLUS: 2006 Holiday Gift Guide - Part III Peter White Published by Martin Wahl Communications Christmaswith Editor & Founder Bill Wahl Mindi Abair & Rick Braun Layout & Design Bill Wahl Monday, December 11 at Playhouse Square Operations Jim Martin love for holiday music has endured Pilar Martin throughout the years. I hope this tour Contributors will be an opportunity for fans to enjoy Michael Braxton, Mark Cole, their favorite Christmas songs in a fam- Dewey Forward, Steve Homick, ily setting. Perhaps I’ll even bring my Chris Hovan, Nancy Ann Lee, recorder.” Peanuts, Mark Smith, Dave Over the past decade, White’s inti- Sunde, Duane Verh and Ron mate way with acoustic guitar melodies Weinstock. has scored a slew of #1 singles that Check out our costantly updated have helped define the smooth jazz website. Now you can search for CD radio format. His latest album, Playin’ Reviews by artists, Titles, Record Favorites, was recently released on Labels, keyword or JBR Writers. 15 Columbia/Legacy Records. His guitar years of reviews are up and we’ll be sound has become his signature, a going all the way back to 1974. sensitive and emotive voice of melody, Address all Correspondence to.... which sings eloquently over R&B, jazz, Jazz & Blues Report pop and Latin rhythms. White, who first 19885 Detroit Road # 320 It ‘s becoming a yearly tradition made his mark as a teenager while Rocky River, Ohio 44116 at Playhouse Square..
    [Show full text]
  • Song Title (As Provided) Company Name (Filing Name) Date Filed
    Below is a listing of the songs identified in Notices of Intention to obtain a Section 115 compulsory license ("Notices") that the Licensing Division of the Copyright Office has received since January 2010. The listing is limited to those Notices received in the Licensing Division at the time the list is updated. The list specifies relevant song titles (as provided), name of the filing entity, and the filing date. [last update: September 4, 2015] For a comprehensive list of Notices filed with the Licensing Division, including those filed prior to January 2010, or to request a search of all Notices or to review a specific Notice, please contact the Information Section of the Licensing Division at (202) 707-8150 or [email protected]. The Copyright Office does not examine Notices for legal sufficiency. Rather, a determination of whether a Notice filed in the Copyright Office is sufficient as a matter of law shall be made by a court of competent jurisdiction. Song Title (as provided) Company Name (Filing name) Date Filed 212 RIGHTSFLOW, INC 11/14/2011 405 RE: DISCOVER INC 1/8/2014 1234 RIGHTSFLOW BY GOOGLE 11/18/2013 1922 RIGHTSFLOW, INC 11/9/2011 1976 RIGHTSFLOW (LIMELIGHT) 4/4/2012 1999 RIGHTSFLOW (LIMELIGHT) 9/2/2011 1999 RIGHTSFLOW, INC 11/14/2011 CAMPBELL'S SOUP RIGHTSFLOW BY GOOGLE 10/7/2013 "AMAZING LOVE" RIGHTSFLOW (LIMELIGHT) 2/22/2012 "FROM FRINK, A DAY IN THE LIFE OF" AND "SUMMER WITH MONIKA": PROLOGUE INTRODUCING RIGHTSFLOW (LIMELIGHT) 2/22/2012 A MOANIN' AND B)ANJI "WINW, WOMEN AND SONG" RIGHTSFLOW 7/19/2012 #GETITRIGHT NEUROTIC
    [Show full text]
  • Flugblatt Cn 09.07
    / / Nr. 136 / Oktober 2009 7. November 2009, 25th Int. Country Night Bern www.cwcb.ch PPrreessiiccoorrnneerr Hi There „Wie geht es in Zukunft weiter mit dem Country & Western Club Bern?“ werde ich in der letzten Zeit des öftern gefragt. Nun ja, ich kann diese Frage nur aus mei- ner Sicht beantworten. Als vor zwei Jahren Änderungen in der Vorstandsbesetzung anstanden, habe ich mein Ziel geäussert, den Country & Western Club Bern und die International Country Night Bern durch das 25. Jubiläum zu führen. Dieses Ziel habe ich nun bald erreicht. Das Clubjubiläum gehört schon zur Geschichte und die 25. International Country Night Bern nimmt langsam Formen an. Ich habe zu Beginn dieses Jahres den Vorstandskolleginnen und –kollegen mitge- teilt, dass dies mein letztes Jahr als Präsident des Country & Western Club Bern sein würde. Diesen Entschluss kann ich nur noch weiter bekräftigen, insbesondere da im Vorstand in der letzten Zeit eine gewisse Unstimmigkeit herrscht. Was hat mich zu diesen Entschlüssen bewogen? Als Erstes die Einsicht, dass dieser Schritt schon vor ein paar Jahren hätte erfolgen müssen, da dieser Club - wenn er noch weiter bestehen sollte - neue Ideen braucht und diese nicht mit meinen einge- fahrenen Vorstellungen zu erreichen sind. Ein weiterer Punkt ist, dass die Personen, die mir bisher im Hintergrund geholfen haben das Schiff auf Kurs zu halten mitgeteilt haben, zukünftig nicht mehr zur Verfügung zu stehen. (Sei dies die Wartung des In- ternetauftrittes oder der Druck des HTN etc.) Der letzte und nicht unwichtige Grund für diese Entscheidung ist, dass sich mein berufliches Engagement in der letzten Zeit stark geändert hat.
    [Show full text]
  • In the Breeze What Price JMU? P
    r MADISON MEMORIAL LIBRARY Vol. I.IV Friday. July I, 1977 James Madison University, Harrisonburg, Va. No. 3 ■i . * i » «• ii ^ - • %, ^PSuwpy _ m tfK • ' T.i'T in»ifc.<ww\i ^*^w* " f * mm Photo by David Wondclktn In The Breeze What price JMU? p. 2 Madison's gho8t .... p. 3 Page 2, THE BREEZE, Friday, July 1, 1977 James Madison University is official today Discussion, speculation, then . • . Price 'essentially inexpensive' By TAMI RICHARDSON By JUDY STOWT: First there was discussion, speculation and What will it cost? According to Dr. Ray polling, and a large majority agreed it was a Sonner, vice president for public affairs, good idea. Later, the Board of Visitors, Madison's metamorphosis from a college to a Virginia General Assembly-both university will be an essentially inexpensive unanimously and Governor Mills Godwin process. found the idea to be a sound one. The majbr alterations will involve four The rest is easy: a few splashes of paint, large signs which border the outskirts of some new name plates, mountains of new campus, according to Sonner. stationery and a memo from President Ronald "We are fortunate that the state is widening Carrier to all departments asking that hen- Main Street, because the cost of replacing the ceforth everyone refer to this institution as ill bluestone gate on Main Street and the gate either James Madison University, JMU or next to the hospital will be included in the simply the University. relocation costs," he said. Welcome students, faculty, adminstrators New "university" plates are being made to and friends to James Madison University! go over the "college" plates on the gate along JMU is now Virginia's fifth largest Port Republic Road, and the sign on 1-81 is university, and this new status should make being repainted at the campus sign shop, he 41,200 faculty, staff, students and alumni said.
    [Show full text]
  • CLEVELAND ROCKS Sat
    2 www.northcoastvoice.com • (440) 415-0999 May 6 - 20, 2009 We would like to thank all of our sponsors and encourage our readers to patronize the fine businesses appearing in the North Coast VOICE. The Paul Green School of Rock Music blues featuring slide guitar and Springdance , May 15 – 17 featuring Publisher/Editor students get out the Aquanet and step baritone vocals . While performing on Saturday night headliner from Boulder, Carol Stouder back into the 80’s for Hair Metal Bourbon Street in New Orleans, a homeless Colorado, The Pnuma Trio . Ohio’s own Show Highland Heights, OH, “Come On man called out “ Hey Walkin’ Cane got trance-dance darlings Papadosio headline Managing Editors Feel the Noise” withthe students from The some spare change for a brother?!” Friday night. This is an awesome “Electro- Sage Satori • Jim Ales Paul Green School of Rock Music in Charanghat took the jibe as his nickname. Instrumental Dance Festival.” In addition to Highland Heights as they present Hair Metal This is a benefit show to send them all to weekend headliners Pnuma Trio and Advertising & on Friday, May 8th at 6:30pm and France for F.I.M.U. (Featured on the cover) Papadosio , Mayflowers Festival will Marketing Director Friday, May 15th at 6:30pm at The Tickets are $5.00. 9pm. feature national and regional acts like Grog Shop (2785 Euclid Heights Blvd, Telepath , Fareed Haque and the Flat Jim Ales Cleveland Heights). This show features the The Lake Shore Artists are holding an Earth Ensemble , DJ Rekha , Drop artist’s exhibit and sale at the Ashtabula Staff Writers biggest and best sounds of the 80’s such as Electric , The Werks , EP3 , Covert Quiet Riot, Motley Crue, Twisted Sister, Arts Center , 2928 West 13 th Street in Operations , Digital Frontier , and Jeff Cat Lilly Poison, Guns N Roses, Cinderella, Ashtabula it began on Saturday, May 2 and Bujak .
    [Show full text]