Dali Keynote
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Religious Symbolism in Salvador Dali's Art: a Study of the Influences on His Late Work
East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 5-2012 Religious Symbolism in Salvador Dali's Art: A Study of the Influences on His Late Work. Jessica R. Hawley East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/honors Part of the Fine Arts Commons Recommended Citation Hawley, Jessica R., "Religious Symbolism in Salvador Dali's Art: A Study of the Influences on His Late Work." (2012). Undergraduate Honors Theses. Paper 34. https://dc.etsu.edu/honors/34 This Honors Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. ’ A t: A Study of the Influences on His Late Work Thesis submitted in partial fulfillment of Honors By Jessica Hawley The Honors College Fine and Performing Art Scholars Program East Tennessee State University April 6, 2012 Dr. Scott Contreras-Koterbay, Faculty Mentor Dr. Peter Pawlowicz, Faculty Reader Patrick Cronin, Faculty Reader Hawley 2 Table of Contents Preface 3 Chapter 1: ’ Ch h 4 Chapter 2: Surrealism 7 Chapter 3: War 10 Chapter 4: Catholicism 12 Chapter 5: Nuclear Mysticism 15 Conclusion 18 Images 19 Bibliography 28 Hawley 3 Preface Salvador was an artist who existed not long before my generation; yet, his influence among the contemporary art world causes many people to take a closer look at the significance of the imagery in his paintings. -
Salvador Dalí February 16 – May 15, 2005
Philadelphia Museum of Art Salvador Dalí February 16 – May 15, 2005 TEACHER RESOURCE MATERIALS: IMAGE PROGRAM These fourteen images represent only a small sample of the wide range of works by Salvador Dalí featured in the exhibition. These materials are intended for use in your classroom before, after or instead of visiting the exhibition. These materials were prepared for use with grades 6 through 12. Therefore, you may need to adapt the information to the particular level of your students. Please note that some of the images included in this program contain nudity and/or violence and may not be appropriate for all ages and audiences. SALVADOR DALÍ Philippe Halsman 1942 Photograph Phillipe Halsman Estate, Howard Greenberg Gallery, New York. Dalí Foundation/Artists Rights Society (ARS), Dalí, Gala-Salvador © 2004 Salvador Discussion Questions: • Describe the way Dalí appears in the photograph. • What do you think Dalí would say if he could speak? This portrait of Dalí was made when the artist was 38 years old. Philippe Halsman, a friend of Dalí’s, photographed the image, capturing the artist’s face animated by a maniacal expression. Since his days as an art student at the Academy in Madrid, Dalí had enjoyed dressing in an eccentric way to exhibit his individuality and artistic genius. In this portrait Dalí’s mustache, styled in two symmetrical curving arcs, enhances the unsettling expressiveness of his face. Dalí often treated his long mustache as a work of art, sculpting the hairs into the curve of a rhinoceros horn or weaving dollar bills into it. Unlike many of Dalí’s other relationships, his friendship with Halsman was quite stable, spanning more than three decades. -
1 Dalí Museum, Saint Petersburg, Florida
Dalí Museum, Saint Petersburg, Florida Integrated Curriculum Tour Form Education Department, 2015 TITLE: “Salvador Dalí: Elementary School Dalí Museum Collection, Paintings ” SUBJECT AREA: (VISUAL ART, LANGUAGE ARTS, SCIENCE, MATHEMATICS, SOCIAL STUDIES) Visual Art (Next Generation Sunshine State Standards listed at the end of this document) GRADE LEVEL(S): Grades: K-5 DURATION: (NUMBER OF SESSIONS, LENGTH OF SESSION) One session (30 to 45 minutes) Resources: (Books, Links, Films and Information) Books: • The Dalí Museum Collection: Oil Paintings, Objects and Works on Paper. • The Dalí Museum: Museum Guide. • The Dalí Museum: Building + Gardens Guide. • Ades, dawn, Dalí (World of Art), London, Thames and Hudson, 1995. • Dalí’s Optical Illusions, New Heaven and London, Wadsworth Atheneum Museum of Art in association with Yale University Press, 2000. • Dalí, Philadelphia Museum of Art, Rizzoli, 2005. • Anderson, Robert, Salvador Dalí, (Artists in Their Time), New York, Franklin Watts, Inc. Scholastic, (Ages 9-12). • Cook, Theodore Andrea, The Curves of Life, New York, Dover Publications, 1979. • D’Agnese, Joseph, Blockhead, the Life of Fibonacci, New York, henry Holt and Company, 2010. • Dalí, Salvador, The Secret life of Salvador Dalí, New York, Dover publications, 1993. 1 • Diary of a Genius, New York, Creation Publishing Group, 1998. • Fifty Secrets of Magic Craftsmanship, New York, Dover Publications, 1992. • Dalí, Salvador , and Phillipe Halsman, Dalí’s Moustache, New York, Flammarion, 1994. • Elsohn Ross, Michael, Salvador Dalí and the Surrealists: Their Lives and Ideas, 21 Activities, Chicago review Press, 2003 (Ages 9-12) • Ghyka, Matila, The Geometry of Art and Life, New York, Dover Publications, 1977. • Gibson, Ian, The Shameful Life of Salvador Dalí, New York, W.W. -
Salvador Dalí and Science, Beyond Mere Curiosity
Salvador Dalí and science, beyond mere curiosity Carme Ruiz Centre for Dalinian Studies Fundació Gala-Salvador Dalí, Figueres Pasaje a la Ciencia, no.13 (2010) What do Stephen Hawking, Ramon Llull, Albert Einstein, Sigmund Freud, "Cosmic Glue", Werner Heisenberg, Watson and Crick, Dennis Gabor and Erwin Schrödinger have in common? The answer is simple: Salvador Dalí, a genial artist, who evolved amidst a multitude of facets, a universal Catalan who remained firmly attached to his home region, the Empordà. Salvador Dalí’s relationship with science began during his adolescence, for Dalí began to read scientific articles at a very early age. The artist uses its vocabulary in situations which we might in principle classify as non-scientific. That passion, which lasted throughout his life, was a fruit of the historical times that fell to him to experience — among the most fertile in the history of science, with spectacular technological advances. The painter’s library clearly reflected that passion: it contains a hundred or so books (with notes and comments in the margins) on various scientific aspects: physics, quantum mechanics, the origins of life, evolution and mathematics, as well as the many science journals he subscribed to in order to keep up to date with all the science news. Thanks to this, we can confidently assert that by following the work of Salvador Dalí we traverse an important period in 20th-century science, at least in relation to the scientific advances that particularly affected him. Among the painter’s conceptual preferences his major interests lay in the world of mathematics and optics. -
Exhibition Checklist
EXHIBITION CHECKLIST Dalí: Painting and Film June 29 – September 15, 2008 Salvador Dalí, Spanish, 1904-1989 Madrid Night Scene, 1922 Gouache and watercolor on paper 8 1/4 x 6" (21 x 15.2 cm) Fundació Gala-Salvador Dalí, Figueres Salvador Dalí, Spanish, 1904-1989 Brothel, 1922 Gouache on paper 8 3/16 x 5 7/8" (20.8 x 15 cm) Fundació Gala-Salvador Dalí, Figueres Salvador Dalí, Spanish, 1904-1989 Summer Night, 1922 Gouache on paper 8 3/16 x 5 7/8" (20.8 x 15 cm) Fundació Gala-Salvador Dalí, Figueres Salvador Dalí, Spanish, 1904-1989 The Drunkard, 1922 Gouache on paper 8 3/16 x 5 7/8" (20.8 x 15 cm) Fundació Gala-Salvador Dalí, Figueres Salvador Dalí, Spanish, 1904-1989 Madrid Suburb, circa 1922-23 Gouache on paper 8 3/16 x 5 7/8" (20.8 x 15 cm) Fundació Gala-Salvador Dalí, Figueres Salvador Dalí, Spanish, 1904-1989 Portrait of Luis Buñuel, 1924 Oil on canvas 26 15/16 x 23 1/16" (68.5 x 58.5 cm) Museo Nacional Centro de Arte Reina Sofía, Madrid Salvador Dalí, Spanish, 1904-1989 Portrait of my Father, 1925 Oil on canvas 41 1/8 x 41 1/8" (104.5 x 104.5 cm) Museu Nacional d'Art de Catalunya, Barcelona Salvador Dalí, Spanish, 1904-1989 The Marriage of Buster Keaton, 1925 Collage and ink on paper 8 3/8 x 6 5/8" (21.2 x 16.8 cm) Fundación Federico García Lorca, Madrid Salvador Dalí, Spanish, 1904-1989 Penya segats (Woman on the Rocks), 1926 Oil on panel 10 5/8 x 16 1/8" (27 x 41 cm) Private collection Print Date: 06/20/2008 01:22 PM Page 1 of 15 Salvador Dalí, Spanish, 1904-1989 The Hand, 1927 India ink on paper 7 1/2 x 8 1/4" (19 x 21 cm) Private collection Salvador Dalí, Spanish, 1904-1989 Apparatus and Hand, 1927 Oil on panel 24 1/2 x 18 3/4" (62.2 x 47.6 cm) Salvador Dalí Museum, St. -
Our Biggest Dali Art Show Ever... Dali 100 Yearscoming to San Francisco & Fort Worth
Vol. 14 No. 1 Spring 200 4 FOR THE DALI AFICIONADOANDSERIOUSCOLLECTOR Our Biggest Dali Art Show Ever... Dali 100 Yearscoming to San Francisco & Fort Worth lans for our two-city exhibition commemorating Dali's 100th birthday are in full swing, with artwork, sponsors, special events and other details being updated daily. For the PPlatest news, be sure to check in regularly with our exhibit website atwww.Dali100.com or call 800-FOR-DALI (800-367-3254). We'll be exhibiting more than 600 pieces in San Access Hollywoodco-anchor Francisco and Fort Worth, and each of these events Nancy O'Dell will be our Special will be launched with a black-tie party featuring Celebrity Host at Dali 100 Years celebrities, extraordinary food and an exclusive guest Opening Night in San Francisco . list (watch for your invitation in the mail next month). INSIDE SAN FRANCISCO May 12-30 We're delighted to announce that Alma Comida, one of Nancy O’Dell San Francisco's top restaurants, will be providing to Host Dali in catering for our opening night party on Dali's birthday, San Francisco May 11th. The party will also feature a larger-than-life surreal birthday cake replicating Dali's Persistence of COVER Memory, created by the Cake Gallery of San Spain: Center Francisco. There will be surprise celebrities on hand of the Dali (see sidebar, this page), and we invite the very bold Universe among you to dress in a surreal costume. PAGE 3 The exhibit runs from May 12-30 at the San Francisco New Dali Concourse Exhibition Center, East Hall, in the heart of Museum the city's design district. -
S Religious Artwork
A look at Salvador Dali’s religious artwork The American public loves the later paintings of Salvador Dalí (1904-1989), the Spanish artist who was a leader of the surrealist movement in the 1920s and 1930s but who announced his return to the Catholic faith and a classical style of painting in 1942. But most art critics and a number of theologians have dismissed Dalí’s later work. Some judged his Catholicism as insincere, while others thought Dalí lost his creative spark when he rejected the abstraction of modern art. Thanks to the exhibit “Dalí: The Late Work,” which runs through Jan. 9 at the High Museum of Art in Atlanta, we can now see Dalí’s later works as continuing the traits that made him such a compelling artist: his devotion to “good” painting (meaning, for him, the ability to accurately reproduce reality in pigments), and his fascination with the intersection of science and mathematics with the subconscious mind. Curator Elliott King told Our Sunday Visitor that Dalí, who was raised Catholic by his mother during his youth in Spain’s Catalan region, never completely left the faith, even though all the surrealists denounced the Church in the 1920s. His first painting to win a prize was a “Basket of Bread,” revealing a lifelong interest in the iconography of bread and its importance in the miracle of the Eucharist. And thanks to theologian Michael Anthony Novak’s analysis of the “Sacrament of the Last Supper” in the National Gallery of Art in Washington, D.C., we can also appreciate Dalí’s effort to interpret traditional religious subject matter in a way that expresses both contemporary reality and the central mystery of the Catholic faith. -
Salvador Dali Biography
SALVADOR DALI BIOGRAPHY • Salvador Domingo Felipe Jacinto Dali Domenech • born: 11th May 1904 in Figueras • at ten he painted a self- portreit titled "Ill Child” • expelled from San Fernando School of Fine Art • twice expelled from the Royal Academy in Madrid • joined Paris surrealist group • first surrealist painting ”Honey is sweeter than blood” • painted the world of the unconscious • met Gala Helena Deluviana Diakonoff Eluard Honey is sweeter than blood • expelled from the surrealist group • contoversial auto-biography "the secret life of Salvador Dali” • Gala's death in 1982 • Dali's health began to fail • 1983 - last work, "The Swallow´s Tail” • January 23, 1989, Salvador Dali died from heart failure and respiratory complications • buried in the crypt-mausoleum of the Museum Theatre in Galatea Figueras. SECRET LIFE • autobiography The secret life of Salvador Dali • marketing a product - his own art • "The difference between false memories and true ones is the same as for jewels: it is always the false ones that look the most real, the most brilliant." The secret life of Salvador Dali - cover • "It is not important what you do as long as you are in the headlines." • ”Disorder has to be created systematically." • “The only diference between me and a mad man is that I am not mad.” • 5 years: - pushed a little boy of a bridge - put a dead bat coverd with ants in his mouth and bit it in half • 6 years: kicks his three- year old sister in the head • “When I was six years old I wanted to be a cook and when I was seven, Napoleon. -
Daladier. He Was Handed Over to the Germans and Remained In
DALI´ ,SALVADOR Daladier. He was handed over to the Germans and all the surrealists—the only one who achieved celeb- remained in detention until the end of the war. rity status during his lifetime. Although he pub- lished numerous writings, his most important Despite the violent allegations against him by the contributions were concerned with surrealist paint- then very powerful Communist Party, which never ing. While his name conjures up images of melting forgave him for his attitude toward them in 1939, watches and flaming giraffes, his mature style took Daladier returned to France and to his old post of years to develop. By 1926, Dalı´ had experimented deputy for Vaucluse in June 1946. The Radical Party, with half a dozen styles, including pointillism, pur- however, was only a shadow of its former self, and it ism, primitivism, Marc Chagall’s visionary cubism, fused into a coalition of left-wing parties, the and Giorgio de Chirico’s metaphysical art. The same Rassemblement des Gauches Re´publicaines, an alli- year, he exhibited the painting Basket of Bread at ance of circumstance with little power. And while the Dalmau Gallery in Barcelona, inspired by the Herriot managed to become president of the seventeenth-century artist Francisco de Zurbara´n. National Assembly, Daladier never again played an However, his early work was chiefly influenced by important role. He made his presence felt with his the nineteenth-century realists and by cubist artists opposition to the European Defense Community such as Pablo Picasso and Georges Braque. (EDC), paradoxically holding the same views as the communists. -
Surrealism HW Booklet 2021
Surrea lism Name______________________________ Form_________________ Teacher_____________________________Art Group______________ Homework hand in day______________________________________ Year 8 Homework 1 About Surrealism Read the following information about the art movement Surrealism then answer the questions: Surrealism was a 20th century art movement that tried to represent the subconscious mind. The word surreal means ‘beyond real’ and refers to dreamlike imagery that cannot possibly be real. The movement began in the mid-1920s in France. Surrealism began as a philosophical movement that said the way to find truth in the world was through the subconscious mind and dreams, rather than through logical thought. The movement included many artists, poets, and writers who expressed their theories in their work. Surrealism images explored the subconscious areas of the mind. The artwork often made little sense as it was usually trying to represent a dream or random thoughts. Writers began the Surrealist movement. In 1924, a writer and poet Andre Breton explained Surrealism in his Surrealist Manifesto (a document that explains the intentions of Surrealism), and a few years later artists began to paint in the style he described. Surrealists wanted to free their minds of rational thought, to write or paint the ideas that were buried deep in their minds. These artists did not wish their work to make simple, logical sense. Salvador Dali is the most recognized of all Surrealist artists. This is why many of the paintings look like scenes from a dream (or nightmare). Many Surrealist paintings include imaginary creatures or real-life creatures shown in unnatural ways. Some paintings, include several seemingly unrelated objects. Others twist realistic images by using strange colours. -
The Basket of Bread)
© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2004 USA: © Salvador Dalí Museum Inc., St. Petersburg, FL, 2004 Cat. no. P 176 Panera del pa (The Basket of Bread) Date: 1926 Technique: Varnish medium painting on wood panel Dimensions: 31.5 x 31.5 cm Signature: Signed and dated lower left corner: Salvador Dalí / 1926 Location: The Dali Museum, St. Petersburg (Florida) Catalogue Raisonné of Paintings by Salvador Dalí Page 1 of 5 | Cat. no. P 176 Provenance H. K. Siebeneck, Pittsburgh (Pensylvania) James Thrall Soby, Farmington (Connecticut) E. and A. Reynolds Morse, Cleveland (Ohio) Exhibitions 1926, Barcelona, Galeries Dalmau, Exposició S. Dalí, 31/12/1926 - 14/01/1927, cat. no. 5 1928, Pittsburgh, Carnegie Institute, Twenty-Seventh International Exhibition of Paintings, 18/10/1928 - 09/12/1928, cat. no. 361 1932, Pittsburgh, Carnegie Institute, An Exhibition of Carnegie International Paintings Owned in Pittsburgh, 01/11/1932 - 15/12/1932, cat. no. 26 1941, New York, The Museum of Modern Art, Salvador Dalí, 19/11/1941 - 11/01/1942, cat. no. 3 1942, Indianapolis, The John Herron Art Institute (Indianapolis Museum of Art), [Exhibition of paintings by Salvador Dali], 05/04/1942 - 04/05/1942, cat. no. 3 1943, Detroit, Detroit Institute of Arts, Exhibition of paintings by Salvador Dali, 15/03/1943 - 12/04/1943, no reference 1946, Boston, The Institute of Modern Art, Four Spaniards : Dali, Gris, Miro, Picasso, 24/01/1946 - 03/03/1946, cat. no. 1 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18/12/1965 - 13/03/1966, cat. no. 18 1983, Barcelona, Palau Reial de Pedralbes, 400 obres de Salvador Dalí del 1914 al 1983, 10/06/1983 - 31/07/1983, cat. -
Salvador Dalí D1
Sketching the Artist: A Lecture on painter Salvador Dalí Part 1: 1904-1944 PART 1 Family mother: father: younger sister: elder brother: wife: Family Portrait (1920) Family mother: Felipa Domènech i Ferrès father: younger sister: elder brother: wife: Untitled Portrait of the Artist’s Mother (1920) Family mother: Felipa Domènech i Ferrès father: Salvador Dalí i Cusí younger sister: elder brother: wife: Portrait of My Father (1920) Portrait of my Father (1925) Family Portrait (1920) The Invisible Man (1932) Family mother: Felipa Domènech i Ferrès father: Salvador Dalí i Cusí younger sister: Ana María elder brother: wife: Figure at a Window (1925) Seated Girl Seen from the Back (1928) Portrait of My Figure at a Table (1925) Sister (1923) Family mother: Felipa Domènech i Ferrès father: Salvador Dalí i Cusí younger sister: Ana María elder brother (deceased as toddler): Salvador Galo Anselmo Dalí wife: Portrait of My Dead Brother (1963) Family mother: Felipa Domènech i Ferrès father: Salvador Dalí i Cusí younger sister: Ana María elder brother: Salvador Galo Anselmo Dalí wife: Gala (Helena Diakianoff Devulina) Paranoiac Metamorphosis of Gala’s Face (1932) Leda Atomica (1947-49) The Angelus of Gala (1935) Dalí from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas . (1972-73) Spanish Spaces & Places Figueres: town in Catalonia Empordàn Plain: Cadaqués: Cap de Creus Port Lligat: exterior of Dalí Theatre- Museum in Figueres, Spain Spanish Spaces & Places Figueres: town in Catalonia Empordàn Plain: flat, fertile plain; frequented by Tramuntana Cadaqués: Cap de Creus Port Lligat: Rock ’n Roll (1957) Spanish Spaces & Places Figueres: town in Catalonia Empordàn Plain: flat, fertile plain; frequented by Tramuntana wind Cadaqués: fishing village east of F.