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Lily Tomlin, one of America's foremost comediennes, continues to venture across an ever-widening range of media, starring in television, theater, motion pictures, Lily Tomlin animation, and video. Throughout her extraordinary entertainment career, Tomlin has received numerous awards, including: six Emmys; a Tony for her one woman Broadway show, “Appearing Nitely;” a second Tony as Best Actress, Drama Speech Topics Desk Award and Outer Critics’ Circle Award for her one woman performance in Jane Wagner’s “The Search for Signs of Intelligent Life in the Universe;” a CableAce Award for Executive Producing the film adaptation of The Search; a Humor Grammy for her comedy album, Comedian This is a Recording, as well as nominations for her subsequent albums Modern Celebrity Scream, And That's the Truth, and On Stage; and two Peabody Awards—the first for the ABC television special, Edith Ann’s Christmas: Just Say Noel and the second for narrating and executive producing the HBO film, The Celluloid Closet. Tomlin was born in Detroit, Michigan and grew up in a working-class neighborhood on the outskirts of one of the city's most affluent areas. Although she claims she wasn't funny as a child, Tomlin admits she "knew who was and lifted all their material right off the TV screen." Her favorites included Lucille Ball, Bea Lillie, Imogene Coca, and Jean Carroll, one of the first female stand-ups on The Ed Sullivan Show. After high school, Tomlin enrolled at Wayne State University to study medicine, but her elective courses in theater arts compelled her to leave college to become a performer in local coffee houses. She moved to New York in 1965, where she soon built a strong following with her appearances at landmark clubs such as The Improvisation, Cafe Au Go Go, and the Upstairs at the Downstairs, ... 901.754.9404 www.executivespeakers.com.

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Department of English and American Studies Sid Caesar and His
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Be. Vojtěch Vokurka Sid Caesar and His Writers: Revolution in American Comedy Masters Diploma Thesis Supervisor: GeneTerruso, M.F.A. 2018 / declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. Vojtěch Vokurka Acknowledgement I would like to thank my supervisor, Mr. Gene Terruso, for his time, for his ideas and for introducing me to Sid Caesar and his work. Also, I would like to thank Sid Caesar, his actors and writers for keeping me entertained while I was working on this thesis. Table of Contents Introduction 6 1. Caesar's Shows 8 1.1 When Liebman Met Caesar 8 1.1 The Cast 13 1.3 The Writers 16 1.4 Evolution of American Sketch Comedy 19 2. Jewishness in Caesar's Humor 23 2.1 Roots of Jewish Comedy in America 23 2.2 Muting the Jewishness 25 2.3 Characteristics of Jewish Humor 27 2.4 Reaching the General Audience 33 2.5 Being Openly Jewish 35 2.6 Evolution of American Humor 39 3. Parody in Caesar's Sketches 45 3.1 Caesar's Parodies 45 3.2 Parody on Saturday Night Live 48 3.3 Movie Parodies 50 4. Caesar and Physical Comedy 54 4.1 History of Physical Comedy 54 4.2 Physical Comedy in Caesar's Sketches 56 4.3 Physical Comedy in the Years after Caesar 59 Conclusion 64 Bibliography 66 Primary Sources 66 Secondary Sources 70 Introduction When comedian Sid Caesar died in 2014, the news outlets all over the United States printed their obituaries.
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Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
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Why LAUGHTER on the 23RD FLOOR? by David Cecsarini
volume 30, issue 2 30, volume 2019 november “ Why LAUGHTER ON THE 23RD FLOOR? by David Cecsarini Twenty-one years ago, HE COULD DO ANYTHING as we were preparing our Sid Caesar was a tall, strapping, staged reading of Neil Simon’s rubber-faced acting powerhouse LAUGHTER ON THE 23RD FLOOR, whose bottomless comedic in- I was introduced to the singu- vention found expression through lar and colossal comedic genius, fluid movement and superb vocal Sid Caesar. Simon was a rookie acrobatics. Sifting through the writer for Caesar in 1953, and his many video recordings of Your play is a loving tribute to the cra- Show of Shows or Caesar’s Hour, ziest writers’ room in television. the breadth and depth of his cre- I had some vague notion of who ative talents are simply astonish- Sid Caesar was and that he did ing. Though his natural Brooklyn a 90-minute live comedy broad- accent colored many of Caesar’s cast, Your Show of Shows, back Sid Caesar characterizations, he was also a in early TV. But the immersion fokkers vas Messerschmitts!” I master of other accents, includ- course of specific study, as often can remember us watching the ing the utterance of approximate happens in our business, brought 60s TV comedy Hogan’s Heroes, foreign languages known as dou- Isaac Sidney Caesar into full fo- with wonderful actors John Ban- ble talk. French, German, Italian, cus, context and prominence ner and Werner Klemperer taking Russian, Japanese: he could carry within the pioneering world of it on the chin for the Luftwaffe.
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00:00:00 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:19 Jesse Host It’s Bullseye. I’m Jesse Thorn. Carl Reiner died earlier this summer. Thorn He was 98. In a world where the word where the word “legend” can get overused, let’s be clear. Carl Reiner was a legend. He started in comedy during WWII. He performed on stage, on the radio, on TV and movies. He did it all. He was on TV at a time when TV was this weird new thing that nobody was really sure what to do with. All that’s pretty amazing. The important thing is, though, that the stuff that Carl worked on—it’s really funny, still. He created The Dick Van Dyke Show, one of the greatest TV shows of all time. He co-wrote and directed Steve Martin’s The Jerk. And, you know, his best buddy was Mel Brookes—best buddy and collaborator. The two of them hung out together pretty much every day. Carl Reiner kept working right up until the end, too. One of my favorite recent things he did was on the television show Parks and Recreation. He played Ned Jones, the president of Pawnee Seniors United.
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Many Stars Have Graced Our Stage Over the Years!
MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G.
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Download Show Archive
1959 - 1960 6O NOTEWORTHY PERFORMANCE NO. OF PRODUCTION PERFORMERS DATES PERFORMANCES VENUE SEASON SPONSOR Business Professional Women’s Club ODD MAN IN Ann Sheridan, Scott McKay 10/26/59 1 HHS THE DARK AT THE Joan Blondell 1 HHS TOP OF THE STAIRS TWO FOR THE SEESAW Hal March 2 HHS LOOK HOMEWARD, Miriam Hopkins 1 HHS ANGEL 1960 - 1961 6O SEASON SPONSOR Business Professional Women’s Club THE PLEASURE OF Joan Bennett, Donald Cook 10/ 7/1960 1 HHS HIS COMPANY ONCE UPON A MATTRESS Edward Everette Horton, 12/1/1960 1 HHS Imogene Coca, King Donovan J. B. John Carradine 3/16/1961 1 HHS ANDERSONVILLE TRIAL Brian Donlevy 4/10/1961 1 HHS 1961 - 1962 5O SEASON SPONSOR Business Professional Women’s Club A THURBER CARNIVAL Arthur Treacher, Imogene Coca, 1 HHS King Donovan THE MIRACLE WORKER Eileen Brennan 1 HHS THE BEST MAN Don Porter, Scott Brady 1 HHS CRITICS CHOICE Jeffrey Lynn, Wanda Hendrix 1 HHS 1962 - 1963 6O NOTEWORTHY PERFORMANCE NO. OF PRODUCTION PERFORMERS DATES PERFORMANCES VENUE SEASON SPONSOR Business Professional Women’s Club A SHOT IN THE DARK Annie Farge 10/ 20/1962 1 HHS CARNIVAL Elaine Malbin 12/1/1962 1 HHS MARY, MARY Jeffrey Lynn 2/2/1963 1 HHS THE PREMISE Theodore Flicker 1 HHS (New York cast flew in for performance) 1963 - 1964 6O SEASON SPONSOR Business Professional Women’s Club A THOUSAND CLOWNS John Ireland 1 HHS A MAN FOR ALL Robert Harris, Jeff Morrow 1 HHS SEASONS THE BOYS FROM Chet Summers, Eddie Roll, 1 HHS SYRACUSE Ralph McWilliams CAMELOT Jeannie Carson, Biff McGuire, 3/11/1964 1 HHS Melville Cooper 1964 - 1965 6O SEASON SPONSOR Business Professional Women’s Club LUTHER Alan Bergmann 1 HHS SPOON RIVER Original Cast - Barbara Gilbert, Carl 1 HHS Esser, Linda Seff, William Severs OLIVER! Jules Munchin, Joan Eastman, 1 HHS Christopher Spooner NEVER TOO LATE Lyle Talbot, Penny Singleton 1 HHS 1965 - 1966 6O NOTEWORTHY PERFORMANCE NO.
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Camp TV Trans Gender Queer Sitcom History
Camp TV Trans Gender Queer Sitcom History Quinlan Miller Console-ing Passions Television and Cultural Power Edited by Lynn Spigel Quinlan Miller Camp TV Trans Gender Queer Sitcom History Duke University Press Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker Typeset in Garamond Premier Pro and Helvetica Neue by Copperline Books Library of Congress Cataloging-in-Publication Data Names: Miller, Quinlan, [date] author. Title: Camp TV : trans gender queer sitcom history / Quinlan Miller. Description: Durham : Duke University Press, 2019. | Series: Console-ing passions | Includes bibliographical references and index. Identifiers: lccn 2018037344 (print) | lccn 2018044915 (ebook) isbn 9781478003397 (ebook) isbn 9781478001850 (hardcover : alk. paper) isbn 9781478003038 (pbk. : alk. paper) Subjects: lcsh: Situation comedies (Television programs)—United States— History and criticism. | Television—Social aspects—United States—History— 20th century. | Transgender people in popular culture—United States. | Gender nonconformity on television. | Gender identity on television. | Homosexuality and television—United States—History. Classification: lcc pn1992.8.c66 (ebook) | lcc pn1992.8.c66 m44 2019 (print) | ddc 791.456/53—dc23 lc record available at https://lccn.loc.gov/2018037344 cover art: ( To p) Hedda Hopper’s Hollywood © Pamandisam, llc, David Susskind Papers, Wisconsin Center for Film and Theater Research. (Bottom) Beverly Hillbillies. for Erica Contents ix Acknowledgments 1 Introduction. Trans Gender Queer New Terms for TV History 27 1. Camp TV and Queer Gender Sitcom History 55 2. Queer Gender and Bob Cummings Hollywood Camp TV 88 3. Marriage Schmarriage Sex and the Single Person 131 4.
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Make-Up Artists and Hair Stylists Guild Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505
Prsrt Std U.S. Postage Paid Santa Ana, CA Make-up Artists and Hair Stylists Guild Permit No. 450 Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505 VOLUME 8 NUMBER 4 Anniversary Issue 2012 Features Departments 22 The Hollywood Museum 4 From the President Congratulates Local 706 Tonight is your night! 24 Creating the Fantasy 6 Local Perspective With hair & make-up effects Artisans’ 75th Anniversary 8 Special Thanks 28 75 Years of Wonderful History A letter from Gov. Brown The way we were 10 Certificate of Recognition From Mayor Villaraigosa 13 Guild News The first contract 16 Government Proclamations Top, left to right: Our charter, a hand-embroidered Local 706 banner before hairdressers came in. Above: 1950s Deb Star Ball at the Hollywood Palladium Above, from left: Imogene Coca in make-up, Carmen Dirigo, hair stylist to the stars of the 1930s & 1940s. 1 Official Magazine of Hollywood Make-up Artists & Hair Stylists. Published in the Interest of ALL the Members of Make-up Artists & Hair Stylists I.A.T.S.E. Local 706 Thank You Supervising Editor JEFF ANGELL Contributing Writers MICHAEL FRANCIS BLAKE SUSAN CABRAL-EBERT TOMMY COLE Publisher For your Generous Support INGLEDODD PUBLISHING Office Manager KATHY SAIN as the Presenting Sponsor Mailing List Manager DIANE BURNS of our The Artisan is published quarterly 75th Diamond Anniversary Celebration by Make-up Artists & Hair Stylists, I.A.T.S.E. Local 706, 828 No. Hollywood Way, Burbank, CA 91505 Phone (818) 295-3933. Fax 818-295-3930 All editorial and photo and Your Continuous Encouragement submissions should be sent to e-mail address: [email protected] of our Professional Development and Craft.
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Bill Hobin Papers, 1961-1978 (Bulk 1974-1978)
http://oac.cdlib.org/findaid/ark:/13030/kt4k40370q No online items Finding Aid for the Bill Hobin papers, 1961-1978 (bulk 1974-1978) Processed by Rachel Barnes; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Bill Hobin 348 1 papers, 1961-1978 (bulk 1974-1978) Descriptive Summary Title: Bill Hobin papers, Date (inclusive): 1961-1978, Date (bulk): (bulk 1960-1965) Collection number: 348 Creator: Hobin, Bill Extent: 4 boxes (2 linear ft.) 2 cartons Abstract: Emmy nominated Bill Hobin was involved with a number of popular television programs as director and/or producer. The collection included project files of scripts and production related materials documenting Hobin's career Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections.
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SID CAESAR Lion Funny Ways to Open a Door.If You're Nervous in Front Ofa
CEL E BRITY truth. It was then. It is now.It will always be. There's a mil. SID CAESAR lion funny ways to open a door.If you're nervous in front ofa. girl, you may show it a certain silly way. It was funny when' Sid Caesar is not simply a television pioneer, but a true gi- wedid it, and it is still just as funny.Wealso shyedawayfrom, ant of American comedy. His variety series Your Show of topical material. And of course, there's [YourShow of Shows' Shows (compilations of which are available on video) set the costar] Imogene Coca. She is one of the few comediennes tone for a generation of television humor, and brought to the who doesn't sacrifice her femininity. VT: Your writers included costar Carl Reiner, Woody Allen, I'M NOT OPTIMISTICABOUT THE FUTURE OF SKETCH Mel Brooks, Larry Gelbart, and Neil Simon. Did you have COMEDY,PANTOMIME,AND DOUBLETALK.I'M any-idea that one day they would all achieve such an out.I AFRAIDTHEY'RE DYINGARTS. standing degree of success? SC:No. [Woody]Allen was highly intelligent and really off. beat. He was very shy.[Neil]Simonwas so shy,he had to talk through [Carl]Reiner. Carl was great. He proves that to be a great straight man, you have to be a great comedian. Mel [Brooks]was a crazy man, loony,but in a nice way. VT:Thuappeared with Buster Keaton in the movie It's a Mad Mad Mad Mad World, along with a host of other comic gi- ants.
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Cal Poly Arts Brings Lilly Tomlin to PAC October 16
California Polytechnic State University Sept. 23, 2004 FOR IMMEDIATE RELEASE CONTACT: LISA WOSKE (805) 756-7110 Cal Poly Arts Brings Lilly Tomlin to PAC October 16 SAN LUIS OBISPO -- Fans remember her from TV’s “Laugh-In” and Hollywood’s “Nashville” and “9 to 5.” They’ve seen her Tony Award-winning Broadway show and now watch her in “The West Wing.” They hear her voice urging them to ride on “The Magic School Bus.” On Saturday, October 16, 2004 at 8 p.m., Cal Poly Arts presents one of America’s favorite comediennes in her one-woman show, “An Evening with Lily Tomlin,” on stage at the Christopher Cohan Center. An audience question and answer session follows the performance. Lily Tomlin launched a successful comedy career with the chatty 6-year old Edith Ann and the irascible telephone operator, Ernestine. For over four decades, she has starred in television, theater, motion pictures, animation, and video -- all to critical and popular acclaim. Tomlin grew up in a working-class Detroit neighborhood and although she claims she wasn't funny as a child, Tomlin admits she "knew who was (funny) and lifted all their material right off the TV screen." Early influences included Lucille Ball, Bea Lillie, Imogene Coca, and Jean Carroll, one of the first female stand-ups on "The Ed Sullivan Show." After high school, Tomlin enrolled at Wayne State University to study medicine, but her elective courses in theater arts compelled her to leave college to become a performer in local coffee houses. She moved to New York in 1965 and built a strong following with appearances at landmark clubs such as The Improvisation, Cafe Au Go Go, and the Upstairs at the Downstairs.
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Tor in Both Film and Television-For Example, Writing Caesar's Hour
Reiner, Carl sion history he has lived and to which he has so fully Television Specials contributed. He remains active as a writer and as an ac- 1967 The Sid Caesar, Imogene Coca, Carl tor in both film and television-for example, writing Reiner Howard Morris Special novels and short stories; reviving the 2,000 -year -old 1968 The Fabulous Funnies (host) man character with Mel Brooks in 1997; lending his 1969 The Wonderful World of Pizzazz (cohost) voice to episodes of the animated TV series King of the 1970 Happy Birthday Charlie Brown (host) Hill (FOX, 1997) and Disney's Hercules (1998); 1984 Those Wonderful TV Game Shows (host) guest -starring on two episodes of the CBS legal drama 1984 The Great Stand -Ups: 60 Years of Family Law (1999 and 2000); and playing a featured Laughter (narrator) role in the film Ocean's Eleven (2001). For his career 1987 Carol, Carl, Whoopi, and Robin achievements, he has been honored by the Kennedy Center in Washington, D.C., and inducted into the Films (selected) Academy of Television Arts and Sciences Hall of Happy Anniversary, 1959; The 1960; Fame. Gazebo, Gidget Goes Hawaiian, 1961; It's A Mad, Mad, Mad, Mad MICHAEL B. KASSEL World, 1963; The Russians Are Coining!, 1966; En- See also Caesar, Sid; Dick Van Dyke Show, The ter Laughing (director), 1967; Where's Poppa?, 1970; Heaven Help Us (coproducer), 1976; Oh, Carl Reiner. Born in the Bronx. New York, March 20, God! (director), 1977; The End, 1978; The One and 1922. Educated at the School of Foreign Service, Only (director), 1978; The Jerk (director), 1979; Georgetown University, 1943.
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