Doctor Who: Logopolis
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DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based On
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation 1. Events cast shadows before them, but the huger shadows creep over us unseen. When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before. The Doctor did, however - vaguely. While the Doctor paced back and forth in the TARDIS cloister room trying to make some sense of the tangle of troublesome thoughts that had followed him from Traken, in a completely different sector of the Universe, in a place called Earth, one such small foreshadowing was already beginning to unfold. It was a simple thing. A policeman leaned his bicycle against a police box, took a key from the breast pocket of his uniform jacket and unlocked the little telephone door to make a phone call. Police Constable Donald Seagrave was in a jovial mood. The sun was shining, the bicycle was performing perfectly since its overhaul last Saturday afternoon, and now that the water-main flooding in Burney Street was repaired he was on his way home for tea, if that was all right with the Super. It seemed to be a bad line. Seagrave could hear his Superintendent at the far end saying, 'Speak up . Who's that . .?', but there was this whirring noise, and then a sort of chuffing and groaning . The baffled constable looked into the telephone, and then banged it on his helmet to try to improve the connection. -
Doctor Who: Castrovalva
Still weak and confused after his fourth regeneration, the Doctor retreats to Castrovalva to recuperate. But Castrovalva is not the haven of peace and tranquility the Doctor and his companions are seeking. Far from being able to rest quietly, the unsuspecting time-travellers are caught up once again in the evil machinations of the Master. Only an act of supreme self-sacrifice will enable them to escape the maniacal lunacy of the renegade Time Lord. Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Leisure Hive Doctor Who and the Visitation Doctor Who – Full Circle Doctor Who – Logopolis Doctor Who and the Sunmakers Doctor Who Crossword Book UK: £1 · 35 *Australia: $3 · 95 Malta: £M1 · 35c *Recommended Price TV tie-in ISBN 0 426 19326 1 This book is dedicated to M. C. Escher, whose drawings inspired it and provided its title. Thanks are also due to the Barbican Centre, London, England, where a working model of the disorienteering experiments provided valuable practical experience. DOCTOR WHO CASTROVALVA Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1983 Original script copyright © Christopher H. Bidmead 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Hunt Barnard Printing Ltd, Aylesbury, Bucks ISBN 0 426 19326 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
MT337 201102 Earthshock
EARTHSHOCK By Eric Saward Mysterious Theatre 337 – Show 201102 Revision 3 By the usual suspects Transcription by Robert Warnock (1,2) and Steven W Hill (3,4) Theme starts Didn’t we just do this one? Stars More stars Bright stars Peter! Hey it’s that guy from the Gallifrey convention video. Peter zooms towards camera I saw a guy who looks just like him in the hotel. More bright stars Neon logo Neon logo zooms out Earthshock I love one-word titles. By Eric Saward Part One Star One. Long shot of the BBC Quarry. © Some people in coveralls rappel up the side of a hill. If that’s tug of war, you’re doing it wrong. I love the BBC quarry. Lieutenant Scott reaches out to help Professor Kyle Another boring planet in the middle of nowhere. over the top. She gasps. They run away from the camera towards another hill Is this Halo? where some other troopers are standing guard. They run past an oval-shaped, blue tent to where some other troopers are standing, and stop. Scott looks around a bit, the moves forward again. He heads towards a “tunnel” entrance where some more troopers are standing. Kyle and Snyder are looking into the entrance as Scott walks up. Look, she’s got headlights. Phwooar! Page 1 SNYDER Nothing. Kyle turns around and walks away from the tunnel Quarry. entrance very slowly. PROF KYLE How does this thing work? It’s called a microfiche. WALTERS It focuses upon the electrical activity of the body-heartbeat, things like that. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Doctor Who: Frontios
The TARDIS has drifted far into the future and comes to rest hovering over Frontios, refuge of one group of survivors from Earth who have escaped the disintegration of their home planet. The Doctor is reluctant to land on Frontios, as he does not wish to intervene in a moment of historical crisis – the colonists are still struggling to establish themselves and their continued existence hangs in the balance. But the TARDIS is forced down by what appears to be a meteorite storm, and crash-lands, leaving the Doctor and his companions marooned on the hope-forsaken planet . DISTRIBUTED BY: USA: CANADA: AUSTRALIA: NEW ZEALAND: LYLE STUART INC. CANCOAST GORDON AND GORDON AND 120 Enterprise Ave. BOOKS LTD, c/o GOTCH LTD GOTCH (NZ) LTD Secaucus, Kentrade Products Ltd. New Jersey 07094 132 Cartwright Ave, Toronto, Ontario I S B N 0 - 4 2 6 - 1 9 7 8 0 - 1 UK: £1.50 USA: $2.95 *Australia: $4.50 NZ: $5.50 ,-7IA4C6-bjhiaf— Canada: $3.95 *Recommended Price Science Fiction/TV tie-in DOCTOR WHO FRONTIOS Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD Number 91 in the Doctor Who Library A TARGET BOOK published by The Paperback Division of W. H. Allen & Co. PLC A Target Book Published in 1984 by the Paperback Division of W.H. Allen & Co. PLC 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1984 Original script copyright © Christopher H. Bidmead 1984 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1984 The BBC producer of Frontios John Nathan-Turner, the director was Ron Jones Printed and bound in Great Britain by Anchor Brendon Ltd, Tiptree, Essex ISBN 0 426 19780 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
The Ultimate Foe
The Black Archive #14 THE ULTIMATE FOE By James Cooray Smith Published November 2017 by Obverse Books Cover Design © Cody Schell Text © James Cooray Smith, 2017 Range Editor: Philip Purser-Hallard James Cooray Smith has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 INTERMISSION: WHO IS THE VALEYARD In Holmes’ draft of Part 13, the Valeyard’s identity is straightforward. But it would not remain so for long. MASTER Your twelfth and final incarnation… and may I say you do not improve with age1. By the intermediate draft represented by the novelisation2 this has become: ‘The Valeyard, Doctor, is your penultimate reincarnation… Somewhere between your twelfth and thirteenth regeneration… and I may I say, you do not improve with age..!’3 The shooting script has: 1 While Robert Holmes had introduced the idea of a Time Lord being limited to 12 regenerations, (and thus 13 lives, as the first incarnation of a Time Lord has not yet regenerated) in his script for The Deadly Assassin, his draft conflates incarnations and regenerations in a way that suggests that either he was no longer au fait with how the terminology had come to be used in Doctor Who by the 1980s (e.g. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Doctor Who 4.8 - Return to Telos Pdf, Epub, Ebook
DOCTOR WHO 4.8 - RETURN TO TELOS PDF, EPUB, EBOOK Nicholas Briggs,Anthony Lamb,Jamie Robertson,Tom Baker,Louise Jameson,John Leeson,Frazer Hines | none | 31 Aug 2015 | Big Finish Productions Ltd | 9781781783528 | English | Maidenhead, United Kingdom Doctor Who 4.8 - Return to Telos PDF Book Steve Tribe. About this product Product Information This range of two-part audio dramas stars Tom Baker reprising his most popular role as the Fourth Doctor from - with a number of his original TV companions. Follow us. Jenny T Colgan. However, they quickly realise that, if they do eliminate the Second Doctor, the Fourth will not exist and they will not be able to take control of the TARDIS, so they desist and the timelines return to normal. As they sleep, they take heir leave; seeing Telos up in the sky, a distant planet, the Doctor starts telling Leela about the Cybermen, wishing for her she'd never meet them. Things now go smoothly: the Doctor and Leela go fishing, they meet Geralk's robot, fish with it and then stay with him and Relly for dinner. You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. The Doctor, persuaded, comes up with an idea, and tells Geralk to put on his robot control. As a result, the robot stops working and begins to repeat words about the last thing he was doing when it met them: going fishing. Are you happy to accept all cookies? This category only includes cookies that ensures basic functionalities and security features of the website. -
Web Version Please Subscribe to the Relative Times For
Volume XVI Number 2 November/December 2004 Inside: Fast Forward, Part 3 Blake’s 7 Spinoffs All I Want for Dalekmas MTL’s 15th Anniversary Celebration And More WEB VERSION PLEASE SUBSCRIBE TO THE RELATIVE TIMES FOR THE FULL VERSION Milwaukee Time The Relative Times Lords Officers Logo Design Published 8 times a year by — Jay Badenhoop, Marti (2004-2005 term) The Milwaukee Time Lords Madsen, Linda Kelly c/o Lloyd Brown President th Contributors (Who to Blame): 2446 N. 69 Street Howard Weintrob . Wauwatosa, WI 53213-1314 Barbara Brown, John Brown, Andy DeGaetano, Debbie Frey, Dean Gustin, Jay Editor: ............. Barbara Brown Harber, Ed Hochman, and Marti Madsen. Vice President Art Editor ............ Marti Madsen Andy DeGaetano . News Editor .......... Mark Hansen And thanks to anyone whose name I may Newsletter Staff: have neglected to include. Treasurer Ellen Brown, Lloyd Brown Julie Fry.................... Secretary Ross Cannizzo............... Sergeant-at-Arms Contents Items in RED not included in web version Dean Gustin................. Meeting Schedule 3 Dalekmas Wishes 14 Chancellory 5 Fast Forward, pt. 3 17 Videos SF Databank 6 Blake’s 7 Spinoffs 24 Dean Gustin................. MTL 15th Anniversary 11 The Gallifrey Ragsheet 26 Fundraising From Beyond the Vortex Position open Newsletter Back to 28 pages again! I can breathe. Our cover is part of a much larger Barbara Brown............... drawing by Jay Harber. He did several versions of the same drawing – this one is of just the background. There are several versions with a rather nude Romana I, which are very good drawings, but which I can’t print in the Events newsletter. -
Doctor Who: Time Warrior
His spaceship crippled in an interstellar battle, the Sontaran warrior, Linx, is forced to crash-land on earth. He arrives in the Middle Ages, a time too primitive to provide the technology he needs to repair his ship. Allying himself with the local robber chief, Linx uses his powers to ‘borrow’ scientists and equipment from twentieth-century earth. Doctor Who tracks down the missing scientists and journeys into the past to save them. But can he defeat the ruthless Linx and his savage human allies before the course of human history is changed forever? Distributed in the USA by Lyle Stuart Inc, 120 Enterprise Ave, Secaucus, New Jersey 07094 UK: £1 · 35 *Australia: $3 · 95 USA: $2 ·95 *Recommended Price Science Fiction/TV tie-in ISBN 0 426 20023 3 DOCTOR WHO AND THE TIME WARRIOR Based on the BBC television serial by Robert Holmes by arrangement with the British Broadcasting Corporation TERRANCE DICKS A Target Book published by the Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1978 by the Paperback Division of W. H. Allen & Co. Ltd. A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Terrance Dicks 1978 Original script copyright © Robert Holmes 1974 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1974, 1978 Printed in Great Britain by Anchor Brendon Ltd, Tiptree, Essex ISBN 0 426 20023 3 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.