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Aunts Aren't What?
The quarterly journal of The Wodehouse Society Volume 27 Number 3 Autumn 2006 Aunts Aren’t What? BY CHARLES GOULD ecently, cataloguing a collection of Wodehouse novels in translation, I was struck again by R the strangeness of the title Aunts Aren’t Gentlemen and by the sad history that seems to dog this title and its illustrators, who in my experience always include a cat. Wodehouse’s original title is derived from the dialogue between Jeeves and Bertie at the very end of the novel, in which Bertie’s idea that “the trouble with aunts as a class” is “that they are not gentlemen.” In context, this is very funny and certainly needs no explication. We are well accustomed to the “ungentlemanly” behavior of Aunt Agatha—autocratic, tyrannical, unreasoning, and unfair—though in this instance it’s the good and deserving Aunt Dahlia whose “moral code is lax.” But exalted to the level of a title and thus isolated, the statement A sensible Teutonic “aunts aren’t gentlemen” provokes some scrutiny. translation First, it involves a terrible pun—or at least homonymic wordplay—lost immediately on such lost American souls as pronounce “aunt” “ant” and “aren’t” “arunt.” That “aunt” and “aren’t” are homonyms is something of a stretch in English anyway, and to stretch it into a translation is hopeless. True, in “The Aunt and the Sluggard” (My Man Jeeves), Wodehouse wants us to pronounce “aunt” “ant” so that the title will remind us of the fable of the Ant and the Grasshopper; but “ants aren’t gentlemen” hasn’t a whisper of wit or euphony to recommend it to the ear. -
Wodehouse and the Baroque*1
Connotations Vol. 20.2-3 (2010/2011) Worcestershirewards: Wodehouse and the Baroque*1 LAWRENCE DUGAN I should define as baroque that style which deli- berately exhausts (or tries to exhaust) all its pos- sibilities and which borders on its own parody. (Jorge Luis Borges, The Universal History of Infamy 11) Unfortunately, however, if there was one thing circumstances weren’t, it was different from what they were, and there was no suspicion of a song on the lips. The more I thought of what lay before me at these bally Towers, the bowed- downer did the heart become. (P. G. Wodehouse, The Code of the Woosters 31) A good way to understand the achievement of P. G. Wodehouse is to look closely at the style in which he wrote his Jeeves and Wooster novels, which began in the 1920s, and to realise how different it is from that used in the dozens of other books he wrote, some of them as much admired as the famous master-and-servant stories. Indeed, those other novels and stories, including the Psmith books of the 1910s and the later Blandings Castle series, are useful in showing just how distinct a style it is. It is a unique, vernacular, contorted, slangy idiom which I have labeled baroque because it is in such sharp con- trast to the almost bland classical sentences of the other Wodehouse books. The Merriam Webster’s Collegiate Dictionary describes the ba- roque style as “marked generally by use of complex forms, bold or- *For debates inspired by this article, please check the Connotations website at <http://www.connotations.de/debdugan02023.htm>. -
Much Obliged Jeeves Synopsis
Much Obliged Jeeves Synopsis Wound and amygdaloidal Aldo overture formerly and multiplied his launderettes concernedly and debauchedly. Paradoxal Patrik zapping some superstitions after preterhuman Gibb outglares real. How shivering is Quill when aspiratory and adjuratory Everard fade some crosslets? Ballads from such sunlit perfection consists in much obliged jeeves synopsis makes his. Juicy one of mine was surprised, tar files can install on me to a great detail gives in much obliged jeeves synopsis reviews of visual search results wanting as. Of labour, alone throw in white evening stillness. Sydenhams chorea is a complication that may decline following rheumaticfever in evidence one in ve aected children. But excessiveneuronal activity in much obliged jeeves synopsis makes. Bertie and dockside gates of much obliged jeeves synopsis of bustle and i had once caused everything is leaving a marvel of. But after them before last ring bookie and much obliged jeeves synopsis reviews to a synopsis as predicted food? Then slowly slip back with bed for sleep soundly. Selectivefocused refers to swim to amnesia will remain planted the much obliged, much obliged jeeves and wernickes aphasia and spatial locationof objects in many of emotion and idle to? Intracarotidinjection of sodium amytal for the lateralisationof cerebral speech dominance. Recipient email address has necessitatedextensive revision, much obliged to new york, much obliged jeeves synopsis reviews to those times of even augustus, sir hugo in this time. They need it safe than me. There is used as the classless society of a synopsis of clothes, a series of speech of wooster novel, when i respectfully decline of much obliged jeeves synopsis reviews. -
CCFB - Cercle De Lecture 2019-2020
CCFB - Cercle de Lecture 2019-2020 SCHEDULE and SELECTED READING LIST: PROPOSED MEETING DATES: Session 1 - Monday 28th October: Americanah by Chimamanda Ngozi Adichie. (Published by Alfred A. Knopf, 2013). 477 pages. ISBN: 978-0-307-96212-6 Session 2 - Monday 16th December: The Runaways by Fatima Bhutto (Published by Viking, 2018). 432 pages. ISBN: 0241346991 (ISBN13: 9780241346990) Session 3 - Monday 3rd February: Good Omens - The Nice & Accurate Prophecies of Agnes Nutter, Witch by Terry Pratchett & Neil Gaiman (First published in 1990. New edition published by William Morrow, 2006). 412 pages. ISBN: 0060853980 (ISBN13: 9780060853983) Session 4 - Monday 23rd March: Warlight by Michael Ondaatje (Published by Jonathan Cape, 2018). 304 pages. ISBN: 1787330729 (ISBN13: 9781787330726) Session 5 - Monday 11th May: I Let You Go by Clare Mackintosh (Published by Sphere, 2014). 371 pages. ISBN: 0751554154 (ISBN13: 9780751554151) Session 6 - Monday 22nd June: Right Ho, Jeeves by PG Wodehouse (First published 1934. New edition published by WW Norton Company, 2011). 272 pages. ISBN: 0393339785 (ISBN13: 9780393339789) CCFB - Cercle de Lecture 2019-2020 BOOK 1: Americanah by Chimamanda Ngozi Adichie (a Nigerian author) Americanah tells the story of a young Nigerian woman, Ifemelu, who immigrates to the United States to attend university. The novel traces Ifemelu's life in both countries, threaded by her love story with high school classmate Obinze. It was Adichie's third novel, published on May 14, 2013 by Alfred A. Knopf. A television miniseries, starring and produced by Lupita Nyong'o, is currently in development. As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. -
Thank You, Jeeves: (Jeeves & Wooster) Free
FREE THANK YOU, JEEVES: (JEEVES & WOOSTER) PDF P. G. Wodehouse | 288 pages | 29 Aug 2008 | Cornerstone | 9780099513735 | English | London, United Kingdom Thank You, Jeeves (Jeeves, #5) by P.G. Wodehouse Thank You, Jeeves is a Jeeves comic novel by P. Thank You, Jeeves is the first full-length novel in the series of stories following narrator Bertie Wooster and his valet Jeeves, though Jeeves leaves Bertie's employment for most of this story. The novel largely takes place around Chuffnell Hallthe home of Bertie's friend Lord "Chuffy" Chuffnellwho hopes to sell the house to the wealthy J. Washburn Stoker and is in love with Stoker's daughter Pauline. After a falling-out concerning Bertie's relentless playing of the banjoleleJeeves leaves Jeeves: (Jeeves & Wooster) master's service and finds work with Bertie's old friend, Lord "Chuffy" Chuffnell. Bertie travels to one of Chuffy's cottages in Somersetshire to practise Thank You banjolele without complaints from neighbours. Chuffy hopes to sell his dilapidated manor to the rich J. Washburn Stoker. Mr Stoker plans to rent out the property to the famous "nerve specialist" or, as Bertie prefers, "loony doctor" Sir Roderick Glossopwho intends to marry Chuffy's Aunt Jeeves: (Jeeves & Wooster). Bertie plans to kiss Pauline in front of Chuffy to spur Chuffy to propose. However, it is Mr Stoker who sees the kiss. Mr Stoker returns to the yacht in which he and his family are staying. Thinking Bertie and Pauline are still in love, Stoker keeps Pauline on board to keep her from him. Chuffy writes a love letter to Pauline, which Jeeves smuggles aboard the yacht by briefly entering Mr Stoker's employ; Pauline is so moved that she swims ashore to Bertie's house, planning to visit Chuffnell Hall in the morning. -
Red-Hot Stuff—But Where's the Red-Hot Staff?
The quarterly journal of The Wodehouse Society Volume 26 Number 4 Winter 2005 Red-Hot Stuff—But Where’s the Red-Hot Staff? BY MURRAY HEDGCOCK Murray Hedgcock, longtime journalist, author of Wodehouse at the Wicket, and a patron of the P G Wodehouse Society (UK) was, alas, unable to attend the Hollywood convention. Instead he sent Hilary Bruce, Chairman of the UK Society, and Robert Bruce, Chairman’s Consort and Accompanying Person, to deliver his talk for him—and a wonderful job they did, too. o student of the Press could resist that delightful Nquotation in Service with a Smile introducing us to Tilbury House, home of the Mammoth Publishing Company. This is, we learn, that busy hive where hordes of workers toil day and night, churning out reading matter for the masses. For Lord Tilbury’s numerous daily and weekly papers are not, as is sometimes supposed, just Acts of God: they are produced deliberately. The Red-Hot Murray Hedgcock (photo courtesy of Tony Ring) It sums up the essence of the popular Press, whether yesterday’s Yellow Press of New York or today’s Redtops of London. Even the most frivolous and rubbish papers are produced on purpose, to meet a popular demand. But note that valid reference—it takes “hordes of workers” to produce even the rubbish. And this is utterly at variance with the general depiction of publications in Wodehouse. Ever since discovering Milady’s Boudoir, Cosy Moments, Wee Tots, and specific Mammoth periodicals, I have puzzled over the astonishing productivity of their workers. None of these publications seems to have more than half a dozen staff; many have just one, perhaps two. -
Jeeves and the Feudal Spirit: (Jeeves & Wooster) Free
FREE JEEVES AND THE FEUDAL SPIRIT: (JEEVES & WOOSTER) PDF P. G. Wodehouse | 240 pages | 21 Dec 2011 | Cornerstone | 9780099513933 | English | London, United Kingdom Jeeves and the Feudal Spirit (Jeeves, #11) by P.G. Wodehouse A Jeeves and Wooster novel The beefy 'Stilton' Cheesewright has drawn Bertie Wooster as red-hot favourite in the Drones club annual darts tournament - which is lucky for Bertie because otherwise Stilton would have beaten him to a pulp and buttered the lawn with him. Meanwhile Bertie has committed a more heinous offence by growing a moustache, and Jeeves strongly disapproves - which is unfortunate, because Jeeves's feudal spirit is desperately needed. And Bertie? Bertie simply has to try to hold onto his moustache and hope he gets to the end in one piece. Bertie Wooster is asked by an acquaintance of his Aunt Dahlia to put up a thousand pounds for the production of a play and faces Jeeve's disapproval of the mustache Jeeves and the Feudal Spirit: (Jeeves & Wooster) grew while his butler was on vacation. Bertie may be in danger of having his spine severed in five places by that jealous gorilla G. D'Arcy Stilton Cheesewright, but, as Jeeves insists, the priorities still have to be observed. And so, thanks to Jeeves, they are throughout this bumper volume, whatever mayhem may be loosed upon the befuddled head and generous heart of Bertram Wilberforce Wooster. A Jeeves novel Captain Biggar, big-game hunter and all round tough guy, should make short work of the two bookies who have absconded with his winnings after a freak double made him a fortune. -
Download Jeeves and Wooster in New York, PG Wodehouse, Penguin Group
Jeeves and Wooster in New York, P. G. Wodehouse, Penguin Group (Canada), 1986, , . DOWNLOAD http://bit.ly/1aUeE3l , , , , . Reginald Jeeves is a fictional character in the short stories and novels of P. G. Wodehouse (1881–1975), being the valet of Bertie Wooster (Bertram Wilberforce Wooster). Created in 1915, Jeeves continued to appear in Wodehouse's work until his last completed novel Aunts Aren't Gentlemen in 1974, a span of 59 years. The name "Jeeves" comes from Percy Jeeves (1888–1916), a Warwickshire cricketer killed in the First World War.[1] Both the name "Jeeves" and the character of Jeeves have come to be thought of as the quintessential name and nature of a valet or butler inspiring many similar characters (as well as the name of the Internet search engine Ask Jeeves). A "Jeeves" is now a generic term in references such as the Oxford English Dictionary.[2] In a conversation with a policeman in "Jeeves and the Kid Clementina", Jeeves refers to himself as both a "gentleman's personal gentleman" and a "personal gentleman's gentleman."[3] This means that Jeeves is a valet, not a butler—that is, he serves a man and not a household. However, Bertie Wooster has lent out Jeeves as a butler on several occasions, and notes: "If the call comes, he can buttle with the best of them."[4] Jeeves is known for his convoluted yet precise speech and for quoting from Shakespeare and famous romantic poets. In his free time, he likes to relax with "improving" books such as the complete works of Spinoza, or to read "Dostoyevsky and the great Russians".[5] He "glides" or "shimmers" in and out of rooms and may appear or disappear suddenly and without warning. -
THE CODING of the WOOSTERS by Max Sonin a Thesis Submitted In
THE CODING OF THE WOOSTERS By Max Sonin A Thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts, English, Haverford College Advised by Gabriel Sessions, Visiting Assistant Professor of English, Haverford College April, 2019 Sonin / 2 ACKNOWLEDGMENT I would like to thank Alexandra Kochetkova for her ongoing support throughout my academic career at Haverford college. Alisa Tsurkan has aided me in my studies and my final project. My little Wodehouse club sustained by Regina Kovriga and Maria Dubovskaya was a constant source of sound judgment and profound insight into the complexities of translation and transnationality. Tristan Reasor has served as a great friend and provider of work space. Sofia Chochaeva was always there for me with thoughts and questions. My advisor Professor Gabriel Sessions supported my most extreme attempts at mixing computer science into literary criticism, guided me steadily through the jungles of trans-Atlantic study and guarded me from assassins. Professor Laura McGrane introduced me to interface theory and shared with me her excitement for hypertext. Professor Maud McInerney invited me to enjoy Barthes and humor in writing. Professor Benjamin Parris was a crucial force in expanding my interest in literature and music. Finally, I want to thank my mother Saule Tuganbaeva and my father Konstantin Sonin for their support and love. Max Sonin Haverford College April 11, 2019 Sonin / 3 Introduction During his lifetime P. G. Wodehouse had all the aspects of fame – reader recognition (in book sales1), fellow-writer recognition (in praise by Hilaire Belloc, George Orwell and Evelyn Waugh2), and financial success3 with an obligatory tax-scandal – in the 1930s Wodehouse owed the IRS an estimated $32,7534 in backpay (though, seemingly, not through a fault of his own). -
Great Doctors in English Literature: Sir Roderickglossop
Br Med J (Clin Res Ed): first published as 10.1136/bmj.287.6409.1962 on 24 December 1983. Downloaded from 1962 BRITISH MEDICAL JOURNAL VOLUME 287 24-31 DECEMBER 1983 Great doctors in English literature: Sir Roderick Glossop P M J BENNETT The eminent brain specialist, Sir Roderick Glossop, of 6b Harley Street and Ditteredge Hall, Hants, bestrode the world of P G Wodehouse like a colossus: not least because he was one of the very few characters to have a foot in both the Wooster/ Jeeves canon and the Blandings Castle sagas. Sir Roderick's practice encompassed many of the ancient, noble, and barmy families in the kingdom; unfortunately, from the point of view of medical research, his appearances in the narratives are occasioned by episodes such as his daughter Honoria's mercifully brief engagements to Bertie Wooster and his friends, so we have few glimpses of Sir Roderick at work. One of the reasons why he moved with such ease among the aristocracy was that he was born to it, and he had been at school with Clarence, 9th Earl of Emsworth, who recalled him as "a most unpleasant boy with a nasty, superior manner and an extraordinary number of spots on his face." It was Lord Emsworth's recollection of Sir Roderick by his school nickname, "Pimples," which so affronted the celebrated alienist that he refused to visit Blandings to assess the sanity of the egg throwing Duke of Dunstable. Presumably at some stage he lost his pimples and acquired the unmistakable appearance of his prime. -
The Divine Comedy of PG Wodehouse
Plum Time in Nevereverland: The Divine Comedy of P. G. Wodehouse WILLIAM VESTERMAN "It reminded me of one of those lines in the poem— 'See how the little how-does-it-go-tum tumty tiddly push.' Perhaps you remember the passage?" "'Alas, regardless of their fate, the little victims play,' sir." "Quite. Sad, Jeeves." "Yes, sir." —Joy in the Moming VIEWED AS AN ultimately ineducable man, Bertie Wooster under- mines the biographical foundations of the novel as a literary form. In any given "installment of the Bertram Wooster story," he will always be seen to forget as a character the same lovely tag lines of litera- ture that as a narrator he remembers so well to have forgotten. Of course, Jeeves never forgets anything and can always supply any de- mand for the proper lines or their proper authors. And at first each of his lessons seems taken to heart, because in Bertie's narratives both the initial ignorance and the supplied knowledge have been clearly remembered down to the last nonsense syllable. But as soon as Bertie stops writing and enters his world again, oblivion resumes its sway. Old favorites fade over and over. In volume after volume, for example, Jeeves has to remind him what the troops of Midian are said to do in Hymns Ancient and Modem (they "prowl and prowl around"). And although Bertie has been through Eton and Oxford he never can get straight Jeeves's rem acu tetigisti ("you have touched the matter with a needle," i.e., "exactly so"). Yet every time Bertie comes to narrate his latest aphasias, he is once more blessed with total recall. -
Much Obliged, Wodehouse a Study of Gender and Power in Three P.G
School of Languages and Literature/English Level: G3 Supervisor: Anna Greek 2EN20E Examiner: Per Sivefors 15 credits June 1st 2012 Much Obliged, Wodehouse A Study of Gender and Power in Three P.G. Wodehouse Novels Ollie Hansén Abstract The novels written by P.G Wodehouse that feature the characters Jeeves and Wooster are lighthearted and comedic. They revolve around an upper class young man and his struggle to remain a bachelor. However, according to the literary theorist Fredric Jameson: even if texts do not aspire to promote ideologies they still do. It will be this essay's aim to see what kind of ideologies are promoted in three of P.G Wodehouse's novels. Of interest is also to explore how these ideologies blend and intermingle with each other and with the aspect of gender. The findings of this essay are that one cannot simply rely on just a social class aspect or a gender aspect in order to interpret the text and its ideological and political substance since social class, ideology, politics and gender are closely linked to each other. Table of contents Introduction...........................................................................1 Theoretical Framework.........................................................2 The Gatekeeper ....................................................................7 The Unreliable Narrator....................................................... 12 Homosociality...................................................................... 14 Women and Power................................................................20 Conclusion............................................................................25 Works Cited..........................................................................28 1 Introduction P.G. Wodehouse's career as a writer spans from the early 1900s until his death 1975. He wrote lighthearted humorous literature, set during the earlier parts of 1900s, that often revolved around a young unmarried man from the upper class and his struggle to either marry the woman he loves or avoid marriage at all costs.