36420 03-5 Legala Layout 1

Total Page:16

File Type:pdf, Size:1020Kb

36420 03-5 Legala Layout 1 Government Gazette Staatskoerant REPUBLIC OF SOUTH AFRICA REPUBLIEK VAN SUID-AFRIKA May Vol. 575 Pretoria, 3 2013 Mei No. 36420 LEGAL NOTICES A WETLIKE SEE PART C SIEN DEEL C KENNISGEWINGS N.B. The Government Printing Works will not be held responsible for the quality of “Hard Copies” or “Electronic Files” submitted for publication purposes AIDS HELPLINE: 0800-0123-22 Prevention is the cure 301538—A 36420—1 2 No. 36420 GOVERNMENT GAZETTE, 3 MAY 2013 IMPORTANT NOTICE The Government Printing Works will not be held responsible for faxed documents not received due to errors on the fax machine or faxes received which are unclear or incomplete. Please be advised that an “OK” slip, received from a fax machine, will not be accepted as proof that documents were received by the GPW for printing. If documents are faxed to the GPW it will be the sender’s respon- sibility to phone and confirm that the documents were received in good order. Furthermore the Government Printing Works will also not be held responsible for cancellations and amendments which have not been done on original documents received from clients. TABLE OF CONTENTS LEGAL NOTICES Page BUSINESS NOTICES.............................................................................................................................................. 11 Gauteng..................................................................................................................................................... 11 Eastern Cape............................................................................................................................................. 12 Free State.................................................................................................................................................. 12 KwaZulu-Natal ........................................................................................................................................... 12 Mpumalanga.............................................................................................................................................. 13 Western Cape............................................................................................................................................ 13 COMPANY NOTICES .............................................................................................................................................. 15 Gauteng..................................................................................................................................................... 15 Western Cape............................................................................................................................................ 16 LIQUIDATORS’ AND OTHER APPOINTEES’ NOTICES ........................................................................................ 18 Gauteng..................................................................................................................................................... 18 ORDERS OF THE COURT...................................................................................................................................... 19 Gauteng..................................................................................................................................................... 19 Free State.................................................................................................................................................. 27 KwaZulu-Natal ........................................................................................................................................... 28 North West................................................................................................................................................. 33 Western Cape............................................................................................................................................ 34 GENERAL................................................................................................................................................................ 37 Gauteng..................................................................................................................................................... 37 Free State.................................................................................................................................................. 45 North West................................................................................................................................................. 45 Western Cape............................................................................................................................................ 45 ADMINISTRATION OF ESTATES ACTS NOTICES:......................................................................................... 00 Form J 295: Curators and tutors: Masters’ notices .................................................................................... 46 Gauteng..................................................................................................................................................... 46 Free State.................................................................................................................................................. 46 Western Cape............................................................................................................................................ 47 Form J 193: Notice to creditors in deceased estates................................................................................. 47 Gauteng..................................................................................................................................................... 47 Eastern Cape............................................................................................................................................. 59 Free State.................................................................................................................................................. 61 STAATSKOERANT, 3 MEI 2013 No. 36420 3 Page KwaZulu-Natal ........................................................................................................................................... 63 Limpopo..................................................................................................................................................... 68 Northern Cape ........................................................................................................................................... 69 North West................................................................................................................................................. 69 Western Cape............................................................................................................................................ 70 Form J 187: Liquidation and distribution accounts in deceased estates lying for inspection .................... 76 Gauteng..................................................................................................................................................... 77 Eastern Cape............................................................................................................................................. 89 Free State.................................................................................................................................................. 91 KwaZulu-Natal ........................................................................................................................................... 93 Limpopo..................................................................................................................................................... 100 Northern Cape ........................................................................................................................................... 101 North West................................................................................................................................................. 101 Western Cape............................................................................................................................................ 102 INSOLVENCY ACT AND COMPANIES ACTS NOTICES:................................................................................ 00 Form J 28: Estates or companies sequestrated or wound up provisionally ............................................ 107 Form J 29: First meetings of creditors, contributories, members of debenture-holders of sequestrated estates, companies being wound up or placed under provisional judicial management ...... 108 CLOSE CORPORATIONS: First meetings of creditors and members of close corporations being wound up ..................................................................................................................... 113 Form 1: Appointment of trustees and liquidators and proof of claims in sequestrated estates or companies being wound up................................................................................................... 115 Form 2: Meeting of creditors in sequestrated estates or companies being wound up ....................... 121 Form 4: Liquidation accounts and plans of distribution or contribution in sequestrated estates or companies being wound up................................................................................................... 124 Form 5: Payment
Recommended publications
  • Representations of African Bodies in the 1983 Contre
    Visual Trauma: Representations of African Bodies in the 1983 Contre Apartheid Exhibition MA Thesis Department of English University of the Western Cape Name: Charlise Petersen Student Number: 3222728 Supervisor: Dr Hermann Wittenberg Due Date: 7th June 2018 PLAGIARISM DECLARATION 1. I hereby declare that I know what plagiarism entails, namely to use another’s work and to present it as my own without attributing the sources in the correct way. (Refer to University Calendar part 1 for definition) 2. I know that plagiarism is a punishable offence because it constitutes theft. 3. I understand the plagiarism policy of the Faculty of Arts of the University of the Western Cape. 4. I know what the consequences will be if I plagiarize in any of the assignments for my course. 5. I declare therefore that all work presented by me for every aspect of my course, will be my own, and where I have made use of another’s work, I will attribute the source in the correct way. Signature: ii http://etd.uwc.ac.za Acknowledgements I wish to extend my sincere gratitude to the following people whose valued assistance played a vital making my thesis a reality: Dr Hermann Wittenberg for his patience, passionate guidance, and his constant support as my supervisor, my family and friends for their faith in my abilities and their encouragement throughout my research journey, Dr Vanessa Brown for being an amazing mentor and constantly motivating me to succeed and the SSRC Mellon for enabling me to conduct research in the U.S in aid of my thesis.
    [Show full text]
  • Press Kit [The Black Christ Documentary Film]
    FADE2BLACK PRODUCTIONS PRESS KIT [THE BLACK CHRIST DOCUMENTARY FILM] The Black Christ The painting that shook a regime. The Black Christ Documentary Film © Fade2Black Production – 2015 Page 1 The Black Christ Documentary Film table of contents & contacts Press Kit Contacts: Producer/Writer: Table of Contents Damian Samuels Tel: 27 21 671 5855 1. Synopsis Mobile: 27 83 478 0262 Email: [email protected] 2. Director’s Statement & Producer’s Note of Intention Director/Editor: Jean-Paul Moodie 3. The Cast Tel: 27 21 685 3735 Mobile: 27 83 999 3735 4. Photo Gallery Email: [email protected] Internet: Film web-page: www.theblackchrist.co.za Company: WWW.FADE2BLACK.CO.ZA Facebook:WWW.FACEBOOK.COM/THEBLACKCHRIST DOCUMENTARYFILM/ The Black Christ Documentary Film © Fade2Black Production – 2015 Page 2 The Black Christ Documentary Film director’s statement & producer’s intent Press Kit Producer’s note of intention: Director’s statement: I’ve always had a passion for photography, images and film, and Once I heard about this amazing story, I made contact with wondered what it must be like to actually make a film. The Black Ronald Harrison to explore the possibility of making a Christ is the first serious full-length film project I’ve undertaken documentary film. I was overwhelmed by his humility and as a director and editor, but it is not the first I have finished. It excitement; that someone would want to make a film of his has been a major part of my life for the last five years and my story. Conversations with Ronald Harrison evoked a deluge of journey with this project has had many periods of bursts and questions in my mind.
    [Show full text]
  • Mandela, Luthuli, and Nonviolence in the South African Freedom Struggle
    UCLA Ufahamu: A Journal of African Studies Title Mandela, Luthuli, and Nonviolence in the South African Freedom Struggle Permalink https://escholarship.org/uc/item/5r64v5qg Journal Ufahamu: A Journal of African Studies, 38(1) ISSN 0041-5715 Author Lal, Vinay Publication Date 2014 DOI 10.5070/F7381025021 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Mandela, Luthuli, and Nonviolence in the South African Freedom Struggle Vinay Lal To the memory of Ronald Harrison, 1940-2011 artist, anti-apartheid activist, friend, and a gentle soul Prolegomenon If the twentieth century was a century of total war, quite possibly the bloodiest period in history, it was also, unusually, witness to the most creative experiments in nonviolent resistance. Mohan- das Gandhi, the author of the idea of satyagraha, “truth-force,” and the principal and certainly most well-known architect of India’s freedom struggle, was for much of the twentieth century the moral conscience of humankind; and it is from Gandhi that Martin Luther King, Jr. is commonly thought to have derived the inspiration and method that led him, in turn, to stage a remarkable demonstration in the American South of the power of nonviolent social transformation.1 Many other names have been mentioned in association with the history of nonviolent resistance in the twen- tieth century. Some are now celebrated figures in their own right, among them the Chicano labor leader Cesar Chavez; the Dalai Lama, the spiritual and political leader of Tibetans, whose very laugh enrages Chinese communist party leaders; and that extraor- dinary leader of the Pathans, Badshah Khan, justly recognized by Gandhi as the perfect embodiment of nonviolent resistance but whose recent ascendancy in the public estimation of his worth has unfortunately much to do with the need among liberals in the West to discover “good Muslims.”2 Among those who are thought to have followed in the path of Gandhi and King, the name of Nelson Mandela reigns supreme.
    [Show full text]
  • Annual Report of IZIKO MUSEUMS of Cape Town 2004/5 Iziko Museums of Cape Town Annual Report
    Annual Report of IZIKO MUSEUMS of Cape Town 2004/5 iziko museums of cape town Annual Report for the period 1 April 2004 to 31 March 2005 Published by Iziko Museums of Cape Town ISBN 0-621-35639-5 RP 53/2005 The report is also available on the Iziko Museums of Cape Town website at http://www.museums.org.za/iziko/whoweare.html Acknowledgements The managers and staff of all the divisions are thanked for their contributions. Design and layout: Welma Odendaal Printing: Tandym Press, Cape Town CONTENTS 1. GENERAL INFORMATION 5 3.2. Employment and vacancies 52 1.1. Submission of the annual report 3.3. Job Evaluation 52 to the executive authority 5 3.4. Employment changes 52 1.2. Applicable Acts and other 3.5. Employment equity 53 information 5 3.6. Foreign workers 54 1.3. Introduction by Prof H.C. 3.7. Leave utilisation for the period Bredekamp, CEO of Iziko 6 1 April 2004 to 31 March 2005 54 1.4. Performance information 8 3.8. HIV/Aids and health promotion programmes 55 2. ANNUAL FINANCIAL STATEMENTS 24 3.9. Labour relations 55 Corporate Governance 3.10. Skills development 55 arrangements 24 3.11. Injury on duty 57 Report of the Audit Committee 25 3.12. Utilisation of consultants 57 Report of the Auditor-General 28 Statement of Responsibility 31 4. APPENDICES 58 Management Report 32 4.1. Publications 58 Income Statement 34 4.2. Acquisitions 61 Balance Sheet 35 4.3. Projects (including funding Statement of Changes in Equity 36 Cash Flow Statement 37 information) 66 Notes on the Annual Financial 4.4.
    [Show full text]
  • Mandela, Luthuli, and Nonviolence in the South African Freedom Struggle
    Mandela, Luthuli, and Nonviolence in the South African Freedom Struggle Vinay Lal To the memory of Ronald Harrison, 1940-2011 artist, anti-apartheid activist, friend, and a gentle soul Prolegomenon If the twentieth century was a century of total war, quite possibly the bloodiest period in history, it was also, unusually, witness to the most creative experiments in nonviolent resistance. Mohan- das Gandhi, the author of the idea of satyagraha, “truth-force,” and the principal and certainly most well-known architect of India’s freedom struggle, was for much of the twentieth century the moral conscience of humankind; and it is from Gandhi that Martin Luther King, Jr. is commonly thought to have derived the inspiration and method that led him, in turn, to stage a remarkable demonstration in the American South of the power of nonviolent social transformation.1 Many other names have been mentioned in association with the history of nonviolent resistance in the twen- tieth century. Some are now celebrated figures in their own right, among them the Chicano labor leader Cesar Chavez; the Dalai Lama, the spiritual and political leader of Tibetans, whose very laugh enrages Chinese communist party leaders; and that extraor- dinary leader of the Pathans, Badshah Khan, justly recognized by Gandhi as the perfect embodiment of nonviolent resistance but whose recent ascendancy in the public estimation of his worth has unfortunately much to do with the need among liberals in the West to discover “good Muslims.”2 Among those who are thought to have followed in the path of Gandhi and King, the name of Nelson Mandela reigns supreme.
    [Show full text]
  • Tracing the Passion of a Black Christ
    Tracing the Passion of a Black Christ Critical reflections on the iconographic revision and symbolic redeployment of the Stations of the Cross and Passion cycle by South African artists Sydney Kumalo, Sokhaya Charles Nkosi and Azaria Mbatha James Macdonald Supervised by Professor Pippa Skotnes, Professor Virginia MacKenny University& Professor ofAnthony Cape Bogues Town Dissertation submitted in fulfilment of the academic requirements for the degree Master of Arts in Fine Art, Michaelis School of Fine Art, University of Cape Town, July 2016 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Plagiarism Declaration This thesis/dissertation has been submitted to the Turnitin module (or equivalent similarity and originality checking software) and I confirm that my supervisors have seen my report and any concerns revealed by such have been resolved with them. Name: James Macdonald Student number: MCDJAM009 Signature: Signature removed Date: 05.09.2016 i Abstract In this research I consider ways in which black South African artists working during and after apartheid have both revised and symbolically redeployed the Stations of the Cross – and more broadly, the iconographic tradition of the Passion cycle. In so doing, I demonstrate the strategic application of Christ’s episodic sufferings as a means of both analogously chronicling situations of historical trauma, as well as articulating more aspirant narratives of political resistance, self- liberation and reconciliation.
    [Show full text]
  • Met of Sonder Foto's
    LETTER Nuusbrief van die Fakulteit Lettere en Sosiale Wetenskappe Volume/Jaargang 9 # 1 Newsletter of the Faculty of Arts and Social Sciences Junie/June 2013 Stuur asseblief enige nuuswaardige Lettere en Please send any newsworthy Arts and Social Sosiale Wetenskappe-nuusbrokkies of -artikels Sciences news snippets or articles (with or (met of sonder foto’s) aan Stephanie Nieuwoudt without photos) to Stephanie Nieuwoudt ([email protected]). Julle is ook welkom om ([email protected]). You are welcome to die nuusbrief aan belangstellendes te stuur. distribute the newsletter to any interested parties. INHOUD - CONTENTS ALGEMEEN - GENERAL 2 AFRIKAANS EN NEDERLANDS - AFRIKAANS AND DUTCH 14 AFRIKATALE - AFRICAN LANGUAGES 16 ALGEMENE TAALWETENSKAP - GENERAL LINGUISTICS 20 ANTIEKE STUDIE - ANCIENT STUDIES 22 ENGELS - ENGLISH 24 FILOSOFIE - PHILOSOPHY 27 GEOGRAFIE EN OMGEWINGSTUDIE - GEOGRAPHY AND ENVIRONMENTAL STUDIES 28 GESKIEDENIS - HISTORY 29 JOERNALISTIEK - JOURNALISM 32 MODERNE VREEMDE TALE - MODERN FOREIGN LANGUAGES 34 MUSIEK - MUSIC 36 POLITIEKE WETENSKAP - POLITICAL SCIENCE 40 SOSIOLOGIE EN SOSIALE ANTROPOLOGIE - SOCIOLOGY AND SOCIAL ANTHROPOLOGY 41 VISUELE KUNSTE - VISUAL ARTS 47 SENTRUMS - CENTRES 52 1 ALGEMEEN - GENERAL Dekaansbrief Beste Kollegas Op 29 April is ‘n klomp energie op die kampus vrygestel toe die Universiteitsraad die Universiteit Stellenbosch Institusionele Voorneme en Strategie: 2013-2018 aanvaar het. In hierdie voorneme en strategie is ‘n bestuursvisie vir 2030 vervat tesame met ‘n missiestelling en ‘n formulering van waardes wat daarop gemik is om die Universiteit Stellenbosch te posisioneer as ‘n instelling wat sy plek in die 21ste eeu vierkantig inneem. Die relevante dokumente, insluitend die samevatting van die Universiteit se sakeplan, is by departementele voorsitters of by die Dekaanskantoor beskikbaar.
    [Show full text]
  • Annual Report
    ANNUAL REPORT 2015 | 2016 is an isiXhosa word, meaning • South African Museum and Planetarium ‘hearth’, traditionally and • South African National Gallery IZIKO symbolically the social centre of the home; a place • Maritime Centre, including the museum ship, associated with warmth, kinship and ancestral SAS Somerset spirits. Here food is prepared and shared, stories • Slave Lodge Museum are told and knowledge passed from one generation • William Fehr Collection (at the Castle of Good Hope) to the next. Similarly, the museums that make up • Michaelis Collection (at the Old Town House) Iziko are spaces for cultural interaction. We are • Rust en Vreugd Museum proud to ignite connections between our shared • Bertram House Museum history, our heritage, and each other. • Koopmans-de Wet House Museum • Groot Constantia Museum • Bo-Kaap Museum ANNUAL REPORT 2015 | 2016 Registered name: Iziko Museums of South Africa Acknowledgements Physical address: 25 Queen Victoria Street The managers and staff of all the departments of Iziko are thanked for their contributions. Cape Town, 8001 Postal address: PO Box 61, Designed by Flame Design Cape Town, 8000 Printed by Creda Communications, Cape Town Telephone number: +27 (0)21 481 3800 Cover image: Commemorative wooden box gifted to delegates at the São José Fax number: +27 (0)21 481 3994 memorialisation event held on 2 June 2015, in memory of the enslaved who perished aboard Email address: [email protected] the vessel when it sank off the Cape coast in 1794. Website address: www.iziko.org.za Inside front and back cover images: Some of the priceless artefacts salvaged from the wreck External auditors: Auditor-General of South Africa of the Portuguese slave ship, São José, includes ballast blocks, copper fastenings, nails and Bankers: Standard Bank handle, wooden staves, and lead sheeting.
    [Show full text]
  • "Memory Is a Weapon"
    "MEMORY IS A WEAPON": THE USES OF HISTORY AND MYTH IN SELECTED POST-1960 KENYAN, NIGERIAN AND SOUTH AFRICAN PLAYS. Yvette Hutchison PROMOTER: Prof. Temple Hauptfleisch CO-SUPERVISOR: Dr. Habil. Eckhard Breitinger November 1999 Drama Department University of Stellenbosch Stellenbosch University http://scholar.sun.ac.za DECLARATION: I, the undersigned, hereby declare that the work contained in this dissertation is my own original work and I have not previously in its entirety, or in part, submitted it at any university for a degree. Stellenbosch University http://scholar.sun.ac.za OPSOMMING In hierdie proefskrif word gekyk na die verwantskap tussen geskiedenis, mite, geheue en teater. Daar word ook gekyk na die mate waartoe historiese of mitiese toneelstukke gebruik kan word om die amptelike geheue en identiteite, soos deur bewindhebbers in post-koloniale Nigerie en Kenya geskep, terug kon wen of uit kon daag. Hierdie werke word dan vergelyk met die soort teater wat tydens die Apartheidbewind in Suid-Afrika geskep is, om verskille en ooreenkomste in die gebruik van historiese en mitiese gegewens te bekyk. Die slotsom is dat een van die belangrikste kenmerke van die teater in vandag se samelewing sy vermod is om alternatiewe historiese narratiewe te ontwikkel wat kan dien as teen-geheue ("counter-memory") vir die dominante narratief van amptelike geskiedenisse. Sodoende bevraagteken die teater dan ook 'n liniere en causale siening van die geskiedenis, maar interpreteer dit eerder as meervoudig en kompleks. ABSTRACT This thesis considers the relationship between history, myth, memory and theatre. The study explores the extent to which historic or mythic plays were used to either reclaim or challenge the official memories and identities created by those in power in the post- colonial Kenyan and Nigerian context.
    [Show full text]
  • Mandela, Nelson
    “…it should be borne in mind that even people involved in the same event remember the details differently, and amnesia is no friend of accuracy.” -Ahmed Kathrada1 Preface In South Africa’s first ten years of liberation and democracy, many of those who fought to create the new country have written autobiographies (Kathrada, Mandela2, Meer3, Slovo4) so as to chronicle their and others’ roles in the struggle. Likewise, many biographies have been written (Sampson/Mandela5, Sisulu/Sisulu6, Pogrund/Sobukwe7, Clingman/Fischer8, Callinicos/Tambo9) so as to acknowledge the seminal role of ‘founding fathers’ in the formation of ‘a new example to the world’ who perhaps died before their memoirs could be written and/or published. Sadly, there has been no biography written of Chief Albert Luthuli.10 Chief Albert Luthuli, leader of the African National Congress (ANC) from 1952 until his death in 1967, steered the freedom movement through many of the most dramatic chapters of the struggle for South Africa’s liberation that include Defiance Campaign (1952), the Treason Trial (1956-1961), and Sharpsville (1960). Owing to it clandestine nature, one chapter of the ANC’s history that received little news coverage at the time tells the story of three all night meetings that initiated the formation of an organization that would, in time, depart from over fifty years of non-violent resistance. This three part study investigates that fateful chapter and Chief Albert Luthuli’s nebulous role in it. 1 Kathrada, Ahmed. Memoirs, (Zebra Press, Cape Town, 2004), p. 142. Here, Kathrada refers specifically to discrepancies that occur in accounts of Umkhonto we Sizwe’s role in the Struggle.
    [Show full text]
  • Theological and Ethical Reflections on the 2012 Centenary Celebrations of the African National Congress
    THEOLOGICAL AND ETHICAL REFLECTIONS ON THE 2012 CENTENARY CELEBRATIONS OF THE AFRICAN NATIONAL CONGRESS 28 December 2011 A WORD TO THE ANC, IN THESE TIMES As we continue to celebrate the coming of the Word into the world (John 1: 1) and God made human, we, fellow South Africans and Christian theologians, now wish to pass these words on to the African National Congress, as it prepares to celebrate its centenary during 2012... We do so in a spirit of appreciation and gratitude for you and in a spirit of true friendship, where we can both congratulate you and raise some concerns as friends, and pray that these celebrations will be appropriate and not lavish, especially given the levels of poverty and inequality in our country. We do so, knowing that many members of the ANC are also part of the Christian community, and this document is therefore written for our collective reflection. We also do so, knowing that many Christian leaders were involved in the formation and nurturing of the ANC over the years, and we therefore continue to feel a sense of responsibility for its existence and what it does. In 1912, the founders of the African National Congress dreamed of a different future for all the people of South Africa, where there would be no more coloniser and colonised, but where we would all be one: One people, one nation, one country! They dreamed that the injustice that was being meted out to black South Africans by the colonisers would come to an end. We thank God that the colonial and apartheid systems have come to an end and a great effort has been made to better the lives of all South Africans, especially the poor.
    [Show full text]
  • A Story About the Importance of Heritage Objects Department of Arts and Culture
    heritage news an agency of the a story about the importance of heritage objects Department of Arts and Culture Part of what makes us human is the ability to manipulate our environment “ and create objects from natural and artificial materials. ” Celebrating 20 years of democracy 1and getting to know significant South African heritage objects. TWO SAHRA OFFICIALS WERE INVITED TO SPEAK ABOUT THE IMPOrtaNCE OF HERItaGE DAY AT HECTOR PETERSON HIGH SCHOOL IN WaLLACEDENE, CAPE TOWN. THE TEACHER, MR TWALA, WELCOMES LYNN AND AZOLA. SAHRA is governed by the National What is the Heritage Resources national estate? Act, No 25 of 1999 (NHRA). The national estate is made up of all those heritage resources of South Africa which have a special cultural value to us today and SAHRA is a short name for the South for future generations. African Heritage Resources Agency. It coordinates the identification and management of the national estate. 2 What are heritage resources? Such traces can be found in buildings, Where people have stayed landscapes and and left, many traces are objects including left behind which tell us those found under how they lived, who they the ground, graves, were, and how life’s events burial grounds and influenced them. under water. We call these heritage resources. HERItaGE RESOURCES HAVE LASTING VALUE AND PROVIDE EVIDENCE OF THE ORIGINS OF OUR SOCIETY. THEY ARE VALUABLE, NON-RENEWABLE AND IRREPLACEABLE. THEY SHOULD BE CAREFULLY MANAGED TO ENSURE THEIR SURVIVAL. FOR EXAMPLE, MAPUNGUBWE IS LOCatED WHERE THE SHASHE AND LIMPOPO RIVERS JOIN TOGETHER. THE STORY OF MAPUNGUBWE TRACES BACK TO THE EXISTENCE OF A PRE- COLONIAL AFRICAN CIVILIsatION WHICH FLOURISHED FOR 80 yeARS BEFORE THE SETTLEMENT OF EUROPEANS A FEW CENTURIES LatER.
    [Show full text]