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Jan Karski Papers
http://oac.cdlib.org/findaid/ark:/13030/tf187001bd No online items Register of the Jan Karski papers Finding aid prepared by Irena Czernichowska and Zbigniew L. Stanczyk Hoover Institution Library and Archives © 2003 434 Galvez Mall Stanford University Stanford, CA 94305-6003 [email protected] URL: http://www.hoover.org/library-and-archives Register of the Jan Karski papers 46033 1 Title: Jan Karski papers Date (inclusive): 1939-2007 Collection Number: 46033 Contributing Institution: Hoover Institution Library and Archives Language of Material: Polish Physical Description: 20 manuscript boxes, 11 oversize boxes, 1 oversize folder, 6 card file boxes, 24 photo envelopes, and 26 microfilm reels(21.8 Linear Feet) Abstract: Correspondence, memoranda, government documents, bulletins, reports, studies, speeches and writings, printed matter, photographs, clippings, newspapers, periodicals, sound recordings, videotape cassettes, and microfilm, relating to events and conditions in Poland during World War II, the German and Soviet occupations of Poland, treatment of the Jews in Poland during the German occupation, and operations of the Polish underground movement during World War II. Includes microfilm copies of Polish underground publications. Boxes 1-34 also available on microfilm (24 reels). Video use copies of videotape available. Sound use copies of sound recordings available. Creator: Karski, Jan, 1914-2000 Hoover Institution Library & Archives Access The collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Library & Archives. Acquisition Information Materials were acquired by the Hoover Institution Library & Archives from 1946 to 2008. Preferred Citation [Identification of item], Jan Karski papers, [Box no., Folder no. -
Library of Congress Collections Policy Statements: Dance
LIBRARY OF CONGRESS COLLECTIONS POLICY STATEMENTS ±² Collections Policy Statement Index Dance Contents I. Scope II. Research Strengths III. Collecting Policy IV. Acquisition Sources: Current and Future V. Collecting Levels I. Scope This Collection Policy Statement refers only to special collections located in the Music Division that pertain to the subject of dance. The materials covered by this statement represent various formats, including: music scores, musical holographs, correspondence and other primary source materials, such as choreographic notes; photographs; photographic negatives and contact sheets; costume, set, and lighting designs; microfilms, machine-readable materials, and ephemera. All audio recordings, video recordings, film, and motion pictures related to the subject of dance are under the custodianship of Motion Picture, Broadcasting, and Recorded Sound and are not covered in this Statement. II. Research Strengths Special collections in dance, held by the Music Division, include unusually strong research materials for study in three areas of dance: the development of American modern dance, the Ballets Russes de Serge Diaghilev, and dance in musical theater. Development of American Modern Dance. The Library holds the most significant materials to be found anywhere for the study of the early pioneers of American modern dance. Primary special collections in the Music Division include the Alvin Ailey Dance Foundation Collection; Daniel Nagrin Collection; Erick Hawkins Collection; Helen McGehee and Umaña Collection of Dance Materials; Katherine Dunham Collection; Lester Horton Dance Theater Collection; Martha Graham Collection; Martha Graham Legacy Archive; May O’Donnell Archive; Miriam Cole Collection; Pola Nirenska Collection, Robert Ellis Dunn Collection; and Ruth St. Denis Archive. The Moselsio Collection contains photographs of Martha Graham, taken during the 1930s. -
Dancers Under Duress: the Forgotten Resistance of Fireflies Laure Guilbert
Dancers Under Duress: The Forgotten Resistance of Fireflies Laure Guilbert “The dance of the fireflies, this moment of grace that resists the world of terror, is the most ephemeral, the most fragile thing that exists”. Georges Didi-Huberman, Survivance des lucioles (Paris: Les Editions de Minuit, 2009). The “Unknown Dancer” She was sent to Drancy, deported from there to Auschwitz, and In the past years, I have undertaken many archival trips in Europe was gassed upon her arrival. and to Australia, searching for traces of the life of the German- speaking dancers and choreographers who fled the Third Reich Apart from these tragic cases, which have been detailed by other and occupied Europe. During that time, it became clear to me that researchers, I made a discovery that left me speechless while read- much work also needs to be undertaken so that we might gain a ing The Informed Heart: Autonomy in a Mass Age by the psychologist deeper understanding of the tragedy: those dancers, choreogra- Bruno Bettelheim from Vienna. In his book, Bettelheim analyzes the phers and dance producers who were trapped in ghettos and de- resources he managed to mobilize for surviving his own internment ported to extermination camps. In this paper I outline several fields from 1938-1939 in the Dachau concentration camp near Munich, of reflection that have enabled me to begin tracing the plight of and Buchenwald, near Weimar. Bettelheim at one point describes those artists caught up in Nazi totalitarianism. an event that takes place in Auschwitz-Birkenau extermination camp. He sets the scene at the entrance to a gas chamber, and de- Certainly not all escaped the eye of the storm, not the least be- scribes a naked woman ordered to dance by an SS officer who had ing René Blum, director of the renowned Ballets Russes de Monte learned she was a dancer. -
Library of Congress Collection Overviews: Dance
COLLECTION OVERVIEW DANCE I. SCOPE This overview focuses on dance materials found throughout the Library’s general book collection as well as in the various special collections and special format divisions, including General Collections; the Music Division; Motion Picture, Broadcasting and Recorded Sound; the American Folklife Center; Manuscript Division; Prints & Photographs; and Rare Book and Special Collections. The overview also identifies dance- related Internet sources created by the Library as well as subscription databases. II. SIZE Dance materials can be found in the following classes: BJ; GT; VN; GV; M; and ML. All classes, when totaled, add up to 57,430 dance and dance-related items. Class GV1580- 1799.4 (Dancing) contains 10,114 items, constituting the largest class. The Music Division holds thirty special collections of dance materials and an additional two hundred special collections in music and theater that include dance research materials. III. GENERAL RESEARCH STRENGTHS General research strengths in the area of dance research at the Library of Congress fall within three areas: (A) dance instructional and etiquette manuals, especially those printed between 1520 and 1920, (B) dance on camera, and (C) folk, traditional, and ethnic dance. A. The first primary research strength of the Library of Congress is its collections of 16th-20th-century dance instructional and etiquette manuals and ancillary research materials, which are located in the General Collections, Music Division, and Rare Book and Special Collections (sub-classifications GN, GT, GV, BJ, and M). Special Collections within the Music Division that compliment this research are numerous, including its massive collection of sheet music from the early 1800s through the 20th century. -
Visual History Biographic Profile
Jan Karski Visual History Biographic Profiles Jan Karski was born Jan Kozielewski in 1914 in Lodz, Poland (under Jan’s knowledge of other languages, especially French and English, made Russian control until 1918), to Walentina and Stefan Kozielewski. He him a valuable courier. had six brothers: Boguslaw, Cyjrian, Edmund, Between the winter of 1939 and the fall of 1942, Jan Marian, Stefan, and Uzef, and one sister: Laura. worked as a courier carrying messages between Allied His father worked in a small leather goods factory. nations and the underground. In the fall of 1942, he His mother was a devout Catholic and Jan was was smuggled into the Warsaw ghetto so that he could raised to be respectful of other religions. Jan went write reports on the living conditions there. Jan to public school and studied abroad during the remembered seeing horrific images of death, summers in Romania, France, Switzerland, starvation, and humiliation. He then took his reports, Germany, and England. These experiences along with messages from the underground, and pleas allowed him to become familiar with a variety of for aid from Jews in the ghetto, to high-ranking Allied languages and cultures. He later went to the officials in England and the United States. University of Warsaw and studied law. He graduated in 1935 and enlisted in the Polish Army as a member of the Jan was eventually given an audience with President Franklin Roosevelt Fifth Horse Artillery Division. as part of his underground diplomatic work. The President told him to take back the message that the Allies would win the war and the guilty On September 1, 1939, at the outbreak of World War II, Jan was stationed would be punished. -
Paper 7 Modern Dance and Its Development In
PAPER 7 MODERN DANCE AND ITS DEVELOPMENT IN THE WORLD AFTER 1960 (USA, EUROPE, SEA) MODERN EXPERIMENTS IN INDIAN CLASSICAL DANCE, NEW WAVE AFTER 1930, UDAYSHANKAR AND LATER CONTEMPORARY, CREATIVE ARTISTS MODULE 16 MODERN DANCE IN GERMANY AND FRANCE According to historians, modern dance has two main birthplaces: Europe (Germany specifically) and the United States of America. Although it evolves as a concert dance form, it has no direct roots in any ballet companies, schools, or artists. Germany is the birthplace of modern dance, theatre realism, and both dance and theatre production dramaturgy. The country’s history is interwoven with its dance, music, art, literature, architecture, religion, and history. In addition to the direct dance training and rehearsals, students will see performances and visit museums and other cultural sites in one of Europe’s most exciting capitals. Contemporary dance in Germany is characterized by a vibrant globalization and combines elements from drama, performance and musical theatre. It is the story of three passionate choreographers and their colleagues who created European modern dance in the 20th century despite the storms of war and oppression. It begins with Rudolph Laban, innovator and guiding force, and continues with the careers of his two most gifted and influential students, Mary Wigman and 1 Kurt Jooss. Included are others who made significant contributions: Hanya Holm, Sigurd Leeder, Gret Palucca, Berthe Trumpy, Vera Skoronel, Yvonne Georgi and Harold Kreutzberg. The German strain of contemporary dance as it has manifested itself in the United States is usually overlooked if not unacknowledged. There is general agreement that modern dance, a 20th-century phenomenon, has been dominated by Americans. -
2020 Pola Nirenska Award Winner
FOR IMMEDIATE RELEASE June 25, 2020 WASHINGTON PERFORMING ARTS ANNOUNCES 2020 POLA NIRENSKA AWARDS RECIPIENTS Recognizing members of the dance community who have made outstanding contributions to the art form, with special consideration to those based in the D.C. region (Washington, D.C.) – Washington Performing Arts (WPA), in association with the Pola Nirenska Awards Committee, announced today the 2020 recipients of the Pola Nirenska Awards, celebrating trailblazers and leaders of the dance community. This year’s awards are bestowed upon Anuradha Nehru for Outstanding Achievements in Dance—including a monetary prize to advance her work in the D.C. area—and upon Carol Foster and Beatrice Davis-Williams for Lifetime Achievement in Dance. “We are so proud to link the mission of our organization to the legacy of Pola Nirenska, and to recognize and support the work of dance artists, leaders, and educators who have made their own, indelible contributions to our community and well beyond,” stated Jenny Bilfield, President and CEO of Washington Performing Arts. Named after the illustrious D.C. modern dance teacher and choreographer, and supported by her late husband, Dr. Jan Karski, the Pola Nirenska Awards honor individuals who have made an impact on the field of dance locally and oftentimes nationally. Each year, award recipients are chosen by a committee of arts professionals and granted by Washington Performing Arts. The awards reflect WPA’s commitment to sustain and nurture performing artists and their art forms. “I am deeply honored and humbled by the Outstanding Achievements in Dance Award,” Ms. Nehru said. “For an Indian classical dancer in the United States to be recognized in this way is testimony to the legacy of Pola Nirenska and of Washington Performing Arts’ commitment to diversity in the arts.” She is founder and artistic director of the Kalanidhi Dance School, as well as a founding member of the Indian Dance Educators’ Association. -
2015 Dance & Fitness Festival BIOS
Tap Ties Dance and Fitness Festival 2015 ~ Guest Faculty Bios Baakari Wilder is internationally known for starring in the Broadway musical “Bring In Da Noise, Bring In Da Funk”. He received a Bessie Award for his performance, and later assumed the lead role for a year. Baakari's dancing has delighted audiences around the world in places such as the Kennedy Center, Carnegie Hall, Lincoln Center, France, Africa, Brazil, Germany, Japan, and Russia. Baakari has a Bachelor of Arts Degree in Theatre. He appeared as an actor/tap dancer in Spike Lee's “Bamboozled”. He shares his knowledge of tap dancing through his role as assistant artistic director of the Washington D.C. based company “Capitol Tap”. Baakari recently received the Pola Nirenska Award for achievement in Dance by the Washington Performing Arts. Mark Albrecht currently hangs his hat in New York City. He attended the prestigious American Musical and Dramatic Academy with a major in musical theatre and a focus in dance. Some of his credits include A Chorus Line, Grease, Oklahoma, 42nd Street, Joseph and the Amazing Technicolor Dreamcoat, Hello Dolly, Fame , and many more. He has performed with The American Tap Dance Foundation's "Tap City" at the famous Symphony Space, as well as the New York Foundation for the Fine Arts "Tap Extravaganza" . He has worked and shared the stage with choreographers and teachers such as Shea Sullivan, Germaine Salsberg, Skip Cunningham, Dr. Prince Spencer, Chloe Arnold, Ted Levy, Prof. Robert Reed, Bob Scheerer, Deborah Mitchell, Ayodele Casel, Dormeshia Sumbry-Edwards, and many more. Mark has had the opportunity to be on the tap faculty at Broadway Dance Center , The New York Film Academy , The Pulse Teacher's Workshop , and master classes around the US. -
Gazeta Fall 2017/Winter 2018
Chess players at the Jewish Club in Łódź. The mural, completed in 1960 by Adam (Aron) Muszka and no longer extant, depicts the Holocaust. Łódź, 1975. Photograph by Chuck Fishman. Used with permission. Volume 25, No. 1 Gazeta Fall 2017/Winter 2018 A quarterly publication of the American Association for Polish-Jewish Studies and Taube Foundation for Jewish Life & Culture Editorial & Design: Tressa Berman, Fay Bussgang, Julian Bussgang, Antony Polonsky, Shana Penn, Adam Schorin, Maayan Stanton, Agnieszka Ilwicka, LaserCom Design. Front Cover: Chess players at the Jewish Club in Łódź. Back Cover: Backstage at the Yiddish Theater. Actress Etel Szyk in hooded shawl. Warsaw, 1980. Images courtesy of Chuck Fishman. TABLE OF CONTENTS Message from Irene Pipes ............................................................................................... 2 Message from Tad Taube and Shana Penn ................................................................... 3 FEATURES Hasidism: A New History David Biale ............................................................................................................................ 4 Museums and their Audiences in the Post-Jewish Heritage Spaces of Present-Day Poland Jakub Nowakowski ................................................................................................................ 7 CONFERENCE REPORTS Antony Polonsky - Jews and Others: Ethnic Relations in Eastern and Central Europe from 1917 and Onwards ..................................................................................................... -
MONIKA ADAMCZYK-GARBOWSKA Is Full Professor of American And
MONIKA ADAMCZYK-GARBOWSKA is full professor of American and Comparative Literature and head of the Center for Jewish Culture and History, Institute of Cultural Studies, Maria Curie-Skłodowska University in Lublin. She is also a translator of English and Yiddish literature, editor of Akcent and member of the editorial board of Polin: Studies in Polish Jewry. She has written: Polska Isaaca Bashevisa Singera – rozstanie i powrót (1994), Contemporary Jewish Writing in Poland: An Anthology (with Antony Polonsky) (2001), Odcienie tożsamości. Literatura żydowska jako zjawisko wielojęzyczne (2004), Kazimierz vel Kuzmir. Miasteczko różnych snów (2006), Następstwa zagłady Żydów. Polska 1944-2010 (co-edited with Feliks Tych) (2011). Laureate of the Jan Karski & Pola Nirenska Prize (2011). JOLANTA AMBROSEWICZ-JACOBS, PhD, is Director of the Center for Holocaust Studies at the Jagiellonian University (JU) in Kraków and teaches at the UNESCO Chair for Education about the Holocaust at the Institute for European Studies, JU. In 2011/2012 she was an Ina Levine Invitational Scholar at the United States Holocaust Memorial Museum, and earlier a Pew Fellow at the Center for the Study of Human Rights, Columbia University. Her publications include: Me – Us – Them. Ethnic Prejudices and Alternative Methods of Education: The Case of Poland (2003); Tolerancja. Jak uczyć siebie i innych [Tolerance. How to Teach Ourselves and Others] (2003, 2004); The Holocaust. Voices of Scholars (editor) (2009), Pamięć. Świadomość. Odpowiedzialność. Remembrance. Awareness. Responsibility (co-edited with K. Oleksy) (2008), Why Should We Teach about the Holocaust? (co-editor with L. Hońdo) (2003, 2004, 2005). DAVID ASSAF is full professor of modern Jewish History and Head of the Department of Jewish History at Tel Aviv University, Sir Isaac Wolfson Chair of Jewish Studies, and Director of the Institute for the History of Polish Jewry. -
2016 Dance & Fitness Festival BIOS
Tap Ties Dance and Fitness Festival 2016 ~ Guest Faculty Bios Baakari Wilder is internationally known for starring in the Broadway musical “Bring In Da Noise, Bring In Da Funk”. He received a Bessie Award for his performance, and later assumed the lead role for a year. Baakari's dancing has delighted audiences around the world in places such as the Kennedy Center, Carnegie Hall, Lincoln Center, France, Africa, Brazil, Germany, Japan, and Russia. Baakari has a Bachelor of Arts Degree in Theatre. He appeared as an actor/tap dancer in Spike Lee's “Bamboozled”. He shares his knowledge of tap dancing through his role as assistant artistic director of the Washington D.C. based company “Capitol Tap”. Baakari recently received the Pola Nirenska Award for achievement in Dance by the Washington Performing Arts. Shelley Oliver has over twenty years’ experience as a professional tap dancer in which time she has appeared internationally with some of the legends of the tap world. She is a founding member of noted dance ensemble, Manhattan Tap and was a co-artistic director/choreographer with the company for two years. She has toured extensively throughout Europe, China, the Caribbean, Canada and the U.S., performing with such tap notables as Savion Glover, Jimmy Slide, Buster Brown, and Chuck Green. Her television appearances include Tap Dance in America with Gregory Hines and Star Search, in which she was a finalist. Ms. Oliver has performed with many jazz greats including Slide Hampton, David "Fathead" Newman, and Kenny Washington. A noted dance educator Ms. Oliver teaches jazztap at Muhlenberg College, choreographs for the theater, and is Director of the Muhlenberg Jazz Tap Ensemble. -
Washington Performing Arts Announces 2019 Pola Nirenska Award Recipients
FOR IMMEDIATE RELEASE CONTACT: Caroline Heaney/Bucklesweet May 7, 2019 (301) 318-1926 [email protected] Washington Performing Arts announces 2019 Pola Nirenska Award recipients Annual awards honor those who have made outstanding contributions to dance, with special consideration given to the community of dance in Washington, D.C. Washington, D.C. – Washington Performing Arts, in association with the Pola Nirenska Award Committee, today announced the recipients of its 2019 Pola Nirenska Awards to Robert Priore (Outstanding Achievements in Dance), Michelle Ava, and Alexandra Tomalonis (Lifetime Achievement Awards). Named after the noted D.C.-area teacher and choreographer, the awards honor those who have greatly impacted dance. According to the New York Times, “Ms. Nirenska was a major force in dance in Washington, as a teacher, as director of a company, …and as a creator of impressively fashioned dances filled with often raw emotion.” With the support of donations by Dr. Jan Karski, the celebrated WWII courier and late husband of Ms. Nirenska, the awards are granted under the umbrella of Washington Performing Arts, which hosts a committee that annually decides on the award recipients. “Each year, we are honored to present these important awards recognizing exemplary leadership in dance and education,” said Kathy Brewington, Manager of Choir Operations at Washington Performing Arts. “Ms. Nirenska’s life was dedicated to expanding the presence of dance performance and education in the D.C. area and, this year, we’re thrilled to honor three individuals who share that commitment and passion.” Critical components of Washington Performing Arts’ mission are to provide lifelong learning opportunities through arts education, youth involvement, and community partnerships, and to support and nurture performing artists and their art forms.