See Also See Also Aesthetic See Also See Also Fate
Index Ada, 2n, 6, I7-I8, 34, 38, 4I, 48, 76, Biirger, Gottfried August, 222 77n, I64, I95 Butterflies, 6, 25-26, 94, I38, I66-8, Aesthetic bliss, 2, 4, 5, I98, 202, 229 I7I, I84, 224fi Aesthetic detachment, 3I, 40. See also Aesthetic distance Cancellation of characters, 22-26, Aesthetic distance, 32, 34-3 5, 116-I7, 33-34, 44-46, 64, 80, 98-99, 102-5, I 58, I87. See also Aesthetic I59. I8o, I90, I95-97, 227 detachment Cancellation of the setting, 56, 105, Allegory, I2, I26-27, I36, I55 I90, I95-97 Alliteration, I 34, I 39 Carnival, 6-7, 37, 4m, 46, 59-6o Ambiguity, 43-44, I35-40, I72n, 2I8 Carroll, Lewis, 44, 57, 6I, 128, 22I, Anaesthetic effect, 3 I-3 5, 116-I8, 229 224 Anamorphoscope, I20, 129. See also Catachresis, I30-34, I82 "Nonnons'' Cathartic effect, I98-203 Andersen, Hans Christian, 57 Chance, 9-I I, 8I-84, 2I8; "chance that Arnold, Matthew, I82-83 mimics choice," 9, 54, 84; Assonance, I34. I39 coincidence, 8-I I, 48, 54, 82-84. See Average reality, II, I5-I8, 28, 42, 50, also Fate 77, I20, I2I, I29, I82, I98 Character portrayal, 57-58, I44-48, I86-87, 204-7, 220; characters as "galley slaves," 79, 80, 84, 92, I I9, Balmont, Konstantin, I 5 I I86; characters as "methods of Baltrushaitis, Jurgis, I 5 I composition," 54, 8I, 106, I86, 20I; Baudelaire, Charles, 207, 223n "ghosts," 99, rnm, I73; the typical Belyi, Andrei, I 5 I and the unique, I 4-I 5 Bend Sinister, 3, 7, 17, 53, 64, 66, 73, Chekhov, Anton, II2, II5 82, 84, 86, 89, 99, IOI, 122, I27n, Chernyshevski, N.
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