Experiments in Nonlinear Adaptive Control of Multi-Manipulator, Free-Flying Space Robots
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Military Nanotechnology and Comic Books
Intertexts 9.1 Pages final 3/15/06 3:22 PM Page 77 Nanowarriors: Military Nanotechnology and Comic Books Colin Milburn U N I V E R S I T Y O F C A L I F O R N I A , D AV I S In February 2002, the Massachusetts Institute of Technology submitted a proposal to the U.S. Army for a new research center devoted to developing military equipment enhanced with nanotechnology. The Army Research Office had issued broad agency solicitations for such a center in October 2001, and they enthusiastically selected MIT’s proposal from among several candidates, awarding them $50 million to kick start what became dubbed the MIT Institute for Soldier Nanotechnologies (ISN). MIT’s proposal out- lined areas of nanoscience, polymer chemistry, and molecular engineering that could provide fruitful military applications in the near term, as well as more speculative applications in the future. It also featured the striking image of a mechanically armored woman warrior, standing amidst the mon- uments of some futuristic cityscape, packing two enormous guns and other assault devices (Figure 1). This image proved appealing enough beyond the proposal to grace the ISN’s earliest websites, and it also accompanied several publicity announcements for the institute’s inauguration. Figure 1: ISN Soldier of the Future. 2002. Reproduced with permission. Intertexts, Vol. 9, No. 1 2005 © Texas Tech University Press Intertexts 9.1 Pages final 3/15/06 3:22 PM Page 78 78 I N T E R T E X T S As this image disseminated, it wasn’t long before several comic book fans recognized similarities to the comic book Radix, created by the frater- nal team of Ray and Ben Lai (Figure 2). -
Azbill Sawmill Co. I-40 at Exit 101 Southside Cedar Grove, TN 731-968-7266 731-614-2518, Michael Azbill [email protected] $6,0
Azbill Sawmill Co. I-40 at Exit 101 Southside Cedar Grove, TN 731-968-7266 731-614-2518, Michael Azbill [email protected] $6,000 for 17,000 comics with complete list below in about 45 long comic boxes. If only specific issue wanted email me your inquiry at [email protected] . Comics are bagged only with no boards. Have packed each box to protect the comics standing in an upright position I've done ABSOLUTELY all the work for you. Not only are they alphabetzied from A to Z start to finish, but have a COMPLETE accurate electric list. Dates range from 1980's thur 2005. Cover price up to $7.95 on front of comic. Dates range from mid to late 80's thru 2005 with small percentage before 1990. Marvel, DC, Image, Cross Gen, Dark Horse, etc. Box AB Image-Aaron Strain#2(2) DC-A. Bizarro 1,3,4(of 4) Marvel-Abominations 2(2) Antartic Press-Absolute Zero 1,3,5 Dark Horse-Abyss 2(of2) Innovation- Ack the Barbarion 1(3) DC-Action Comis 0(2),599(2),601(2),618,620,629,631,632,639,640,654(2),658,668,669,671,672,673(2),681,684,683,686,687(2/3/1 )688(2),689(4),690(2),691,692,693,695,696(5),697(6),701(3),702,703(3),706,707,708(2),709(2),712,713,715,716( 3),717(2),718(4),720,688,721(2),722(2),723(4),724(3),726,727,728(3),732,733,735,736,737(2),740,746,749,754, 758(2),814(6), Annual 3(4),4(1) Slave Labor-Action Girl Comics 3(2) DC-Advanced Dungeons & Dragons 32(2) Oni Press-Adventrues Barry Ween:Boy Genius 2,3(of6) DC-Adventrure Comics 247(3) DC-Adventrues in the Operation:Bollock Brigade Rifle 1,2(2),3(2) Marvel-Adventures of Cyclops & Phoenix 1(2),2 Marvel-Adventures -
Modeling, Embodiment, Figuration
Jeanne Cortiel, Christine Hanke, Jan Simon Hutta, Colin Milburn (eds.) Practices of Speculation Culture & Theory | Volume 202 Jeanne Cortiel is Professor of American Studies at Bayreuth University. Her re- search interests include American science fiction, post-apocalyptic film, and glob al catastrophic risk in fiction. Christine Hanke is Chair of Digital and Audiovisual Media at Bayreuth University and conducts research in the fields of media resistance, postcolonial studies, and image theory. Jan Simon Hutta is Assistant Professor in the Cultural Geography Research Group at Bayreuth University. His research focuses on formations of power, affect and citizenship in Brazil, sexual and transgender politics, urban governmentality, and relations of subjectivity, movement and space. Colin Milburn is Gary Snyder Chair in Science and the Humanities and Professor of English, Science and Technology Studies, as well as Cinema and Digital Media at the University of California, Davis. His research focuses on the intersections of science, literature, and media technologies. Jeanne Cortiel, Christine Hanke, Jan Simon Hutta, Colin Milburn (eds.) Practices of Speculation Modeling, Embodiment, Figuration Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche National- bibliografie; detailed bibliographic data are available in the Internet at http:// dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-NoDeri- vatives 4.0 (BY-NC-ND) -
Consumer of 5-43.Qxd 7/13/2007 11:52 AM Page 5
Consumer OF 5-43.qxd 7/13/2007 11:52 AM Page 5 Order PREVIEWS Form AUG V17#8 ORDER DEADLINE: AUGUST 11, 2007 PLACE STORE STAMP HERE Name _____________________________________________________ Address __________________________________________________ City ________________________State _________________________ Zip _______________ Phone# ________________________________ Email Address _____________________________________________ Signature (Required) _______________________________________ Your signature indicates that you are authorized to order items that are designated as “Adult,” and you are at least 18 years old. PLEASE PRINT CLEARLY! QTY TITLE PRICE Please note that the toy items on this order form may not be available at every store. Shipping times and prices may vary. For items sold by assortment (marked with an "*"), retailers cannot guarantee receiving specific items. Ask your retailer for more information when you order. PAGE 2 PREVIEWS PUBLICATIONS ____________AUG07 0001 PREVIEWS VOL XVII #10 (Net) ..............................................................................................MSRP: $4.50 = $ ______________ FI __________AUG07 0002 MARVEL PREVIEWS OCTOBER 2007 EXTRAS (Net) ................................................................MSRP: $0.99 = $ ______________ ____________AUG07 0003 PREVIEWS VOL XVII CONSUMER ORDER FORM #10 (Net)..............................................................SRP: PI = $ ______________ ____________AUG07 0005 PREVIEWS ADULT VOL XVII #10 (Net)....................................................................................MSRP: -
Uncertainty Between Image and Text in Ben Templesmith's Singularity 7
Chapter 10: Uncertainty between Image and Text in Ben Templesmith’s Singularity 7 Interdisciplinary Perspectives on Narrative and Performance Jeanne Cortiel and Christine Hanke Comics perform a peculiar mediality in the interplay between image and text, which serves as the basis of their specific aesthetic quality and their storytelling capacity. This interplay sets the comics medium apart from written text (as in nov- els or short stories, for example) and audiovisual media. Many scholars who have discussed comics as a medium argue that comics require a specific imaginative input by the reader (McCloud [1993] 1994: 65–66; Saraceni 2003: 9, 51–52). While ev- ery text works with gaps of information the reader needs to fill, comics deploy vis- ible gaps (the gutter) to modulate the pacing and development of the narrative. In this way, comics rely on a fundamental uncertainty as each gutter opens a space of speculation on how the reader is to interpret the difference between two frames. Between what the panel shows and what the gutter hides, speculation in comics makes thinkable what is inaccessible to propositional knowledge at the moment. Because of this intrinsic quality, comics may help us analyze acts of speculation more generally. Reflecting on or filling in gaps, speculation is, after all, a way of dealing with the uncertainty of not knowing for sure. Yet unlike in written text, visuals in comics also introduce a different instance of apparent certainty in tension with another form of uncertainty. This has to do with their mode of showing and the visual pleasure they offer (Mersch 2005, 2011; cf.