DOCSLIB.ORG

What Makes the SQ2 Drum System Special? It Is Not Only the Variety of Choices

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Your pulse. Your expression. Your performance. Express yourself in a unique way. With instruments that are as unique as you are. Do not compromise. Choose the tools that enhance your musical “Whether he’s melding drums and explosions for an all-out aural assault or laying the foundation in the studio, Christoph Schneider’s drumming has provided the backbone for Rammstein’s rise as the identity. That allow for variety and depth, for sensitivity and response. Experience the SQ2 Drum System and discover the ultimate in custom drums. most successful German-language band of all time. His pounding beats slam home at an almost primal level, yet they have an undeniable groove and a song-oriented structure that is often absent in such aggressive music.”* * © Modern Drummer Magazine Photo: Rossi Rossberg Photo: Rossi YOUR SIGNATU RE IN SOUND SCHNEIDER - RAMMSTEIN CHRISTOPH FROM OUR HANDS TO YOURS We at Sonor share a certain dedication to detail when making drums. It is a We hand select the finest wood from environmental friendly sources for SQ2 The Sonor shell making process is the result of decades of research and CLTF stands for Cross Laminated Tension Free – a process that gives each shell Each shell is created to OSM Optimum Shell Measurements for optimized contact Sonor drum shells feature a 45° bearing edge, designed and introduced by us drum shells and veneers. experience and unique in it’s kind. superior stability and acoustic quality and requires no internal pressure on the shell. of the drum head, giving excellent tone and ease of tuning. already in 1975, for maximum resonance and sustain. personal thing. Each instrument we create means something to us. We know it will be played by drummers all over the world. It will be used in a wide variety of musical settings. Live or in a studio, in arenas in front of thousands of people or in the intimacy of a jazz club. But it will be always there to support your musical expression. So we put all our expertise into making the best drums we can... because we know you will give your best when We work with meticulous care in checking each individual shell, ensuring perfect Precision lacquering is applied to protect the exclusive natural wood finishes or Hand polishing ensures a perfect finish of each drum shell and the outstanding Every SQ2 snare drum is carefully assembled by hand and precision tuned before We take special pride in developing instruments that offer superior acoustic performing with them. roundness and consistency. the multiple layers of high quality colour finishes. looks that are a hallmark of Sonor instruments. shipping. quality and the typical Sonor touch and feel. “Stemming from experimental metal, Tomas “The Sonor SQ2 series Haake and Meshuggah play live what most means a completely custom setup, bands would struggle to piece together with PUT editing software in the studio. Their appeal to your specs. derives from a technical mastery that doesn’t From shell material to thickness, supersede the fact that their songs are intelligently and creatively written. It’s likely to hardware colors TOGETHER why they’re one of the most infuential metal and a seemingly endless array bands in the world today.” The Drummer’s Journal of options. Truly inspiring. THE My Sonor SQ2’s are just awesome.” Tomas Haake PIECESYou want choices? We can supply them. Start with shell material and construction, continue with inside and outside wood or lacquer finish, decide upon lugs and mounts, choose between gold, chrome or ruthenium plating. The options and combinations are almost infinite. Finding your own signature in sound may seem complicated, but just visit the SQ2 configurator at sq2-drumsystem.com and you will be guided throughout the entire configuration process. So for your own individual SQ2 setup – just put together the pieces. BODY, SOUND & FEEL Check out Benny‘s SQ² sound at sonor.com/sq2 In “The Art and Science of Groove” Benny Greb presents his collection of vital tools and exercises designed specifically to enhance playing with a positive groove, time after time. He introduces the five core elements of time, feel, sound, body and mind, offering straightforward solutions that can be applied to any musical style in order to generate a solid and consistent “Wherever my ideas lead me to, groove. We at Sonor applied our core elements of quality, Sonor drums bring them to life.” craftsmanship, experience, innovation and commitment to the development of the SQ2 drum system. Bring them to life with Benny Greb your own SQ2 set. BENNY GREB Photo: Benny Greb‘s ”Art And Science Of Groove“ DVD / by Gerhard Kühne GAVIN HARRISON - PORCUPINE TREE / KING CRIMSON Photo: Diana Seifert Lidschlag Photography “I believe every drummer has an inner voice they‘re trying to convey. Sonor drums articulate that inner voice and help me express my true drum personality. Sonor drums speak my language.” Gavin Harrison Check out Gavin‘s SQ² sound at sonor.com/sq2 Check out Nicko‘s SQ² kit at sonor.com/sq2 BE YOURSELF Nicko McBrain joined Iron Maiden in 1982. Since then he has recorded 13 studio albums with what many people consider to be one of the most influential heavy metal bands of all time. His energetic and unique style have established himself as one of the main driving forces and inspirations behind heavy metal drumming. “People ask me, ‘what would you change in your life?’ Well, absolutely nothing. Even the bad shit I wouldn’t change because it’s made me what I am.” Nicko McBrain NICKO McBRAIN - IRON MAIDEN AUSTRALIA GERMANY Joe Accaria > Human Nature/David Campbell Florian Alexandru-Zorn > Independent ITALY Dave Goodman > Independent USA Christian Blüm > Brings Enzo Augello > Educator NORWAY Joel „Kustom“ Mammone > Independent Nasar Abadey > Independent Ronny Dehn > Silly UNITED KINGDOM Lele Boria > Educator Rune Arnesen > Independent THE Mick Mills > Claymore Tal Bergman > Joe Bonamassa Stephan Emig > Triosence Steve Alexander > Independent Gianni Caltran > Session Jan Axel «Hellhammer» Blomberg > Mayhem Evan Yako > Recording Artist David Bowen > Cody Canada & the Departed Benny Greb > Moving Parts Craig Bacon > Independent Francesco Corvino > Session Anders Engen > Bjørn Eidsvåg Guillermo E. Brown > The Late Late Show JAPAN Carola Grey > Noisy Mama Richard Bailey > Incognito Luciano Galloni > NEK Bjørn Gunnar Sando > Hellbillies Jaimeo Brown > Jaimeo Brown Trio Yuki Aoyama > nano.RIPE Holger Hälbig > Independent Ian Bayne > Runrig Claudio Mastracci > Independent Claus Heiberg > Briskeby Wild Mick Brown > Ted Nugent Masao Fukunaga > Nana Mizuki Rennie Hatzke > Münchener Freiheit Dane Campbell > Phil Campbell Fabio Nobile > Session Sola Johnsen > Dum Dum Boys / Helter Skelter Rocky Bryant > Average White Band Genta > Masayoshi Yamazaki, bird Eike Herwig > Donots Jack Carrack > Paul Carrack AUSTRIA Federico Paulovich > Destrage Espen Mangen > Independent SONOR Dino Campanella > Dredg Naoya Hamada > Independent Sebastian Krajewski > Seeed / Peter Fox Joe Crabtree > Wishbone Ash Klaus Brennsteiner > Parametrix Franco Penatti > Session Kim Ofstad > Dsound / Madcon Danny Carey > Tool Yuki Hatano > YELLow Raffael Kühle > OK Kid Danny Cummings > Mark Knopfler Werner Groisz > Les Humphrie Singers Sergio Pescara > Groovydo Ole Petter Hansen Chylie > Dream Police / Ingrid Bjørnov/ Beat for Beat Chris Coleman > Prince Yuichi Hokazono > Spicy Kickin‘, Sphere Thomas Lieven > Big Band der BW Blair Cunningham > Westernhagen Christian Lettner > Basic Jazz Lounge Daniele Pomo > RanetRane Agne Sæter > CC Cowboys Paul Collier > Angelcorpse Osamu Jinguji > Remioromen Rudi Marhold > Götz Alsmann James Chapman > Independent David Piribauer > Independent Giorgio Prette > Independent Jack DeJohnette > Independent Taro Koyama > Independent Ralf Neuhaus > Independent Guy Davis > Freeze the Atlantic Reinhard Schwarzinger > Independent Franco Rossi > Educator Arti Dixson > Independent Yuya Maeta > Martin Friedman Jost Nickel > Jan Delay Dave DeRose > Moloko/Roisin Murphy Harald Tanschek > Independent Danilo Tasco > Negramaro ARTIST Vinnie Fiorello > Less Than Jake Ken Ken Sato > Plastic Tree Andreas Nowak > Silbermond Martin Ditcham > Westernhagen / Status Quo Andres Forero > Hamilton Musical Yoshitaka Shirane > KREVA Dennis Poschwatta > Guano Apes Dean Duke > Paul Carrack MALAYSIA Ian Froman > Independent Akira Suefusa > Ego Wrappin‘ and the Gossip of Jaxx Pola Roy > Wir sind Helden Josh Gimber > Sons and Lovers Martin Ngim > Independent Derrick Frost > Chiodos Masaaki Tamaki > Rimi Natsukawa, TUBE Klaus Scharfschwerdt > Puhdys Gavin Harrison > Porcupine Tree / King Crimson Kris Gustofson > Independent Yutaka Watanabe > Independent Christoph Schneider > Rammstein Ryan Jenkinson > Reverend & the Makers Aaron Harris > Isis / Palms CANADA Hideo Yamaki > Independent Joe Styppa > Konvoy / Cro / Cassandra Steen Martin “Magic” Johnson > Bewitched FAMILY Tootie Heath > The Heath Brothers Tyler Stewart > Barenaked Ladies Yuzo Yoshioka > Monster-Tairiku Ralph Winter > Big Band der BW Jan Kincaid > Brand New Heavies BENELUX Mark Hernandez > Forbidden Chris Sutherland > The Bodyguard / Xanadu Yukky > Home Grown Michael Wolpers > Running Wild Vinnie Lammi > Mel C / Spice Girls Herman Cambré > Clouseau Orlando Hernandez > Chayanne Johnny Fay > The Tragically Hip Joshua Blackmore > The Strobes SWITZERLAND René Creemers > Drumbassadors Yoron Israel > Independent Sean Dalton > Independent Ed Lay > Editors Christoph Blattner > Rhythmtalk Wim De Vries > Drumbassadors Fernando Jaramillo > Chayanne Pat Steward > Odds Dafydd Leuan > Super
Recommended publications
  • 6Th Lily Supplement

    6Th Lily Supplement

    The International Lily Register & Checklist (2007) Sixth Supplement © 2019 The Royal Horticultural Society 80 Vincent Square, London SW1P 2PE, United Kingdom www.rhs.org.uk Charity registration number 222879 / SC038262 International Registrar: Duncan Donald E-mail: [email protected] All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright holder ISBN 9781907057960 Printed and bound in the UK by Page Bros, Norwich (MRU) The previous supplement (Fifth Supplement) was published on 13th February 2017 Cover: Lilium ‘Willcrovidii’; drawing of Award of Merit plant by Winifred Walker, 1932. Image courtesy of RHS Herbarium, Wisley The International Lily Register and Checklist 2007 Sixth Supplement Introduction page 1 Notes on the entries page 2 Horticultural Classification page 4 Register and Checklist page 6 List of registrants page 116 The lily epithets listed here were registered between 1 September 2014 and 31 August 2016. Details of lilies with unregistered names are published also, as a Checklist, as are significant amendments to existing registrations. Epithets which conformed to the Articles (and, ideally, Recommendations) of the 2009 edition of the International Code of Nomenclature for Cultivated Plants (ICNCP) were deemed acceptable for registration [though entries have subsequently been updated to the 2016 edition, including the new use of adopted epithets]. Although registration is a voluntary procedure and does not confer any legal protection on the plant, the Royal Horticultural Society – as International Cultivar Registration Authority for Lilium – urges all hybridizers, raisers and introducers to register their lily names, to minimize potential confusion caused by new epithets the same as, or very similar to, existing names.
  • The Meshuggah Quartet

    The Meshuggah Quartet

    The Meshuggah Quartet Applying Meshuggah's composition techniques to a quartet. Charley Rose jazz saxophone, MA Conservatorium van Amsterdam, 2013 Advisor: Derek Johnson Research coordinator: Walter van de Leur NON-PLAGIARISM STATEMENT I declare 1. that I understand that plagiarism refers to representing somebody else’s words or ideas as one’s own; 2. that apart from properly referenced quotations, the enclosed text and transcriptions are fully my own work and contain no plagiarism; 3. that I have used no other sources or resources than those clearly referenced in my text; 4. that I have not submitted my text previously for any other degree or course. Name: Rose Charley Place: Amsterdam Date: 25/02/2013 Signature: Acknowledgment I would like to thank Derek Johnson for his enriching lessons and all the incredibly precise material he provided to help this project forward. I would like to thank Matis Cudars, Pat Cleaver and Andris Buikis for their talent, their patience and enthusiasm throughout the elaboration of the quartet. Of course I would like to thank the family and particularly my mother and the group of the “Four” for their support. And last but not least, Iwould like to thank Walter van de Leur and the Conservatorium van Amsterdam for accepting this project as a master research and Open Office, open source productivity software suite available on line at http://www.openoffice.org/, with which has been conceived this research. Introduction . 1 1 Objectives and methodology . .2 2 Analysis of the transcriptions . .3 2.1 Complete analysis of Stengah . .3 2.1.1 Riffs .
  • Franquicia Televisiva En Formato Talent Show Infantil Y La Gestualidad En La Performance Del Canto1

    Franquicia Televisiva En Formato Talent Show Infantil Y La Gestualidad En La Performance Del Canto1

    Correspondencias & Análisis, 10, julio-diciembre 2019 Esta obra está bajo una Licencia Creative Commons Atribución- NoComercial-CompartirIgual 4.0 Internacional ISSN 2304-2265 (CC BY-NC-SA 4.0). Franquicia televisiva en formato talent show infantil y la gestualidad en la performance del canto1 Recibido: 07/08/2019 Maria Thaís Firmino da Silva Aceptado: 29/10/2019 [email protected] Publicado: 05/12/2019 Universidade Federal do Ceará (Brasil) Maria Érica de Oliveira Lima [email protected] Universidade Federal do Ceará (Brasil) Resumen: Considerando la proliferación de formatos televisivos globales, esta investigación analizó la relación específica entre los medios de comuni- cación y la música en el programa “The Voice Brasil Kids 2018”. El propó- sito fue entender cómo la gestualidad evidenciada genera una brecha entre las características infantiles del talent show y los significados implementa- dos en performances previamente determinadas. Este estudio cualitativo (con investigación bibliográfica, análisis de contenido, análisis estructural) pre- senta argumentos sobre aspectos que implican producciones en formatos y se establece por el sesgo de análisis que reconoce el gesto como elemento de comunicación con significativo impacto en la performance mediatizada técnicamente. Por último, esta investigación señala que la brecha entre la es- pecificidad infantil del programa y la gestualidad (implementada en actuacio- nes previamente determinadas) se apoya en el uso de gestos con significados orientados a la esfera adulta y que el repertorio también puede reforzar esta perspectiva. 1. Este artículo forma parte del resultado presentado en la tesis de maestría en comunicación, titulada “Franquia televisiva em formato talent show infantil e a gestualidade na performance do canto”, defendida por Firmino da Silva (2019) en la Universidade Federal de Ceará (Brasil).
  • The Chronicle 78Th Year, No

    The Chronicle 78Th Year, No

    The Chronicle 78th Year, No. 54 Duke University, Durham, North Carolina Friday, November 12, 1982 Candidates outnumber the audience at debate By Larry Kaplow advertising for the debate whereby students are admitted The candidates outnumbered began Tuesday. regardless of their financial- the audience in a debate "A lot of it [the low turnout] need, is not being carried out as between prospective ASDU did have to do with publicity," well as it should be due to a lack officers held at Gilbert-Addoms said Chappell. "I have a feeling of communications between the dormitory Thursday night. Trent and the Rathskeller will school and prospective The debate, which only three have a much better turnout." freshmen. of the five candidates for Chappell also said a similar "'They aren't letting people president attended, was one of debate held at Gilbert-Addoms know when they apply that we three planned by the election last year only attracted about will get the money for them," committee. Other debates are 20 people which he said was not Bruton said. scheduled for Trent Hall, well publicized and was held on Presidential hopeful B.G. Sunday evening at 7:00, and the the night of an ASDU meeting Cutright, a Trinity junior and Rathskeller, Monday evening dealing with housing changes former ASDU parliamentarian, at 7:00. which may have drawn people also stressed financial aid in his According to Doug Chappell, away from the dormitory. platform. PHOTO BY DAVE SHREFFLER ASDU legislator and member of During the debate candidates "I believe a major emphasis Jeffrey Porro speaks during Thursday's convocation.
  • Gratifications About Reality Television “The Voice of China” Among Chinese Audience

    Gratifications About Reality Television “The Voice of China” Among Chinese Audience

    GRATIFICATIONS ABOUT REALITY TELEVISION “THE VOICE OF CHINA” AMONG CHINESE AUDIENCE GRATIFICATIONS ABOUT REALITY TELEVISION “THE VOICE OF CHINA” AMONG CHINESE AUDIENCE Xin Zhao This Independent Study Manuscript Presented to The Graduate School of Bangkok University in Partial Fulfillment of the Requirements for the Degree Master of Communication Arts 2014 ©2014 Xin Zhao AllRight Reserved Xin Zhao, Master of Communication, July 2014, Graduate School, Bangkok University. Gratifications about Reality Television “The Voice of China” among Chinese Audience (66 pp.) Advisor : Assoc. Prof. Boonlert Supadhiloke, Ph. D. ABSTRACT The main objective of this study is to apply the uses and gratifications approach to investigate “The Voice of China”, the most successful talent show in china for past two years. The research examines the motives for watching and satisfaction of audience through comparing the gratifications sought and gratifications obtained. A quantitative survey is be used to collect data. The samples are selected by convenience sampling method and all of the samples are 231. The mean and standard deviation are tabulated and analyzed by using paired sample t-test. The finding suggests that the primary motives for watching “The Voice of China” among Chinese audiences are social interaction, entertainment and relaxing, but not vicarious participation or perceived reality. And the gratifications are well obtained indicates high audience satisfaction for the program content. v ACKNOWLEDGMENT My experience as a graduate student has been an exciting and challenging journey. I would like to acknowledge all of my committee members for their helpful suggestions and comments. First, I would like to thank Dr. Boonlert Supadhiloke, for his direction on this IS paper.
  • The Voice of Holland: Allograph Production in Written Dutch Past Tense Inflection De Bree, E.; Van Der Ven, S.; Van Der Maas, H

    The Voice of Holland: Allograph Production in Written Dutch Past Tense Inflection De Bree, E.; Van Der Ven, S.; Van Der Maas, H

    UvA-DARE (Digital Academic Repository) The Voice of Holland: Allograph Production in Written Dutch Past Tense Inflection de Bree, E.; van der Ven, S.; van der Maas, H. DOI 10.1080/15475441.2016.1217777 Publication date 2017 Document Version Final published version Published in Language Learning and Development License CC BY-NC-ND Link to publication Citation for published version (APA): de Bree, E., van der Ven, S., & van der Maas, H. (2017). The Voice of Holland: Allograph Production in Written Dutch Past Tense Inflection. Language Learning and Development, 13(3), 215-240. https://doi.org/10.1080/15475441.2016.1217777 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:24 Sep 2021 LANGUAGE LEARNING AND DEVELOPMENT 2017, VOL.
  • Transatlanticana PR

    Transatlanticana PR

    RED HOUSE RECORDS Red House Records: Angie Carlson • [email protected] • (651) 644-4161 BILL KIRCHEN & AUSTIN DE LONE Transatlanticana New Studio Album Unites the Titan of the Telecaster with the Godfather of Pub Rock Recorded in Austin, TX and London, UK with an all star cast Tour and festival dates announced including Hardly Strictly Bluegrass 2016 (August 26, 2016; Red House Records) Bill Kirchen and Austin de Lone team up for a hands-across-the-Atlantic collection with their new studio album, Transatlanticana, out on August 26, 2016 on Red House Records. This long- overdue release unites the pioneers of two major musical movements: Kirchen co-founded the original “Americana” band, Commander Cody and his Lost Planet Airmen, and his trademark Telecaster licks drove their hit “Hot Rod Lincoln” into the Top 10 in 1972. De Lone dropped out of Harvard to start Eggs Over Easy, moving to London and recording with Jimi Hendrix’s producer/manager and The Animals’ bass player Chas Chandler in 1970. The Eggs are the progenitors of British pub rock, the first link in the chain to punk rock, new wave and beyond. Backed by both their all-star British and American bands, Transatlanticana finds Kirchen and de Lone trading songwriting credits and lead vocals on this soulful and rocking collection. They kick it off with the timely “Hounds of the Bakersfield,” a tribute to the late Merle Haggard and the Bakersfield, CA sound. Kirchen and de Lone cut the album in Austin and London, capturing on disc the best of their 30-year collaboration.
  • Glenn Tilbrook 2013

    Glenn Tilbrook 2013

    GLENN TILBROOK Mention Glenn Tilbrook and most people may immediately think of Squeeze. After all, with his writing partner Chris Difford, Tilbrook was responsible for Top Ten hits all around the world such as “Tempted”, “Hourglass”, “Cool For Cats” and “Up The Junction”. Ever since their first EP in 1977, Squeeze has delighted audiences with their brand of honky-tonk new wave and pithy lyricism, while their stock in the music world has seen the likes of Jools Hol- land, Paul Carrack and Elvis Costello all contribute to their work. However, since an acrimonious split in 1998 Squeeze has been on the backburner. Although you might forgive him for resting on his laurels after 13 albums and countless tours all over the world, Tilbrook has continued to write and perform with the same enthusiasm that he brought to Squeeze’s earliest recordings. With his two solo albums, “The Incomplete Glenn Tilbrook” and “Transatlantic Ping-Pong”, he proved he’s lost none of the joie-de-vivre that became Squeeze’s trademark. For 2009’s album “Pandemonium Ensues”, he injected some fresh faces by recruiting new band The Fluffers and some prestigious guests in the shape of Johnny Depp and Vanessa Paradis. This has been complemented by a conversational live show that is delightfully shambling in its approach – Tilbrook loves blurring the bound- ary between crowd and performer by performing requests and even taking his audience for walkabouts to set up impromptu gigs! Although a Squeeze reunion had always looked unlikely, Tilbrook and Difford’s paths slowly began to cross with more frequency, leading to a series of low-key gigs together in 2007.
  • The Story So Far

    The Story So Far

    1. How Long (Ace) 2. Tempted (Squeeze) 3. Silent Running (Live) 4. When You Walk In The Room (Live) 5. The Living Years (2006 Version) 6. I Live On A Battlefield (with the Royal Philharmonic Orchestra) 7. Dedicated (2006 Version) 8. Over My Shoulder (Live from Abbey Road) 9. Love Will Keep Us Alive (Full Version) - Featuring Timothy B Schmit of the Eagles 10. Eyes Of Blue 11. Beautiful World 12. Satisfy My Soul 13. Groovin’ 14. Any Day Now 15. Where Did I Go Wrong? 16. It Ain’t Over 17. What A Wonderful World (with the SWR Big Band) PCARiT14. This Compilation P2014 Carrack-UK. g2014 Carrack-UK Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Paul Carrack-The Story So Far... In my own words 1. How Long Taken from the album Blue Views. Originally released by Ace in 1974 In 1973 I was sharing a one-room bedsit in Camden with my girlfriend (now my wife) Kathy. The band I’d been with for the last 5 years since leaving home and going on the road had finally returned from Germany broke after having our equipment stolen. I reluctantly got a job cleaning cars at Henley’s Cars for the princely sum of 42 pence an hour. When the initial novelty of doing ‘real work’ with overalls and everything, wore off (after about a week) I was thoroughly miserable, apart from the fact that Kathy and I were madly in love. At some point I got a call from Tex Comer, the bass player in the aforementioned band.
  • Comunicar 43: Media Prosumers. Participatory Culture of Audiences and Media Responsability

    Comunicar 43: Media Prosumers. Participatory Culture of Audiences and Media Responsability

    © COMUNICAR, 43; XXII MEDIA EDUCATION RESEARCH JOURNAL ISSN: 1134-3478 / DL: H-189-93 / e-ISSN: 1988-3293 Andalusia (Spain), n. 43; vol. XXII 2nd semester, 01 July 2014 INDEXED INTERNATIONAL RESEARCH JOURNAL INTERNATIONAL DATABASES LIBRARY CATALOGUES • JOURNAL CITATION REPORTS (JCR) (Thomson Reuters)® • WORLDCAT • SOCIAL SCIENCES CITATION INDEX / SOCIAL SCISEARCH (Thomson Reuters) • REBIUN/CRUE • SCOPUS® • SUMARIS (CBUC) • ERIH (European Science Foundation) • NEW-JOUR • FRANCIS (Centre National de la Recherche Scientifique de Francia) • ELEKTRONISCHE ZEITSCHRIFTENBIBLIOTHEK (Electronic Journals Library) • SOCIOLOGICAL ABSTRACTS (ProQuest-CSA) • THE COLORADO ALLIANCE OF RESEARCH LIBRARIES • COMMUNICATION & MASS MEDIA COMPLETE • INTUTE (University of Manchester) • ERA (Educational Research Abstract) • ELECTRONICS RESOURCES HKU LIBRARIES (Hong Kong University, HKU) • IBZ (Internat. Bibliography of Periodical Literature in the Social Sciences) • BIBLIOTECA DIGITAL (University of Belgrano) • IBR (International Bibliography of Book Reviews in the Social Sciences) BIBLIOGRAPHICAL DATABASES • SOCIAL SERVICES ABSTRACTS • DIALNET (Alertas de Literatura Científica Hispana) • ACADEMIC SEARCH COMPLETE (EBSCO) • PSICODOC • MLA (Modern International Bibliography) • REDINED (Ministerio de Educación de Spain) • COMMUNICATION ABSTRACTS (EBSCO) • CEDAL (Instituto Latinoamericano de Comunicación Educativa: ILCE) • EDUCATION INDEX/Abstracts, OmniFile Full Text Megs/Select (Wilson) • OEI (Centro de Recursos de la Organización de Estados Iberoamericanos) •
  • The Voice Est Une Émission De Télévision De Télé-Crochet Musical Créée En Hollande

    The Voice Est Une Émission De Télévision De Télé-Crochet Musical Créée En Hollande

    The Voice est une émission de télévision de télé-crochet musical créée en Hollande. The Voice of Holland a eu un très gros succès, ce qui a très vite intéressé les États- Unis et ensuite les pays de l’Europe. En ce moment, elle est l’émission de télé- crochet la plus regardée en Europe. En France The Voice, la plus belle voix est arrivée en France le 25 février 2012 et a réuni 8 millions de téléspectateurs. Quatre saisons ont déjà été diffusées à la télévision. L'émission est présentée par Nikos Aliagas et les quatre coachs sont Jenifer, Garou, Louis Bertignac et Florent Pagny. Les auditions à l’aveugle C’est un mélange d'émissions qui ont déjà fait leurs preuves, comme Super Idol, Nouvelle Star, Star Académie et The X Factor. The Voice a un petit truc en plus, qui fait la différence : les talents sont d'abord sélectionnés à l'aveugle. Les quatre coachs sont assis dans de fauteuils et tournent le dos aux aspirantes pop stars. Les candidats sont ainsi jugés uniquement sur le son de leur voix. Quand un candidat plait à un coach, ce dernier presse un bouton, ce qui fait tourner son fauteuil. Si plusieurs jurés décident de faire face au candidat, celui-ci peut choisir lequel sera son coach personnel. Si aucun des jurés ne se retourne, le candidat repart tout simplement. Les Batailles Les candidats sélectionnés sont partagés en équipes et sont coachés par l'un des membres du jury, à la manière de The X Factor. S'en suive l'épreuve des "Battles" où les candidats s'affrontent sur scène La scène est aménagée comme un ring, ce qui augmente le stress et l'émotion.
  • Cymbal and Sound Guide 2010

    Cymbal and Sound Guide 2010

    WHAT’S YOUR SOUND? Cymbal and Sound Guide 2010 Modern and Innovative…4 Sameness and Difference This is a guide to the eleven SABIAN cymbal series and collections, as well as those models players tell us are the hottest of the lot… the main ones, the killer sounds. The vintage AA and HH series epitomize the best of the past… their sameness with the traditional art of cymbal making makes them very special. The innovative designs of AAX, HHX, and the Vault collection define the future… the difference. Plus there are more. See and hear them all at sabian.com. The Players Like you, the players on the following pages have a favorite series or sound… even a favorite cymbal. But their set-up will often be a mix of different series. So when you think cymbals, think sounds… and consider combining Modern with Vintage, Bright with Dark… After all, these cymbals are designed to be combined into whatever set-up you like… whatever you want your sound to be. WHAT’S YOUR SOUND? We play SABIAN. 4 CYMBAL AND SOUND GUIDE DAVE WECKLtVINNIE PAUL Hellyeah, PanteratHARVEY MASON FourplaytTOMAS HAAKE MeshuggahtDAVID GARIBALDI Tower of Power MIKE PORTNOY Dream TheatertSTEVE FERRONE Tom Petty & The HeartbreakerstBILL WARD Black SabbathtTERRY BOZZIOtNEIL PEART Rush VIRGIL DONATItCHESTER THOMPSON GenesistJEFF ‘TAIN’ WATTS Branford Marsalis Quartet, Tain & The EbonixtCHAD SMITH Red Hot Chili Peppers, Chickenfoot CYMBAL AND SOUND GUIDE 5 BERNARD PURDIE Steely Dan, Aretha Franklin, Jeff BecktRAY LUZIER KorntDANIEL ADAIR NickelbacktTODD SUCHERMAN Styx, Brian Wilson WHAT’S YOUR SOUND? Imagine standing in the SABIAN Vault, surrounded by thousands of cymbals.