Mathew Brady and the Daguerreotype Portrait
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Astor House Proposal To
CITY OF GOLDEN PLANNING STAFF REPORT FOR HISTORIC PRESERVATION BOARD AGENDA CASE NO: HPB 21-05 MEETING DATE: May 3, 2021 APPLICANT: REQUESTED ACTION: Certificate of Appropriateness: Certificate of Design Review and Finding of Compatibility for an internal remodel, external repairs and rear addition located at 822 12th Street, in the 12th Street Historic District EXHIBITS: Resolution HPB 21-05 Vicinity Map Secretary of the Interior’s Standards Review Memo regarding expansion and the ‘yard’ Application SUMMARY An application has been submitted to the City of Golden Historic Preservation Board to consider a certificate of design review and a finding of compatibility for external repairs and a rear addition, located at 822 12th Street, the Astor House, a contributing structure within the 12th Street Historic District and Landmark Property in the City of Golden. Pursuant to the Historic District Residential Design Guidelines (Guidelines), the Historic Preservation Board (HPB) requires a review prior to the issuance of a building permit for renovation and new construction of this type to any structure within a historic district. The HPB should review the proposal, make any design suggestions, and adopt a resolution documenting the review. BACKGROUND The Astor House is located at 822 12th Street and was built in approximately 1867 and is listed as a contributing structure in the 12th Street Historic District. The Astor House is also a Landmark Property in the City, designated in 2020. Over the past 148 years the Building has played multiple and important roles in the City of Golden. These range from museum, to boarding house to hotel during the Territorial capital days. -
Early New York Houses (1900)
1 f A ':-- V ,^ 4* .£^ * '"W "of o 5 ^/ v^v %-^v V^\^ ^^ > . V .** .-•jfltef-. %.^ .-is»i-. \.^ .-^fe-. *^** -isM'. \,/ V s\ " c«^W.».' . o r^0^ a? %<> **' -i v , " • S » < •«. ci- • ^ftl>a^'» ( c 'f ^°- ^ '^#; > ^ " • 1 * ^5- «> w * dsf\\Vv>o», . O V ^ V u 4- ^ ° »*' ^> t*o* **d« vT1 *3 ^d* 4°^ » " , ^o .<4 o ^iW/^2, , ^A ^ ^°^ fl <^ ° t'o LA o^ t « « % 1 75*° EARLY Z7Ja NEW YORK HOVSEvS 1900 EARLY NEW YORK HOVSES WITH HISTORICAL 0^ GEN- EALOGICAL NOTES BY' WILLIAM S.PELLETREAV,A.M. PHOTOGRAPHS OFOLDHOVSES C-ORIGINAL ILLVSTRATIONSBY C.G.MOLLER. JR. y y y v v v v v v v <&-;-??. IN TEN PARTS FRANCIS P.HARPER, PVBLIS HER NEW YORK,A.D.jQOO^ * vvvvvvvv 1A Library of Coi NOV 13 1900 SECOND COPY Oeliv. ORDER DIVISION MAR. 2 1901 fit,* P3b ..^..^•^•^Si^jSb;^^;^^. To the memory of WILLIAM KELBY I^ate librarian of the New York Historical Society f Whose labors of careful patient and successful research w have been equalled by few—surpassed by none. w Natvs, Decessit, MDCCCXU MDCCCXCVIII ¥ JIT TIBI TERRA LEVIJ , ^5?^5?^'55>•^••^•^=^,•^•" ==i•'t=^^•':ft>•' 1 St. Phuup's Church, Centre; Street Page 1 V 2 Old Houses on " Monkey Hill " 3/ 3 The Oldest Houses in Lafayette Place 7 / 4 The Site of Captain Kidd's House ll • 5 Old Houses on York Street 15/ 6 The Merchant's Exchange 19 V 7 Old Houses Corner of Watts and Hudson Streets 23 </ 27v/ 8 Baptist Church on Fayette Street, 1808 . 9 The in Night Before Christmas" was House which "The •/ Written 31 10 Franklin Square, in 1856 35^ 11 The First Tammany Hall 41 </ 12 Houses on Bond Street 49^ 13 The Homestead of Casper Samler 53/ 14 The Tank of the Manhattan Water Company 57 ^ 15 Residence of General Winfield Scott 61 l/ 16 The Last Dwelling House on Broadway, (The Goelet Mansion) 65^ \/ 17 Old Houses on Cornelia Street , n 18 The Last of LE Roy Place 75*/ 19 Northeast Corner of Fifth Avenue and Sixteenth Street . -
Mathew B. Brady Studio HABS No. DC-295 625 Pennsylvania Avenue, NW Washington Jj * Q District of Columbia \1 DC
Mathew B. Brady Studio HABS No. DC-295 625 Pennsylvania Avenue, NW Washington jj * Q District of Columbia \1 DC, WRITTEN HISTORICAL AND DESCRIPTIVE DATA Historic American Buildings Survey National Park Service Department of the Interior Washington, D.C. 20240 HISTORIC AMERICAN BUILDINGS SURVEY HABS No. DC-295 MATHEW B. BRADY STUDIO Location: 625 Pennsylvania Avenue, N. W., Square 460, Lot 802 (original Eastern 22 ft. of Lot 5). w^e Present Owner: National Savings and Trust Co., trustee. Present Occupant: The Fraternal Order of Police Present Use: Private restaurant and bar. Si oni fie :ance: This small Italianate commercial building is a fine example of pre-Civil War commercial Washington architecture. This building served as one of the first photographic studios in the City of Washington, being put to that use in 1850. From 1358-1831, it housed the National Photographic Art Gallery and the studio of the world renowned photographer Mathew B. Brady. Brady is remembered for his photo- graphs of the Civil War and the many portraits he took of famous personages of that era. PART I. HISTORICAL INFORMATION A. Phyical History: 1. Date of erection: It is not possible to pinpoint the exact date of construction for this building. The Corporation of Washington Tax Books record a significant increase in value of improvements from $3,800.00 in 1854 to $7,500.00 in 1855. Prior to 1854 the value of im- provements remains relatively constant as far back as the' mid-1830's, when the Tax Books are too unclear to interpret accurately. Stylistically, the two street facades represent different eras. -
Mathew Brady Essay
Essential Civil War Curriculum | Carol M. Johnson, Matthew B. Brady | August 2015 Mathew B. Brady By Carol M. Johnson Mathew Brady is arguably one of the most important American photographers of the nineteenth century. His iconic photographs provide an in-depth view of the Civil War and the personalities involved, giving us a better understanding of the conflict. He was born circa 1823 to Andrew and Julia Brady, Irish emigrants who settled in Warren County, New York, located in the Adirondack Mountains. Very little documentation exists about his early life. Brady professed to have studied painting under the portrait artist William Page in Albany, New York, when he was in his teens. By 1839, Brady had moved to New York City. He may have worked as a clerk for the A. T. Stewart dry goods store before opening his own business. In 1843, Brady began manufacturing leather cases used to house miniature paintings and daguerreotypes, the earliest commercial form of photography. 1 In the spring of 1844, Brady opened his first daguerreian studio on lower Broadway, an area popular with photographers. When visitors entered his gallery, they were surrounded by samples of Brady’s work, especially portraits of the famous individuals who had sat for his camera. Those wishing to have their portrait made would ascend to the studio, one floor above the gallery. Brady hired an operator to work the camera, while he posed the sitters. Brady charged more for his portraits than most of his competitors, catering to the upper class. Artists, political figures, writers, actors, and actresses frequented his studio and often had at least two portraits made—one to keep for themselves and one to display in Brady’s gallery. -
Lincoln on Battlefield of Antietam, Maryland, Alexander Gardner
J. Paul Getty Museum Education Department Exploring Photographs Information and Questions for Teaching Lincoln on Battlefield of Antietam, Maryland, Alexander Gardner Lincoln on Battlefield of Antietam, Maryland Alexander Gardner American, Maryland, October 2, 1862 Albumen print 8 5/8 x 7 3/4 in. 84.XM.482.1 Twenty-six thousand soldiers were killed or wounded in the Battle of Antietam on September 17, 1862, after which Confederate General Robert E. Lee was forced to retreat to Virginia. Just two weeks after the victory, President and Commander- in-Chief Abraham Lincoln conferred with General McClernand (at the right) and Allan Pinkerton, Chief of the nascent Secret Service (on the left), who had organized espionage missions behind Confederate lines. Lincoln stands tall, front and center in his stovepipe hat, his erect and commanding posture emphasized by the tent pole that seems to be an extension of his spine. The other men stand slightly apart in deference to their leader. Both McClernand and Pinkerton have a hand tucked inside their coats, a conventional pose in portraiture. The reclining figure of the man at left in the background and the shirt hanging from the tree are a reminder that, although this is a formally posed picture, Lincoln's presence did not halt the camp's activity, and no attempts were made to isolate him from the ordinary circumstances surrounding the continuing military conflict. About the Artist Alexander Gardner (American, 1821–1882) As an idealistic young reporter and newspaper editor in Glasgow, Scotland, Alexander Gardner dreamed of forming a semi-socialistic colony somewhere in what he thought of as the unspoiled wilderness of America. -
S a N F R a N C I S C O a R T S Q U a R T E R L Y I S S U E
SFAQ free Tom Marioni Betti-Sue Hertz, YBCA Jamie Alexander, Park Life Wattis Institute - Yerba Buena Center for the Arts - Berkeley Art Museum/Pacific Film Archive - Tom Marioni - Gallery 16 - Park Life - Collectors Corner: Dr. Robert H. Shimshak, Rimma Boshernitsan, Jessica Silverman, Charles Linder - Recology Artist in Residence Program - SF Sunset Report Part 1 - BOOOOOOOM.com - Flop Box Zine Reviews - February, March, April 2011 Event Calendar- Artist Resource Guide - Bay Area, Los Angeles, New York, Portand, Seattle, Vancouver Space Listings - West Coast Residency Listings SAN FRANCISCO ARTS QUARTERLY ISSUE.4 -PULHY[PUZ[HSSH[PVU +LSP]LY`WHJRPUNHUKJYH[PUN :LJ\YLJSPTH[LJVU[YVSSLKZ[VYHNL +VTLZ[PJHUKPU[LYUH[PVUHSZOPWWPUNZLY]PJLZ *VSSLJ[PVUZTHUHNLTLU[ connect art international (T) ^^^JVUULJ[HY[PU[SJVT *VU]LUPLU[:HU-YHUJPZJVSVJH[PVUZLY]PUN5VY[OLYU*HSPMVYUPH JVSSLJ[VYZNHSSLYPLZT\ZL\TZKLZPNULYZJVYWVYH[PVUZHUKHY[PZ[Z 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 1B copy.pdf 1 1/7/11 9:18 PM 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER C M Y CM MY CY CMY K JANUARY 21-FEBRUARY 28 AMY ELLINGSON, SHAUN O’DELL, INEZ STORER, STEFAN KIRKEBY. MARCH 4-APRIL 30 DEBORAH OROPALLO MAY 6-JUNE 30 TUCKER NICHOLS SoFF_SFAQ:Layout 1 12/21/10 7:03 PM Page 1 Anno Domini Gallery Art Ark Art Glass Center of San Jose Higher Fire Clayspace & Gallery KALEID Gallery MACLA/Movimiento de Arte y Cultura Latino Americana Phantom Galleries San Jose Jazz Society at Eulipia San Jose Museum of Quilts & Textiles SLG Art Boutiki & Gallery WORKS San José Caffé Trieste Dowtown Yoga Shala Good Karma Cafe METRO Photo Exhibit Psycho Donuts South First Billiards & Lounge 7pm - 11pm free & open to the public! Visit www.SouthFirstFridays.com for full schedule. -
Names and Addresses of Attorneys Practicing Before the United States Patent Office, Washington, D
1 T 223 .N 1889 Copy 1 ^*,j ?cv '^'' 1 I LIBRARY OF CONGRESS. S^ap Snit^ris]^ la Shelf.W DNITEB STATES OF AMERICA. FAMES AND ADDRESSES OF ATTOKNEYS PRACTICING BKFORE THE UNITED STATES PATENT OFFICE ^w^^sE:i2sra-To:N-, td. o. COMPILED BY V. W. kiDDLETO Waskmgton : Thomas McGill & Co. j8Hg. 4 r^ Entered according to Act of Congress, in the year 1889, By V. W. MIDDLBTON, In the Office of the Librarian of Congress. Si ^. .-:i ^ NAMES AND ADDRESSES ATTORNEYS PRACTICING BEFORE THE UNITED STATES PATENT OFFICE. The following list embraces the names and addresses of Attorneys practicing before the United States Patent Office, and has been carefully prepared up to date. V. W. MiDDLETON. Washington, D. C, Nov. 1889. NAMES AND ADDRESSES OF ATTORNEYS. ALABAMA. Name. Residence. Local address. Bromberg, Fred'k G....i Mobile Campbell, E. K | Birmingham. Carroll & Carroll do Post-office Box 63. Hibbard, B. L do Post-office Box 492. Lane & Taliaferro do McDaniel, Jr., P. A ! Abbeville Merrell, A. H | Eufaula Ridge, L. B Birmingham. Post-office Box 169. Smith & Lowe do Sterrett, Rob't H do Taliaferro & Smithson do No. 216 One-Half street. Troy, Tompkins & Montgomery. London. i Zimmerman, Geo. P Birmingham. ; AEIZONA. Barnes, Hon. Wm. H... Tucson Lighthizer, H.B Phoenix i; Porter & Baxter do j No. Washington street. ARKANSAS. Basham, J. H Clarksville Clark S I Helena Coates, James Little Rock Davies, R. G Hot Springs Box No. 17. Davis & Baker Eureka Springs Fulkerson, J. L do Gibbon, T. E Little Rock 32 1 >^ Odd Fellows Block. -
BIOGRAPHIES John Antrobus
BIOGRAPHIES John Antrobus (1837–1907): Sculptor and painter of portraits, landscapes, and genre scenes (showing everyday life). Antrobus was born in England but came to Philadelphia in 1850. During his travels through the American West and Mexico, he worked as a portraitist before opening a studio in New Orleans. He served briefly with the Confederate Army during the Civil War before moving to Chicago. Antrobus sculpted both Abraham Lincoln and Stephen Douglas and was the first artist to paint a portrait of Ulysses S. Grant (in 1863). Edward Atkinson (1827–1905): American political leader and economist who began his political career as a Republican supporter of the Free Soil movement. Atkinson fought slavery before the Civil War by helping escaped slaves and raising money for John Brown. After the Civil War, in 1886, Atkinson campaigned for future President Grover Cleveland and worked against imperialism (the movement to expand a nation’s territorial rule by annexing territory outside of the main country) after the Spanish-American War. Baker & Co (active, 19th century): Lithography firm associated with Louis Kurz. Thomas Ball (1819–1911): American sculptor who gained recognition for his small busts before creating more monumental sculptures. Notable works include one of the first statues portraying Abraham Lincoln as the Great Emancipator (1876), paid for by donations from freed slaves and African American Union veterans, which stands in Washington D.C.’s Lincoln Park. Ball also created a heroic equestrian statue of George Washington for the Boston Public Garden (1860–1864). He joined an expatriate community in Italy, where he received many commissions for portrait busts, cemetery memorials, and heroic bronze statues. -
Guide to the David Kent Civil War Photographs, 1862-1865 MS0311
Guide to the David Kent Civil War Photographs, 1862-1865 MS0311 The Mariners' Museum Library at Christopher Newport University Contact Information: The Mariners' Museum Library 100 Museum Drive Newport News, VA 23606 Phone: (757) 591-7782 Fax: (757) 591-7310 Email: [email protected] URL: www.MarinersMuseum.org/library Processed by Jay Moore, 2012 DESCRIPTIVE SUMMARY Repository: The Mariners' Museum Library Title: David Kent Civil War Photographs Inclusive Dates: 1862-1865 Catalog number: MS0311 Physical Characteristics: 2 stereographs and 10 cartes-de-visite Language: English Creator: Kent, David A.; Brady, Mathew B., ca. 1823-1896; E. Anthony (Firm); E. and H.T. Anthony (Firm); J. Gurney & Son; J.D. Fowler and Co. (Firm) BIOGRAPHICAL SKETCH David A. Kent, the donor of this collection, was born in 1941 in Norwood, MA. He attended the University of Florida and Arizona State University and received his Master of Fine Arts degree from Yale University in 1975. He taught photojournalism in the School of Communications at the University of Miami from 1971 to 1992, including courses in the history of photography. This involvement professionally with historical photographs complemented his personal interest in early photographs and photographic processes and formats. The carte-de-visite as a social phenomenon was of particular interest to Kent. He was also interested Mathew B. Brady as an entrepreneur and as a catalyst for the work of great Civil War photographers such as Alexander Gardner and Timothy O’Sullivan, whose photographs Kent greatly admires. Edward and Henry T. Anthony were prominent publishers of stereographs in New York City. Edward Anthony began the firm in 1859, and took his brother Henry into partnership in 1862. -
The American Civil War the Last Campaigns Basics
LEQ: What United States general captured Atlanta, and then marched through Georgia to the Atlantic Ocean? This image United States Major General William Tecumseh Sherman (1820-1891). This image was taken by Mathew Brady (1822-1896) in May, 1865. The black ribbon on Sherman’s left arm is a mourning ribbon for President Abraham Lincoln (1809-1865) who was assassinated the previous month. This image is courtesy of the National Archives. LEQ: What United States general captured Atlanta, and then marched through Georgia to the Atlantic Ocean? William Tecumseh Sherman This image United States Major General William Tecumseh Sherman (1820-1891). This image was taken by Mathew Brady (1822-1896) in May, 1865. The black ribbon on Sherman’s left arm is a mourning ribbon for President Abraham Lincoln (1809-1865) who was assassinated the previous month. This image is courtesy of the National Archives. The American Civil War The Last Campaigns Basics This image shows Confederate General Robert E. Lee on the left signing the surrender document in the McClean parlor at Appomattox Court House, Virginia. With Lee is his Chief of Staff, Charles Marshall. On the right is Lieutenant General Ulysses S. Grant and some of his officers. This painting is titled “The Surrender At Appomattox 1865.” This image was created by Tom Lovell (1909-1997). This image is courtesy of The National Park Service. The American Civil War The Last Campaigns Basics Vocabulary This image is from wordinfo.info. The destruction of armies and the resources for those armies. In the western theater, Major General William Tecumseh Sherman wanted to show Southerners that their government could not protect them. -
James E. Taylor Collection: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8251mgz Online items available James E. Taylor Collection: Finding Aid Finding aid prepared by Diann Benti and Stephen Robles. The Huntington Library, Art Collections, and Botanical Gardens Photo Archives 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2014 The Huntington Library. All rights reserved. James E. Taylor Collection: photCL 300 1 Finding Aid Overview of the Collection Title: James E. Taylor Collection Dates (inclusive): approximately 1861-approximately 1900 Collection Number: photCL 300 Creator: Taylor, James E., 1839-1901 Extent: 246 sheets in 7 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens. Photo Archives 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: Collection of 3 disbound scrapbooks of Civil War photographs, clippings, and some original artwork compiled by illustrator and Civil War correspondent James E. Taylor (1839-1901), presumably in the mid 1880s. The scrapbooks contain over 1,530 items including images from noted Civil War photographers Mathew Brady, Alexander Gardner, Timothy O'Sullivan, George N. Barnard, Andrew J. Russell, and others, as well as handwritten annotations by Taylor and supplementary ephemera and clippings from contemporary newspapers and magazines. Some of the photographic prints are possibly one of a kind. The scrapbooks focus on the Eastern Theater of the war, primarily depicting locations and events in Virginia, Maryland, and Pennsylvania. Included in the scrapbooks are views of battlefields, street views of towns, buildings and ruins, military camps, field hospitals, portraits of Civil War generals and soldiers, and images of casualties and battle scenes. -
SUN BUILDING, 280 Broadway, Borough of Manhattan
Landmarks Preservation Camnission October 7, 1986; Designation List 186 LP-1439 SUN BUILDING, 280 Broadway, Borough of Manhattan. Built 1845-46, 1850-51, 1852-53, 1872, 1884; architects Joseph Trench & Co., Trench & Snook, [Frederick] Schmidt, Edward D. Harris Landmark Site: Borough of Manhattan Tax Map Block 153, Lot 1 in part consisting of the land on which the described building is situated. On June 14, 1983, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Sun Building and the proposed designation of the related Landmark Site (Item No. 14}. The hearing had been duly advertised in accordance with the provisions of law. Two witnesses spoke in favor of designation. There were no speakers in opposition to designation. The Camnission has received l etters and other expressions of support in favor of this designation, including a letter from the Camnissioner of the Department of General Services. DESCRIPTION AND ANALYSIS The Sun Building, originally the A.T. Stewart Store, is one of the most influential buildings erected in New York City during the 19th century. Its appearance in 1846 (Fig.1} introduced a new architectural mode based on the palaces of the Italian Renaissance. Designed by the New York architects, Joseph Trench and John B. Snook, it was built by one of the century's greatest merchants, Alexander Turney Stewart. Within its marble walls, Stewart began the city's first department store, a type of commercial enterprise which was to have a great effect on the city's economic growth and which would change the way of merchandising in this country.